New Bjork cover song from Rosie Thomas, Sufjan Stevens, The Shins and others

For her new Bjork cover of “All is Full of Love,” indie musician and singer Rosie Thomas enlisted an ‘indie’ all-star cast of guest vocalists for a virtual choir, including Sufjan Stevens, The Shins, Iron & Wine, Alexi Murdoch, Charily Theilen, Kanene Pipkin, William Fitzsimmons, Dawn Landes, and a bunch of others.

The cover track is off of the Lullabies For Parents Vol 1 EP, a “multimedia series of resources, entertainment, and encouragement for parents of all ages featuring music, podcast, videos, essays, assorted content and community that promotes finding common ground, connection, and comfort.”

The song is undeniably beautiful rolling through cycles of choir infusions. The problem is, however, that it is difficult to hear the full force of all of those voices as a listener would expect.

Nonetheless, and to be fair, unless you’re seeing the choir, or virtual choir, at the same time (like the famous Live Aid video from the 80s) then everyone’s voices pretty much get drown out, not to mention the music.

Perhaps one of the things that Quincy Jones did brilliantly with the song, and video, was to record them at the same time, in the studio. But even more than that, Jones realized the ‘drowning out’ effect and therefore had individual solos for a number of the top vocalists of the time – MJ, Bruce, Bono, Michael Stipe, etc.

Around The World Playlist – The Strokes, The Shins, Akron/Family, Sufjan Stevens, The Clash, Calexico, Beach House

We are, collectively, playlist fanatics. That includes you and probably your friends and family members. We love to take songs we dig and organize and label them. It allows everyone to be a deejay in their own way, for real.

Inside the cafe, and for more than two decades – since the late 80’s – we’ve created cassette mixtapes featuring all kinds of genres and styles, from radio hits by big name bands to totally under-the-radar should-be hits from bands very few people have ever heard of.

As the years zinged by, those cassette mixtapes went to CDs and then to iTunes and now to Spotify because it is the one platform that finally made sharing music, and therefore playlists that so many long hours were dedicated to, are now being converted to Spotify to share with our viewers. We try to make sure the music is related to a theme. However, the first criteria is the song itself must be really good to legendary.

We encourage you to review Indie Rock Cafe’s Spotify page where you can follow us for more playlists. You are sure to hear a lot of great music you either already love or much more that you are sure to enjoy, including playlists about looks of different things – including this new playlist, called Around The World, with great songs from alternative, classic and indie rock bands about places around the world.

The fifteen tracks in this playlist highlight favorite songs of ours from a variety of genres and artists, including well-known bands, and others that are more obscure. Enjoy.

You can open the playlist to the IRC channel on Spotify or stream in on the site with the embed included below. Enjoy and share with friends.

Top Ten Indie Songs Playlist, March, 2012 – The Shins, Andrew Bird, Poor Moon, La Sera, Tanlines, The Ting Tings, Tribes, Good Old War

One of the most popular pages on IRC is the Top 10 Songs page. Since we started the series in 2010, there has been nearly four million views of the page, thousands and thousands of free and legal MP3s, and arguably dozens upon dozens of some of the best Top 10 indie and alternative rock playlists available anywhere on the web.

And what makes IRC’s Top 10 Songs weekly series even more special than most other such playlists anywhere on the web is that you – IRC’s regular readers and listeners, plus visitors from around the world – decide which songs make it to the Top 10, and in which order, from No. 1 to No. 10, based on how many times songs are streamed and downloaded for a given week. Read more about the Top 10 Songs process at the end of this post.

This post highlights some of the best singles from many of the best albums officially released during March 2012. It might seem that Top 10 Songs playlists for March is a bit of old news, but we think once you start listening to these playlists, you’ll probably care less about that aspect. As explained in more detail at the end of this post, it takes a considerable amount of work to put these playlists together. However, we plan to have the Top 10 playlists for April done a bit sooner than is the case for March.

