The international musical duo Cardinal caught our attention the first time we heard a couple of their orchestra pop and folk art tracks from the just-released album, Hymns. The duo – comprised of musicians Richard Davies and Eric Matthews – qualify for a series we started a while ago called Way Back Now – which highlights bands and artists who’ve released a new album of original fresh music 10 or more years since their last release.
So, nearly 18 years since the release of their stunning, self-titled debut album, Davies and Matthews reunited last year to record Hymns for the indie label, Fire Records. For fans of indie chamber pop, Hymns is definitely one of the first albums of 2012 that should be in your collection.
In 1994, at a time when grunge was the flagship genre of the alternative music scene, and a few years before Belle & Sebastian, among other musicians, raised indie chamber pop to new heights, Cardinal released their eponymous debut, which unfortunately did not have the benefit of the Internet to spread their ground-breaking music the way it did in the late 1990’s to today.
The duo’s label, Fire Records, wrote: “[The duo’s debut] ushered in an era of renewed appreciation for the orchestrated pop music of the 1960s, and at the same time inspired and influenced a host of modern artists, who followed in Cardinal’s footsteps, endeavoring to duplicate its majesty and sound so classic.”
Even though Cardinal’s debut largely flew under the radar, PopMatters, recently wrote: “…it ended up becoming one of those hidden pop gems. Its understated, lush yet gauzy orchestration, its penchant for near-neo-classical flourishes, and its bittersweet, dreamy feel made it an often arresting listen.” Whether, over time, Hymns, achieves the same admiration among indie pop fans and historians as the duo’s first release, remains to be seen, but it’s doubtful.
Consequence of Sound, which gave Hymns three out of five stars, recently wrote in its review: “Now facing a musical landscape in which orchestral elements are commonplace [Editor’s note: Arcade Fire being among the most famous], Cardinal’s newest album is worth revisiting but ultimately doesn’t break any memorable ground.”
That said, we can say with some confidence that Hymns, in many respects, picks up where Cardinal left off 18 years ago – lush chamber pop, masterfully composed and executed, and evidence that even nearly two decades later, these unsung heroes of the orchestral pop, haven’t lost their skill. The popular Seattle radio station, KEXP FM, wrote of Hymns on their blog: “an impressive set of psych-tinged chamber-pop with a variety of well-crafted, beautifully textured songs.” If you are a fan of chamber pop, or even just great music, you’ll want to get yourself a copy of Hymns (purchase via Amazon ), but perhaps you’ll want to start first with the duo’s masterful debut (which includes 11 additional tracks not on the original release thanks to Amazon’s special, limited time offer), which was reissued in 2005. We’ve included a track from Cardinal as well just to give our listeners an idea of just one of the great tracks on the album.
Earlier this month, another Way Back Now band, Guided By Voices, reunited the “classic lineup” of the band to release its first album in 16 years! It’s not the first Guided By Voices’ album since that time, but the first with the classic lineup that was originally formed in 1984.
In September 2011, original GBV singer and band lead man, Robert Pollard, announced on his website that the band would release the new album, Let’s Go Eat The Factory, on January 1, 2012, the first album from the “classic lineup” since 1996’s Under The Bushes, Under The Stars. The lineup includes Pollard, Tobin Sprout, Greg Demos, Mitch Mitchell and Kevin Fennell, who also spent most of 2011 on a reunion tour. The new album is surely a bonus gift for new and long-time GBV fans.
Read more of our review of Let’s Go Eat The Factory (get it from Amazon for great price!), published earlier this month, and watch this video of the classic lineup
For many people, 2012 arrives with much uncertainty. But one thing we can pretty much always look forward to is music. There will be great music that gets a lot of buzz, and other terrific music that, for the most part, flies under the radar. There will be the predictable hype of new albums by some over-rated artists, and the surprise singles and albums from new artists.
We have dozens and dozens of DIY, unsigned bands already in the pipeline to profile in 2012, loads of other bands that broke out in 2011 that we will be watching throughout the year, and of course an ever-growing folder of new 2012 singles to sort through and feature in various playlists and mixes, band profiles and new releases. Simultaneously, at least through February, we will also be highlighting the Best Songs of 2011, Best Albums of 2011 and the Best Bands of 2011.
Plans are already in the works for major music festivals, such as South By Southwest (SXSW) and Coachella. Bands are announcing major tours to all corners of the globe, while others are heading back to the studio. Over the next couple of weeks, we’ll be publishing polls that we really hope to get thousands of people to participate in so that we can get the best possible gauge among a large sampling of the best of 2011: best new songs, best cover songs, best albums, best breakout bands, best debut albums, as well as, of course, the on-going month-by-month review of the Best Songs of 2011.
In fact, production of Vol. VI, highlighting the best songs of June 2011, is already underway. But first, we have to start off the new year with a playlist mix of New Year-related (some loosely so) songs. At least half of the songs below are from 2011; do you know which ones?
It’s hard to believe that 2011 is almost over. It seemed like not really that long ago that we were putting together our Best Songs of 2010 mixtapes (now working on Vol. IV for 2011) – which by the way, are still up and running (a few missing mp3 links, but 90% operational), and well worth listening to if you missed them originally. Plus, with Christmas in the air, don’t miss out on the largest online collection of indie and alternative rock Christmas songs.
