We are huge Iron & Wine fans. Sam Beam is just phenonomenal songwriter, composer and musician.
So, it was a pleasant surprise to Iron & Wine’s November 17th as the accompanying live album to the concert film, Who Can See Forever.
The film is the first ever in-depth look into the life and music of the accomplished songwriter, composer and musician, Sam Beam, aka, Iron & Wine.
In a press release, Subpop Records writes: Who Can See Forever grew into a deeper study of its enigmatic subject as director Josh Sliffe spent more and more time on the road.
Shot over the course of three years, Sliffe digs into the myth and ethos of Iron & Wine through a series of interviews and unguarded behind-the-scenes footage that welcome the viewer into the center of Beam’s universe.
The soundtrack features more than two decades of Beam’s material recorded over a two-night-stand at the historic Haw River Ballroom in Saxapahaw, North Carolina.
Along with Beam, the band features bassist Sebastian Steinberg (Fiona Apple, Soul Coughing), drummer Elizabeth Goodfellow (Allison Russell, Better Oblivion Community Center), cellist Teddy Rankin-Parker and keyboardist Eliza Hardy-Jones (War on Drugs, Grace Potter).
Produced by Beam and recorded by his long-time live sound engineer Jelle Kuiper, the soundtrack was mixed by Matt Ross-Spang at Southern Grooves in Memphis, TN, and mastered by Richard Dodd in Nashville, TN.
The film will screen in theaters in select cities throughout 2024 before platforming to streaming services.
“All these elements work together to give the songs a new dimension, and whether they top the originals is beside the point; it is exciting enough to hear a band as good as this working with Beam in a live setting, taking chances and reaching deep inside the songs to extract shiny new gold.
It’s hard to believe it took so long for Iron & Wine to document their live incarnation, but it is easy to believe that now that they finally have, it’s as sophisticated, burnished, and emotionally true as this.” ★★★★ ALL MUSIC
“Following his muse wherever it leads him, Sam Beam has crafted Who Can See Forever with the kind of care that makes these 19 songs something quite special. He has changed the hues, but the heart and soul of these songs still shine through in ways that reveal what a truly special artist he remains.” FOR FOLK’S SAKE
The “It’s a fine close-up, so sharp you can almost catch the dust glinting in the lights as Beam showcases his willowy, supple songs.” MOJO
“The setlist is drawn from a discography now reaching back 20 years, and some of these songs have never sounded better, ‘Last Night’ a fabulous gothic country noir, ‘Thomas County Law’ resembling a Glen Campbell classic.” UNCUT
“serves as an antidote to that kind of engagement and has a way of putting into focus just how much we’ve been overlooking Sam Beam’s genius.” FLOOD
“This double LP refracts and reimagines Iron & Wine’s best-known songs with full, nearly orchestral arrangements realized in the warmth and immediacy of live performance. It’s a superb recap of Sam Beam’s artistic arc so far…” DUSTED
Beam has always possessed an uncanny ability to transport listeners into intimate and emotive sonic landscapes. With the release of the Who Can See Forever soundtrack, Beam once again demonstrates his prowess in creating evocative and timeless music that beautifully complements visual storytelling.
The Who Can See Forever soundtrack is a testament to Beam’s enormous ability to craft a cohesive and emotionally resonant soundtrack. His songwriting remains as poignant as ever, creating a musical experience that transcends its role as a companion to visual storytelling.
Tens of thousands of releases are dropped on Bandcamp each year. The year 2021 has been a special one for indie/DIY music: not only because of the flood of amazing DIY releases – most recorded during, and as a result of, the pandemic.
Additionally, the exodus of DIY artists and bands from platforms like Spotify to Bandcamp has been a real industry shakeup, and we support that.
The Bandcamp allure didn’t end there: the platform also offers interaction with fans, lower costs and better profits for artists; vinyl, cassette and bundles, and the increasing popularity of Bandcamp Daily, the platform’s daily blog showcasing selected releases from DIY/small label indie artists and bands from an array of genres and sub-genres.
The following are some of our favorite DIY releases from Bandcamp that were submitted to our inbox via our music submission page.
Billboards – Cincinnati, Ohio Everstill – New York, New York The Strange Heroes – Minneapolis, Minnesota Corrected Proofs – Chicago, Illinois Quitt – Mainz, Germany
Billboards is an indie rock duo out of Cincinnati comprised of multi-instrumentalists Ryan Rockwell and >Eric Tuffendsam, both of who play guitar, bass, and keys. The duo’s latest single, “Run,” is, “a song about losing weight, and how it affects your brain, amongst other things. This song, like the other three on the EP is about finding something good in something bad.”
The duo’s influences include Kid Cudi, Chance the Rapper, Blink 182, and Coin.
The long-time friends have been recording together in one form or another for some two decades.
http://instagram.com/billboardsband
New York City indie multi-instrumentalist and songwriter Sara Aridi and drummer Luca Bertaglia– who record under the moniker Everstill – recently dropped the booming new single release, “Proxemics.”
The song, according to Aridi, “describes a pattern of obsessing over love interests that she repeatedly comes to realize are just distractions from existential fears and doubts she has to face. She weaves her melodic guitars and soothing vocals with Luca Bertaglia’s pulsating drums, building up to a powerful outro in which she finally confronts herself.”
The pair draw from a range of influences in compositions that are at once melancholic and euphoric. Aridi and Bertaglia, who hail from Lebanon and Italy, respectively, met in 2016 while playing in an alt-prog band and reconnected in 2020 to bring Aridi’s songs to life. Their debut album, "Longing," comes on the heels of their first two singles, "In Your Dreams" and "Waiting," which immediately landed coverage on platforms in the US and UK.
The single is from the duo’s debut Longing. Their musical influences are Warpaint, Wolf Alice, Interpol, Kurt Vile, Foo Fighters, and Nine Inch Nails.
High energy garage rock bellows on the new single, “White Wolf Black Sheep,” by The Strange Heroes. The Minneapolis indie trio, founded in 2012, will drop a self-titled album next month.
This dynamic and energetic trio features Brandon Lee (guitar/vocals); Taylor Ellis (drums) and Kaitlin Boedigheimer (bass).
Major musical influences include The White Stripes, The Beatles, The Stooges, among others.
Corrected Proofs – “Radio”
Chicago-based musicians Christopher Dean Hayes (guitars, bass, vocals) and Anthony Krecioch (drums), aka, Corrected Proofs have released a single, “Radio”, that tugs on the heartstrings.
The duo launched their musical project during the lockdown and have delivered the results. They are influenced by bands like The Weakerthans, Worriers, Against Me!, Sharks, Cheap Girls, Signals Midwest.
Mainz, Germany quartet Quitt have released the album “Ethik fallt,” and here’s a notable composition off of it.
“On “Alleine grinsen,” the musicians magnetically shuffle such genres as post-rock and post-punk. Their music moves from retreat psychedelia in the realm of Spacemen 3 to guitar vibrations and a fine dynamic a la Sonic Youth, while sometimes sounding like an alluring, strange light inside mountains.”
The wistful, warm melodies and the German lyrics are introspective and metaphorical.
This is the first In Dee Mail feature we’ve run in a while. (We’ve been busy building new pages that will be unveiled as time ensues; one just published is IRC’s Music Festivals 2021 all-in-one resource. Fests are back! And don’t miss our new songs aggregated page.)
In this installment:
Bliss Williams – London, England
Monrad – Medesano, Italy
Hazey – Bristol, England
Venray – Washington, D.C.
Fletcher Milloy – Los Angeles, California
We’ve received many hundreds of submissions in the past few weeks – catching up from a slow start to a year that is going blazingly fast. But we cannot go without our DIY indie music discovery activities, nor can we hold back from sharing some of the most talented, interesting, different, original and promising DIY artists and bands that we’ve come across.
These completely DIY, mostly unknown artists and bands stood out among hundreds of submissions. We picked them because of the level of musical talent; the catchiness of their track and overall production value. These should be BIGGER recording artists with tens of thousands of plays, sold-out shows and blog posts/press articles touting their achievements – even if judging from the one track we are presenting.
Of course, it is no surprise we are pushing these artists/bands to higher visibility via our popular top 10 indie songs playlists. These are DIY artists and bands that need to be heard and to be loved. It’s always been heart-breaking (in little ways) to us when amazing, different and talented DIY artists and bands get lost to the non-stop waterfall of noise around 30-40 artists and bands in the indie/alternative/rock realm.
Falling For You https://soundcloud.com/blisswilliams/falling-for-you
Bliss Williams – “Falling For You”
Bio: London-based Bliss Williams remains well-acquainted with unrequited love. So he thought it was about time he wrote another song about it. The second in a series of singles for the 2020/21 season, following his well-received debut offering ‘Thought I Was Young’, Williams is looking. Location: London, England Genre: Indie pop; dream pop Members: Bliss Williams – vocals, all instruments and production Musical Influences: The Style Council, Amy Winehouse, Earth, Wind & Fire, The Bee Gees Instagram: blisswilliamsmusic
Song Bio (from the artist): “Produced at his flat in London, Williams’ debut offering pitches shuffling drums and pocket bass against sweeping electric guitars and swirling, yearning vocals.”
Release Date: 02/15/2021
Monrad – “One Stop Shop”
Monrad is the solo moniker of Matthew Ramon. Kortrijk born and raised but in need of new challenges and discovery, he left Belgium, wandering around for several years before settling down in the small Italian village of Medesano.
Although part of a reverb-drenched, instrumental surf punk band for most of his twenties (Rencontrez L’amour), he got together with Filip Tanghe (recording and/or live engineering Balthazar, Warhaus), and recorded some of his first songs, trying to step away from more conventional song structures.
After two years of digging deeper, nurturing and maturing his music, and finding his voice, Monrad went back to Tanghe and recorded, together with Bert Desmet and Gijs Coucke, his first full-length album Wired.
Location: Medesano, Italy Genre: Indie rock Members: Matthew Ramon – all instruments and vocals Facebook: monradsound
Song Bio (from the artist): “With a dark voice, floating somewhere between singing and parlando, propelling drums, seductive bass, and atmospheric guitars, Monrad takes you to layered territories where harmony and tension start to intertwine…I took my Fender Telecaster, plugged into a Fender Bass breaker head, reverb fully open (a remnant of my surf music days). I started recording the first and second riff in Cubase. Once I lay down the basic structure of the song, I focus on the drum and bass parts, followed by synths and pianos. Like that, layer by layer, I start building the song…The bounciness of the song reflects the ups and down in our mood, energy, and needs. However, somehow we eventually manage to cast aside the more negative feelings and find a way to stand up, crawl back from our inside that maze that sucks you in.”