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As with the Top 10 Songs page itself, the list is a reverse chronology, from later March to early March. To keep it simple, we’re only highlighting the Top 5 songs and including a link to the bottom five singles so you can hear all of the songs in each list – and there are, most of the time, just as many great songs in the No. 6 to No. 10 slots as there are in the No. 1 to No. 5 positions.


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The Top Songs Ending Week of April 2nd: Poor Moon, Brothertiger, La Sera, Oberhofer

The No. 1 track for the week of March 27th to April 2nd went to the supergroup Poor Moon‘s new single, “People In Her Mind.” The band features members of Fleet Foxes, Crystal Skulls and The Christmas Cards. Some would say Poor Moon is not really a supergroup in terms of what people think of as supergroups, like Monsters of Folk and the more recently formed Diamond Rugs, but there’s no question that Fleet Foxes is a huge group, and to a lesser degree Crystal Skulls, and to an even lesser degree The Christmas Cards, the latter of which even most fanatical indie fans haven’t heard of before.

“People in Her Mind”Poor Moon from Illusion on Sub Pop

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From Athens, Ohio, the electro shoegaze band, Brothertiger, the moniker of musician John Jagos, sent in his new album, Golden Years, and we were in total agreement with listeners that the lead single, “Lovers,” was worthy of being the No. 2 track of the week.

“Lovers”Brothertiger from Golden Years on Mush Records

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The popular band, La Sera, founded by Katy Goodman, the bassist for the Vivian Girls, had the No. 3 most listened to song, “Please Be My Their Eye,” of the week, followed at No. 4 by the Brooklyn band Oberhofer’s single “Away Frm U,” which we actually featured as a demo back in 2009, when we featured the then relatively unknown one-man band of Brad Oberhofer. The band also took the No. 5 spot with their song, “oOoO” (there has been various versions of the spelling of this track). Oberhofer really has such a unique sound, especially the vocals, almost animal-like but at the same time it has a strange allure.

“Please Be My Third Eye” La Sera from Sees The Light

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“Away Frm U”Oberhofer from Time Capsule II

“oOoO”Oberhofer from Time Capsule II

Listen to tracks No. 6 through No. 10 via the Top 10 Songs page through April 2nd.

The Top Songs for Week Ending March 26th: The Shins, Tanlines, Lost in the Trees

This was definitely the week of The Shins, and it shows in the results for the Top 10 Songs of the week. We featured three songs from the new album, Port of Morrow, and they easily swept the Top 10. But we were a little surprised that the lead single, “Simple Song,” wasn’t the No. 1 track or the No. 2 song. Rather, IRC listeners chose “It’s Only Life,” as the top track of the week, followed at No. 2 by “September,” and finally, at No. 3, “Simple Song.”

“It’s Only Life”The Shins from Port of Morrow

“September”The Shins from Port of Morrow

“Simple Song”The Shins from Port of Morrow

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We haven’t seen a featured band sweep the top three in a long time, which goes to show that The Shins are bigger than ever. The No. 4 song of the week, “All of Me,” from the duo Tanlines is an enjoyable dance pop track, so it’s not a surprise it came in the Top 5. The track that completed the Top 5 was the newest single, “Golden Eyelids,” from the new album from Lost in the Trees.

“All of Me”Tanlines from Mixed Emotions (Amazon Exclusive Version) via True Panther Sounds

“Golden Eyelids”Lost In The Trees from A Church That Fits Our Needs on Anti Records – (track via Austin Town Hall)

The bottom half of the Top 10 include great songs (in order) from Yukon Blonde, Morningbell, The Wedding Present, Daniel Rossen, and Cousins. Listen to them here.


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Top Songs for Week Ending March 19th: The Ting Tings, Delta Spirit, Tribes, Tiger! Tiger!, Lucero

This week was the 25th anniversary of the world-famous South by Southwest music festival, marathon and convention in Austin. Therefore, much of the music world was pretty much focused on SXSW. Nevertheless, there were a number of notable new releases for SXSW week. In fact, some of the same artists that were at SXSW released new albums the same week. The latest single from The Ting Tings, “Soul Killing,” topped the list at No. 1, followed closely behind at No. 2 by the CD release single from Delta Spirit, “California.”