Anyways, this week marks the third to last Best New Releases mix for 2011. Problem is, there is not that much to talk about this week, and we suspect it will be like this for the rest of the year. Nevertheless, you can access mixes featuring hundreds and hundreds of great songs from 2011. Browse, stream and download the archives of mixes like Best New Releases, Recent Releases We Almost Missed, In Dee Mail, Bands to Watch, Summer Songs and more. That should be plenty to keep you busy for a while, and don’t miss the on-going new series, Best Songs of 2011 (Vol. IV will be published Sunday; all 12 volumes will be published by the end of January 2012).
First up, the prolific musician, instrumentalist and composer Jonsi (Sigur Ros) has a lot going on recently. In October, Sigur Ros‘ released a new double live album and film, Inni. Last month, the band confirmed they were also working on a new “ambient” album slated for release in the spring of 2012 (another reason to look forward to spring).
Hopefully, we won’t have to wait that long to hear the first couple of tracks from the yet-to-be-named LP. And this week, Jonsi is garnering tons of mainstream media and blog coverage due to the release of the new movie, and accompanying soundtrack, We Bought A Zoo. Last year, Jonsi was asked to compose a number of tracks for the film by director Cameron Crowe.
Following Jonsi, listen to new music from indie folk pop band The Lower 48; a live cut from Josh Ritter‘s first live album; the newest from another singer-songwriter, Kurt Von Stetten; a double-shot of lo-fi indie psych pop from Graham Repulski; a cover song of The Smiths from Telekinesis; punk rock from the band The 65’s; and a new track by Dolfish that sounds like the band Apples in Stereo.
In Dee Mail Releases – The Coast of Nebraska, Trip Effect
The In Dee Mail mixtape series is different from the regular Best New Releases because each of the bands featured via In Dee Mail sent their music to us ‘in dee mail’ using the proper submission process. Because we get so many submissions – more than we can ever get to – the submission form is necessary to filter out submissions that do not include at least one MP3 link. That’s because we rarely ever use links to Soundcloud, file downloads, Bandcamp, etc. Since we use the Yahoo! media player to stream music on every mixtape, we can only profile an artist that supplies a MP3 link of a current song.
As one way to put a dent in the piles of music submissions we receive, we search our database for new releases that have release dates for the week in question, and if we like what we hear, we include it in this section of the weekly Best New Releases. We’ve been doing this for a while now, and the response from IRC’s regular and new visitors has been impressive.
First up is the ironically named duo, The Coast of Nebraska, who also ironically are not even from Nebraska, but much further south – Austin, Texas. It’s no surprise to us that we receive a lot of noteworthy submissions from Austin. The Coast of Nebraska is yet another. On Saturday, the band released their new album, Hope Swallows. Their well-honed sound is a mix of indie rock, psychedelic and glam rock.
“Hope Swallows” – The Coast of Nebraska from Hope Swallows
“This Old Home” – The Coast of Nebraska from Hope Swallow
The Coast of Nebraska has opened for bands like The Magnificent Snails, Jay Satellite, Paperthreat, Bridge Farmers, School of Liars and include among their top influences The Beatles, Sweet, Pavement, Boz Scaggs, Super Furry Animals.
Trip Effect is an unsigned band from Rockford, Illinois who deliver a mixture of raw acoustic rock and technical theory based playing. The band says their music “proves an unplugged sound can still rock out as hard as anything.
“Past The Edge” – Trip Effect from Second Life
“The Rain” – Trip Effect from Second Life
Recent Releases We Almost Missed – Loves It!, Seventeen Evergreen
Those of you who are most familiar with IRC probably know about another mega-MP3 mixtape series we run called Recent Releases We Almost Missed. The entire premise of the series is to highlight noteworthy singles (not necessarily the albums they originate on) that, for one reason or another, we did not publish in the Best New Releases mixtape for the week of their official release. It’s a way of playing catch-up.
So, we decided to start incorporating it into the Best New Releases mixtapes as long as the songs were released within the past month – everything earlier than that will be saved and profiled in the next edition of Recent Releases We Almost Missed. In fact, we’re working on a huge RRWAM right now, the last to be published in 2011. But for now, here are some tracks from recent releases that we thought we’d share with you to see what your response is.
“Bobby Kennedy” – Loves It! from Yay – Dec. 6th
Double-shot: Two Sides” – Loves It! from Yay – Dec. 6th
“Angels” – Seventeen Evergreen from Psyentist – Dec. 6th
We initially thought that last week’s Best New Releases was thin on new albums. But now we’re going to have to eat our words. This week is thin on new releases, really thin. This is probably the shortest BNR posting this year, and for those of you who check out the BNR posts each week, you’re sure to notice.
In a way it’s good for us that this is a slow week for releases because we’re working on a new edition of Fresh Tracks, but more importantly, on volumes IV and V of Best Songs of 2011 mixtape series – which so far has been crazy popular.