Release Date: 03/14/2021
Hazey – “Bliss”
Hazey is a Bristol-based indie-pop duo that provides energy and mystery to the rock scene. The pair certainly aren’t afraid to express their weird side and want to share their fun outlook on life through Hazey.
Their debut single “Kimberly” gained strong support from UK radio stations such as BBC Radio Bristol & BCFM.
Location: Bristol, England Genre: rock,pop,synt,pkpp,altr Musical Influences: FOALS, The Killers, Deaf Havana, The 1975, Don Broco, Turnover & The Cure. Members: Tim Brown – guitar/bass/vocals; Justin Wilkinson – drums/vocals Facebook: hazeybanduk
Song Bio: “Written during a time of uncertainty, confusion and reflection. ‘Bliss’ is a collection of emotions that are repeatedly flowing through the mind when feeling lost. In a situation where we need to reach out and unite, it is apparent that a select few have taken the opportunity to profit from the suffering of the helpless many.
Dreamy intervals midway and towards the end of the track represent the calm and peacefulness that we receive from detaching ourselves from society. This is our most laid-back song and we love how it’s enabled us to connect on a more intimate level with our music.”
Release Date: 03/2/2021
Venray – “No Place”
Bio: Venray is an independent rock power-duo, alternatively labeled as ‘surf-grunge ‘or ‘garage-punk’. Venray’s sound has been called “catchy AF”, and duo is characterized by their sing-along melodies, giant hooks, and high energy, dynamic live performances. Spanning several genres, venray songs range from breezy ballads to crunchy rippers that will appeal to fans of Pile, Car Seat Headrest, Wavves, and Top Nachos.
Location: Washington, D.C. Genre: hard rock, indie rock, garage rock Musical Influences: Stove, Pixies, Ovlov, Ty Segall, Pink Mexico, and Foo Fighters Members: Tyler Bergin – Vocals, Guitars, Bass; Christopher Peli – drums, percussion, vocals Soundcloud: /venrayband/
Song Bio (from the artist): Not provided
Release Date: 4/21/21
Fletcher Milloy – “Raskolnikov”
Blending hyper-pop production and psychedelic prowess with captivating lyrics, Fletcher Milloy is proving themself to be a pioneer of a sound that is completely their own. Fletcher Milloy, has performed in lineups alongside the Killers, the Roots and many others, as well as being featured in the international top 10 of NPR Music’s Tiny Desk contest (2020). Quickly rising on TikTok, with over 250,000 views, Raskolnikov may be the finalé to the Astronaut Trilogy, but is only the beginning of a new sound and promising artistic career.
Location: Los Angeles, California Genre(s): psyc,altr,expe Has Opened For: The Killers, The Roots, HAIM, Death Cab for Cutie Musical Influences: LCD Soundsystem, Bowie, Prince, Talking Heads Members: Fletcher Milloy. Guitar, Bass, Drums, Vox, Keys Instagram: /fletchermilloy/
Song Bio (from the artist): “‘Raskolnikov’ is the final installment of my Astronaut Trilogy EP. It’s inspired by psychedelic pop & 19th century Russian literature (Crime and Punishment by Dostoevsky). I wrote the song about spending my early life heavily involved in the evangelical church. I found myself in a constant state of panic trying to navigate and appease a socio-political circle that by default ostracized me for my participation in night life and parties.
The track is message to myself and others that to become a new person the preceding role and character i created in that environment must be put to rest .”
For those of you who have followed us over these many years, you know that In Dee Mail is a long-running, popular and special series that simply highlights artists and songs we have been digging for some time; therefore, the songs themselves are not necessarily new, but definitely noteworthy. Enjoy.
NIHILS – Triol, Austria Famous Unknown USA – Chicago, Illinois The Ineloquent – Boulder, Colorado Nick Shattuck – Los Angeles, California Geoffrey J Band – Los Angeles, California Daniel Ellsworth & The Great Lakes – Nashville, Tennessee Robyn Cage – Park City, Utah Weepikes – Helsinki, Finland
When four lads from the Tyrolean Alps region of Austria decided a few years ago to stop building “lethal ski jumps and plummeting down the Alps” and redirect that energy to create a band, they did just that. They spent the ensuing years, in the words of bassist Dominik Brunner, “refining our indie electronic soul-infused sound,” as found on the funky-laced indie dance track, “Lovers On The Run”, with is memorable hook, chorus and grooves. This was the band’s breakthrough track, garnering over 67,000 plays and 1,200 likes on Soundcloud alone, and attracting a new swell of fans.
The band’s next single, “Help Our Souls”, dropped in the summer of 2015, really put them on the map, wracking up 1.3 million plays and over 21,000 likes just on Soundcloud. The song was performed extensively at gigs in Austria and Germany, including several music festivals (Donauinselfest; Alternative Escape), as well as opening for artists like Nena and Friska Viljor. Because of the Austrian Music Fund, the band was able to record and release their debut album.
Based in the Chicago-area, the musical trio, the Famous Unknown USA, is comprised of experienced and accomplished veteran musicians who came together with similar interests in 2010 to combine their skills and creativity to piece together a range of influences that include classic rock, folk, pop, alt. rock and blues – all evident on the 90’s-like alt. rock tracks like, “Canvas,” or the bluegrass-folk single, “Stain Glass Window,” which was named as a semi-finalist in last year’s International Songwriting Contest.
Collectively, band members – Gary Reyes, Bob Hauck, and Chris Reyes – offer more than 25 years of stage and studio experience, with influences that include classic rock, alt. rock, folk and blues.
Admittedly nomadic yet hailing primarily from Boulder, Colorado, indie rock band The Ineloquent deliver contemplative and meaningful piano driven pop rock with catchy melodies, layered vocal harmonies and honest lyrics featuring messages of hope.
The trio’s melodic and engaging musical style draws comparisons to artists like Coldplay, The Fray, Keane, and One Republic, while the band’s frontwoman, Georgiana Eakins, is often compared to vocalists like Ellie Goulding, Regina Spektor, Nora Jones, and probably most often, Leigh Nash from Sixpence None the Richer.
The Ineloquent’s writing style is sincere and straightforward, giving language to the inner struggles that many of us wrestle with. With lyrics that are revealing and deeply personal on the 2015 EP, ‘E Is for Emergency,’ the band weaves together themes of love, brokenness, fear, hope, and restoration.
The track “Verge of a Breakthrough” is a synth dance pop track that is more laid back and sensual than most; in fact, it’s a terrific bedroom chill song.
MP3: “Emergency“ – The Ineloquent from E is for Emergency
“These are songs that are meant to do more than just spill sound into silence,” says vocalist and keyboardist Georgiana Eakins. “They are meant to challenge and inspire while bringing something musically fresh to the table.” This is also apparent on the semi-title track, “Emergency,” a track for which to put the headphones on and fade away with the dreamy keys and vocals.
The other band members include Daniel Eakins (vocals, guitar) and Pablo Calderon (bass, drums). The band’s top influences include Coldplay, Future of Forestry, Imogen Heap, Keane, and Snow Patrol.
Born and raised in the Midwest, singer/songwriter Nick Shattuck moved to Los Angeles in the fall of 2011 for the sun-soaked life of the west coast and to “surround myself in a competitive music environment.” Right away, Shattuck went to work, exploring the environs of southern California and writing songs.
Those songs, featured on his 2013 album Up Late, Dreaming, are wholesome, heartfelt, introspective, woodsy, and at times, celebratory, as standout tracks like “Your Heart” demonstrate.
Shattuck has opened for artists like Howie Day, Ben Taylor, Rhett Miller, Sea Wolf, Meiko, and Tyler Hilton. He lists his top musical influences as Ray LaMontagne, Joe Purdy, Ben Howard, James Vincent McMorrow, and Bon Iver.
Geoffrey J – Los Angeles, California
They are an anomaly in today’s world of pop driven rock. With influences like Aretha Franklin and The Beatles, the boy who grew up on doo-wop is now a singer-songwriter that reflects the styles of Lou Reed, Bob Dylan, and Lyle Lovett.
Both as a solo and band performer, Geoffrey J, has played at many of the prestigious Los Angeles music venues including the iconic Whiskey A Go Go, Room 5 Lounge, The Mint, and The Viper Room. His other musical influences include Macy Gray, INXS, and The Black Keys.
We were first introduced to his music thanks to the amazing track, “Merry Go-Round” – a gold nugget; not many DIY bands can write and record an amazing song like this. But Geoffrey certainly has; don’t be surprised if you play this song over and over.
Another track, the uptempo song, “Here I Am,” was a grower song for us. J’s vocals are very professional and evoke a sense of fun with happy groove and catchy rhythm guitar.
Daniel Ellsworth and The Great Lakes – Nashville, Tennessee
On their sophomore album, Kid Tiger, released in March of 2014, indie rock band Daniel Ellsworth and The Great Lakes fuse raw energy with crisp melodies and danceable beats on standout songs like “Phantoms” and “Sun Goes Down.” Kid Tiger was produced at Nashville’s Sputnik Sound Studios by Grammy award-winner Vance Powell, who has produced albums for Jack White, The Whigs, Kings of Leon, and The White Stripes.
Formed in 2010 in Nashville, Tennessee, Daniel Ellsworth & The Great Lakes released their first full-length studio album, Civilized Man, in 2011. Recorded and co-produced with Mark Nevers (Andrew Bird, Yo La Tengo, Silver Jews), Civilized Man went on to be listed in the top 100 albums of 2011 by Amazon, with songs like the pop-rock single “Shoe Fits,” which debuted at No.7 on Amazon’s Top 100 Songs of 2011.
Band members include Daniel Ellsworth, Timon Lance, Joel Wren, and Marshall Skinner. The band considers among their influences Local Natives, Haim, Phoenix, Buddy Holly, Tom Waits, and Dr.Dog.
MP3: “Phantoms“ – Daniel Ellsworth & The Great Lakes from Kid Tiger
Robyn Cage’s ethereal yet powerful soprano and impassioned live performances have dazzled audiences from Boston’s Symphony Hall, to thousands at outdoor festivals, and the prestigious and intimate singer-songwriter circuit in New York City.
Born in the Utah desert as Robyn Kemp, she went on to study at The Boston Conservatory and became an accomplished actress in NYC. Recently, she migrated back to her Park City, Utah birthplace and was creatively and soulfully reawakened.
