Album Review: Seven Purple Tigers’ Debut LP

The German band Seven Purple Tigers’ new self-titled debut album is one of the best DIY overseas debuts we have heard this year.

The LP is chock full of surprisingly varying genres and styles, covering the spectrum from indie rock, pop, soul, R&B and experimental rock in ways that are creative and interesting.

The album kicks off with the energetic track, “Ogliastru,” featuring a searing slide guitar juxtaposed with mournful lyrics and vocals.

“The original piece was a much slower, more thoughtful piece with a melancholic guitar melody playing between verses,” says Austin Horn, songwriter, vocalist, and guitarist.

Together with his partner, singer/songwriter Philip Dyszy, the duo founded the band in 2015 while in Krakow, Poland.

Horn explains how Dyszy added a slide guitar to the track to give it a “firey facelift to end out the song in a flurry of feedback.” “Ogliastru” was named for a small island village in Corisca, Greece.

The band, currently based in Freiburg, Germany, chose the track as the opener on their debut because it is their oldest song.

Next, the pace picks up considerably with a decidedly more pop-oriented verve on the track, “Messenger Pigeon.”

The song sports sweeping melodies which remind us of bands like Gin Blossoms and Blues Traveler. As the number progresses, it sinks in as the melodic hooks and choruses draw the listener in further. This track is ready for radio.

The band switches things up again on “Solstice Days,” a track that does not even sound like the same group. It is a straight-up acoustic soul and R&B-inspired composition with gorgeous melodies, surprising instrumentation, and engaging vocal progressions. This song is also one of the top tracks on the album.

Horn says that “Solstice Days” is intended to be the band’s answer to “a softer summer jam.” It does just that – and with remarkable results.

“But don’t let that fool you into thinking there isn’t a pick up into a rocking climax,” Austin says, and which is true.

The song, written and recorded last summer, also “explores the higher limits of my range…the addition of lower vocals helped round out the song, and Phil added the vocal background to the final verse,” Horn says adding that the song is a staple of Seven Purple Tigers’ live shows.

In fact, according to Horn, their adscititious musical influences include
Queens of the Stone Age, Arctic Monkeys, David Bowie, The Smiths, Jeff Buckley, Nick Drake, Tame Impala, Red Hot Chili Peppers, Tom Waits, Kings of Convenience among others.

The rhythm and flow of the songs are just as much credited to bassist Sebastian Heieck and drummer Felix Schwer, who definitely are not newbies to their ranks. In fact, the pair set the backing for some of the album’s best tracks.

The following song, “Down The Hole,” is another more R&B and soul-oriented number, but with a more sinister theme, one could say.

A comparable track, “Speaking Out,” has a booming alt-rock sound but it falls a bit shy of its real potential. It’s hard to tell if it’s the song itself or the mixing, or both.

The band mellows things out considerably with the sad, strangely wonderful, acoustic number, “A Song for The Rain.” This is one of the album’s other standout songs and it’s pretty much just an electric guitar and vocals.

“The original subject matter is about dealing with one’s own mental health in a positive light,” Horn says, noting that the lyrics for the second verse to the song were written fifteen minutes before they were recorded.

Things change radically with the space-rock like intro to “Limelight Baroness.” The song has more flair and intrigue going on than the other alt-rock leaning tracks on the album.

The memorable song, “Do You Love Me (Now)?” (buried at No. 10?), has a rock and roll swagger, solid progression and a snarl that is arresting and intriguing at the same time.

We would have put this track higher up on the album’s track listing. (It could also be a single release if the band wanted to make it such.)

Seven Purple Tigers debut album closes with “Basata,” which reminds us of Donovan, or even more, Nick Drake. It would have been so much better of a song if it had been made longer by adding some additional verses. Why waste something good?

It is another track that may have been best highlighted near the top of the album’s tracklisting (just because people tend to listen to 4-5 tracks on a 10-12 track album).

According to Horn, the 11-track album was recorded in a “whirlwind 10-day recording session” in Freiburg and culminated three years of songwriting and recording.