As for new releases, our top pick of the week goes to the self-released EP, Paint The Town, from the band David Newton & Thee Mighty Angels. The quartet consists of The Mighty Lemon Drops‘ band member David Newton, plus musicians Daniel Harshman and Joel Wall of Kissing Tigers, and Brian Reyes of The Little Ones. The southern California band musical project has been building a quiet following in the LA-Long Beach area for a couple of years now. We haven’t heard the EP yet, but plan to soon. Based on the title track, it wouldn’t be a big surprise if the EP ended up on our Best Debut EPs of 2011 list.
“Paint the Town” – David Newton & Thee Mighty Angels from Paint The Town EP
Additionally, there are a number of reissues and compilations out this week, including reissues of Smashing Pumpkins‘ first two albums – Gish and Siamese Dream, featuring bonus material that includes rare and previously unreleased recordings, plus each re-issue contains a DVD featuring never-before-released live shows recorded at the Metro in Chicago.
“Cherub Rock” – Smashing Pumpkins from Siamese Dream
Additionally, Gorillaz‘ singles collection (stream it on Spinner) was released this week featuring a decade of the band’s top tracks. Check out the trailer promo for the singles collection above.
“Feel Good Inc.” – Gorillaz from The Singles Collection: 2001-2011 They Might Be Giants released a new video this week featuring the fresh electronic version of their most well-known hit single, “Istanbul (Constantinoble).” The video is trippy and reminds us a bit of Animal Collective‘s “My Girls,” but, in the end, we prefer the original version of the song a hundred times more. Still, the video is a must-see for die-hard fans of the band’s 30-year career.
The next batch of songs from albums released this week are likely to only be found on IRC, including relatively unknown and DIY artists like My Empire of Sound, Jaybee, Moe’s Implosion, Desmond Grundy, San Serif, and Cuban Cigar Crisis.
From Sweden and Denmark, the electronica pop band My Empire Of Sound released their self-titled debut album earlier this week. The band is John Alexander Ericson´s (The Northern Territories, Stjarna, Alberta Cross) latest music project, with Sidsel Marie on vocals. The album was released by the indie label, Warsaw Recordings. My Empire of Sound’s most influential artists include Portishead, Fever Ray, PJ Harvey, and The Knife.
“Early Morning (A New Beginning)” – The Empire Of Sound from The Empire Of Sound
Jaybeemusic, the musical moniker of Brighton, UK musician James Bennett writes and produces quirky, original songs, covering themes such as angels, vampires, cowboys and pussy cats in what he refers to as a “vaguely pop idiom, all brewed in a studio-formerly-known-as-garage, from equal parts technology and inspiration.”
“Found on Putney Bridge” – Jaybee from Found on Putney Bridge
“Jump You Bastard” – Jaybee from Found on Putney Bridge
Moe’s Implosion, a five-piece rock band from Portugal, released their debut album this week, Light Pollution. The band got a lot of love in 2009 and on in Spain and Portugal thanks to their acclaimed debut. The band toured extensively throughout the region, including slots at the Avante Music Festival and Musa Festival, and opened for artists like Asian Dub Foundation, The Get Up Kids, and Linda Martini.
“FM” – Moe’s Implosion from Light Pollution
“Doctor” – Moe’s Implosion from Light Pollution
It’s been a while since there’s been a band from the northeastern city of Halifax, Nova Scotia in Canada, that has appeared on our pages, but the folk pop of Sans Serif has earned the band some accolades, mostly on Canadian blogs, plus gigs opening for artists like Rich Aucoin and Cousins. On Saturday, they released their new album, I’m Not in Love (I’m in Dartmouth). We think the band has promise, if you like folk pop, but we’d suggest they work with a really good producer and engineer who can hone the band’s sound. The tracks the band sent us are worth the listen, but whether or not they end up in your MP3 player is a different matter.
“Smoke Detectors” – Sans Serif from I’m Not in Love (I’m in Dartmouth)
“Let’s All Redistribute Wealth” – Sans Serif from I’m Not in Love (I’m in Dartmouth)
The San Francisco DIY band Cuban Cigar Crisis also released a new album this week, titled Sourpuss. We don’t know much about the band at all, but we thought the two tracks they sent in are worth including in this post. We do know that they once opened for Xiu Xiu. It’s tough for bands to get attention in a city like San Francisco, but these are not amateurs.
“Love Between The Sheets” – Cuban Cigar Crisis from Sourpuss “Wuthering Heights” – Cuban Cigar Crisis from Sourpuss
Canadian DIY indie singer/songwriter Desmond Grundy sent in a couple of songs from his new album. Songs like “Took A Bus” make it easy to see why he considers among his top influences Iggy Pop, Lou Reed, Brian Eno and one of rock’s most iconic brother bands – Ray and Dave Davies of The Kinks. Grundy has performing shows in Toronto and the outlying areas of the city for more than a decade, and describes it as such: “My show is a combination of gritty, toe-tapping favorites and melodic, fearless originals delivered with spirit and taste.”
“Took A Bus” – Desmond Grundy from Tiles from the Amber Room
“Black Fly” – Desmond Grundy from Tiles from the Amber Room
Not surprisingly, it is a thin week for new releases. Many record companies hold off on releasing albums during the week of Thanksgiving because it’s so much more difficult to get the attention of media and music consumers due to the holidays. That said, there are a few albums out this week that we highly recommend, including the new debut LPs from Sunbears and Sea Lions.