The No. 3 track of the week, “Sappho,” was the lead single by the enthralling band Tribes’ anticipated debut, Baby. The band, Tiger! Tiger!, sent in their new album, Cut Them Where They Bleed, from which the lead single, “Perfume of Despair,” took the No. 4 slot. To round out of the Top 5 was the single “Sometimes,” by the band Lucero.

“Soul Killing”The Ting Tings from Sounds From Nowheresville (track via TheBurningEar.com)

“California” Delta Spirit from Delta Spirit on Rounder Records (track via TheWheelsStillinSpin)

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“Sappho” Tribes from Baby via Fairfax Recordings (song via SafetyFunandLearning.com)

“Perfume of Despair”Tiger! Tiger! from Cut Them Where They Bleed via Chicken Ranch Records

“Sometimes”Lucero from Women & Work via ATO Records

The bottom half of the Top 10 for the week starting March 13th featured, in order, singles from Drowner, Freshkills, Spoek Mathambo, Tacocat, and Say Anything.


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Top Tracks for the Week of March 6th: Andrew Bird, Ceremony, Good Old War, The Bowerbirds and White Rabbits

Andrew Bird easily took the No. 1 spot for first full week of March (in album release terms; since most albums are released on Tuesdays) with his fantastic new single, “Eyeoneye,” from the widely acclaimed new album Break it Yourself. In Part Two of this week’s Best New Releases, the band Ceremony‘s new single, “Hysteria,” captured the No. 2 spot.

At No. 3 for the week is the new track from a band we like a lot, Good Old War, off their new release Come Back As Rain. The Bowerbirds‘ return with a new album that produced the No. 4 song of the week – “Tuck The Darkness In.” To round out the Top 5 songs, White Rabbits‘ “Temporary” came in at No. 5.

“Eyeoneye” – Andrew Bird from Break It Yourself via Mom + Pop

“Hysteria”Ceremony from Zoo via Matador Records

“Calling Me Names”Good Old War from Come Back As Rain via Sargent House

“Tuck the Darkness In”Bowerbirds from The Clearing (+Digital Booklet) via Dead Oceans

“Temporary”White Rabbits from Milk Famous via TBD Records

The lower half of the Top 10 of the first week of March included songs, in order, by Miniature Tigers, The Magnetic Fields, Said The Whale, Bensh and Yellow Ostrich. The Top 10 were determined by the Best New Releases of the week of March 6th – view Vol. One and Vol. Two.


Top Tracks for Week of March 4th: PT Walkley, Memoryhouse, Elliott Brood, Geographer, Plants and Animals

IRC listeners and visitors agreed with our pick of a lead single for the first week of March. The song, “The Way That You Are,” from PT Walkley‘s latest album, Thriller – even though we strongly disagree with the choice of any another artist in the world giving their album title ‘Thriller.’ Love or hate MJ’s music, that’s just a line you don’t cross. It really makes us wish we could have been there when the discussion over giving Walkley’s album that title was made. That aside, the track is terrific, and no wonder that it was the No. 1 song of the week.

The lead single, “The Kids Were Wrong,” of the debut album from Toronto‘s dream pop duo, Memoryhouse, took the No. 2 spot followed at No. 3 by the lead single, “Northern Air” off Elliott Brood‘s album, Days Into Years. Checking in at No. 4 is a terrific single from Geographer‘s well received album, Myth, trailed by “Lightshow” at No. 5 by Plants and Animals.

