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Album Review

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  • 02/17/2022

In considering the 10th studio album by Spoon, we take a moment to appreciate what kind of an underappreciated milestone that...

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  • 02/15/2022

Let’s be real with each other… Even the most dedicated Animal Collective followers can’t hide that the critical tide had turned...

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  • 02/11/2022

When twinkling synths usher the listener into Once Twice Melody—both the opening track and the album of the same name—it feels...

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  • 02/09/2022

They may sound like one of those shit southern dad rock bands, but don’t let the name Black Country, New Road...

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  • 02/07/2022

It’s funny – and alarming – how quickly trends are changing in music these days. The jaunty indie pop of Minnesota’s...

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  • 02/05/2022

Leeds bunch Yard Act felt like one to watch the second they burst through in 2020 with “The Trapper’s Pelts”’, four...

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  • 02/03/2022

by Katie Macbeth Following on from their sophomore album Fantasies Of A Stay At Home Psychopath, Manchester rockers The Blinders release...

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  • 02/01/2022

We aren’t going to bore you with a long, drawn-out chunk of this review dedicated to the fact that the covid...

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  • 01/26/2022

David Bazan ended Phoenix, his 2019 album as Pedro the Lion, with a big question mark. The album was a reflection...

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  • 01/15/2022

Blood red is the new black. Like a reconnaissance of caves, each darker than the last, Blood Red Shoes’ discography is an ongoing...

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  • 01/14/2022

As an ex 2013 Tumblr teenager, The Wombats’ fifth studio album, Fix Yourself, Not the World, released on January 7th 14th, is...

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  • 10/09/2021

via Flood Magazine On Samia’s new four-song EP Scout, the singer-songwriter explores and expands upon all of the love in her...