Since 2008, Jacksonville, Florida musicians Jonathan Berlin (vocals, bass, guitar, keys, synth) and Jared Bowser (drums, percussion) of Sunbears have been wooing and wowing audiences with their own brand of psychedelic indie rock. To date, the band has released a handful of EPs and singles, including a song for the hit kids’ TV show, Yo Gabba Gabba, followed by a short stint on their Super Music Friends Show tour in the fall of 2010. In addition, Sunbears have also toured with Mates of State, Black Kids and Dredg, among others.
Recorded at New York City’s Singing Serpent Studios with producer Jeremy S.H. Griffith, You Will Live Forever channels the ghost of The Dakota, conjuring equal parts Plastic Ono Band, Dark Side Of The Moon and Quadrophenia. On “Dying Alone, Without Yourself,” electronic creations are intricately layered upon a gorgeously strummed acoustic guitar, accompanied by haunting choral back-ups. “Give Love A Try” is the album’s infectious “feel good” first single, and in our opinion, one of the best indie songs of the second half of 2011.
The album is full of songs that explore all kinds of musical styles and themes, and at times you swear you were hearing different artists you already know being channeled through the incredibly talented duo. Sunbears is a band we will be watching in 2012. There are many fantastic songs this year that we’ve heard from relatively unknown artists and band. Sunbears now occupies two or three, maybe more, of those slots, thanks to what is also one of the best debut albums of 2011, You Will Live Forever.
Stream the album via Spinner
We’re not going to list all of the songs from the album, but a couple more to add include The Flaming Lips-sounding, “They Think They Are Sooo Philosophical,” and the sorta John Lennon like, “Together Forever.”
You Will Live Forever is a colorful, psychedelic sonic journey through various musical landscapes, marked by introspective, superbly written, amazingly arranged, and wonderfully produced songs that leave the listener with the sense that they just experienced something special. If you dig these three tracks – and it was a challenge to pick only three – then you’re probably going to really enjoy the album.
Having somehow just made it through the appalling 2011 American Music Awards when we first listened to You Will Live Forever, it was so refreshing to hear original, dynamic music created by talented musicians almost no one has ever heard of. If all the right pieces fall into place in the next few months, Sunbears could be one of the biggest indie bands of 2012.
The long-awaited debut album from the post punk/60’s pop Oxnard, California indie quartet, Sea Lions, officially dropped this week, and is being welcomed with a decent number of encouraging reviews. AbsolutePunk gave the album a 7-star rating, stating, “Despite the occasional flat execution, Sea Lions’ knack for constructing timeless melodies is undeniable, and the golden oldies era is obviously a pervading influence on the album.” There is no doubt about that, from the vintage pop of “I Don’t Wanna Go Out” to the C-86 guitar jangling of the album opener, “I Should Be Sleeping,” this debut album is a formidable release, and definitely among the top indie pop – if we were to pick one genre to describe it – debut albums of 2011.
“I Should Be Sleeping” – Sea Lions from Everything You Always Wanted To Know About Sea Lions But Were Afraid To Ask
If you’re a sucker for golden oldies, the C-86 post punk movement of the 1980’s, and jangly guitar pop, you will probably enjoy Everything You Always Wanted To Know About Sea Lions But Were Afraid To Ask from start to finish (with a couple of small exceptions). We certainly have.
That said, none of the 15 tracks are over three minutes long, and the problem with that is that it makes it harder for the songs to stick in your head afterwards; in fact, there are many terrific songs, unfortunately, on this album that, just as you’re getting into them, end too soon.
“Grown Up” – Sea Lions from Everything You Always Wanted To Know About Sea Lions But Were Afraid To Ask
“As Times Change” – Sea Lions from Everything You Always Wanted To Know About Sea Lions But Were Afraid To Ask
This next cluster of great tracks from new albums out this week is really an excellent collection of songs that really exemplifies the talent of all of these artists who have very different musical styles, from country rock to punk rock, and electro-pop to hard rock.
Eddy Current Suppression Ring belts out some raw garage punk rock – somewhat reminiscent of early Arctic Monkeys meets Beastie Boys – on the single “You Don’t Care”; Trentemøller delivers a slow, haunting, semi-industrial track with “Neverglade”; Wooden Wand and the Briarwood Virgins slug through a 70’s style country rock song, “Big Mouth U.S.A.,” that would be perfect on the soundtrack of a road trip movie or an Almost Famous 2; Fonda‘s “Better Days” is a charged, guitar buzzing track from the just-released EP, Better Days; and Toronto house mavens Azari & III‘s new dance single, “Into the Night,” was officially released this week.
“You Don’t Care” – Eddy Current Suppression Ring from So Many Things
“Better Days” – Fonda from Better Days EP
“Neverglade” – Trentemøller from Reworked/Remixed
“Big Mouth U.S.A.” – Wooden Wand and the Briarwood Virgins from Briarwood
“Into The Night” – Azari & III from single
Calexico’s Road Atlas, The Antlers Cover The xx, Orange Juice in a Box, Giant Sand Reissue
Other releases this week include some singles, box-sets and re-issues. First, The Antlers released their (together) EP, featuring a cover of The xx‘s track “VCR”; one of our favorite alt. country rock bands, Calexico, released their compilation, Selections from Road Atlas, 1998-2011; the band Giant Sand reissued an expanded version of its 2000 alternative country rock album, Chore of Enchantment; the indie pop rock pioneers Orange Juice officially released their Coals to Newcastle box set this week.