“The Way That You Are”PT Walkleyfrom Thriller

“The Kids Were Wrong”Memoryhouse from The Slideshow Effect

“Northern Air”Elliott Brood from Days into Years

“Life From Crime”Geographer from Myth

“Lightshow”Plants and Animals from The End of That

View the Best New Releases for the week of Feb. 28th through March 6th, and the bottom half of the top 10 tracks of the week, as determined by listeners from around the world.

Seeking Your Comments About Top Tracks and Bands Featured in Playlist Posts

One of the goals is to include more comments, mini-reviews and observations from you about the songs and bands in the Top 10 Songs posts using the Comments box below, as well as Twitter (please include hashtag #irctop10 and the song or band you’re commenting about). This will make it easier to include your comment – for example, thoughts about the No. 1, 2 or 3 songs.

In early July, which is approaching quickly, we’re going to publish the top tracks, usually those within the Top 5, for the first half of 2012. The plan is to include as many listener comments about the songs as possible. preciate everyone who takes a couple minutes or less to say what he or she thinks about a particular song via the Comments section (usually in the Best New Releases posts that often determine the Top 10), or through Twitter and Facebook.

More About the Top 10 Songs Process

Some of you have probably noticed that it takes a few weeks (sometimes a little less, other times a bit more) for the Top 10 Songs playlist for a particular week to get posted to the site. The main reason for that is because it takes a considerable amount of work to collect the site’s web statistics and analyze them to determine, among hundreds and hundreds of other songs streamed and downloaded in a given week, which new singles we featured were indeed the most popular. Once the Top 10 songs are determined, we have to double-check to make sure they are only singles from new releases for the week in question, and not songs from previous weeks, or other features and special playlists that spotlight songs that are weeks, months, years, and sometimes even decades old. The task is made even more difficult because many of the tracks for a specific week that are provided by bands, labels and publicists or other sites are not specified with a date or another identifier (such as the full song title or artist) in the MP3 link.

Phew! We hope that all made sense, but it’s important that you guys know because, again, you’re the ones that determine what the Top 10 Songs for each week are, and we are not aware of any other popular indie site or blog that does that. We plan to come up with a method in the future that will allow us to more quickly create the Top 10 list so that we can publish them more quickly because it not particularly our favorite thing to do and it can be tedious, and did we mention time-consuming? But, in the end, it’s all worth it because more than half of the visitors to the Top 10 page are return visitors.

Therefore, it’s an obligation we feel we are required to fulfill , and once another Top 10 Songs playlist is verified and ready to publish, it’s an accomplishment as well as a permanent record of which songs hundreds of thousands of people listened to, and downloaded, the most for a given week. In addition, you guys have great taste, so it’s always exciting to see, and listen to, the final lists. Another great thing about it is that you can go back to any week over the past 60 months or so and spin the Top 10. Sometimes, after a while, some songs do expire, usually those that are supplied and hosted by bands, labels and publicists, but from what we see the vast majority – up to 80 to 85% are still active more than two years later.

So, that’s the deal with the Top 10 list; all said and done what matters most is the music, and it always will. As of this posting we have completed the Top 10 playlists for all of March, and almost all of April.

Sunday 25 Songs Mix – The Clash, Arctic Monkeys, The Shins, Tripmaster Monkey, Kinks, John Lennon, The Replacements

It’s Sunday, and that means it’s time for the Sunday 25 playlist. In case you are new to The Sunday 25 Songs (S-25) mix, each week we put together 25 songs we love from any genre and any time period; a chance for us to take a break once a week from bringing you the best new indie rock songs, bands, albums and live events.

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At the core of the S-25 mix is the band profile, in which we feature a band we love (and hope our readers do/will as well). In addition to a general overview of the featured band’s members, first big breaks, best songs and albums, influence on music, etc., we also include five to seven songs from their discography in the weekly S-25 mix. Today’s featured band is The Clash.

The Clash remain as one of the most influential and popular rock bands in British music history, and they were, for all intents and purposes, the first high-profile to combine ska, punk, rock pop and reggae into their songs, giving the band a unique identity in the annals of pop music.