Horn and Dyszy also produced the album and Robert Pachaly mixed and mastered. All in all this is a good album with a bunch of solid tracks and almost the same number that could be better, or left off altogether. Check these guys out.

Indie Rock Songs Playlist for August 2019 – Hot Flash Heat Wave, Obil, Leo Harmonay, Hazey Jane, EMU

We have new August indie rock songs mainly from DIY indie bands in the U.S. and England.

This first new indie rock songs playlist for August features a diversity of indie sounds from rock to alt. folk to pop and more. The full playlist with uninterrupted streaming appears at the end of the post.

Hot Flash Heat Wave – San Francisco, California
Obil – New York, New York
Leo Harmonay – Peekskill, New York
Hazey Jane – London, England
EMU – Middlesbrough, England
The Coolers – Los Angeles, California



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Hot Flash Heat Wave – “Floating”

Almost as if it was created specifically to evoke summertime feelings of warmth, love, and adventure, the psych-pop indie rock song “Floating” comes our way from the San Francisco band Hot Flash Heat Wave.

It is the opening track on the band’s latest E.P. – the five-track, Mood Ring. Other standout tracks on the E.P. include the dreamy, “Head in the Clouds,” and the illuminating, “Glo Ride,” which racked up more than 80K plays on Soundcloud alone.

The band has gained national and international acclaim in recent years for their fuzzy psych-pop vibe, selling out appearances at popular musical conferences and festivals such as SXSW and Outside Lands.

All of the members – bassist and vocalist Ted Davis; guitarist and vocalist Adam Abilgaard and drummer Nick Duffy – met while high school students in the town of Davis, which is located along the easternmost edge of the S.F. Bay. A couple of years ago, all three moved to San Francisco in order to be close to the music scene.

One of the things we really dig about the band is how they experiment and mix in elements like dream pop, post-punk, surfer rock, tropical, psych, new wave, soul and other influences to create airy and light tracks that play like a soundtrack for summer.

“Floating” is just one example of the band’s unique ability to seep into your heart and soul without ever making you feel down, alone or bored. For the most part, everything always seems to be alright – even when it’s not – while listening to HFHW.

Another infectious shimmering summery track is the psych-pop/new wave hit, “Sky So Blue.” There are plenty of HFHW songs now floating around in the sky for any new converts to get a good feel for the band.

The trio is currently on a cross-country tour for the entire month of August, zigzagging from the Midwest to the Northeast to the Western states.

Listen to more Hot Flash Heat Wave on Bandcamp



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Obil – “Your Name”

After introducing the band to the NYC market, Obil was inspired to jump in the studio and record a fan-favorite song from their set.

Titled “Your Name,” the single is “meant to evoke the peaceful simplicity of a summertime love affair,” according to Obil’s frontman Miguel Martinez. His subtly-accented vocals do in fact evoke the feel the band was looking for.

Built on a percussive base of acoustic and electric elements, the track flows beautifully with influences such as international folk and world music, producing an original lo-fi indie vibe.

Started just last year, the members of Obil met while working in the professional club scene of New York City.

Guitarist dNo (Everything Ever, Curious Volume) brought along his friend and drummer Chris Peters (Neaux, Back and Forth) to join the band.

The band members’ backgrounds include experiences as touring musicians in heavier rock bands. This background adds flair and energy to their sound that is a more chill, danceable, and indie pop-rock sound.

Check out Obil’s page on FB



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Leo Harmonay – “Naked Rivers”

The stellar new title track, “Naked Rivers,” comes from a fresh collection of songs from New York singer/songwriter and musician Leo Harmonay.

The song, “attempts to reflect on lost opportunities, wasted time, collections of disagreements wrapped in streams of images,” he says, adding, “in a more upbeat tempo, which differs from my usuals approach.”

Harmonay writes and records original folk-tinged soulful rock music that is filled with poetic imagery against an emotional musical landscape that comes together nicely on songs like his latest efforts.