“VCR” (The xx) – The Antlers from (together) EP
“Glowing Heart of the World” – Calexico from Selections from Road Atlas, 1998-2011 (stream album)
“Music Arcade” – Giant Sand from Chore Of Enchantment (expanded reissue)
“Rip It Up” – Orange Juice from Coals to Newcastle
Way Back Now: Magazine Releases First LP in 30 Years, No Thyself
The Way Back Now segment is a new addition to the Best New Releases series that highlights bands who have released their first album in more than a decade. In the case of the Manchester, England post-punk gods Magazine, the release this week of their fifth album, No Thyself, might not be as big of a deal if it wasn’t for the fact that it marks the band’s first album in 30 years – since 1981’s fairly disappointing, Magic, Murder and The Weather, which lacked the departed John McGeoch.
Last year, Howard Devoto, who started out with Buzzcocks before he founded Magazine in 1977, dialed up guitarist Noko and bassist John “Stan” White (who replaced the unavailable Barry Adamson) to make another Magazine. What No Thyself proves is that the band have not lost their edge after such a long hiatus, that they are more talented than ever before, and Devoto still has great vocals that sound as good or better than they did three decades ago. A few of the standout tracks include the dark rock grind of “The Burden of a Song,” the urgent, synth rocking post punk of “Holy Dotage” and the unusually uptempo and catchy, “Physics.”
New Releases from In Dee Mail: Wait For Green, Fires in France,
We receive literally hundreds of music submissions a month, and it’s near impossible to keep up with them all. One way to make it easier to manage is that we started highlighting new releases we receive via our submission form for the week in which the album, EP or singles are officially released.
We don’t receive much indie music from Boise, Idaho, but this week the unsigned indie band from Boise, Fires In France, released their self-titled, debut album and sent along these two tracks to post. Their sound is big, shimmering, more pop than rock, and we think, promising. Perhaps Fires in France’s overall sound is a bit more leaning to the side of polished Hollywood rock radio, but we’re confident some of you will find it worthy of downloading to your MP3 player.
Among the bands they list as their biggest influences include Jimmy Eat World, The Beatles, The Smiths, Awolnation, Neon Trees, The Format, Coldplay, Nirvana, and Edward Sharp.
“Love Is Strong” – Fires In France from Fires in France
“Sing” – Fires In France from Fires in France
Also, in the past week, on Nov. 16th, the unsigned Austin indie pop/alternative rock band Empire Machines released their self-titled EP, which arrives two year after the band first formed. Now, we say it all of the time, but to be an unsigned indie band in places like Austin, or Brooklyn, or San Francisco, or Portland, is quite the challenge these days.
In order to stand out among the thousands of DIY artists and bands in cities where the competition among bands is fierce, bands need to come up with one or two hot singles that get people’s attention, not just with deejays and music consumers, but also with their peers – who are often times simultaneously rooting for, and against them – artists need to make a splash.
We are a little surprised that Empire Machines have not played live in Austin. In fact, they consider themselves a studio band, but we think it would be a good idea if they got some gigs.
“Never Enough” – Empire Machines from Empire Machines EP
“Sweet Teeth” – Empire Machines from Empire Machines EP
Wait For Green is a Go For Broke Records’ indie band out of Venice, California that sent in some tracks from their self-titled debut release, but failed to provide us any details about who they are other than to describe their music style as alternative, funk, pop, reggae, and hiphop.
“Let The Record Play” – Wait For Green from Wait For Green
“Slow Riding” – Wait For Green from Wait For Green
This week’s Best New Releases includes a bounty of new singles from bands we never heard of before, but are so glad we have. First, we start off with the most obvious lead singles from new albums by Crystal Stilts and Los Campesinos. Although Crystal Stilts released their CD and MP3 version of their new EP, Radiant Door, last week, this week marks the release of their vinyl EP release. Plus, we have an additional track – the title track – from the EP that we didn’t feature last week.
Other top tracks from new albums include the incredibly enthusiastic popper, “School Glue,” from Pterodactyl, the equally upbeat bliss of Carter Tanton‘s “Horrorscope,” and the riveting Races‘ track, “Big Broom.” While those five tracks make a sah-weet mini-mix of this week’s best new releases all by themselves, there are other releases highlighted in today’s mix that we think you’ll enjoy as much as we have.
“By Your Hand” – Los Campesinos! from Hello Sadness
New Albums from Sigur Ros, The Do, Ex-Norweigan, Blackout Beach and Ice Choir
This week Sigur Ros‘ new live album, Inni, was released. The live album is more than just a collection of great Sigur Ros songs from live shows, it’s also a movie (see trailer below). The 105-minute double live album is also a 75-minute film that captures the band’s tour from three years ago, in November 2008. Fans can get a special deal on purchasing the album and the film via iTunes (buy now).