For her debut album, Born In The Desert, which dropped on Oct. 2 of last year, Cage teamed up with two-time Grammy-nominated producer Darryl Neudorf (Neko Case, Sarah McLachlan) and Grammy-nominated and Juno Award-winning producer Dan Burns (Rachael Yamagata, Lenka, Michelle Branch). Her biggest musical influences include Susanne Sundfor, St. Vincent, PJ Harvey, Lana Del Rey, among others.
Helsinki alternative rockers, Weepikes are, according to the band, a ‘time machine’ band that gained a sizable following in the mid-1990’s in North America and Europe, but burned out, and disbanded, in 1997, after less than four years together.
Then, in early 2013, after 15 years apart, the band re-emerged with the release of a new EP, which introduced them for the first time to many music lovers on IRC who were either toddlers or babies (in some cases, not even born yet) when the band broke up, and also rekindled interest among long-time fans, many of who probably forgot about them over all of the years.
Weepikes, despite their name, rock! And if you like what you hear on “Nothing But A Soar,” check out another track from the EP and read more about the band from the original post published in February of 2013.
We’ve gotta close out 2016 with one more post, featuring DIY and small label indie bands from across the United States, Canada and Sweden. It’s hard to believe this is the XXVIII (28th) posting for the In Dee Mail (aka, in the mail) series.
Have a safe, happy and healthy 2017!
In This Installment:
Stella Nova – Denver, Colorado Bud Collins Trio – New Haven, Connecticut Amery Rey Tuesta – Gothenburg, Sweden Mahdi Khene – Washington DC Parker Rose – Santa Clarita, California Jack Mosbacher – New York, New York Morning Fame – Toronto, Canada
Stella Nova – “Old School Radio”
Denver teenager and DIY one man band Dominic Ellerbee has bigger things to worry about than most teens these days. His family has been on the verge of becoming homeless once again, he recently told IRC, and he has lost his “best friend, my girlfriend and my band.”
And yet you wouldn’t know from listening to this 19-year-old’s latest single, recorded under the moniker, Stella Nova, that it was such a troubling year.
In fact, “Old School Radio,” is infectiously upbeat, and nearly impossible to turn away from, with it’s indie, alt. rock and pop radio influences. When you consider that Ellerbee wrote the song, recorded all of the instruments – guitar, bass, drums and vocals – and mixed and mastered everything himself, it’s a pretty solid DIY drop.
Despite his 2016 tribulations, Ellerbee highlights as well the positives, writing on Facebook: “But this year also saw an immense growth for me: I met some amazing people; found myself a little more; wrote a whole bunch of music, and best of all, started work on this album.” He is referring to an album that he plans to drops in early 2107.
Stella Nova’s overall style is influenced by different eras of rock, pop, and alternative, with his favorite artists to include The Strokes, Lil Yachty, Arctic Monkeys, Weezer, Mobb Deep, and Sam Cooke. Another single that we find particularly interesting is the alt. rock like “Zephyr.”
Connecticut’s long-running music group, the Bud Collins Trio (BC3), is not really what you might imagine at first; for starters, they are not a trio. They were once though. That identifier, ‘trio,’ isn’t usually used in any other context that we know about except jazz trios, and BC3 is not a jazz trio.
However, there are jazz elements interwoven in the band’s remarkably eclectic discography, as there are funk, punk, prog rock, psych, electronic, and many other genres. Yet BC3’s overall sound is mostly pop and rock wrapped within the warm and welcoming blankets of alt. and indie rock.
And that’s the great thing about alt. and indie rock music – you can mix and match whatever genres, styles, eras you want without anyone saying “you can’t do that.”
IRC has been featuring talented, under-the-radar artists and bands for 10 years now, and the BC3 is definitely one of them.
The band’s latest EP, Quasarmoto, is more decidedly electronic-influenced than other releases, and features the fast-paced, electro-driven, “Bad Kids Wander Away,” the slower, space pop-like, “I Don’t Understand” and the melodic shifts, and wild guitar solo, on “Useless People.”
Referring to “Bad Kids Wander Away,” band member Chris Duers says, “this tune is actually written about my youngest daughter…about all of the things I worry about, and things that I might say to her or want to say to her… about growing up and some of the dangers of the world, and some of the ways you can get lost, drift away from the right side of the world, get sidetracked.”
Now it’s time to enter the world of the eccentric, experimental Peruvian musician Amery Rey Tuesta who now lives in Gothenburg, Sweden.
Tuesta’s 2016 album, Mr. Black Pants, is decidedly unique and guitar-driven, with many interesting tracks, such as the memorable, “You Don’t Understand,” which sounds like 1970’s TV cop show music interlaced with off-kilter heavy metal music; the guitar licks are sparkling and the horn section adds a memorable finality.
While Tuesta’s vocals are not necessarily perfected, it’s also what helps set him apart from many of the other bedroom musicians; he certainly has the angst, and accompanying guitar licks, of a novel heavy metal/punk DIY one man band – writing and playing all of the instruments himself and mixing the masters.
His blistering guitar work is time and again the dominate force riffling through many of the tracks on Mr. Black Pants – from obscure theatrical arena rock (“Un Mejor Lugar”) to predominantly punk (“Roar” and “What Do You Mean?”) to influences of spaghetti western rock (“Ironic Life); surf rock (“What Did You Say?”); mid-60’s guitar rock with 70’s horn sections and Mexican music influences (“My House”).
Standout songs like “My House,” and “You Don’t Understand” are perhaps most accessible; Tuesta may not be smooth around the edges, but he exhibits a wide understanding and appreciation for the freedom that indie allows in mixing genres in creative and unconventional ways.
Via Soundcloud: “You Don’t Understand“ – Amery Rey Tuesta from Mr. Black Pants
Mahdi Khene is a Washington DC-area acoustic folk musician who was born in Algeria and immigrated legally as a toddler to the United States. Growing up hearing the music of Bob Dylan and The Beatles at home with his family, Khene became addicted to music.
By the age of 11 years old, he asked his father for a set of drums. His father made a deal with him: learn to play the guitar first, and the drums will follow. In short order, Khene learned with great earnest how to play the guitar. His father kept his side of the agreement and purchased Khene a new drum set.
Continuing to perfect his skills playing the guitar and drums, Khene was writing songs by the age of 14.
“I’ve been writing songs since I was 14,” he says. “All i do is write. I may have around 200 songs. I just wanna share them.”
Inspired by The Kinks and the early Motown Records catalog, California songwriter, vocalist and musician Parker Rose has harnessed the inspiration of his biggest influences to release a number of commendable singles during the past couple of years, including a couple of tracks that received a nice helping of online love from music lovers.
There’s no doubt listening to songs like “Slow Drive” and “Little Dreamer” that Rose has a love and a knack for indie pop music influenced from the sounds of yesterday, but still very much relevant today.
The latter track, “Little Dreamer,” had a good run on Soundcloud for a while, amassing more than 5K plays with nearly 50 comments from listeners.
In social media world, we call that excellent engagement and reach because people don’t comment unless they really like a track a lot. Comments range from “Feeling the vibe! Very funky and soulful” to “amazing!” Rose has opened for artists like The Withers, Fidlar, Together Pangea and the Allah Las.
Jack Mosbacher Band – Sunny Songs for Shady People
Raised in Woodside, California, and now living between New York City on one coast, and California on the other, songwriter, vocalist and actor Jack Mosbacher was obsessed with The Beach Boys’ Brian Wilson and Motown music from a young age.
“I am passionate about telling a story — be it through music, on a stage, or on a screen—that makes the world a little brighter, bit by bit,” says Mosbacher. Mosbacher has an extensive palatte – he is just as comfortable “covering pop crooner Ed Sheeran as he is belting out a Stephen Sondheim number from Sweeney Todd,” his bio reads.
In 2014, Mosbacher founded the Jack Mosbacher Band, and the band has performed at venues in and around the city. His band has also performed in San Francisco at the Great American Music Hall during a California tour to support the release of the debut album, Sunny Songs for Shady People.
Bolstered by radio-ready pop tunes like his cheery debut single “I’m in Love” and funky slow-burner “Bad News,” Sunny is an eclectic mix of genres, moods and stories. Mosbacher is also hugely influenced by Bob Dylan and Van Morrison.
Via Soundcloud: “I’m in Love” – Jack Mosbacher Band from Sunny Songs for Shady People
Morning Fame – “Dreamality”
Based out of the increasingly influential Toronto indie music scene, the indie rock band Morning Fame, incorporates alt. rock and elements of classic rock with big, booming sounds, 70s-80s style guitars, and a psych rock jam halfway through, and a blazing end on the band’s track, “Dreamality,” from their upcoming new album to drop in early 2017.
“The song portrays being trapped in a dream,” says guitarist Joe Liranzo, “and the pace of this song illustrates the chaotic feeling one might have if they were a prisoner of such a mystic place.“
Comprised of band members from all backgrounds and musical genres and influences, like songwriter and vocalist Vik Kapur and drummer Alan Dennis, Morning Fame has been rocking the Toronto scene for years, building a following along the way. There are definitely some Detroit rock influences in the band’s gritty rock sound.
Liranzo skillfully use insightful imagery to bring their lyrics and ideas to life as evident in an animated music video for the song, “Time of the Blackened Sun,” a sweepingly ambitious video and long-play song about Native American culture and history. The band will drop a new album in early 2017.
With a sound that will appeal to fans of CHVRCHES and Grimes, the Brooklyn electro duo Lilly Wolf creates darkwave synth pop with a sharp edge. But it is Wolf’s powerful and magnificent – at times, borderline angelic – voice that stays with you long after listening to outstanding songs like “Violence” from the band’s latest release, Deleted Scenes. What a remarkable track – we can see why the hype machine is in motion for Lilly Wolf.
MP3“Violence” – Lilly Wolf
Fronted by Wolf and her best friend and bassist Alex Neuhausen, the project started out across the country at Stanford University when the two realized a mutual love for music and math. Another top track, “Promises and Plans,” is a straight-up, strapped down darkwave groove that highlights Wolf’s remarkable vocal talents. In fact, there are a number of songs on the EP that qualify as singles by themselves. Take your pick.
The duo have toured around the United States, and performed at SXSW and CMJ, as well as opening for artists such as Skyroads, Solander, Akrobatik, Shanaz Dorsett. Lilly Wolf’s biggest musical influences include Stromae, Elliott Smith, Robyn, Kendrick Lamar, Kanye West, and Rachmaninoff.