He lives and records at home in the quiet Hudson Valley town of Peekskill. He describes himself as “an old soul that had lived in the shadows for many years,” adding that he has experienced a reawakening of his songwriting interests after several life chapters that he describes as a “roller coaster” – and which he is now coming to terms with via his music.

In 2015, he released the L.P., Somewhere Over the Hudson, winning critical acclaim, followed the next year by The Blink Of An Eye.

That album, he says, “brings together a collection of deep-seated and boldly honest personal musical statements that are both thought-provoking and emotionally accessible while surrounded by a strong rhythmic perspective of haunting melodies.”

Harmonay’s songs are your classic singer/songwriter fare, but with a flare that calls on influences from soul, folk and blues. He is just proof again that there are talented artists in our midsts who are not being fully appreciated for their gifts.

Leo Harmonay official website


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Hazey Jane – “Open”

Formed only last year, Hazey Jane is an indie-folk quartet based in the Hackney area of London that is making waves.

The band’s warm and mesmerizing songs combine traditional folk storytelling with arena-sized pop hooks, swooning four-part vocal harmonies and delicate, breezy electric guitar playing.

Their newest single, “Open,” hits all of those buttons and is unapologetic in its unbridled optimism.

The song serves, the band says, as a “playful reminder that outgrowing negative voices and listening to yourself is the healthiest process in the world.”

The single is the band’s most soulful offering to date and affirms that “everyone can be their own source of inspiration and optimism.” It’s probably not a big surprise that the band’s biggest musical influences include Nick Drake, Ben Howard, and Michael Kiwanuka.

Before “Open,” the band released the song, “Lay Low,” during a sell-out show at The Old Blue venue in London back in May. The single accumulated more than 10,000 Spotify streams in 10 days and received critical acclaim from a number of U.K. and European indie blogs.

In 2016 the band achieved a crowd-funding goal of 5,000 English pounds, enough to record and release their five-track debut E.P. Us On A Wire.

The album was produced by Marcel Van Limbeek, whose worked with artists such as Tori Amos and mastered by Sander Van Laere (NAO, Mount Kimbie).

Upon completion of the album, and surrounded by an enthusiastic response, the band set out on their first headline tour of the U.K. They sold out venues throughout the country’s southeast region.

Last year, Hazey Jane dropped a second E.P., Lifeboat, garnering ‘taste-maker support’ from BBC Introducing London, Record of the Day and Sofar Sounds. The E.P. also helped the band land slots at U.K. festivals such as The Great Escape, Greenbelt and Cambridge Folk.

Hazey Jane on Soundcloud



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EMU – “Hungover, Dazed & Confused”

EMU is a fresh new indie rock four-piece band from the U.K. city of Middlesbrough, England.

The band’s newest single, “Hungover, Dazed & Confused,” is the title track off their new E.P. It’s hard to put the song into a genre or style because it is sort of free-form indie hybrid – there are influences and sounds of hiphop, rock, and punk.

The track is powerful and its experimentation edge is interesting, all while admitting that there is some fine-tuning needed.

But, hey, these guys are just starting out and it’s a solid first outing. The track is uncompromising and a vein of attitude without being annoying.

According to vocalist and songwriter Luke Freeman, HD&C was written a couple of years ago after a party.

“I realized I was the only one nodding off and I just thought, ‘get me home so I can have a cup of tea and listen to The Smiths’.” The song then evolved from there through a series of refinements.

Taking inspiration from artists such as Queens of the Stone Age, The Smiths, Foo Fighters, The Clash, Bob Dylan, and Sex Pistols, EMU’s E.P. features a collection of songs that fuse delicate guitar lines from influences like The Strokes and The Vaccines with “the attitude and hard-hitting delivery of punk.”

The album was recorded in lead guitarist Matty Broadrick’s bedroom and at Middlesbrough College with engineering, mixing and mastering accomplished by the band members; thereby taking the full and straight-up indie DIY approach and helping the band produce exactly the sound they wanted.