The new live album and film are a follow-up to the band’s 2007 live film, Heima (watch the film in HD here), which was filmed in the band’s home country of Iceland.The film was directed over two nights at the Alexandra Palace director Vincent Morisset, best known for directing Arcade Fire‘s Miroir Noir. The double LP features 15 tracks, with songs taken from all five of Sigur Rós’ studio albums, plus there is also a bonus of an unreleased studio track of “Lúppulagið’.” Also, check out fresh tracks from new releases by The Do, Ex-Norweigan, Blackout Beach, and Ice Choir.
“Slippery Slope” – The Dø from Both Ways Open Jaws
“Upper Hand” – Ex Norwegian from Sketch (self-released)
“Two Rings” – Ice Choir from Two Rings
Boston’s DIY Artist Matty Sorono and Austin Band Whalers
Now, let’s turn to DIY and unsigned bands we like a lot who released new albums in the past week. Of all the unsigned, DIY artists that we never heard of before with new releases out this week, perhaps our favorite is Boston musician Matty Sorono. While he did not provide us very much information at all, what we do know is that Sorono started recording his own material about three years ago. By that time, he already had more than a decade of piano playing to draw from.
“All my songs start out on an acoustic piano,” Sorono told IRC. “I begin by brainstorming melodic, harmonic or rhythmic ideas around until I find something substantial. Then i start coming up with vocal ideas to fit over the top. Usually I have a rough idea of at least some part of the melody before I step back from the keyboard and really work out some lyrics. I like lyrics that are fun to say and pleasing to listen to. When it comes time to produce the song, I strive to create a unified track with musical direction by layering sounds that add depth to the sound.”
No doubt when you listen to the two singles released on Saturday, November 12, that Sorono’s music is influenced by his mentors The Beatles, The Beach Boys and Animal Collective. If you’re still loving the hazy, lo-fi, “chillwave” sound, than Sorono may be one of the latest artists to earn a place on that list, perhaps even more. We shall see.
“Sunside Trails” – Matty Sorono from single release
“Skydream” – Matty Sorono from single release
Sorono is also a member of the Boston band Fork, which will release their debut EP, Fenway Winds, on December 8th. Here’s an advanced track:
“I See You” – Fork from Fenway Winds
Before we get back to the other previously unknown In Dee Mail releases, we first want to present Austin’s under-rated indie band Whalers, who dropped their second EP, Paddle Easy. Among the best songs on the album are “Cheat On Each Other,” an infectious ode to surf rock from the landlocked Texans, and “Pixel Your Picture,” a perfectly poplicious track that should be an ‘indie hit’ song, and reminds us of The Walkmen. While it was difficult to pick which songs to present from the newest EP – because there are so many great tracks – we’re also including the melodic, dreamy duet, “Lighthouse,” featuring Whaler’s lead singer, Kyle Rother, together with White Dress vocalist Arum Rae Valkonen.
Of all the artists in this In Dee Mail feature, the Whalers are the best known. In fact, even though they’ve only been together for two years, they have a loyal and growing fan base in Austin, and increasingly, around the nation, with profile spots on Daytrotter and Rollo Grady “Artist to Watch.” The band’s debut EP, How The Ship Goes Down, was mixed by My Morning Jacket’s sound engineer, Kevin Ratterman, and mastered at Jim Eno’s (Spoon) Austin studio, Public Hi-Fi.
“Pixel Your Picture” – Whalers from Paddle Easy
Double-shot:“Cheat On Each Other” – Whalers from Paddle Easy
Bonus Track: “Lighthouse” – Whalers from Paddle Easy
Another artist that dropped a new release on 11-11-11 is the unsigned electro-pop/new wave band, The New Division, from Riverside, California. Their new album, The Rookie, demonstrates the band’s admiration for groups like New Order and Depeche Mode, and more recently, Cut Copy. The New Division have received some note-worthy press, but they still have yet to get the recognition we think they deserve. See what you think of these two synth-laden tracks from The Rookie, “Starfield” and “Festival.”
Narrow Sparrow, Caveman, Churches, Korallreven and Others
We have even more impressive lead tracks from other artists with new albums and EPs out this week, including Caveman, Annie Williams, Churches, Korallreven, as well as lesser tracks by Rah Rah and Poor Boy’s Soul. The track “Shenandoah,” is a very tranquil, but not new age, instrumental that simply paints a picture of a serene and beautiful place within the natural world. A perfect close to this week’s top releases. But first up, is the catchy, acoustic-electro pop track “Joe Meek’s Dream” from Narrow Sparrow‘s DIY album, Synthworks.
“Joe Meek’s Dream” – Narrow Sparrow from Synthworks (self-released)
“Thankful” – Caveman from CoCo Beware
“Roll on Hills” – Annie Williams from This Mountain EP (self-released)
“Save Me” – Churches from “Save Me” single (self-released)
In Dee Mail Releases This Week: Big Lake, Sissy Menai, Gene Wildest and Noel Carlon
One of the longest running playlist series on IRC, In Dee Mail, highlights only artists and bands that send us their new releases directly. Thankfully, it has also been one of the most popular playlist series, probably because the songs we choose for the In Dee Mail mixes are from DIY and unsigned artists. Lately, we’ve been calling out new releases that In Dee Mail by creating a separate section in the weekly Best New Releases.
