Listen to ‘The Jimi Hendrix You Never Knew,’ An NPR World Cafe Two-Hour Special of Previously Unreleased Recordings

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The world of alternative and indie rock would not be the same today if Jimi Hendrix had never been discovered at the Monterey Pop Festival in 1968, which was the first time he really broke out in the U.S.   Sadly, after changing rock and roll radically and forever in a whirlwind of fame over the course of just a few years, Hendrix died suddenly in 1970 at the age of 27.

Well, Hendrix and guitar rock fans everywhere have something to celebrate this week thanks to a special feature from NPR’s World Cafe series, ‘The Jimi Hendrix You Never Knew.‘  David Dye, the host of World Cafe, presents a two-hour audio stream showcasing new Hendrix music that only surfaced in recent years. The songs were tracks that Hendrix was working on following his epic 1968 rock and roll classic, Electric Ladyland.

While the master tapes of these long-lost recording sessions were eventually recovered by Hendrix’s family members, the public only heard them for the first time upon the release the post-humous album, People, Hell and Angels (get CD version, #8 on Amazon, MP3 version, the vinyl or the limited deluxe edition), an LP consisting of 12 previously unreleased recordings released earlier this month.

In this special, Dye includes many of the original recordings, as well as interviews with Hendrix’s sister Janie, his original engineer, Eddie Kramer, and bass player, Billy Cox, in addition to musicians like Taj Mahal, Billy Gibbons, Angela Davis, Steve Winwood and Bootsy Collins.

Way Back Now: Suede’s First Album in Over A Decade, ‘Bloodsports’

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by Ed Biggs

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Unlike many bands that seem to reunite cynically for the allure of the dollar, Suede (or The London Suede, depending on which side of the Atlantic you’re reading this) genuinely have unfinished business.

Often credited with kick-starting the mid-1990s musical movement known as Britpop, their impressive back catalog was tarnished by the appalling A New Morning (2002), an album not even released in the States, before their extended hiatus that began in 2003.

Fortunately, Bloodsports, released 11 years since their last album, does a great deal to rehabilitate the band’s legacy. Everything is energetic, honed and effortlessly melodic, while retaining that crucial edginess and noir that Suede’s fans so adored them for.

Lead single “It Starts And Ends With You” is the perfect illustration, all dramatic and FM-friendly. The remainder of the tracks do not deviate very far from this template, making Bloodsports a consistent and enjoyable collection that stands shoulder to shoulder with material from their commercial heyday.

“It Starts And Ends With You”Suede from Bloodsports

Best New Music Releases, Week of March 19th – Low, Black Rebel Motorcycle Club, Suede, Fol Chin, Boy + Kite

lowWith the end of South By Southwest last weekend, the flow of new albums and EPs from well-known, popular and signed artists and bands has resumed, with releases such as our Album of the Week, Specter at the Festival by Black Rebel Motorcycle Club, and new drops from long-time slowcore favorites Low and Phosphorescent, plus check out singles from albums by UK psych rocker Palma Violets, who made their presence know at SXSW; Los Angeles electro-pop outfit, Fol Chen; two reissues from James McNew‘s music project, Dump, and the third album from And So I Watch You From Afar, among others.

Also, don’t miss the album review for BRMC’s new album, the latest Artist of the Week, Shy Mirrors, the third edition of 5 DIY Bands to Watch in 2013 and the February Top Ten Songs playlists.

“Let The Day Begin” – Black Rebel Motorcycle Club from Specter At The Feast on Vagrant Records

“Just Make It Stop”Low from The Invisible Way on Sub Pop

“It Starts And Ends With You” Suede from Bloodsports on Ingrooves/Fontana

“Fall”Boy + Kite from We Can Go Anywhere We Want (self-released)

“Like a Mouse” – And So I Watch You From Afar from All Hail Bright Futures on Sargent House

“I.O.U.”Fol Chen from The False Alarms on Asthmatic Kitty

“No One Knows Nothing Anymore”Billy Bragg from Tooth & Nail on Cooking Vinyl

“Sad Night, Where Is Morning?”The Ocean Blue from Ultramarine on Korda Records

“Best of Friends”Palma Violets from 180 on Rough Trade

“Mercury Retrograde” Purling Hiss from Water on Mars on Drag City

“Crawler”The Cannanes from Small Batch EP on exro.fm / Lamingtone

“Superpowerless”Dump from Superpowerless (reissue) on Morr Music

“Painting on a Corpse” Ensemble Pearl from Ensemble Pearl on Drag City

“Heavy Sh*t”Colleen Green from Sock It to Me on Hardly Art

“Airbone Kawasaki” Heavy Hawaii from Goosebumps on Art Fag Recordings

“Top 100”Julia Massey & The Five Finger Discount from Five Letters From Far Away (self-released)

“Careless Step” Solvents from Ghetto Moon on Bee Resin Records

“Year of the Glad” Marnie Stern from The Chronicles of Marnia on Kill Rock Stars

“Cadillac Desert”William Tyler from Impossible Truth on Merge Records

 

 

Album of the Week: The Black Rebel Motorcycle Club’s ‘Specter At The Feast’

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by J. Hubner

The track, “Fire Walker,” opens quietly. It’s like opening a long forgotten book and beginning what would be many incredible chapters. “Fire Walker” is the opening sentence to a band’s reawakening. Robert Levon Been doesn’t come out swinging, but swaying ever so lightly. Tension and sadness permeate his voice as he sings lines like ‘Your soul was only yours to keep/It’s buried in me now/A bullet from the shell it leaves/It strips it to the ground’. The song never gets above a masterful solemnity, and that’s how Specter At The Feast, released on Monday, begins a new chapter for Black Rebel Motorcycle Club, one of their best albums in years. (MP3 version only $5 at Amazon; CD is $8.99).