Without Wolf’s emotive, well-honed vocals, the duo would not stand out as much as they do from the parades of new synth pop duos that pop up left and right like tulips in spring these days. Neuhausen’s obvious production skills and deep bass lines (with contributions from drummer Tareq Almulaifi) are critical to what makes Lilly Wolf stand out. Their songs have been aired on shows like The Real World, The Bad Girls Club, among others.
Bonus Track: MP3: “Witness” – Lilly Wolf
Lilly Wolf official website
Victors – “Tonight”
On April 8th, the Leeds electro pop/rock quartet Victors, will drop their new single, “Tonight,” produced by Andy Hawkin, who has worked with Maximo Park, Kaiser Chiefs, The Damned, Floggy Molly and Motion City Soundtrack. The production level that fans of any of those bands may be used to is also found on Victors’ new single.
“Tonight” has the potential to be a spring/summer hit with fans of any of the other bands listed above, and thanks to its passionate verve and attitude. After a triumphant 2015 of performing around the UK, including a sold out show with The Pierce Brothers at London’s 02 Academy, Victors are now putting the finishing touches on their debut EP to be released later this year.
Michael Kroll – Clamorous
Connecticut native and musician Michael Kroll, who would best be described as a heart and soul musician, will release his new album, Clamorous, on April 22nd. The album features intimate, lyrical stories in the grand tradition of a dyed-in-the-wool American singer-songwriter backed up by musical compositions which are at times delicate, sweeping and propulsive, as featured on the catchy, yet stark lyrical beauty, of “Soul of a Summer Day”, or the uplifting rush of the album opener “Blue.”
The record was produced by Andy Green (Lou Reed, John Cale) and features Tony Mason (Joan Osbourne, Norah Jones) on drums as well as Kenny White (Marc Cohn, Shawn Colvin) on keys. Kroll will perform at the Bowery Electric in NYC on April 8th with Emily Duff and Dina Regine.
Telamor – “Flash”
As a founding member of Boston‘s seminal punk pop bands of the late 70’s, the Atlantics, musician Tom Hauck‘s song, “Lonelyhearts,” rocketed to the top of the New England radio charts, making the band regional rock stars.
In recent years, Hauck has released a number of solo albums, including fun, witty and melodic albums like Pistonhead (2012) and Afterlife (2013).
Now, Hauck has released perhaps his most ambitious album to date. In fact, it is the fourth CD from Telamor. The album, Outside The Lines, is guitar based pop rock, with standout songs like “Flash.” As with all of his CDs as Telamor, he was assisted by Grammy-nominated producer Warren Babson.
Blending subtle rhythms, quiet programmed beats, lo-fi vocals, acoustic guitars and a melodically-oozing bass track with reverb-coated vocals, and a background flute, on songs like, “You And Me,” and the more uptempo, psychedelic Beatlesque “Peace by the Sea,” are some of the musical hallmarks of the El Paso alt. rock (hard to ‘genre-fy’ these guys) band The Disappearing Act.
Band members include Salim Nourallah (vocals, bass); Bob Blumenfeld (acoustic guitar); John Leffler (electric guitar); Nick Earl (electric guitar, effects); John Dufilho (drums), and Gabe Gonzalez (synthetic beat programming). Their biggest musical influences include Beatles, Clash, REM, Guided by Voices, Wilco, and Elvis Costello.
MP3: You and Me – The Disappearing Act from Born To Say Goodbye
MP3: Peace by the Sea – The Disappearing Act from Born To Say Goodbye
The Disappearing Act on Facebook
https://www.youtube.com/watch?v=y_j31z78B8k
Rusty Shipp – “Sinking Scarabs”
Rusty Shipp is a Nashville rock band formed in 2014 by vocalist and guitarist Russ T. Shipp who recruited bassist Dustin Herres, whose bass grooves are dope and frenetic drummer Andrew Royer.
With heavy influences like Nirvana, Foo Fighters, Thrice, Chevelle, and The Beatles, Rusty Shipp continue to tunnel forays into the clubs, halls and alleys of Music City, making notches in their rock and roll belt with kick-ass music videos like “Sinking Scarabs,” Beatlesque hooks, punk and grunge verve, and the southern rock tenacity of Shipp himself.
As one of the top contestants on The Voice, singer-songwriter and musician Hanna Kirby has gone on to continue her career in music, creating an assortment of styles like folk, pop and electronica. Her debut solo album, Fire in My Soul, realizes many years of singing and creating music, that is very much like a fire in the soul when you listen to singles like the title track.
As 2016 marches on, we’re just now dropping the first 2016 installment of In Dee Mail, featuring an incredibly diverse cornucopia of music from artists and bands of every imaginable (and unimaginable) genre, style and sound.
In this installment of In Dee Mail:
Jack Kotz – Wilmington, North Carolina Small Culture – San Diego, California Benji Lewis – Melbourne, Australia Tomlin Hill – Norfolk, Virginia Amateur Eyes – Saline, Michigan Code Pie – Montreal, Quebec Archi Deep and the Monkeyshakers – Lion, France Area of Refuge – Saratoga, New York The Polaris – Conventry, England Drink Me – Jacksonville, Florida
Jack Kotz – What’s All The Fuss About?
North Carolina songwriter, multi-instrumentalist and producer Jack Kotz‘s debut album, What’s All The Fuss About? , is a musical compendium of amazing, mostly instrumental tracks featuring dreamy, soft grooves, sunny California rock melodies, funky beats, punk rock, and psych rock guitars with swirling, ambient keys.
The top single from the album, “Burning Sensation,” is a wonderfully upbeat that is fitting for spring – I could see a beautiful kite flying high and free against the royal blue sky. With the addition of the uplifting chorus (which should have been used more throughout), the song is just pristine – and reminded me immediately – and more so in subsequent spins – of Burt Bacharach’s score for Butch Cassidy & The Sundance Kid.
Soon after, you’re airborne again, but this time, you’ll stay much closer to the ground, and hear the frogs and water, on the ambient tune, “My Intentions Were Not Intended,” a track that has some tones and shades that remind us of the legendary (although most people outside of music heads never heard of…) Michael Hedges (RIP).
Song after song on Fuss prove that Kotz is a multi-faceted, talented and expressive musician who has a particularly astute appreciation, and interpretation, of different styles, genres and sounds.
After dreamy and chill grooves of tracks like the gorgeous title song, and others like the airy, drifting notes of “I’m The Only Road You Know,” and “Pull The Level,” with its slapping bass lines and high-octane electric guitar – all wrapped in a very funky rhythm that propels the song forward – it becomes
And there’s more funky bass on “Melt My Way,” which fades out suddenly, followed by a pause and silence, and then all of a sudden, the peace is shattered by the hard grinding stomps and trippy, spooky guitar and keyboard riffs of the sinister “JR.” At another crossroads on Fuss, you’re listening to what sounds like the opening music to a tripped out 80’s episode of Miami Vice via “Depends On Your General Location.”
The sonic journey glides, sails and chugs through various sonic landscapes, further illustrating Kotz’s refusal to play into conformity for the sake of conformity, or to allow himself to be boxed in by one genre or sub-genre. His album title question is answered by the music itself.
Try this: kick back with headphones, fire this up, close your eyes and roll on those clouds with tangerine trees and marmalade skies.
Small Culture is an indie pop kaleidoscope rock band produced and fronted by Jerik Centeno from San Diego. The name ‘Small Culture’ derives from being raised on a small island with a long tradition of a strong and vibrate culture. “My music is a kaleidoscope of sounds influenced from world, classical, electronic, and indie rock,” Centeno says. His musical influences include Two Door Cinema Club, Bombay Bicycle Club, and Sigur Ros. He’ll soon release an EP. Check out Small Culture on Facebook.
Synthetica – Small Culture from single
Benji Lewis – “Reach You Where You Are”
Pretty much out of nowhere, we received the single, “Reach You Where You Are,” from Melbourne, Australian ambient/electro musician Benji Lewis. It hits you hard; it’s foreboding, and has an element of sadness that is also wonderfully beautiful complete with a Middle Eastern mystique.
Turns out he had some professional help along the way. “I have been lucky enough to cross paths with the right people who have then put me into contact with some really talented producers and production companies.” Lewis is currently working on his debut solo LP.
Tomlin Hill is an alt. rock DIY band based out of Norfolk, Virginia. Creating a classic, unique sound that spans across genres from rock and reggae, to funk and soul.
“True Side” features staggering guitar work and minimalist, reggae-like chords with sharp, understated vocals and a guitar and percussion jam in the second half of the song. The band has opened for Nico Vega and are fans of Foo Fighters, Killers and SOAD.
“True Side“ – Tomlin Hill from True Side
Amateur Eyes – “Borrowed Time”
After a short time at the University of Michigan, John Pederson decided it was not for him and set out to record a batch of songs he’d written as a teenager, and now as a young adult under the moniker of Amateur Eyes.
The ten songs on his debut album, incorporating influences from post punk, indie and alt. rock, were finally able to be “properly recorded” the way he intended them to sound using a collection of microphones, computers and other gear at Cleveland‘s Danger House studio with producer Dave Douglas. It’s an ambitious and spirited recording with many hook-filled moments and blazing guitar rock.
“Borrowed Time“ – Amateur Eyes from Amateur Eyes
Code Pie – “Rockets”
Code Pie is a rock band from Montreal. In the last nine years, the group has released three LPs, and a number of singles, including a well-received doo-wop version of Justin Bieber’s “Baby” and a companion piece to Tommy Wiseau’s much maligned film The Room.
The band’s new single, “Rockets,” represents a slight departure from the band’s past, offering a dreamy, 80s-tinged slice of radio-ready pop/rock sway.
“Rockets“ – Code Pie
Archi Deep and the Monkeyshakers – “Nowhere Man”
Archi Deep and the Monkeyshakers is a French indie rock band who are obviously influenced by their favorite bands, including Supersuckers, Kid Congo, The Warlocks, Nirvana and Led Zeppelin as evidenced on the hard-rocking “Nowhere Man,” a single from their latest release, #3. The trio features Archi Deep (vocals, guitars), Martin Leroy (bass), and Camille Sullet (drums).
Nowhere Man – Archi Deep and the Monkeyshakers from #3
Area of Refuge – “Leap of Faith”
In the upstate New York town of Saratoga, twenty-something songwriter, musician Christopher Morin took a break from making rock music in order to focus on creating an album of serene and easy listening music. It’s something different for us too, but we really enjoyed the brilliance of his musicianship.