“The recording techniques were pretty standard with just a lot of close mics on the amps and drum components in order to try and capture the raw sound we were going for,” says Broadrick.

“The mixing [had] only slight EQ tweaks on the instruments and some reverb…and a one-key technique were [sic] added for slight distortion onto to the vocals in order to make it sound more gritty.”

Some of the band’s gear includes Les Paul guitar; Vox A 15; Fender Strat; V96 bass; various snares, kicks, and toms with SM57 and AKG 414 mics, and one large diaphragm condenser for vocals.

EMU on Soundcloud

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The Coolers – “Where The Fish Live”

Hailing from the music and sun-drenched city of Los Angeles, The Coolers are not just another band trying to help keep rock and roll alive. And they are actually doing it with their own brand of hybrid garage rock that really resonates in memorable ways.

Such is the case on the band’s smoking new single, “Where The Fish Live,” a raw, gritty track that embodies a symbiotic relationship of 60s-meet-90s rock styles.

The song is from the new self-produced, live E.P., Troglodyte, that was recorded at the famous Clear Lake Recording Studio in California, and mastered by multi-Grammy award-winning outfit Lurssen Mastering.

For the lovers of rock, this E.P. is worth your time. Kick it on at an outdoor BBQ with some cold brews and away you go. Other tracks like the fist-pumping song, “Birthday in Bed,” further prove the point.

A signature of the band’s sound is sharp and hypnotic guitar licks and hooks combined with introspective lyrics, raunchy vocals, and booming percussions.

Like the ideal garage rock band story, The Coolers were literally born in the garage of drummer and vocalist Sergio Gonzales, together with long-time friend and rhythm guitarist Sadie Dean; Texan guitarist and vocalist Leslie Bumgarner and Ohio-smitten bassist J.D. Ramage. They became The Coolers.

Now, a year later, they are tearing things up. Three of the members share songwriting efforts, drawing from a catalog of musical inspirations and influences that include Joan Jett, Pink Floyd, Soundgarden, The Pixes, and Black Sabbath, among others.

The Coolers on FB





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Chicago’s Stolen Silver Drops New Single from E.P.

Connecting two Midwest locales – the big city of Chicago, Illinois and the small town of Traverse City, Michigan – the indie band Stolen Silver went to great lengths to record their latest E.P. titled Sanctuary Sessions, which is set to drop later this summer.

What brought the members from the big city out to the pastoral lands of Wisconsin for this recording was a 150-year-old Gothic church. The E.P. was tracked and filmed live on location.

The lead single from the sessions, “Still,” is a warm, airy and enchanting song with intimate melodies. One of my first thoughts when listening to this track was what a perfect road trip song it is.

There are not many bands that we’d dare say sound a bit like Fleet Foxes (remember them?), but there are moments when listening to this track that the comparison is almost unmistakable. But in a way that is still Stolen Silver’s own.

Other elements like touches of soul and pop are expressed in the enchanting instrumentation and the captivating vocals, demonstrating a keen level of musical and lyrical sophistication.

Obviously part of the band’s journey to the historic church was for the acoustics and overall setting of the space – both of which make for compelling audio and video. The video was shot with numerous angles and close-ups of the band members performing.

The band’s roots go back a decade ago when musicians and songwriters Dan Myers and Levi Britton were rooming together in Chicago.

Over time, they discovered similar musical interests and began to respect one another’s work. So much so that they began writing and recording together and thus formed Stolen Silver.

Over the years, their initial vision of a folk duo expanded into a full six-piece band featuring a collection of veteran multi-instrumentalists and drummers like Christopher Sterr; John Paul; Jonathan Tornga; Shawn Rios; and more recently, Red Wanting Blue’s drummer Dean Anshutz and bassist Joe Ayoub (Shakira, Enrique).

The duo, with a supporting band, has toured extensively around the Midwest and the United States. Nowadays, half of the band resides in Chicago while the other half lives in Traverse City, Michigan.

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