“Fire Walker”Black Rebel Motorcycle Club from Specter At The Feast

Then comes the rock. That familiar fuzzy bass, the straining guitar squalls, and the tribal drums return in full bombast form on “Let The Day Begin,” an instant BRMC classic. It encapsulates all the things BRMC have used to build their sound since forming in 1998; tension, gutter grime, and a fist-pumping bravado. At the heart of this leather-clad band, there is a straight-up rock ‘n roll band that wants nothing more than to make an arena filled with fans scream at the top of their lungs and sing along. They’re the U2 of the black leather jacket union. They’re the saviors of the freaks and geeks.

A song like “Returning” is a scratched and bleeding open hug for the disenfranchised. “Lullaby” has the feel of a lost classic. Been has never sounded this earnest and, well, lovely. The death of Robert Levon Been’s father in 2010 has given Specter At The Feast an ample amount of heartache and reflection that – for good or bad – has never been so present on any previous BRMC album. “Returning,” “Lullaby,” “Some Kind Of Ghost,” and “Sometimes The Light” bring an air of remorse, introspection, and ultimately redemption to this record.

“Let The Day Begin”Black Rebel Motorcycle Club from Specter At The Feast

“Returning”Black Rebel Motorcycle Club from Specter At The Feast

Listen to the full album on Spotify.

There’s also still plenty of fire and grime in tracks like “Hate The Taste,” “Rival,” and the excellently Jesus and Mary Chain-like “Teenage Disease,” one of the best rock ‘n roll screeches you’re likely to hear this year. I hear a song like “Teenage Disease” and I can’t help but be reminded of New York by way of Detroit punk metal rockers Warrior Soul. Though only prominent for maybe a five-year span, Warrior Soul’s Korey Clarke had a voice that sounded battered, bruised and bloody, yet still retained a soul and power that kept you enthralled. Robert Levon Been has that same ability. Check out 1991’s Drugs, God, and the New Republic for proof of Warrior Soul’s short-but-sweet moment of rock ‘n roll glory. Specter At The Feast‘s closer “Lose Yourself” is a long and bittersweet goodbye, with a melancholy sound that hints at early British band Straitjacket Fits.

“Teenage Disease” – Black Rebel Motorcycle Club from Specter At The Feast

After a mid-2000s lull with albums like Howl, Baby 81, and the straight up bizarre The Effects of 333, Black Rebel Motorcycle Club seemed to be on the road to healing with 2010’s Beat The Devil’s Tattoo. With Specter At The Feast BRMC have proven to us once again they are one of the best rock ‘n roll bands working today. Robert Levon Been has also proven the best way to healing is through songs. This is a raucous rock ‘n roll comeback, and a bittersweet goodbye. The best kind of book.

8 out of 10 – J. Huber is a freelance music writer and music fanatic

Best New Music Releases – Youth Lagoon, The Men, Cloud Cult, Javelin, Rhye, How to Destroy Angels, Chelsea Light Moving

Youth-Lagoon-Wondrous-BughouseThis week’s batch of new releases from popular, obscure and signed indie and alternative rock, electro and folk bands offers indie music lovers a large assortment of albums to pick from, as well as singles to stream and download. Keep an eye out for a whole series of recently released DIY albums coming up soon and containing a stunning collection of top-notch singles from artists many folks have never heard before. We’re also working diligently on putting together and publishing the Top 10 Songs weekly playlists for February.

The number of notable releases this past week probably makes this the blockbuster week for new releases so far this year. In fact, there were so many releases to go through, that it delayed the posting of this edition of BNMR. What we can say for sure is this playlist is a feast for the ears – don’t be surprised if you find yourself listening to it again and again. That said, let’s get right to it, starting off with the swirling, melancholic synths and brilliant compositions of Trevor Powers, aka, Youth Lagoon. His sophomore LP, Wondrous Bughouse, is IRC’s Album of the Week, and for good reason. There is a full Spotify stream of the album embedded in the review. Find out why one regular patron of the cafe called it the Sgt. Pepper of 2013.

The masterpiece track, “Dropla,” is the lead single from the album. Also, dip into the versatile genre-fication (garage rock, psychedelic rock, power pop) of The Men; the wonderfully layered prog rock and orchestral pop of Cloud Cult; the richly textured, heavily sampled electro pop debut from Grimes‘ accomplice Doldrums, as well as the totally thrilling, joyous sounds of Superhuman Happiness on the track, “See Me On My Way.” Cy Dune, aka Akron/Family band member Seth Olinsky rocks hard on the single, “Where The Wild Things,” from this solo debut EP, No Recognize, out on vinyl this week via Family Tree Records,

“Dropla”Youth Lagoon from Wondrous Bughouse on Fat Possum

“Electric”The Men from New Moon on Sacred Bones

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“Good Friend”Cloud Cult from Love on Earthology Records

“Anomaly”Doldrums from Lesser Evil on Arbutus Records

“See Me On My Way”Superhuman Happiness from Hands on The Royal Potato Family

“Where the Wild Things”Cy Dune from No Recognize on Family Tree Records // Cassette Burger Records

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New Music from Cy Dune, Hollis Brown, Helado Negro, Cave Singers and Others

This next cluster of singles from new releases dropped in the past week include chilled out tracks from Hollis Brown‘s dreamy, guitar and piano infused track, “Nightfall,” from the new release, Ride on the Train; Helado Negro‘s smooth grooves on “Dance Ghost” from the LP, Invisible Life; John Murry’s alt. country rock single, “The Ballad of the Pajama Kid,” from the album The Graceless Age. Also this past week was the first all-English LP of dreamy acoustic folk from Iceland’s Olof Arnalds, the recent Fleet Foxes ex-pats collaboration with The Cave Singers; plus, the new single, “Linens” from Water Liars‘ latest LP, Wyoming.

“Nightfall”Hollis Brown from Ride on the Train on Alive Records

“Dance Ghost”Helado Negro from Invisible Life on Asthmatic Kitty

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“The Ballad of The Pajama Kid”John Murry from The Graceless Age on Evangeline Recording Co.