“Train In Vain” – The Clash from London Calling (1979)

With unforgettable hit songs like “Should I Stay or Should I Go” and “Rock The Casbah,” The Clash swayed in between underground music and the mainstream (especially in the U.K.), while staying true to their roots.  Every day, new Clash fans from around the world are discovering the band’s music for the first time; whether it’s a 14 year old boy in Birmingham, U.K. playing his Dad’s old Clash vinyl records or a Mom with two kids in Des Moines, Iowa discovering the band for the first time listening to classic rock radio station, The Clash are definitely in the Top 100 Best Bands Ever, and for good reason.

The many different ways that music lovers are discovering The Clash is interesting, but if you really want interesting, and you enjoy the five Clash songs in this mix, we strongly recommend these Clash LPs: their self-titled debut (1977); Give ‘Em Enough Rope (1978); London Calling (1979).

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In London during the late 1970s and early 1980s, The Clash, in many ways, would eventually surpass The Sex Pistols as the U.K.’s most popular punk rock band. Critic Stephen Thomas Erlewine wrote in the All Music Guide: “Where The Pistols were nihilistic, The Clash were fiery and idealistic, charged with righteousness and a leftist political ideology. From the outset, the band was more musically adventurous, expanding its hard rock & roll with reggae, dub, and rockabilly among other roots musics.
Furthermore, they were blessed with two exceptional songwriters in Joe Strummer and Mick Jones, each with a distinctive voice and style. The Clash copped heavily from classic outlaw imagery, positioning themselves as rebels with a cause
.”

Joe Strummer and Mick Jones were the heart of The Clash during their glory years (1977-1982). Even after they finally broke through in America in 1982 with the release, and success, of Combat Rock, the band began to implode only months later. Despite line-up changes, worldwide tours, heavy promotion, and stops and starts, The Clash officially disbanded in 1986. But, we still have their awesome albums to play for the rest of our lives.

“Should I Stay Or Should I Go” – The Clash from Combat Rock (1982)

“Weird Divide”The Shins from Oh Inverted World (2005)

“For Agent 13”The Besnard Lakes from The Besnard Lakes Are The Dark Horse (2007)

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“This House Is A Circus”Arctic Monkeys from Favorite Worst Nightmare (2007)

“He Said He Was A River”Tripmaster Monkey from Practice Changes (1996)

“Rock The Casbah” – The Clash from Combat Rock (1982)

“Boys Are Back in Town” – Thin Lizzy from Jail Break (1976)

“Better Things” The Kinks from Give The People What They Want (1981)

“Just Like (Starting Over)” – John Lennon from Double Fantasy (1980)

“Spanish Bombs” – The Clash from London Calling (1979)

“Lovers On Our Backs”Bird By Snow from Lovers On Our Backs 7″ (2009)

“Ghost of Syllables”Admiral Radley from I Heart California (2010)

“Got To Get You Into My Life”The Beatles from Revolver (1966)

“The Guns of Brixton” – The Clash from London Calling (1979)

“Here Comes A Regular”The Replacements from Tim (1985)

“Shake It Up”The Cars from Shake It Up (1983)

“Don’t Bring Me Down” – Electric Light Orchestra from Discovery (1979)

“Hurricane” – Neil Young from Decade (1980)

“Someday”The Silent Years from The Silent Years (2005)

Best New Releases from The Decemberists, R.E.M., Smith Westerns, Tennis, Braids, Oh No Oh My, among others.

The S-25 Songs Mix, Vol. VI – The Decemberists, Josh Rouse, Sigur Ros, The Shins, Cream, Man Man, The Walkmen, The Violent Femmes

It’s 2011, and there’s so much happening. Not only are we working on our year end lists for the best songs, albums, bands and more of 2010, but we’re also prepping Advance Spins of upcoming releases from a bunch of artists and bands, ranging from Bright Eyes, Minks, The Strokes, The Decemberists, Smith Westerns and many others. In fact, January is looking to be a blockbuster month for new indie rock releases of 2011.