He teamed up with local violinist very Jahna Stanton to craft these wonderful songs. Their duo is officially called Area of Refuge. Morin counts some of his musical influences, for this style, to include Philip Glass, Max Richter, Ólafur Arnalds, and Sigur Rós.
“Leap of Faith” – Area of Refuge from Series One
“Reptile” – Area of Refuge from Series One
The Polaris – “Nowhere To Run”
Based in Conventry, England, the DIY alt. rock band The Polaris have been working on their debut EP for many years, and perhaps it was well worth all that time. The lead track, “Nowhere To Run,” is an expansive, almost arena-sized, emotive track that has leanings to 80’s and 90’s rock, which makes sense since some of their top musical influences include The Stereophonics,The Smiths, Flickerstick, and Mogwai.
Lo-fi, swaggering electro fuzz rock is the signature of Jacksonville DIY band Drink Me. The musical collaboration between Michael La Manna and Sadie La Manna started back in 2010 when they decided to record a few tracks in the living room, drawing from their love of bands like The Kills, The White Stripes and Smashing Pumpkins.
This latest installment of IRC’s longest running indie rock music series, In Dee Mail, marks the 25th volume, and includes a whole new bunch of music never before featured on IRC. The bands profiled below include Seattle band Gems; Chicago’s Mighty Fox; Little Rock’s Canopy Climbers; Mexico’s Ekos; Rochester’s The Gifted Children; Los Angeles band, The Etiquette, and another Windy City band, Cousin Dud.
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Gems is an instrumental electronic band from Seattle consisting of two drummers, Adrian Van Batenburg and Jacob Evans, and two keyboardists, Daniel Rapport and Gary Palmer, twisting knobs and making noises unknown to the natural world. Their music is likely to make you dance; without fail. Gems have garnered rave reviews from the Seattle music scene, including a glowing profile from The Stranger that read: “Gems hit you with heavy grooves and polyrhythmic interplay, while Moog-generated liquid-sex bass-lines and champagne-bubble leads seduce you to the dance floor.”
The band’s members have played a part in many musical projects, including such notable acts as Macklemore, John Grant, Blue Scholars, Ormonde and The Kindness Kind, among others. The idea for Gems, they said, was to “create an environment that allows for sonic experimentation and improvisation, while still retaining a feel that can only come about through an organic songwriting process.” The band members draw their inspiration from artists like Brian Eno, Kraftwerk, DJ Shadow, and RZA. There are a number of bands named Gems, but you can distinguish these guys because they are instrumental only.
Like Ekos, there are other bands in our archives that we meant to publish some time ago, but were temporarily lost in the piles of hundreds of submissions that flow in each month (in fact, there are many such bands; but, the music, if it’s good, doesn’t have an expiration date, and sometimes, like wine, improves with time). Here’s another such band warranting resurrection.
Billy Gill (guitar, vocals) and Blake Walker (drums, vocals) paired musical interests while in college in Texas, and then, years later, met up again in Los Angeles where they expanded on what they had started originally years earlier, writing and performing indie rock songs as a duo. Later they were joined by Gill’s former guitar teacher, Tom Farrell, on bass, and their band, The Etiquette, formed, and soon after released their self-titled debut EP, which stands the test of time.
The band’s music was recently featured in the indie film, The Worst Year of My Life, directed by Jonathan Smith. The band’s musical influences – The Beatles, The Walkmen, The Sonic and Neutral Milk Hotel, are evident in their lush melodies and irresistible hooks. Unfortunately for fans of the band’s first release, they haven’t released any new music in the past three years. According to Walker, they will be releasing new material in 2015. We look forward to it.
“All Those Things” – The Etiquette from The Etiquette
“In A Sense” – The Etiquette from The Etiquette
Chicago DIY alternative rock band, Mighty Fox, mix a bit of Coldplay with The Killers, and add their own atmospheric guitar licks and impressive vocals, on their debut EP, Oceans, to create songs that make them sound like seasoned pros. The band told IRC that “each song has the listener noticing the many different” influential artists, such as the aforementioned as well as Imagine Dragons and U2 being “considered substantial influences.” Formed in 2013, Mighty Fox has made a splash on the Windy City’s competition rock music scene, and we believe are destined for bigger things. We’ll be watching out for their debut album. The band members are Mike Jansen on vocals; Markham Jenkins on guitar and piano; Johnny Walker on bass, and Jon Lewchenko on drums.
From Little Rock, Arkansas, where there’s a growing indie scene, the electronic pop trio Canopy Climbers, crossed our radar in the past with singles like “Always” and “Stuck,” that, well, got stuck in our heads.
The band’s sophomore EP, Miles, which they oddly call a sampler, was, like other albums in this post, released a couple of years ago, and, while it did not receive the kind of recognition it deserves, even though there was scattered praise on the web from blogs like Indie Shuffle and Popdose; Liisten.com deemed it a “tremendous success on every level.” The trio – Alan Thomas, Cory Nelson, and Nathan Miller – formed like so many bands do: they were friends who shared similar interests in music and decided to make a go for it.
While the band members all live in different cities in Washington state, that did not stop them from collaborating. They worked through the cloud, each adding their pieces to the others’. As Thomas explained, the trio’s songs “come together at the end of the process” when they are finalized for release, and especially when Canopy Climbers play them live. The band released their debut album, Distances, in 2011, which is also a worthwhile listening experience for those who dig the band’s sound. Listen to the sampler via NoiseTrade.
The band as opened for artists such as Carousel, Mansions On The Moon, and Deas Vail, and count among their biggest influences bands like Paper Route, Phoenix, Coldplay, Copeland, and Civil Twilight.
Canopy Climbers Official Website
Ekos – Mexico City, Mexico
We’re going backwards a bit to bring to light (luz) a band that we don’t want our listeners to miss out on. The history of Mexico City band Ekos begins with a difficult task: performing Pink Floyd music live. The band’s tribute to the iconic UK rock band has been hailed as one of the best tributes of Pink Floyd by the band’s publicist, Azu Baeza, and various music bloggers as well. The Pink Floyd tribute endeavor kicked open some new doors for Ekos, including bookings by promoters in Mexico City at venues like Teatro Tepeyac, Futurama Cultural Centre, the Christ Church and the Universidad de la Mexico.
Ekos’ members Ana Camelo, Jesus Torres, Victor Juarez and Ricardo Castro released their debut album Luz Interna last fall, featuring accomplished experimentations with atmospheric, progressive psych rock that also draw off of the styles and sounds of bands like Dream Theater, Porcupine Tree, Radiohead, Moby, and Led Zeppelin.
Here’s a mix of samples from their debut’s tracks, followed by two full tracks.
Diverse Small Label Indie Poppers The Gifted Children
The Gifted Children, the first band to join the Tinhorn Planet independent record label, are one of the most interesting and creative experimental psych rock bands almost no one has heard of. At IRC, we’ve been fans of the Rochester, New York band for a number of years, and they still pop up on our radar because so many of their typically under-three-minute tracks are shuffled in the cafe’s permanent playlists.
As with other bands in this feature, we’re going back in time to bring you music worthy of bringing into the present. In the past, we’ve featured songs from fascinating albums like My Museum Pieces (2009 – an album that has mysteriously disappeared from their Bandcamp page) and Montgomery Blue Ash (2011), giving us even more hazy, trippy, acid-washed guitar and reverb bliss to enjoy.
Songs like “The Portable Sun” and “Parenthetical Nashville Blues” demonstrate the band’s remarkable talents to make music that touches your heart and makes you feel like your floating on a fluffy cloud on a gorgeous autumn day. There are simply too many spectacular tracks from The Gifted Children to review them all – what really matters is listening to them yourself, which you can do below.
Some of their newer music of note includes a series of tracks from The Reginald Pantry (A Zombie Chronicle), an album of 21 songs – with an average play time of about two minutes each – featuring various sonic ‘scenes’ that all together are more fitting for a movie soundtrack (anyone need a soundtrack for an indie zombie flick?) than a conventional album.
In December of 2012, the band released a 16-song album of Christmas covers and original songs, with highlights such as a distorted cover of “Deck The Halls,” a monk-like version, mixed with beats, of “O Come O Come Emmanuel,” an 8-bit midi of “The Nutcracker: March” and many others. As the band conveys on their special Christmas album, and their other works, The Gifted Children cannot be – will not be – boxed into one or two (or three or four) genres. Rather they straddle the spectrum of genres from art rock and indie rock, folk and electronic, ambient and pop.
The band also puts together some really interesting collage-style album, EP, 7″ and single covers, which you can view on their Bandcamp page. Help them out and purchase some of their music on Bandcamp. We all need to support the artists whose music touches us in some way and becomes part of the soundtrack of our lives.
The band, which is more accurately described as a collective of musicians, deliver an eclectic buffet of sounds and genres from straight pop to lo-fi, psychedelic rock to acoustic folk persuasions accented always by cuts and splices of sounds, distortion, feedback, and even unconventional means of recording and mixing – running the gamut of everything from making use of old recording equipment born decades ago to experimenting with recording through various apps on smartphones in a never-ending quest to find different ways to create, record and mix music. At times, the band has expanded to include contributions from more than a dozen collaborators.
“The Coalition Breathing Down My Neck” – The Gifted Children from My Museum Pieces
“Weathervane Alliance” – The Gifted Children from My Museum Pieces
“If You Get There” – – The Gifted Children from My Museum Pieces
Blending upbeat, melodic instrumentation with silly lyrics about life in the Midwest, the Chicago band, Cousin Dud, remind us a lot of The Proclaimers (“500 Miles [I Will Walk]”). The following are some older tunes, but they’re just as fresh and fun today as they were a few years ago. The band members include Matt Carmichael on guitar and vocals; Cesar Cruz on drums and percussion; Pete Geraci on saxophone and Dan Schuld on bass.
For those who have followed IRC for years (and thank you for that), you may be familiar with a profile and playlist series called In Dee Mail, which is a play on words to symbolize music that we receive by email. The In Dee Mail series, first published in 2008, is one of the longest running music series on IRC that introduces a diversity of talented indie artists and bands from around the country, and around the world. Because the sheer volume of music we received, terrific songs sometimes get filed away and are not rediscovered for many months later.
This edition of the In Dee Mail, the 24th, or XXIV, volume of the series, features bands like Scarlet Youth, Brokeback, Santah, Widowspeak, Stellar Young, Javier Dunn, Nick Smith (aka, Gibson), Recorder, and Karma.