“Linens”Water Liars from Wyoming on Big Legal Mess

“Treat Her Kindly”Ólöf Arnalds from Sudden Elevation on One Little Indian Records

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Electro Singles from Bill Baird, Javelin, HighasaKite, Shlohmo

Next, stream a collection of new electro and synth singles from this week’s releases from a variety of artists – such as a double LP of eccentric, atmospheric electro-pop mixed with psychedelic rock from the widely praised musical mastermind Bill Baird, as demonstrated by his new single, “Spring Break of the Soul;” a new album of quirky synth pop from Javelin; the deep base, autoharp and tinkering keys of Norwegian artist Highasakite‘s track, “Son of a Bitch;” the sweet beats of the rising electro warriors Shlohmo on the mix “Don’t Say No,” featuring How To Dress Well, and other electro singles from new albums by

“Spring Break of the Soul”Bill Baird from Spring Break of The Soul on Pau Wau Records

“Nnormal”Javelin from Hi Beams on Luaka Bop

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“Son of a Bitch”Highasakite from In and Out of Weeks EP on Propeller Recordings

“Don’t Say No” – Shlohmo with How To Dress Well from Laid Out EP on Friends of Friends x Wedidit

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Debuts from Rhye, How To Destroy Angels, Chelsea Moving Light

There were also a number of debuts this week , including Los Angeles new comers Rhye, with the deliciously smooth, Sade-like R&B grove of the single, “Open,” from the album Woman; the debut release and lead single from Nine Inch Nails frontman Trent Reznor and his wife’s post-industrial project, How To Destroy Angles, as well as the self-titled debut from the electro radar band Stubborn Heart.

“Open” Rhye from Woman on Innovative Leisure

How Long?”How To Destroy Angels from Welcome Oblivion on Columbia Records

“Need Someone”Stubborn Heart from Stubborn Heart on One Little Indian Records

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And while we’re talking 2013 debuts, at the top of the list is the highly anticipated self-titled debut album from Chelsea Light Moving, the new band and brainchild of Sonic Youth frontman, and alternative rock legend, Thurston Moore, featuring a collection of punk inspired, fuzzy guitar rock tracks, like the single, “Burroughs.”

“Burroughs”Chelsea Light Moving from Chelsea Light Moving

Listen to second track in previous CLM post

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Fresh Tracks from Robyn Hitchcock, Son Volt

Since we’re on the subject of iconic rockers, post-punk pioneer Robyn Hitchcock dropped a new solo album, Love From London, earlier this week, that features an assortment of strange psychedelic folk-pop songs like the single, “Be Still”. Sticking with the theme of cult figures, Uncle Tupelo co-founder Jay Farrar and his ‘other’ band, Son Volt, just released their seventh album, chock full of roots-inspired honky tonk tracks led by the single, “Hearts and Minds.” Don’t miss the high octane pop of Seattle band Hey Marseilles.

“Be Still”Robyn Hitchcock from Love From London on Yep Roc Records

“Hearts and Minds”Son Volt from Honky Tonk on Rounder Records

“Bright Stars Burning”Hey Marseilles from Lines We Trace on Onto Entertainment/Thirty Tigers

Album of the Week: Youth Lagoon’s ‘Wondrous Bughouse’

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Trevor Powers, aka, Youth Lagoon, released his masterful sophomore LP earlier this week

by J. Hubner

Wondrous Bughouse is an album that from beginning to end fills you with joy. It comes over you in waves of awestruck and wide-eyed wonderment. Youth Lagoon, the musical alias Trevor Powers, looks to the skies and questions whom or whatever may or may not be looking down on us. If Powers’ 2011 debut, Where The Year of Hibernation, was a quiet entry into a bedside journal at 2 a.m., Wondrous Bughouse is a technicolor daydream. It’s a primal scream directly at the universe – which at it’s core – is as universal as it gets. Powers has given us what is bound to be one of best albums of the year – a kaleidoscope of sounds and emotions; a Kool Aid acid test where no chemicals are required – just open ears and an open mind.

The album’s opening track, “Through Mind and Back,” is a carnival mirror. It’s a distorted version of melody and harmony. You get the feeling that the quiet, lo-fi bedroom sound of Powers’ debut album, The Year of Hibernation, may have followed him to album number two; that is until “Mute” comes pouring from the speakers like the scene in The Wizard of Oz where the film transitions from black and white to bright color. The sound is big, full, and immediate. Renowned producer Ben H. Allen’s (Animal Collective, Cut Copy, Deerhunter, MIA, The Whigs) influence in the production of the sprawling soundscapes is evident –  twisty, wavering keys and chorused guitars shimmering in the air. The intense shift in the sonics for Youth Lagoon may be quite jarring for those that hold The Year of Hibernation in such high regard. All I can say to them is stick with this record.

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Trevor Powers’ Technicolor Ode to the Meaning of Life and Death
Trevor Powers hasn’t lost any of his intimacy as a songwriter. His paintings are as personal as ever; he’s merely gotten a much bigger canvas and a more diverse palette of colors to choose from. The song  “Attic Doctor” is a bizarre carnival ride – a calliope run on nitrous oxide. It’s sinister, sweet, and ethereal all at once. With its waltz time signature, ample amounts of ear candy, and dream-like haze, the track shows Trevor Powers can do more than quiet and intimate songwriting.

“The Bath” goes back to a more refined, quiet sound, albeit with the sonic exploration skills of  Allen at Youth Lagoon’s disposal while  “Pelican Man” builds slowly into a cathartic release – a feeling that I can only describe as heart swelling. I’ve listened to this record several times now and I keep going back to one name: Brian Wilson. I can’t help but compare Wondrous Bughouse to Wilson’s long gestated and recently released SMilE. It’s utter exuberance and child-like wonder pervade. This isn’t a literal comparison; this is in spirit. I can’t tell you how many times while listening to this record I just stopped what I was doing and just let it wash over me.

“Dropla” is the centerpiece of the album. It’s a song about dying and what happens when we die. Or, maybe the anger and resentment we feel when someone we love dies. I don’t know. It’s a mantra of a song. I could picture a child repeating the line “You’ll never die, you’ll never die, you’ll never die”, at the bedside of a loved one, thinking in their heart it would make a difference in the end. It’s a beautiful track that would never have had the weight it carries had it been recorded in the same lo-fi bedroom fashion of Power’s debut album.