If you haven’t already done so, you’ll probably want to check out the Readers’ Choice playlist and poll of the top 50 No. 1 songs from 2010 – all of which were chosen by you. Now, we’re watching this poll – as many others as well – to see what will be the Top 30, 20, 10 songs all of you pick from the top 50. Once the playlist/poll closes on Jan. 13th, we’ll announce the winners in a special edition of IRC’s Best of 2010 series.

In the meantime, another Sunday is here, and we’ve got another playlist of 25 songs that we love from all decades and genres of music over the past half century. Each Sunday, we unwind to put together a playlist of of 25 fantastic tracks that is not restricted to our usual indie rock format. Since The Sunday 25 Songs Mix (aka, The S-25) started back in November, it has received a huge and enthusiastic reception from our regular readers, and tens of thousands of weekly visitors from around the world.

As with all of the other S-25 mixes, we also profile one artist or band that has made an impression on us – and others – in recent months, or even recent years. In the first five installments, the artists featured were WireTree, The Strokes, Beach House, Oberhofer and The Tallest Man on Earth.

This Sunday were stoked to focus on the music of one of the best bands to break out of Portland‘s robust indie music scene, The Decemberists. While one could make a convincing argument that The Decemberists betrayed some of their most loyal fans when the band signed with Capitol Records in 2009 for their last album, The Hazards of Love, the fact is that the band consistently releases excellent albums full of adventurous, wonderfully crafted folk rock songs.  Because of this, the band have seemed to avoid, at least for the most part, the “sell-out” label that was predictably pinned on them by some die-hard indie purists.  While we are definitely huge fans of their pre-Capitol recordings, The Hazards of Love still managed to make many 2009 ‘best of’ lists in the mainstream media, and especially among blogs, from Pitchfork to IGuessImFloating.

“The Rake Song”The Decemberists from The Hazards of Love (2009)

In September, The Decemberists opened for Neko Case, who opened for Bob Dylan at the  Bumbershoot Arts and Music Festival in Seattle, WA.  During their performance, Colin Meloy annouced that the band’s newest album, The King is Dead, would be released in January (the 18th to be precise) with R.E.M. member Peter Buck playing on three of the album’s tracks.

The first single from The King is Dead, “Down by the Water” has been released in advance of the album’s January 18th release via Capitol Records. So, even if The Decemberists are no longer considered “indie”, that’s OK with us. It doesn’t mean that we just cast them away because they “crossed over”.  They’re still putting out great music. Plus, it’s not like they are so big that most ‘mainstream’ music listeners have heard of them, even with their repeated appearances on the popular Comedy Central show, The Colbert Report.

“Down By The Water” The Decemberists from The King is Dead – Jan. 18th

We guess that someone could make a good argument that The Decemberists are not mainstream, but are instead trapped in between the ‘indie’ world and the ‘mainstream’ (semi-celeb) world.  However, first we recommend listening to Picturesque and The Crane Wife.

To order any of the albums featured here, just click on the album title and you’ll be taken to the Amazon check out.

“It Looks Like Love” Josh Rouse from Subtitulo (2006)

“Hoppipolla”Sigur Ros from Takk… (2005)

“Kissing The Lipless” The Shins from Chutes Too Narrow (2003)

“O Valencia!”The Decemberists from The Crane Wife (2006)

“Chariot” – Page France from Hello, Dear Wind (2006)

“Devil Bunnies”My Life With The Thrill Kill Kult from My Life With The Thrill Kill Kult (2006)

“Mrs. Cold” Kings of Convenience from Declaration of Dependence (2009)

“Jumpin Jean-Luc” We All Have Hooks For Hands from We All Have Hooks For Hands (2007)

“11th Dimension”Juliana Casablancas

Pete Townshend of The Who was famous for his powerful guitar playing

“Let My Love Open The Door”Pete Townshed from Empty Glass (1980)