It’s a great feeling to know that over the years, we’ve helped to launch relatively unknown artists into the spotlight, with some even telling us that IRC was their first big break. But the credit there really goes to our readers/listeners, because it is all of you who ultimately drive what music makes it onto the site, and more importantly, what music becomes the most popular. This is evident by the weekly Top Ten Songs mixtapes (based on number of listens/downloads a song gets), and more recently, the Best Songs of 2011 mixtape series.
Big Lake is an indie/shoegaze band from Jersey City, New Jersey, led by New York City musician Lysa Opfer. The band’s debut EP, Do You Love Me? Yes/No?, officially dropped this week via Evil Island Fortress Records. Opfer sent us a couple of tracks from the EP to share with IRC. Just some of the many bands that Big Lake are influenced by include Broken Social Scene, Local Natives, Album Leaf, Maps, Arcade Fire, Battles, Beach House, My Bloody Valentine, The Ramones, Joy Division and The Walkmen.
“Homecoming Game” – Big Lake from Do You Love Me? Yes/No
“The Longest Day” – Big Lake from Do You Love Me? Yes/No
Sissy Menai is a three-piece DIY Chicago-based indie rock/shoegaze band who, like many of the In Dee Mail artists, have never opened for another band (yet), but we think show some promise thanks to their engaging and explosively driven songs, like “Soon Speeding Gear,” and the more pop-oriented title track from their new debut LP, Record Machine. Their 2009 EP, Young Girl, received some positive press from Chicago bloggers and sites like Timeout Chicago, as well as outside of Chicago, including a thumbs up in the popular blog, The Onion.
“Soon Speeding Gear” – Sissy Menai from Record Machine
“Record Machine” – Sissy Menai from Record Machine
Gene Wildest is an unsigned Philadelphia band headed by songwriter and musician Brian Corbett, who were recently profiled in The Signal and Philadelphia Weekly, among other write ups. In fact, the band has previously opened for Titus Andronicus, Guerilla Funk, Human Sounds, and Axis. Gene Wildest recorded all the tracks from the new album, self-titled debut LP in Corbett’s apartment.
The first track we received is the Ben Folds-sounding piano-dominant track, “George Carillo,” followed by the quirky track, “Weird Guy at a Bar in Bethlehem, PA.” The band’s biggest influences include Red Hot Chili Peppers, Parliament Funkadelic, Electric Six, Pearl Jam, and The Smiths.
“George Carillo” – Gene Wildest from Gene Wildest
“Weird Guy at a Bar in Bethlehem, PA” – Gene Wildest from Gene Wildest
After a year and a half in the making, Los Angeles singer/songwriter Noel Carlon completed and released his debut album, Lonely Stranger. Carlon’s songs weave tales of despair, broken dreams, longing, love, and loneliness. It is a heartfelt debut told through the words of a working man in a city where hopes and dreams rarely come to fruition.
“Insecure” – Noel Carlon from Lonely Stranger
“Dreams are Cruel” – Noel Carlon from Lonely Stranger
Noel Carlon is the former lead singer of Delarosa and Noel Carlon and the Dead Poets. New band mates include fellow friends Joel Herr (guitars, backup vox), Joseph Yabao (Drums), Nikko Menichini (guitars), and Rosco Bustillo (Keys, Backup Vox).
Deerhunter’s prolific musical genius, Bradford Cox, has been one of our favorite ‘indie’ musicians for years. In addition to his work on his mothership, that is Deerhunter, Cox has lots of other music projects and collaborations, including the most popular of them all – his solo work under the moniker Atlas Sound, a project that has turned out dozens of spectacular singles, EPs and LPs.
This week, Atlas Sound officially released Parallax, an album we are keen to hear right away. What we have heard so far sounds like another fine release from Cox. It is much more stripped down Cox, with a handful of meandering, somber tracks dominated by guitar, vocals and synths. The official lead single from the LP, “Terra Incognita” is a mellow – some might say melancholy – acoustic guitar and vocals dominated composition, and much the same with the more drifty “Te Amo.”
“Terra Incognita” – Atlas Sound from Parallax
Double-shot: “Te Amo” – Atlas Sound from Parallax (via Rawkblog.net)
One for the Road: “Flagstaff” – Atlas Sound from Parallax (via Minneapolis Fuc*ing Rocks)
Juno’s New Group of the Year Said The Whale
2011 has been a good year for Vancouver indie folk pop band Said The Whale. In March, the band won the honorary Juno Award for New Group of the Year, and four months later Canada’s CBC premiered a tour documentary about the band’s rise to ‘indie’ fame . Today the band officially released their four-track New Brighton EP, the first offering from the band since their widely-acclaimed 2009 album, Islands Disappear. Here is the title track via the blog Consequence of Sound. Also, listen to a couple of tracks from the March 2012 LP, Little Mountain.