“Dropla” – Youth Lagoon from Wondrous Bughouse

Next, “Sleep Paralysis” sounds like a song beamed in from some other time, found on some radio frequency lost for years, while “Daisyphobia” ends this immense album on a dream-like note. It’s as if Trevor Powers is singing from the edge of a chasm, one that separates us from that euphoric dream world this album comes from, and the world it leaves us behind in. Back through the looking glass you go, Alice.  (10/10)

Youth Lagoon’s 2013 Tour Dates

03-13-16 Austin, TX – SXSW
03-22 Boise, ID – Treefort Music Fest
04-12 Indio, CA – Coachella
04-19 Indio, CA – Coachella
04-21 Phoenix, AZ – Crescent Ballroom
04-22 Tucson, AZ – Club Congress
04-24 Austin, TX – Mohawk
04-25 Dallas, TX – The Loft
04-26 Houston, TX – Fitzgerald’s
04-27 New Orleans, LA – One Eyed Jacks
04-28 Birmingham, AL – The Bottletree
04-30 Orlando, FL – The Social
05-01 Atlanta, GA – Terminal West
05-02 Nashville, TN – Mercy Lounge
05-03 Asheville, NC – The Grey Eagle
05-04 Carrboro, NC – Cat’s Cradle
05-07 Northampton, MA – Pearl St.
05-10 Philadelphia, PA – Union Transfer
05-11 Columbia, MD – Sweet Life Festival
05-13 Toronto, Ontario – Great Hall
05-14 Columbus, OH – A&R Bar
05-15 Chicago, IL – Metro
05-16 Madison, WI – Majestic Theater
05-17 Minneapolis, MN – Fine Line
05-22 Portland, OR – Wonder Ballroom
05-23 Vancouver, British Columbia – Venue
05-24 Gorge, WA – Sasquatch! Fest
06-05 Brooklyn, NY – Barclays Center *

  • with the National

J. Hubner is a Midwestern family man and basement musician. He listens to albums. Lots of albums. Occasionally he writes about those albums. Check out his blog and listen to some of his music.

Best New Music Releases, Week of Feb. 26th – Atoms For Peace, Shout Out Louds, Grave Babies, Johnny Marr, Gold Fields

Atoms_AMOKRadiohead fans worldwide have something to celebrate this week following the release of the debut album from Thom Yorke‘s new music project, Atoms for Peace. Other singles from new albums that officially dropped this week included Shout Out Louds, Grave Babies, Johnny Marr, The Mavericks, among others.


“Default”Atoms For Peace from AMOK on XL Recordings (CD)

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“Blue Ice”Shout Out Louds from Optica (MP3 album)
Double-shot: “Illusions”Shout Out Louds from Optica (MP3 album)

“Transmissions”Deathfix from Deathfix on Dischord

“Anomaly”Doldrums from Lesser Evil on Arbutus Records

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Seattle’s Grave Babies Drop Second LP, Crusher

If you’re a fan of Pacific Northwest lo-fi goth, chances are you’ve heard the music of Seattle band Grave Babies. This week, the band, which formed in 2007, dropped their third album on Sub Pop offspring, Hardly Art, a label that has been signing up Seattle area bands aggressively over the past few years.

The band’s lead vocalist, singer/songwriter and guitarist, Danny Wahlfeldt, founded the band, bringing in keyboardist Tyler Robinson, drummer Keith Whiteman and bassist Mitch Saulsberry. Their songs are often about death wrapped in finely crafted melodies and harmonies. In addition to the double-shot of MP3 singles from Crusher, is yet another track (“Skulls”) via YouTube. In 2012, the band released their widely praised EP, Gothdammit.

“Over and Under Ground”Grave Babies from Crusher (CD or vinyl) on Hardly Art
Double-shot: “No Fear”Grave Babies from Crusher (CD or vinyl)

Johnny Marr’s Debut Solo Album, The Sharp Things and The Mavericks

Johnny Marr, the former guitarist for bands like The Smiths, Modest Mouse and The Cribs, finally got around to recording a long-anticipated solo LP, The Messenger. The album’s lead single, “Upstarts,” sports a progressive uptempo pop/rock wound, embellished by an ‘ohhh-ohhh-oh’ chorus, bright, brilliant guitar riffs, and rhythmic percussions. The CD version of the album is #22 on the Amazon charts today.

“Upstarts”Johnny Marr from The Messenger (CD)
Double-shot: “The Right Thing Right”Johnny Marr from The Messenger (CD)

“Lights”The Sharp Things from Green Is Good

“Come Unto Me”The Mavericks from In Time

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Albums From Wayne Hancock, Girls Names and Woodpigeon

It’s great to see rockabilly as a genre holding its own in a music scene that is increasingly saturated by technologically advanced music. The title track from Wayne Hancock‘s new album is the type of song you’d play driving on Route 66 in a 68 Mustang with the top down.

“Ride”Wayne Hancock from Ride on Bloodshot Records

The Girls Names‘ fresh single, “Pittura Infamante,” from the new LP, The New Life, sports an 80’s sound that reminds us of a cross between The Cure and The Police. Also listen to lead singles from new albums by Gold Fields, Mister Lies, and The Embassy.

“Pittura Infamante”Girls Names from The New Life on Slumberland Records/Tough Love

“Children Should Be Seen, Not Heard”Woodpigeon from Thumbtacks and Glue

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Fresh Releases from Artists Gold Fields and Mister Lies

“Dark Again”Gold Fields from Black Sun on Astralwerks

“Lupine”Mister Lies from Mowgli on Lefse Records

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Singles from Ivan & Alyosha, The Civil Wars & T Bone Burnett & Permanent Makeup

“On My Way” – Ivan & Alyosha from All the Times We Had on Dualtone Records

“Long Time Gone”The Civil Wars & T Bone Burnett from A Place At The Table Soundtrack on Sensibility Music

“Not A Riot”Permanent Makeup from The Void…It Creeps

Album of the Week: My Bloody Valentine’s First Album in Over 20 Years Is An Immediate Classic

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The simplistic, icy dark cover to My Bloody Valentine's self-released album 'MBV'

For a band that only released two albums, Ireland’s My Bloody Valentine made a huge impact on alternative and indie rock, so much so, that the band has been forever immortalized as trailblazers, and often cited by other musicians as a major musical influence. Now, after two decades of near silence from the band, MBV are back in a big way.