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Great Tracks From Scarlet Youth, Brokeback, Santah and Widowspeak
The first track is a follow-up single from the DIY band, Scarlet Youth, that were originally featured back in January. The band’s latest track that we’re digging, “Cool Kids,” is a mellow, emotive song that would be fitting on the soundtrack of a ‘coming of age’ indie film. Brokeback is the long-time musical side project of musician and songwriter Douglas McCombs, who is a member of bands such as Tortoise, Eleventh Dream Day, and Pullman, and has also collaborated with Calexico, Yo La Tengo, Tom Ze, and Azita Youseffi.
Next, the band Santah released a new track from their much lauded EP, You’re Still A Lover. Inspired by the disorientation in his own love life, Stan McConnell penned the Chicago‘s quintet’s newest single, “I Love the Way You Seal A Deal,” a tune full of soaring choruses, lush arrangements and their patented sincere lyricism. McConnell told Rolling Stone: “I was pretty disoriented with my own love life, so I wrote this song to play out a fantasy and to fiercely commit to whatever that was and whatever that entailed.”
“Cool Kids” – Scarlet Youth from The Everchanging View
After spending days in a hundred-year-old barn in upstate New York, the band Widowspeak have returned with a new album, Almanac, featuring the single, “The Golden Hour” from said album. Helped by Kevin McMahon – who has worked with Real Estate and Swans – the new songs from the album feature stronger guitar riffs while never losing the layered lilting of Molly’s voice.
In 2010, New York musicians Erik Flora (guitar), John Glenn (vocals/keys), Kyle Hatch (guitar), Curt Mulick (drums), and Dave Parker (bass), formed the DIY indie rock band, Stellar Young, and last December dropped their new LP, Everything at Once, featuring the singles, “Speak Now (Good Man)” and “Playing With Guns.”
Stellar Young has previously opened for bands like Badfish and The Dangerous Summer, and consider among their top influences Taking Back Sunday, The Wombats, Kid Cudi, Brand New, and The Early November.
Singer/Songwriter and Musician Javier Dunn – Los Angeles
Javier Dunn began his music career playing open mics and small clubs in the San Francisco Bay Area before moving to Los Angeles at the age of 17 to attend UCLA. In addition to his studies, Dunn gigged as a solo artist, and also played bass and guitar in a number of jazz, funk, rap and rock bands over the years. During this time, Dunn also began experimenting with recording, programming and producing. In 2012, Dunn signed with Red Parade Music, the music collective helmed by producer Jim Roach. Dunn began working on his label debut, Trails, a beat-driven and cosmopolitan work converging a number of elements like hip hop, electronic and eclectic elements converge. With its release in June, Javier hopes to have a song or songs that connect with people. Look for it to resonate with a vast audience this summer. ” Dunn top musical influences include Miles Davis, Bob Dylan, Eric Clapton, Prince, and Coldplay. Dunn’s voice reminds many people of Dave Matthews, but in a very subtle way, as evident on the song “If You Go.”
“If You Go” – Javier Dunn with Sarah Bareilles from Trails via Red Parade Music
“Couple of Drinks” – Javier Dunn from Trails via Red Parade Music
Nick Smith, aka Gibson, is a singer/songwriter from Sheffield, UK. Smith’s ‘Gibson’ moniker was also his nickname in college because he owned three Gibson guitars. Since then, the name stuck, even though one downside is that it’s harder to find information and music from Gibson in a Google search, even when adding “band” or “music,” which are the two most common keywords used in addition to a band name when people are trying to refine a search of a common name or word, or even a saying. For a few years, Smith said, he dabbled with recording the songs that he wrote, but it wasn’t until he met Sheffield drummer, Steve O’Brien in 2011, that he was able to record his songs and send them around to any one who would listen. We listened, and have enjoyed what we’ve heard; hopefully many of you will agree.
Gibson has performed live throughout Yorkshire in support of a cover band. Although, Gibson has had lots of experience performing at venues such as West Street Live (Sheffield City Centre), he does admit it is hard to go in front of a crowd with just a guitar and play songs they have never heard before. The bit he hates the most is that walk out to the stage. There is however, no better buzz when the performance works! The re-release of the Tell Me EP in last year was to support a number of local gigs along with the digital release of the radio edit version of “Losing You,” that has already gained some US college radio airplay. Just recently, Gibson has released a new EP, Hope. Nick Smith’s major music influences includes U2, Coldplay, ACDC, Noel Gallagher, and REM.
Recorder is the experiment of a group of established musicians that came together and made an album from scratch over a period of three weeks in France and New York. The album, Mountain, is the result of work from musicians Alexandre Millet (Mangrove), Aakaash Israni (Dawn of Midi), Qasim Naqvi (Dawn of Midi), Shahzad Ismaily (Tom Waits, Cat Power, Bonnie Prince Billy), Indigo Street (Shy Hunters), Willow Gibbons (Bow Ribbons). Mountain was mixed and co-produced by Rusty Santos (Animal Collective, Panda Bear, Born Ruffians). The band’s top musical influences include Sleeping States, Animal Collective, Little Dragon, Joy Division, Radiohead, and Nick Drake.
“Once it (the musical friends recording an album together) was decided, some of us went to Paris for a month. We then sat in a dark and small apartment for about three weeks, where we helped write and arrange the material. Then we went and recorded everything over the course of four days in the French countryside…and in New York, we recorded the vocals, added a few weird psychedelic synth touches and then mixed everything down,” according to Millet.
The problem with bands named after a very common word or phrase is that it makes it hard to find out more about them in a search. Our first attempts at “Recorder” + “Mountain” (album title) along with ‘album’ and another search using ‘band’ found no results about the band. It was only when we plugged in one of the band member names did we find anything about the band, and even then it was very thin and mostly self-promotional.
One of the best pieces of advice we can give a band that wants to be found online is to pick a unique name, and also search for that name to see IF anything else – like another band or a product or whatever – comes up. The more unique the band name, the better they’ll do in as far as making it easy – which is how it should be – for people interested in learning more about the band to find information, more songs, videos, social (Twitter and Facebook in particular) accounts and so on related to the band. Plus, it doesn’t help when there are a few other bands with the same name.
Choosing a common word as a band name will frustrate fans looking for more information, often times most will simply give up. We will often mention in a write-up about a band with such a common name, and how it was impossible, or nearly impossible, to find information about the band, including something as expected as an official website.
A well-done website is a major component of a band’s PR efforts that is especially important to building and maintaining a fan base. The more “wow” factor is involved on every aspect of the site, the bigger a band’s fan base will grow. The opposite often has the opposite affect because people have expectations for the official website from a band. When those expectations are not satisfied, it has a negative affect on the band’s popularity – no question about it.
Need A Band Website? . We can create a professional, fully implemented website for any artist or band. From the design to the content, the SEO and the usability, we’ll discuss with you – whether it’s a new site or an existing site that needs work – the plan, with your input, and then go to work on it. We also have plenty of technical experience, so if you know little about how to create (or improve) a website and get it working right on the web, no worries, we have all the angles covered, and have worked in the web industry for the past 15 years. Talk to us about creating, or improving, your band website, and we’ll put together a plan. Simply fill out the Official Band Website form and we’ll get right back to you.
The formation of the now defunct Ohio DIY band, Karma, came about, ironically, when members from two defunct bands – The Records and Forge – got together to form a band. Their first name was Lithium, but they were threatened with legal action from the existing band, Lithium. So, they choose instead Karma. But they only got to record one album, Rock is Dead and So is Karma. After the release, band member and co-founder, Nicholas Olaya, wrote: “After playing many great shows in Columbus, Dayton, Troy, and even Cincinnati, the band split and went their separate ways, with their recordings the only proof they ever existed.” During their time together, Karma opened for Chemists vs the Computer, Miss May I, Skashank Redemption, and count as their top influences Nirvana, Weezer, Foo Fighters, Stone Temple Pilots and Pearl Jam.
“Kaylyn” – Karma from Rock is Dead and So is Karma
It’s been a while since the last In Dee Mail series highlighting bands that emailed us their work via the submission form.
Unlike other more specific playlists (such as DIY Bands to Watch; 7 Bands You’ve Gotta Hear, Bands That Rock), In Dee Mail is a mix of all kinds of bands – signed and DIY; U.S. based or overseas; those with recent releases or older releases – but the majority of the bands featured in the In Dee Mail series are DIY and largely unknown to most indie music lovers.
What most people enjoy about this series is that it spotlights talented new artists and bands with great songs that most people have never heard before, but are glad once they have. This is the 23rd! edition of the In Dee Mail series that originally launched in 2010 and includes releases that we had drafted posts on years ago but never completed, and yet, two or three years, in some cases, four, years later, they have staying power enough to publish them today.
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The Unique Recordings of The Gifted Children
Let’s kick off with The Gifted Children, the first and only band on the new Tinhorn Planet independent record label, one of the most interesting, and talented, little-known bands indie bands around. The band, which is more accurately described as a collective of musicians, deliver a deliciously diverse buffet of sounds from straight pop to lo-fi, psychedelic rock to acoustic folk persuasions accented always by cuts and splices of sounds, shorter than usual tracks and unconventional means of recording and mixing their work – running the gamut of everything from old recording equipment to the newest devices not often considered recording equipment, like the iPhone. Altogether, there were 17 musicians who contributed to the collective’s 2009 11-song album, My Museum Pieces. The album is full of ecletic, wonderful songs that are sometimes epic, other times funny and even melancholy.
In addition to the dozens and dozens of songs the band has recorded and released over the years, The Gifted Children have also recorded a selection of Christmas songs every year for the past few years. You can listen to and download Christmas songs via The Gifted Children’s songs page, as well as other recordings.
“The Coalition Breathing Down My Neck” – The Gifted Children from My Museum Pieces
“Weathervane Alliance” – The Gifted Children from My Museum Pieces
“If You Get There” – The Gifted Children from My Museum Pieces
Pennsylvania Band Very Americans Drop Debut 7″
Very Americans are a Harrisburg, Pennsylvania indie/alt rock band who sent in their debut 7″ single Back From The Dead/Fast Planes To Rio a while ago, but that did not supply us much information about the band – and still haven’t despite our attempts. They signed with Ship Out Recordings only a few months after forming in 2012. We think the A-side and B-side of this 7″ release are terrific tracks that we’ve played numerous times in the cafe.
“Back From The Dead” – Very Americans from Back From The Dead 7 Inch
“Fast Planes To Rio” – Very Americans from Back From The Dead 7 Inch
Roaming Herds of Buffalo – Seattle, Washington
Roaming Herds of Buffalo is the exciting pop music project of Seattle songwriter, singer and musician Scott Roots. The idea behind this project is to set short science fiction stories to pop and rock music with the collaboration of musicians from other Seattle bands like The Torn ACLs, Skeletons with Flesh on Them, and Stencil.