“America”Simon & Garfunkel from Greatest Hits (1988)

“Summersong”The Decemberists from The Crane Wife (2006)

“Submarines of Stockholm”AC Newman, unreleased

“Spider Cider”Man Man from Six Demon Bag (2008)

“Strange Brew” Cream from Greatest Hits (1999)

“Pretty in Pink”The Psychedelic Furs from Talk Talk Talk (1981)

“Cool Jumper”Wavves, advanced single


Don’t Miss The Other S-25 Mixtapes

“Hello, It’s Me”Todd Rundgred from Hello It’s Me (1978)

“Love Train”The O’Jays from Backstabbers (1973)

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“Nothing But Time”Opus Orange from Opus Orange EP (2010)

“We Both Go Down Together” – The Decemberists from Picturesque (2005)

“Four Provinces” – The Walkmen from You & Me (2008)

“Blue Sky” – Allman Brothers from Eat A Peach (1972)

The Violent Femmes were forerunners of indie rock in the 1980s

“Blister in the Sun” The Violent Femmes from Violent Femmes (1984)

“Jackhammer”Spinto Band from s/t debut (2008)

My Mother Was A Chinese Trapeze Artist.mp3 The Decemberists from The Crane Wife (2006)

The Sunday 25 Mix, Vol. IV: The Strokes, U2, The Rolling Stones, Beirut, Mott The Hoople, The Shins, Adam Ant, Pink Floyd, Pixies

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The Strokes are one of the most popular guitar rock bands of all time

Yup, it’s Sunday, and that means it’s time to kick back, and read a magazine or book, surf the web, do Christmas cards or tree decorating, and fire up the S-25 Mix. As with all of IRC’s playlists and mixes, just click the first song and the Yahoo media player will automatically stream through all 25 classic songs, uninterrupted, so you can listen while you’re doing other things.

In addition to arranging the song list, part of the S-25 mix is to spotlight one band each Sunday that we just absolutely dig, whether they are well known, marginally well known or pretty much obscure. This week we picked The Strokes. Over the past decade, The Strokes have dug out their place among the best garage rock bands ever. The 10th anniversary of the release of the band’s platium debut album, Is This It?, is fast approaching.

That album catapulted the band to worldwide rock and roll stardom – almost over-night – thanks to its numerous catchy and memorable songs, created by the decidedly 1970s guitar rock and angular riffs of guitarists Albert Hammond Jr. and Nick Valensi; the intriguing lyrics and captivating vocals of Julian Casablancas; the fierce bass-playing of Nikolai Fraiture, and the splendid drum work of  Fabrizio Moretti. The band members were barely in their 20’s when their debut album was released.

“Hard To Explain” – The Strokes from Is This It? (2001)

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This is the original album cover for Is This It? release in UK
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The Strokes changed the album art for Is This It? U.S. release in Oct. 2001

Is This It? had a huge influence on countless numbers of bands that have formed since its summer 2001 debut. Interestingly, this NYC band first released their debut LP in the UK in August. Perhaps this was due to the crazy amount of coverage the band was getting throughout the UK months before Is This It? came out. The band and label may have also released it in the UK first because the original risque cover (see above) is more acceptable there than in the U.S.

As a matter of fact, when Is This It? was finally released in October of 2011, not only did they replace the cover (see above), but they also decided not to release the track  “New York City Cops” as the B-side for their first single in light of the terrorists attacks on their city the month prior.

“Someday”The Strokes from Is This It?

Controversial album covers and other trivial matters aside, Is This It? was clearly one of the defining albums of the 2000’s. In fact,  Is This It was certified gold by the Recording Industry Association of America in February 2002 for shipments of 500,000 copies in the U.S. Is This It was named the best album of 2001 by Billboard, CMJ, Entertainment Weekly,  NME, Playlouder, and Time. The LP was in the top five of hundreds of more such lists published for 2001. The Strokes won NME‘s Best New Act, Band of the Year, and Album of the Year for 2001.