 

They were pioneers of the shoegaze movement in the late 1980s through the early-to-mid 1990s, and their influence on alternative and indie rock since then has only grown. Although it failed commercially, the band’s 1991 sophomore album, Loveless, is considered by critics and fans alike to be a classic album and a milestone achievement of rock history. (Plus, they have one of the most memorable, and provocative, band names ever). And yet the captivating, thrilling and droning soundscapes of Loveless, which popularized the shoegaze genre worldwide, still sounds as epic and fresh as it did two decades ago. But who was to know that Loveless would have a true contender for shoegaze legacy, and that the competition would be from the same band, 22 years later?

Earlier this month, MBV fans were treated to a big surprise when the band suddenly announced via their Facebook page that the new self-released, and somewhat self-titled album, MBV, was released via the band’s official website. Within an hour of the news, there was so much web traffic going to the site all at the same time that it crashed the site completely. And for a good week or more, it was touch and go as far as being able to make it all the way through a successful purchase of the album – because it was the only place to get a copy.

The band did, however, ease the pain at least for many fans by also putting up a full stream of the album via their official My Bloody Valentine YouTube channel. While the album is not yet (or perhaps never will be, since it’s self-released) on Spotify, you can still listen to Loveless and other singles and EPs via the My Bloody Valentine Spotify playlists.

On song after song, the band have reignited the flame they lit all those years ago; in fact, MBV may be even better than Loveless – the more we listen to it, the more we’re convinced. Songs like “In Another Way,” the rumbling guitar rock instrumental of “Nothing Is,” the lo-fi guitar noise and soaring notes of “Who Sees You,” the dreamy, fuzzy psych rock of “She Found Now,” the long and winding progression of distorted guitars and haunting vocals on “Only Tomorrow.”

“Only Tomorrow”My Bloody Valentine from MBV

On the first couple of spins of MBV, we were simply blown away. Afterall, with nearly 22 years of lost time since the release of Loveless, we were expecting a mediocre album with a couple good songs, or a totally flop, since many bands that come back with a new album after that many years (and even less), don’t usually fair that well. But MBV blew all expectations out of the water, made pretentious fools out of us for assuming prematurely that it would be less than the astonishing work of noise rock that it is, and reaffirmed the band’s legendary status as the pioneers of shoegaze, and now, as middle-aged folks, as once again the indisputable gods of shoegaze rock. Roll out that bloody valentine colored red carpet.

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My Bloody Valentine band portrait from 1992

Immediately, fans (those who were able to get through and purchase it) started posting about how fantastic the album sounded. In the ensuing days, the praised spread to music critics – who did not have an advanced copy (which is so DIY and cool) – as well, who almost overwhelmingly have applauded the band’s third, and comeback (way back), album as everything from a DIY masterpiece to a triumphant return to the spotlight to a renewal of the power of the electric guitar. Life’s little and welcoming surprises are the best surprises of all. MBV is easily in the running for best DIY album of 2013 even though the year is only 7 weeks old, and hopefully will be in the running for one of the best albums of the year, DIY or not.

 

“In Another Way” My Bloody Valentine from MBV

One fan of MBV, known only as TagoMagoTexas wrote this: “The music is dynamic, some songs are forceful and ferocious, others are smooth, gentle, romantic – they all intertwine, they build on one another. It’s a welcome resurgence of the beauty of the electric guitar.” Indie’d.

Fact Magazine wrote: “It’s as if they’ve recaptured innocence. It’s the only way to describe what you feel had to have happened in order for the band to preserve the very essence of what was the music of their youth, in such a way that goes beyond replication.”

Overwhelming, the reception from all sides has been big thumbs way up. CMJ wrote of m b v: “You’ll be hard pressed to find another album that’s this much fun to crawl inside,” Paste Magazine added: “My Bloody Valentine successfully followed up a decades-old classic with m b v, an album that stands as confidently, beautifully and masterfully composed as its predecessor.

One exception to just about every other review by fans, blogs and the mainstream music press, was PopMatters‘ (which isn’t exactly known for having great taste in music) lukewarm review.

In a rather snarky and misguided review, the editors at PopMatters, concluded:”It’s a good album, but not a great one, and though the long tail of history will eventually render such a long production time moot, it’s certainly not a record justifying the ludicrous wait.” Yeah, so the part about the length of time it took for this record to come out is valid, but only for a minute. So, the short tail of history has already rendered that criticism moot and inconsequential.

“Wonder 2”My Bloody Valentine from MBV

Lighten up guys; the band members were obviously doing other things during the past 20 years – like raising families and living their lives. We certainly don’t think a band has an obligation to put out another album (especially as a follow-up to a classic album) until they’re ready to do so, and the folks at PM certainly are being petty by giving it only a 6 out of 10. And for diehard MBV fans, and the new fans they’ve now brought on board with this release, the “ludicrous (wrong usage of the word, by the way) wait” was well worth it.

If one were to make a rock music time capsule and bury it to be opened one hundred years from now, it would have to contain Loveless or mbv, or both, along with Sgt. Pepper, Dark Side of the Moon, The Kinks Kronikles, Astral Weeks (Van Morrison), Land of Gypsies (Hendrix), Led Zeppelin I or II, Steely Dan’s Greatest Hits, Blonde On Blonde (Bob Dylan), and Nevermind (Nirvana), to name just a few.

As the Los Angeles Times wrote: “It’s everything its fans have been pining for the past two decades.” That’s all that matters. Nothing is achieved by holding the band up to some ridiculous, petty standard. All we would add to what the Times wrote is, MBV is ‘everything and more.’