With his previous bands, like SWFOT, Roots shared the stage with Aqueduct and The Lonely Forest and “a lot (and I mean a lot) of bands not many people have heard of.”
His major musical influences include Okkervil River, Beulah, Pavement, The National, and Guided By Voices.
“All of Them” – Roaming Herds of Buffalo from Roaming Herds of Buffalo
“Repaired” – Roaming Herds of Buffalo from Roaming Herds of Buffalo
Roaming Herds of Buffalo’s Website
Chicago DIY Indie Band Berry
Berry is a Chicago based experimental indie pop band that remind us a bit (note ‘bit’) like Apples in Stereo mixed with They Might Be Giants. In 2011, the nearly decade-old band set out on a 12-state, 20 set tour by train. You don’t hear of many bands who specifically go by train to tour (if there are more of you out there, please let us know).
In fact, the only time we can remember any musicians touring by train was the across-country tour through Canada featuring the Grateful Dead and Janis Joplin, and that was, well, four decades ago (there’s a documentary about the trip as well).
Fantastic songs like “Floundering” (“our punk rock song,” the band said), from the self-released EP, Flounder, and from the Recovery EP, the song, “Alma Mater,” are only a couple of out of some 100 songs the band recorded in a seven year time span. Of the approximately 30 to 40 that we have listened to, and downloaded, we can say that the band has a lot of ideas flowing for song themes, chords, rhythms and lyrics. If you like what you here, there is plenty of more Berry recordings available via their official website.
“Floundering” – Berry from Flounder
“Alma Mater” – Berry from Recovery
Texan Indie Artist Kelsey Brown
This next artist is one that, like Berry and a few other bands featured in this post, was put into a draft post a long time ago as an artist we eventually planned to feature on IRC. There are many dozens of artists and bands that we have never had the time – due to other priorities in coverage – to profile until now. Nearly two years ago, we received a few demos In Dee Mail from Texas singer/songwriter Kelsey Brown.
Now after having listened again to the songs he sent in, our antennas Immediately went back up; Brown is a talented artist that we would have hoped by now would be known more universally. A native of Little Rock, Arkansas, Brown sang with her grandfather’s bluegrass band at a young age and moved to Texas in 1997. She has been classically trained in voice, but began writing music and taught herself piano in 2007 and ukulele in 2009. Kelsey attended the Berklee College of Music in Boston, Mass. She lists among her influences Regina Spektor, Joanna Newsom, Fiona Apple, Ella Fitzgerald, Billie Holiday, Beirut, Laura Veirs, Tegan and Sara, Camille, and others. *
“I’m A Creep And I’m Proud” – Kelsey Brown from Kelsey Brown
“Piccadilly Circus” – Kelsey Brown from Kelsey Brown
*Note: We have not yet heard her newer material
DIY Singer/Songwriter and Musician David Seume from Kansas City, Missouri
The following are some great tracks that we recently found in an old draft post that we never got to share at the time dating back to 2010. David Seume os a Kansas City singer, songwriter and musician who has garnered critical acclaim for his infusions of sweet melodies, gospel, soul, pop, rock, and Motown in his music. We are still big fans of his self-titled debut LP that includes his first single, “Will Ya Be My Friend.” You can hear more current songs via his official website .
Oakland band, Hot Einstein, headed by musician Matt Berkeley, is a five-piece rock band formed in 2011 when a number of musician friends got together and recruited a couple others to pour their creative aspirations into recording songs and playing live, adding plenty of experimentation, heavy bass and keys, reverb-laden vocals and programmed beats to their hallmark pop rock sound. The band’s musical influences range from vintage Bowie to King Curtis, Nina Simone and Led Zeppelin. Hot Einstein began with Berkeley’s primordial urge to form a classic rock and roll band. He states: “We felt that ‘rock’ has strayed to far from its roots in rhythm and blues, as Nick Lowe said…it lost the ‘roll’ somewhere along the line.”
After touring around the country, Hot Einstein eventually set up residence at Oakland’s Disco Volante, working on their original material and classics by Booker T. & the MGs, Talking Heads, The Pretenders, and D’Angelo. “We learned so many covers not to be a cover band, per se, but to feel like a legitimate band that knows how to play together, and has a repertoire beyond a handful of original songs.”
Produced by Berkeley and Joe Bagale, Hot Einstein’s eponymous debut album was recorded at Richmond, California’s Bird and Egg Studios. Hot Einstein is a nostalgic rock band whose members engage in experimenting with sounds and influences from the 1960s and 70s, including tambourine, vintage keyboards, and vocal harmonies. Their debut LP spans rootsy acoustic genres, electronic and groove characteristics, as well as traditional rock and roll elements.
Brides of Christ is the solo project of Los Angeles musician Kirk C. Naylor. Formed during his final year as a student of music composition at UCLA in 2010, Brides of Christ is heavily influenced by a wide variety of music and art. His songs are dark, beat-driven and bombastic, drawing from influences like goth pioneers Joy Division, with aspects of pop and dance, and drone and ambient music in the mix, alongside hard loops, experimental self-sampling and heavy-handed beats to “hold the chaotic elements together.” Drawing inspiration from imaginative artists John Cage, Yoko Ono, Abe Vigoda, and Freddy Ruppert, Brides of Christ is an act of pure creation, as Naylor describes, and ultimately “turns inward upon itself and gazes into darkness,” describing his sound more simply as ‘maximal minimalism.’ Despite this introspective attitude, Naylor maintains that at the heart of it this music is pure pop. “The viscerality of music and it’s meaning are infinitely detached,” Naylor said. Other artists that are major influences on BOC’s music include My Bloody Valentine, New Order, Xiu Xiu, Animal Collective, and Bright Eyes.
“Sihaya” – Brides of Christ from Woman Is Throne EP
“Ready to Die Now” – Brides of Christ from Woman Is Throne EP
Brides of Christmas on Facebook
…And More Great Songs from Under-Rated Bands
The following is a random sampling of other indie tracks that were part of other posts that never got published, or are songs from previous years’ draft posts that were never posted for one reason or another. We hope you’ll find a couple of tracks that are worth downloading to your own playlist or just bookmarking to come back here and listen to them again since we don’t delete song files after a couple of weeks/months as most other indie blogs do. The only time a song file (aka, mp3 link) doesn’t play is when the artist or the record label that originally posted the song removes it, which we obviously have no control over.
For a few years now, the In Dee Mail series has been a popular on-going feature because it introduces music lovers to obscure, but talented, alternative and indie rock artists. For many of the musicians it is their first exposure by a often for the first time, to alternative and indie rock music fans.
The series gets it’s name from a play on words. Because all of the artists featured in the series sent in their music for review (although we now have a submission form on the About page), rather than calling it “In The Mail,” to change it to “In Dee Mail.” The other characteristic of In Dee Mail is the fact that the featured album releases, and the singles they spawn, are not published based on the date they were originally released, as the weekly Best New Releases playlists are.
Fast-forward to the present; it’s hard to believe we’ve posted almost two dozen In Dee Mail installments since 2010, including this newest edition. It has been a while since the last In Dee Mail was published, but in the coming weeks and months, there will be a number (others in the pipeline now) of new In Dee Mail features. A lot of time and planning goes into sorting through hundreds of submissions to pick the artists and bands, and of course the songs they submit, for the In Dee Mail series – as is the case with other regular post series, such as Artist of the Week, 7 Bands You’ve Gotta Hear, DIY Bands to Watch, Top DIY Releases, among others.
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Soviet – Garland, Texas
The Garland, Texas DIY rock trio, Soviet, released a number of demos last November, ahead of their planned 2013 full length debut LP, which has yet to be titled or given a release date. The tracks showcase the band’s progressive rock ‘stonegaze’ sound, which has helped make them a fairly popular band in the Dallas-Fort Worth metro area, and earned them spots opening for indie heavy-weights, and IRC favorites, such as New Jersey punksters Titus Andronicus, and Cleveland indie rock band Cloud Nothings, in addition to shared bills with artists like Future of the Left, Stardeath and White Dwarves.
Soviet features singer/songwriter and drummer John Spies, guitarist Richy Brown and bassist Tucker Masten. With the release of the demo recordings featured below, Spies said the band “departed” from their “pop punk roots” to create “gloomier areas of stoner grunge rock,” (aka, ‘stonegaze’) and as a result, “found the back door out of teenage hell.” The majority of their songs are instrumentals. Soviet counts amongst their biggest musical influences bands such as Rush, Pallbearer, Nile, Weezer, Uncle Acid and the Deadbeats. It’s a little surprising that the band did not list Built to Spill as a musical influence since their songs, especially “I Wanna Die,” is so BTS-ish.
Odd Hours is a noisy, loud, art rock trio that is Natasha Beste (vocals, keys), Tim Jagielo (guitar, loops), and Mike Legue (drums, vocals). They have played Detroit’s major bar circuit, and Detroit’s famous festivals including Dally in the Alley and Metro Times Blowout. Jeff Milo (Detroit Metro Times) described Odd Hours style as “evil-ing up new-wave, griming up glam, and Frankenstein-frying a disarmingly melody-keen post-punk,” on their most recent EP, Solar Plexus Power of Babooshka.
The first track, “Electric Soul,” has more potential with a better overall production value, and improvements on the vocals in the parts of the songs were the vocals are lacking. The second song, “Insomnia in Color,” is more fragmented and would definitely benefit from some re-working, again, there is progress to be made on the relationship between the vocalist and the other band members, but we can see how some folks will still enjoy it anyways, especially after spinning both tracks a few times. That said, our vote goes to the first song.
“Electric Soul” – Odd Hours from Solar Plexus Power of Babooshka
“Insomnia in Color” – Odd Hours from Solar Plexus Power of Babooshka
Krejad – Kansas City, Missouri
Impasse is the debut album from Krejad, the musical project of Clinton Houseman, who has played in several bands in the Kansas City and Joplin areas since 2006. Yearning to strike out on his own, Houseman launched Krejad in 2009 following the disbanding of his teenage-founded band, Media Frenzy.
While Houseman wrote, recorded and produced the album, as well as performed most of the instrumental and vocal parts, several musician friends also contributed. The self-produced album was recorded mostly in Clinton’s home and at a grimy downtown rehearsal space. It definitely has the feel of a lo-fi recording. The band will surely benefit from more practice and perhaps the help of a good producer. The following tracks are from the band’s new EP, Oasis, released on January 13th.