The Strokes set out to prove that they could live up to the tremendous expectations they faced after the success of Is It This? After extensive touring in 2002 with The White Stripes, Weezer, Kings of Leon (who opened for The Strokes), and even The Rolling Stones, the band finally got back in the studio in 2003. The result was the band’s highly anticipated, and yet again, highly acclaimed, sophomore album, Room On Fire, which saw the band incorporate new wave music elements that they pulled off swimmingly.

“12:51” – The Strokes from Room on Fire (2003)

Three years and many shows later, the band dropped their third album, First Impressions of Earth. The album failed to generate the same kind of enthusiasm and sales as the band’s first two albums. In 2007, band members all embarked on other projects, with both Hammond and Casablancas releasing debut solo records in 2008 and 2009, respectively.

Strokes’ fans have been waiting four years for a new album from the band. There have been delays, the band admits, because of their solo work and other commitments, but anyone who’s been following is not crazy to wonder if the band’s heart is really in it. This past summer in a BBC interivew, Casablancas, responded to a question about the status of the new record.

“The first thing is the Strokes thing. Like I said I’m kind of split now, I’ll do other things,” he said. “If I have an idea for something that I know head to toe, I’ll probably do it on my own, and when I have kind of looser stuff I’ll probably bring it to the Strokes. But right now we’re just trying to finish this record, so lets see how this goes.” Umm, yeah.  The word now is the album is set to be released in March of 2011; but as far as we know, there are no audio or video samples of the new songs available.

“I Wish It Was Christmas Today” Julian Casablancas from Phrazes of the Young (2009)

“Where The Streets Have No Name” – U2 from Joshua Tree (1987)

“Sympathy For The Devil” – The Rolling Stones from Begger’s Banquet (1968)

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Strokes' guitarist and solo artist Albert Hammond Jr. (center)

“In Transit”Albert Hammond Jr from Yours To Keep (2006)

“Round The Bend”The Beta Band from The Beta Bend (1999)

“A Sunday Smile”Beirut from The Flying Club Cup (2008)

“Hope” The Submarines from Declare A New State (2006)

“Last Nite” The Strokes from Is This It? (2001)

“Rock On”David Essex from Rock On (1973)

mottthehoople

“All The Young Dudes”Mott The Hoople from All The Young Dudes (1972)

“Weird Divide”The Shins from Oh Inverted World (2005)

“Sundress”Ben Kweller from Ben Kweller (2004)

Adam Ant was sort of the pirate version of Billy Idol

“Ant Music”Adam & The Ants from AntMusic EP (1981)

“Ize of the World”The Strokes from First Impressions of Earth (2006)

“A Cold Wind Will Blow Through Your Door” Bill Ricchini from Tonight I Burn Brightly (2006)

pinkfloyd

“Hey You”Pink Floyd from The Wall (1979)

“Here Comes The Night”Them from The Story of Them (1965)

“Where Is My Mind?”Pixies from Surfer Rosa (1988)

“Strange”Built to Spill from Ancient Melodies of The Future (2006)

quietisthenewlouddownload

“Toxic Girl”Kings of Convenience from Quiet Is The New Loud (2001)

“This Time”John Cougar Mellancamp from Nothing Matters and What If It Did? (1980)

“Razorblade” The Strokes from First Impressions of Earth (2006)

The S-25 Concept: The idea of what we’ve come to call the S-25 Mix is to represent great music from all time periods, styles and genres of popular music from the mid 1950s to present day. We like to try to create a good cross representation of that includes classic rock, pop, new wave, dance, garage rock, electronica, indie, singer-songwriter, punk, R&B, lo-fi, chillwave, post punk, and doses of blues, jazz, hiphop, country and classical as well. The interesting thing about all of the great music that came before is the huge influence it has had on alternative, and particularly indie, rock of the past two decades, and likely will for a long time to come..mp3″ rel=”nofollow” rel=”nofollow”