Best New Music Releases, Week of Feb. 19th – Nick Cave, Atlas Genius, Beach Fossils, Iceage, Apparat

The breadth of new 2013 music releases – albums, EPs and singles – that have been coming out in recent weeks, and those set to drop in the ensuing months, have been keeping us very busy, especially when you factor in all of the DIY releases that we receive on a weekly basis, which are not usually posted in the weekly Best New Music Releases (listen to top releases posts for 2013 and 2012) because this series focuses on more well-known and signed artists’ newest drops.

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The first album that caught our attention this week is the new release from Nick Cave & The Bad Seeds, followed by fresh albums from Atlas Genius, Beach Fossils, Iceage, Apparat, STRFKR, Flume, Mitzi, Matmos and many others. This week there is a lot of synthesizers and dance singles.

Nick Cave & The Bad Seeds, Atlas Genius, Beach Fossils, Iceage

Nick Cave & The Bad Seeds return with album No. 15, Push The Sky Away, a brilliant experimental album of heady themes that is dark and eerily beautiful, and displays some of Cave’s finest song-writing and the Bad Seeds’ remarkable instrumentation, even though it’s the band’s first album without Cave’s long-time colleague Mick Harvey, who left the band in 2009.

“Jubilee Street”Nick Cave & The Bad Seeds from Push The Sky Away

Another indie artist, Atlas Genius, has signed to a major label for his latest release, When It Was Now. While it’s always difficult to stomach an originally ‘indie’ favorite abandoning the DIY or small label world to play in the majors, it happens so frequently nowadays that people have seemed to stop noticing. It appears that as long as the music itself remains unscathed by the label execs, and sometimes even when it’s manipulated by commercial pressures, that most music fans don’t notice or don’t care. But it’s always a risk too though, especially to the artists’ ‘street cred’ within the alternative and underground music scenes. Check out the lead track from When It Was Now, the dance-tinged, “Trojans.”   If you dig da beats, you should find some keeper tracks in this playlist of singles from new albums out this week.

“Trojans”Atlas Genius from When It Was Now (deluxe version) on Warner Bros.

“Careless”Beach Fossils from Clash The Truth

“Coalition” Iceage from You’re Nothing on Matador

“A Violent Sky”Apparat from Krieg und Frieden (Music for Theatre) on Mute

“While I’m Alive”STRFKR from Miracle Mile on Polyvinyl

“Chasing The Light”Lust for Youth from Chasing The Light 12″ on Sacred Bones

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“Evil Man”Destruction Unit from Void on Jolly Dream Records

“Because I Care”Pony Time from Go Find Your Own on Per Se Records

“Space Academy”Eat Skull from III on Woodist

“Holdin On”Flume from Flume on Mom + Pop

“Valleys”Misfit Mod from Islands & Islands on Stars & Letters Records

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“All I Heard”Mitzi from Truly Alive on Future Classic

“Hurricanes, XO”Beat Radio from Hard Times, Go! on Awkward For Life Records

“Fortune Teller”Campfires from Tomorrow, Tomorrow on Fire Talk Records

“Primetime Clown” The Howling Hex from The Best of the Howling Hex on Drag City

“Teen Paranormal Romance” – Matmos from The Marriage of True Minds on Thrill Jockey Records

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“Dirty Mind Melt”Natasha Kmeto from Dirty Mind Melt EP on Dropping Gems

“Devil Moon”Bobby Long from Wishbone on ATO Records

 

 

 

Band Alert: San Diego Experimental Electro Psych-Pop Band The Glass Canoe

the-glass-canoeSan Diego experimental psychedelic pop band, The Glass Canoe, released their widely praised album, Through Lianas, earlier this month, featuring dreamy, smooth electro pop songs with Beach Boys-like harmonies, guitar and synth interplay and fusions of various sound samples. Musician friends David Korrigan and Max O’Reilly began working together as a duo after discovering they had common musical interests. Both had played in rock bands as teenagers, and equally inspired by the experimental, neo-psychedelic movements that have taken root during the past few years thanks to artists like Toro Y Moi, Neon Indian and Tame Impala, to name just a few.

Confined to a small upstairs bedroom, Korrigan and O’Reilly began to find their unique sound creating experimental songs through buzzy synthesizers, manipulated samples, the clicks and cracks of drum machines, and the whirling spin of guitars. All of the songs on their debut were recorded/mixed in this noisy little room, eventually adding additional band members Blake La Grange and Drew Galindo. The band’s name was originally created simply scrolling through a playlist; a mix up of words from other songs and artists. As the style of the band progressed, however, the name grew deeper meaning through the thick woodsy tones and clear water-like textures. Spark FM aptly described their sound as a swirled mix of “[Brian] Eno/Bowie, Phillip Glass and some High Lamas” while Rock Revolt added: “The album is essentially a sonic masterpiece.” The band are signed to the small indie label Korora Records.

“Paradise”The Glass Canoe from Through Lianas – Feb. 5th

“Miss That Love”The Glass Canoe from Through Lianas

The Glass Canoe Official Website

2013 DIY Releases – The Stone Foxes, Wild Wants, Brave Baby, Giuseppe Andrews

the-stone-foxes10 The Best New Releases post from this week featured lead tracks from highly anticipated 2013 albums by Foals, The Little Ones, Veronica Falls, among others, including a dozen more singles from a variety of artists and bands.

In addition to the official release this week of new albums, EPs and singles from indie and alternative artists signed to record labels both large and small, there has also been a huge number of excellent, even out-of-this-world, new releases in the past week from talented and promising DIY bands that most people have never heard of before. In fact, many of the unsigned and talented artists who DIY drop new material each week do not even appear on the radars of high profile indie blogs and music sites, and are often either brand new or simply unknown by even the most intrepid indie music enthusiasts.

That’s why IRC has become a top web destination for music lovers that are hungry for new, exciting, original and talented artists and bands, most of whom have not been profiled on a major music blog before, and for some. We are constantly amazed and thrilled by how much fantastic, totally under-the-radar music is sent to us directly by DIYers that we’d otherwise never hear. For the tens of thousands of music lovers that have been regularly visiting IRC for months and years, we salute you, because you favorite so many of the songs and bands we feature on a regular basis, as evidenced by the weekly Top 10 Songs playlists – which are a reflection of the most popular songs posted in a given week.