From Huntington, New York, DIY independent rock band, The Goodbye Radio, features four friends who are committed to creating stand out music. The band has many musical influences, including Beach House, Teenage Fanclub, Paul Simon, and Wilco, to name a few, but they stand firm in their affirmation that they want to remain independent with “no interference.”
“I Don’t Mean A Thing” – The Goodbye Radio from The Goodbye Radio
“Boiling River” – The Goodbye Radio from The Goodbye Radio
Curious Quail – San Jose, California
Curious Quail caught our attention after they were awarded the ‘Best Song’ in the Silicon Valley Music Awards for the track, “The Glow,” and were named one of the Top 20 new bands in the Bay Area by San Francisco’s legendary radio station, Live 105 (105.3FM KITS). Additionally, Death and Taxes blogger Ned Hepburn wrote that Curious Quail “might just be the Bay Area’s next big hope.”
San Jose DIY multi-genre indie band Curious Quail started off as the one man acoustic solo project of singer/songwriter and musician Mike Shirley-Donnelly. Beginning in 2008, he started writing tracks and recording them at home on guitar with a laptop and loop pedal. Over the ensuing four years, Curious Quail created a collection of songs and set out to recruit a full band that now includes two guitarists, a bassist, two violinists (one who also performs on a keytar), a keyboardist “who dabbles in accordion and harmonica,” and a drummer who “plays anything that’s left over when the drum machines kick in.”
The numerous band members, Donnelly writes, “are all over the map genre-wise.” An alternative rock band at heart, with screaming fuzzy guitars hearkening mid-90’s Smashing Pumpkins, they can also strip down to a folk element more along the lines of Damien Rice. Then those drum machines kick in, evolving their sound into something The Postal Service would feel proud of. They sometimes create their own drum machine samples from strange sources, such as an army of twenty or so film camera’s shutters and clicks.
They’ve been known to live-stream private “house” shows on the internet and have Q/A sessions with fans afterward, taking questions from twitter or e-mail. The Quails are also avid video game enthusiasts and can be found streaming their escapades via Twitch.tv – several of the members play Starcraft competitively under the banner “Team Quail.” He’s opened for OK Go and Neon Trees.
Gates is an ambient rock band from New Brunswick, New Jersey formed in 2010. In the past couple of years, Gates has released two albums, closed a vinyl deal with Devildance Records, and toured throughout the United States and the UK. The band has opened for artists like Moving Mountains, Pianos Become The Teeth, Fallacies, Gifts From Enola, and Rival Schools.
“Like This You Mean” – Gates from You Are All You Have Left To Fear
“The Sound Of Letting Go” – Gates from You Are All You Have Left To Fear
Koniac Net – Bombay, India
David Abraham, who lives in Bombay, India, performs under the moniker Koniac Net, and records DIY style in his bedroom. The entire album is a tribute to the indie & alternative genres, as well as the artists that influenced Abraham, such as Swervedriver, The French Kicks, Catherine Wheel and The Stills. After songs off the album were played on radio stations in over 30 countries globally, and it was suggested that Abraham perform his material in these countries, and thus, his solo project transformed into a five-piece band. Friend & guitarist, Jason D’Souza, who mixed the album, was the first to be recruited. In the short time they have been together, the band has been asked to play at some of the best events India has to offer, including Bacardi NH7 Weekender Festival, Ragasthan Festival, Live from the Console Festival, among others.
The Koniac Net has also been voted as Band of the Week on Indie Music Bus, Band of the Month on AlternativeAddiction.com, Best Original Band by Converse & Rolling Stone India, and have been featured in three episodes of Australia’s comedy-drama series Flat Whites. The band is currently working on new material, and concentrating hard on somehow getting a sponsor for an international/world tour.”
“This Time Around” – Koniac Net from One Last Monsoon – Feb. 8th
“Bricks” – Koniac Net from One Last Monsoon
Vague-à-Bonde – Minneapolis, Minnesota
Nicole Brenny is a Minneapolis-based producer and DIY bedroom electro artist known as Vague-à-Bonde. Last August, she released her debut album, Involution/Evolution, featuring songs constructed with lushly layered vintage synths, crisp vocals and computer programmed beats. Unafraid to experiment with various musical influences, Brenny creates tracks using both hi-fi & lo-fi production techniques. The sound rests somewhere between Fleetwood Mac & K-Pop. “Evolved” was the first single off of the album and co-produced by Chris Heidman(former member of Sukpatch). She has previously opened for some great bands, like Porcelain Raft, Diamond Rings, and Night Moves.
“Evolved” – Vague-à-Bonde from Evolve – August 31, 2012
Vague-a-Bonde Official Website
In Dee Mail Mentions
If there was a long lost cousin of the Arctic Monkeys – some might say more like a copy cat artist – Jonny Rumble‘s stake to that claim would not be considered completely out of the ballpark, since his aggressive guitar rock style reminds us a lot of the old Arctic Monkeys (not the new sound AM has evolved to in recent years). Lo-fi distortion, screeching feedback, exotic bongo beats and wailing, feedback-laden electric guitars and vocals are used to create this short psychedelic number from the band Campfires. Musician Jonathan Clancy, who records under the moniker His Clancyness, is a musician who lives in northern Canada. On the track, “Ottawa Backfired Soon,” Clancy incorporates the drumming style of the Ronettes with icy xylophone playing that has a wintertime feel to it. He has also worked with the band Banjo or Freakout.
From the Great Lakes city of Toronto, Ontario, Kyle Woolven , a DIY electro-pop multi-instrumentalist and college student, self-released his first recording as Pekoe Cat on August 23rd, and sent us in a couple of his tracks. While this entry, from what we were able to find out, is the first time his music has been featured on a music blog, and his debut as a recording artist, we don’t really know very much about him because he didn’t provide very much information about himself.
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However, if enough people stream, download, comment, Like and Retweet this post, referencing Pekoe Cat, we will run another post as a follow-up to in an attempt to obtain more information about him, and more songs as well.
As of the time this post was published, Pekoe Cat doesn’t even have any type of website – a blog, Facebook page, Tumblr or Bandcamp. We have a feeling as his songs are spread around more that that’ll change pretty fast.
Artists Previously Opened For: None Major Musical Influences: The Beatles, Radiohead, The Mars Volta, Michael Jackson, Kanye West, Toro Y Moi, Tame Impala, The Most Serene Republic Year Formed: 2012
Max and the Moon – Chino Hills, California
In Chino Hills, California, an affluent suburb of Los Angeles, the band Max and the Moon have received some fairly good coverage in the past month for their video “Out of My Head,” the first single from the band’s newly released EP, The Way I See.
When we first heard “Out of My Head,” it struck us as not indie, but much more of a mainstream radio rock sound. Still, the band is DIY and pure orchestra indie pop sound coupled with driving beats and excited choruses got our attention right away. The more we listened to it, and the other single the band sent in, “Lighthouse,” the more sense it made that Max and the Moon belonged in our list of DIY Breakout Bands of 2012.
Official Band Website:Max and the Moon Artists Previously Opened For: So Many Wizards, Kiev, The Gospels, Old Canes Major Musical Influences: Ella Fitzgerald, Otis Redding, Coldplay, Local Natives, Radiohead, Phoenix, Fleet Foxes Year Formed: 2009
Kittentank – Wellington, New Zealand
Kittentank is DIY post pop band from New Zealand that formed in 2006. In June, the band released a new single “Take You There” from the album, Troubles on the Table Again. Kittentank have previously opened for artists like Wow, Bonaparte, Street Chant, Naked and the Famous.
“Take You There” – Kittentank from Troubles on the Table Again – June 6th
Official Band Website:Kittentank on Facebook Previously Opened For: Wow, Bonaparte, Street Chant, Naked and the Famous Major Musical Influences: PJ Harvey, the Oh Sees, Ween, New Order, Pulp, Elastica, the Chills and the Clean. Year Formed: 2006
Wait, What? – Chicago, Illinois
Wait, What is an indie pop band of Chicago music students from DePaul University who began collaborating while in school during the 2010-2011 school year. They released their debut EP, No Yeah, in July 2012. The EP features combining songwriting elements of Max Evrard and Matt Script showcasing the band’s indie pop sound.
Official Band Website:: Wait, What? on Bandcamp Artists Previously Opened For: Anti-Crew, The Sometimes Family, Kitty Devine, Spencer McGillicutty Major Musical Influences: Radiohead, The Beatles, The White Stripes, Fleet Foxes, Year Formed: 2010
Dinosaurs on Mars! – Upland, California
The two founding members of Dinosaurs on Mars! (Steven Mucci and Nathan Casas) met in high school in Upland, California, and have been experimenting with writing and recording indie electro pop music ever since. Now, they are both high school math teachers. When DOM was formed in 2010, the two decided they needed a second guitarist (Tom Morris) for recording and performing needs.
Official Band Website:Dinosaurs on Mars Artists Previously Opened For: None Major Musical Influences: Cut Copy, The Killers, M83, Hercules and Love Affair Year Formed: 2010
No TV Tonight – New York
No TV Tonight is a new DIY punk rock band from New York City formed by singer/guitarist Jaime Marcelo and drummer Matt Storm. The band knocks out raw, energetic punk rock in the style of 1990’s punk bands. No TV Tonight’s first release, the EP, American Excess, was released on July 4th. One small tip for other bands: don’t release your debut, or any album, on a holiday. Why? Because people are so busy with the holiday, they are not thinking of new music releases.
In fact, that’s why labels don’t release very many albums the week of the Fourth of July, as well as other holidays. This is evidenced by the thin number of releases for the Best New Music Releases for the week of July 4th.
Official Artist Website:No TV Tonight on Bandcamp Artists Previously Opened For: None Major Musical Influences: Green Day, Propagandhi, Against Me!, Lagwagon, Bad Religion Year Formed: 2012
Introducing Denmark’s Alternative Rock Band Love Crystals
Love Crystals is an alternative rock band from Denmark, in a town called Elsinore. They formed in 2007 and are signed with the SKB Records label. In May, they released their self-titled, debut album featuring the lead single, “Gallows Of The Wine” comes from.
Official Band Website:Love Crystals Artists Previously Opened For: The Storm, Rock Hard Power Spray, Vomit Supreme Major Musical Influences: Led Zeppelin, Nirvana, Black Rebel Motorcycle Club, Queens Of The Stone Age, Sonic Youth, Dinosaur Jr. Year Formed: 2007
Browse past editions of In Dee Mail, featuring over one hundred bands you probably never heard before