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Album Review

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  • 09/25/2021

Ryuichi Sakamoto Minamata (Original Motion Picture Soundtrack) MILAN for Flood Mag 7/10 Somewhere between an Eric Satie still life and Jerry...

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  • 08/21/2021

Draw Down The Moon by Foxing There have been some emo revival acts who have risen to fame by shattering genre...

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  • 08/17/2021

Like so many others, The Zolas had their plans to release an album in 2020 scuppered by COVID-19. Instead of just...

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  • 08/11/2021

Creation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology, the compilation of the Indigenous Canadian singer-songwriter’s music issued by Light...

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  • 08/05/2021

Nathan Williams is no stranger to introspection; Wavves’ 2015 album V acted as his post-breakup lysis, reasoning with pessimism while attempting to maintain...

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  • 08/04/2021

Christopher Adams  Christopher is a freelance writer/journalist residing in Texas and currently writing for several magazine publications. Prior to freelancing, he was...

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  • 08/02/2021

The Flaming Lips’ Soft Bulletin was a watershed moment for the Oklahoma City rock band. Released in 1999, it was a...

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  • 08/02/2021

Imagine the scene: You’re in some smoky, crowded backroom speakeasy for an open mic poetry night. Most people performing do so...

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  • 07/14/2021

The post-reunion phase of a rock band’s lifespan can be a strange period to navigate. Provided the fans are on board,...

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  • 07/13/2021

On the cover of Peace Or Love, the long-awaited fourth album by Eirik Glambek Bøe and Erlend Øye, the Norwegian duo...

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  • 07/09/2021

Initial Impressions Astoria Legend’s self-titled album is bursting with glowing light, aching with melancholy nostalgia but still exuberant, full of life,/wp...

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  • 07/07/2021

Initial Impressions Disco Men From Mars’ Invasion is a tribute to all of the richness and complexity of synth-based music. It...