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Band (Still) to Watch: SF’s The Stone Foxes

San Francisco rock band The Stone Foxes have opened for bands like The Black Keys and Cage The Elephant at San Francisco’s Outside Lands festival and New Orleans’ Voodoo Music Experience. They’re also no strangers to these pages with a number of profiles on IRC over the years. And yet for all of their talent, the band is still under-appreciated in the larger arena of well-known alternative garage rock and indie rock bands, which we still find to be a head-scratcher.

The first single from Small Fires, “Everybody Knows,” has been making the rounds in the past couple of months on a number of blogs and mainstream press websites thanks to the song’s standout rock sting. In fact, the track is a modern representation of Edgar Allan Poe’s “A Tell Tale Hear.” The second single, Psycho, is gritty, hard edge garage rock that serves as yet another example of the band’s truly remarkable talents. The track has more of a bluesy rock feel to it than “Everybody Knows,” and includes a Jack White type of harmonica jamming that beckons the memory of classic rock blues bands like the Yardbirds and newer bands like Wolfmother, Dead Weather and The Black Keys. In fact, as mentioned earlier in this post, The Stone Foxes are often compared to Keys – and there are few higher compliments than that nowadays.

“Everybody Knows”The Stone Foxes from Small Fires – Feb. 12th

“Psycho”The Stone Foxes from Small Fires

The Stone Foxes Official Website

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Hearts & Plugs’ New Sampler Features Brave Baby Single

First up, here are a couple of tracks from a recent Hearts & Plugs Records‘ sampler, including a track from one of our (and based on the statistics, many of you as well) favorite ‘new’ bands of 2013 – Brave Baby – and another from the artist Mr. Jenkins. The sampler also includes tracks from ELIM BOLT, The Lovely Few, and Run Dan Run.

“Lakeside Trust” – Brave Baby from Hearts & Plugs Sampler, Volume 2 – Feb. 1st

“You’re Free”Mr. Jenkins from Hearts & Plugs Sampler, Volume 2

excellence album cover

Seattle Musician Drops Debut Solo Album

Unsigned Seattle musician D.A. Wright, who performs solo as the force behind the new project, Wild Wants, released his debut album, We Are Committed To Excellence!. The album, according to Wright, was “sporadically self-recorded and mixed in various bedrooms, bathrooms, and bandrooms, between day-naps and nights out from July 2011 to December 2012.” Except for the drums, every instrumentation and vocal is Wright’s work, and his penchant for melody, layering and utilization of the full stereo spectrum add a special flare to the album’s overall production, as the two signals here demonstrate. It’s no surprise that his major musical influences include Guided By Voices, The Magnetic Fields, Dr. Dog, The Beatles and The Smiths.

“All Your Answers Will Be Questioned”Wild Wants from We Are Committed To Excellence! – Feb. 13th

“Twirl My Curls”Wild Wants from We Are Committed To Excellence!

Netherlands Band April Release Debut Single

Formed in 2011, Utrecht, Netherlands duo APRIL have a sound that has been called “a muscular, Baroque approach to boy-girl guitar pop” supported by the rich and melodic vocals of the Julia Hendriks as well as the growling croon in the lower registers of the band’s frontman, Jorn Mathijssen on new tracks from their new Subroutine Records 7″ single release, including the upbeat, joyous lead track, “The Rise And Fall Of A Beautiful Bird.” Think of a European Matt & Kim. The band has previously opened for artists like The Pains Of Being Pure At Heart, Rats On Rafts, and Daily Bread.

“The Rise And Fall Of A Beautiful Bird”APRIL from The Rise and Fall Of A Beautiful Bird 7″ – Feb. 12th

APRIL Official Band Website

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Austin’s Giuseppe Andrews Drops New LP

Austin artist Giuseppe Andrews is a prolific musician, filmmaker, and writer who has completed 37 records, 37 films, and seven novels to date. As a teen, Andrews and his father moved to Hollywood and lived in a van before landing roles in movies like Independence Day, Detroit Rock City, American History X, Never Been Kissed and Pleasantville. In 2002, he left Hollywood and acting to move to Austin to pursue music full-time. Giuseppe’s music includes experimental avant garde, pop, rock, comedy, and rap. Here are two top singles from his newest album release, Rubber Duck. This is a case where you cannot judge an album by the cover art (even though people do; and it does make a difference), which itself leaves a lot to be desired.

“Welcome to Air”Giuseppe Andrews from Rubber Duck – Feb. 12th

“White Mind”Giuseppe Andrews from Rubber Duck

Orlando Band Stiletto Red Release Debut LP

Orlando alternative rock band Stiletto Red dropped their debut album, Her Love Is A Lie, on Feb. 17th, featuring punchy, rhythmic grooves, sharp, melodic hooks and an artistically-driven, yet classic rock sound. Thrust together by a unified vision that drove them through thick and thin, the band members took leave from different bands and worked around hectic schedules to record their debut album. With songs you can hear and feel loudly, the album handles topics like angst, rage, rites of passage, and finding hope.

“Her Love Is A Lie”Stiletto Red from Her Love Is A Lie – Feb. 17th

“Further Addiction”Stiletto Red from Her Love Is A Lie

Stiletto Red Official Website

Way Back Now: Old UK Boy Band Regroups

They were first featured by the legendary John Peel on his popular BBC radio show in the mid 1980’s, but the oddly named ‘boy band’ The Passmore Sisters from Manchester, soon fizzled out and disbanded. Now, all these years later, some of the original members have regrouped to create a new band, Fever Hut, and just released a new album, Segovia. The album was written in Spain and recorded in the U.K. and includes the two singles below, “Ropewalking” and “Love Like A Car Crash.” Contributers to the album included renowned artists like drummer Jonny Cragg, violin virtuoso Davide Rossi (Goldfrapp & Coldplay) and members of the English electro band Zoot Woman on keyboards. The album was dropped on the small indie label, Vegetable Records.

