In considering the 10th studio album by Spoon, we take a moment to appreciate what kind of an underappreciated milestone…
Album Review
Album Review: Animal Collective – ‘Time Skiffs’
Let’s be real with each other… Even the most dedicated Animal Collective followers can’t hide that the critical tide had…
Album Review: Beach House – ‘Once Twice Melody’
When twinkling synths usher the listener into Once Twice Melody—both the opening track and the album of the same name—it…
Album Review: Black Country, New Road – ‘Ants From Up There’
They may sound like one of those shit southern dad rock bands, but don’t let the name Black Country, New…
Album Review: Hippo Campus – ‘LP3’
It’s funny – and alarming – how quickly trends are changing in music these days. The jaunty indie pop of…
Album Review: Yard Act – ‘The Overload’
Leeds bunch Yard Act felt like one to watch the second they burst through in 2020 with “The Trapper’s Pelts”’,…
Album Review: The Blinders’ ‘Electric Kool-Aid (Part I)’
by Katie Macbeth Following on from their sophomore album Fantasies Of A Stay At Home Psychopath, Manchester rockers The Blinders…
Album Review: Eels – ‘Extreme Witchcraft’
We aren’t going to bore you with a long, drawn-out chunk of this review dedicated to the fact that the…
Album Review: Pedro The Lion – ‘Havasu’
David Bazan ended Phoenix, his 2019 album as Pedro the Lion, with a big question mark. The album was a…
Album Review: Blood Red Shoes – ‘Ghosts On Tape’
Blood red is the new black. Like a reconnaissance of caves, each darker than the last, Blood Red Shoes’ discography is an…
Album Review: The Wombats – ‘Fix Yourself, Not the World’
As an ex 2013 Tumblr teenager, The Wombats’ fifth studio album, Fix Yourself, Not the World, released on January 7th 14th,…
Ryuichi Sakamoto, “Minamata”
Ryuichi Sakamoto Minamata (Original Motion Picture Soundtrack) MILAN for Flood Mag 7/10 Somewhere between an Eric Satie still life and…