“Ropewalking”Fever Hut from Segovia – Feb. 14th

“Love Like A Car Crash”Fever Hut from Segovia

Best New Releases, Week of Feb. 12th – Foals, The Little Ones, Veronica Falls, March Divide, Millionyoung, Pissed Jeans

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There has already been dozens of great 2013 new albums released over the past six weeks, that you can read about, and listen to, or download, the lead track from by browsing the best albums of 2013 posts. This week’s Best New Releases includes a collection of lead singles from new albums out this week from Foals, The Little Ones, Veronica Falls, The March Divide, Millionyoung, Pissed Jeans, The VirginMarys and others.

foals2012

Foals Release Anticipated LP, Holy Fire

by Ed Biggs
It almost goes without saying that the Album of the Week honors goes to Holy Fire, the third album from one of our favorite bands in recent years, Foals. The quintet has progressed in many ways since their 2010 LP, Total Life Forever. The track, “Inhaler,” released months ago, is a perfect microcosm of Holy Fire – bold, challenging, intelligent and yet utterly accessible.

Tracks like “Bad Habit,” and the newest single, “My Number,” are indicative of Foals’ dynamic post-punk style, this time around mixed with the expansiveness of Joshua Tree-era U2.

Overall, the band’s new album delivers a bigger, fuller sound, which one could attribute to their move to Warner Brothers – a move that some die-hard fans are not happy with, but only time will tell if the move was a wise one. Does signing to Warner mean Foals is no longer an ‘indie’ band?

Some say yes, others say no, and apparently, just from what we’ve been hearing and reading, many others don’t care because the music is what really matters to them most, which is simply logical. So far, the praise of Holy Fire has been fairly universal. And yet lead vocalist Yannis Philippakis and the band, who are extremely ambitious and talented, are also modest about their success in recent years.

“My Number”Foalsfrom Holy Fire on Warner Bros

Double-shot: “Inhaler”Foalsfrom Holy Fire on Warner Bros

thedawnsangalong-littleones

The Little Ones Finally Release Sophomore LP

The second best album of the week at IRC is The Little Ones‘ long-awaited sophomore LP, The Dawn Sang Along, which is packed with infectious, uptempo twee-pop songs like the bright, melodic lead single, “Forro,” with its glistening guitars, sunny synthesizers, harmony-packed choruses and tropical rhythms. “Forro” is the kind of song that beckons the warmth of springtime, and reminds us that more of winter has passed at this point then is still to remain. It’s a fantastic, upbeat song, and there are other great songs from the LP as well that you can listen to here.

“Forro”The Little Ones from The Dawn Sang Along on Branches Recording Collective
Listen to “Forro,” or all of The Dawn Sang Along on Spotify.

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New Releases from Veronica Falls, The March Divide

Next up is the new single, “Teenage,” from the London indie pop band Veronica Falls‘ sophomore album, Waiting for Something to Happen. The March Divide‘s lead single, “Jose Cuervo,” is one of the more interesting drinking songs we’ve heard in a while set to nothing else but an acoustic guitar, harmonica and vocals (almost sounds a little like the Plain White T’s – not sure if that’s a good or bad thing?). Millionyoung kick out a smooth, tropical groove on the track “Lovin’,” followed by the punk rocker, “Cathouse,” by Subpop band Pissed Jeans.

“Teenage” – Veronica Falls from Waiting for Something to Happen on Slumberland Records

“Jose Cuervo”The March Divide from Music for Film on Dead Letter Records

“Lovin'”Millionyoung from Variable on Old Flame / Rix Records

pissedjeans
“Cathouse”Pissed Jeans from Honeys on Sub Pop

“Blue Gums Calling Me Back Home” (feat. Kelly Hogan) – Roger Knox from Stranger in My Land on Bloodshot Records

“I Wouldn’t Let Me In If I Were You”Aina Haina from Aina Haina EP on Badman Recording Co.

“Dressed To Kill”The Virginmarys from King of Conflict on Wind Up Records

“Seer” – Fear of Men from Early Fragments on Kanine Records

“Shiver” – PVT from Homosapien on Felte

cultfever

Hit Band Cultfever Drop New Single

Cultfever‘s debut album exploded onto the indie pop scene in 2012, earning praise from MTV Soundtracks, Stereogum, and The Guardian. Their unique sound and captivating live show won them hometown distinction as The Deli Magazine‘s #1 NYC Indie Pop band in 2012. Singles such as “Knewyouwell” and “Collector” propelled them into the CMJ Radio Top 200 charts. Plus, their song, “Strangenecks,” made its prime time debut on MTV’s hit series Awkward. The band are confirmed to play at this year’s SXSW festival next month. Also, the band Powers That Be have dropped their self-titled debut this week, featuring the lead single, “Valencia.”

“Animals” – Cultfever from Animals 7″ single

“Valencia” – Powers that Be from Powers That Be on Don’t Be a Lout Music

bryanferryjazz

Bryan Ferry Releases ‘The Jazz Age’ to Critical Praise

We never want to limit ourselves to one type of music. As lovers of all kinds of music, we can appreciate almost any genre of music. But appreciating a genre of music doesn’t mean that it’s something you listen to regularly, or at all. In that case, there are probably millions of people that have never listened to an entire jazz album of any kind. Still, it is interesting that jazz has been more popular in past years with young people under the age of 35. Bryan Ferry, the legendary 70’s band Roxy Music, has continued to write and record over the decades since Roxy Music disbanded.

Ferry’s latest album, The Jazz Age, is the result of his life-long love for jazz music and his determination to record a jazz album featuring renditions of 13 songs from his extensive rock and roll discography through the prism of a jazz orchestra. The reviews, from The New York Times to Spin, have been overwhelmingly positive and generous in their praise for Ferry’s overall production of The Jazz Age. The following is the official video for the composition, “This Island Earth,” which also has lots of plays and up votes on Soundcloud, where the entire album is streaming.

“This Island Earth”The Bryan Ferry Orchestra from The Jazz Age on BMG