“New Brighton” – Said The Whale from New Brighton EP
Built Like Alaska: Band to Watch in 2012
In kind of keeping with the northern wilderness theme for a bit here, the Oakdale, California band Built Like Alaska‘s new single, “Antique Love,” from their new, and third, album, In Troubled Times, is a perfectly simple folk pop track that really exemplifies not just the musical talent of the band, but also the vocals of lead singer Neil Jackson. We have yet to hear the entire album, but what is clear to us is that 2012 could be the best year yet for Built Like Alaska, just based on the double-shot of “Antique Love” and “John Henry.” BLA are an IRC Band to Watch in 2012.
“Antique Love” – Built Like Alaska from In Troubled Times
“John Henry” – Built Like Alaska from In Troubled Times
Crystal Stilts Drop new EP; Kurt Vile Releases Deluxe of ‘Smoke Ring’ and Summer Camp’s Latest Album
We’ve been fans of Crystal Stilts from the first couple of singles we heard a few years ago, and so we’re always happy when the band releases new material, even if it is only a EP – we’ll take it. Here’s the lead track, “Dark Eyes” from Crystal Stilts Radiant Door EP, out now on Sacred Bones. Plus, a new deluxe edition of Kurt Vile‘s recent Smoke Ring For My Halo is out this week with the lead single, “The Creature,” plus the latest song from Summer Camp‘s new LP, Welcome to Condale.
“Dark Eyes” – Crystal Stilts from Radiant Door EP
“The Creature” – Kurt Vile from Smoke Ring For My Halo (deluxe edition)
“Better Off Without You” – Summer Camp from Welcome to Condale
New Singles from Bear & Moose, A Band of Bees, Shy Mirrors, 13Ghosts, ARMS and Dad Rocks!
Well, here we go with another band name that connotes images of the life in the northwestern U.S. and Canada – Bear & Moose; plus, the title of their new single, “Wear the Wolf,” is just more wild imagery. Plus, a new single, “I Really Need You,” from A Band of Bees new album reminds us so much of Van Morrison‘s Astral Weeks period – songs that are a cross between R&B, folk and rock, and yet manage to sound so organic and free-spirited at the same time. Also, new singles from Shy Mirrors, 13Ghosts, ARMS and Dad Rocks!
“The Vision (Let Me Breathe)”– Joker with Jessie Ware & Freddie Gibbs from The Vision
“Facing the Sun” – Treefight For Sunlight from A Collection of Vibrations For Your Skull
“On Call” – Zambri from Glossolalia EP
“Crazy Clown Time (download) – David Lynch from Crazy Clown Time
In Dee Mail Releases of the Week: Vanasprasta & Adam Hoffman Revival
If you listened to last week’s Best New Releases, then you know we had a lot of releases sent to us directly by artists and bands themselves. In fact, we covered more new releases from DIY bands than any other major ‘indie’ site on the web, highlighting not only the bands that get profiled on nearly every blog and music site, but many artists that get zero, or near zero, coverage by music bloggers and especially not mainstream sites like SPIN, Rolling Stone, Spinner and others.
The first band is Vanasprasta is an unsigned Silver Lake-L.A. experimental rock band released the long awaited debut album, Healthy Geometry, on Nov. 1st to much less fanfare then we think it deserves. Just for perspective, however, Vanasprasta are not exactly unknown. The band has been featured blogs such as Consequence of Sound, L.A. Weekly, and Purevolume.
They have shared the stage with artists like Free Energy, Young The Giant, Yuck, Unknown Mortal Orchestra, and Linda Perry’s Deep Dark Robot. Vanasprasta have been compared to Mars Volta, Kings of Leon, the Killers and Jeff Buckley. On Healthy Geometry, Vanaprasta have culled all of their influences, ranging from Modest Mouse to Pink Floyd, into a sound that can only be described as their own.
“Nine Equals Nine” – Vanaprasta from Healthy Geometry
Up next is piano-led from Sandwich, Massachusetts band, Adam Hoffman Revival, who released their new album, You’ll Get There, on Nov. 10th, featuring the lead single, “You & I.” It’s not hard to see why they include Ben Folds and The Beatles among their biggest influences. You can check out more songs and other band information at the band’s Facebook page.
“You & I” – Adam Hoffman Revival from You’ll Get There – Nov. 10th
Halloween is over (if you missed the Halloween mixes go here) , and the holiday season (is it too early for Christmas mixes?) is revving up. Isn’t it crazy that 2011 is almost over? In addition to the holiday season, this is the time of year when ‘best of’ lists; see IRC’s Best Songs of 2011 series. In fact, right now, volume three will be posted on Monday.
We are really excited by this new-to-us band, Jupe Jupe, and have listened to the following two tracks about eight times apiece. If you’re old enough to remember bands like Depeche Mode and OMD, then you might just feel like you’re going back in time to the alternative goth rock sound of the late 1980’s and early 90’s, right before grunge busted out of Seattle with Nirvana in the forefront. We expect to hear more from Jupe Jupe in 2012; maybe they’ll even be one of our Bands to Watch in 2012.
But first, we have to kick off this week’s Best New Releases with the cool new track by Rich Aucoin, “It,” from the just-dropped album, We’re All Dying to Live. Aucoin is a rising Canadian musician and songwriter who has criss-crossed The Great White North a number of times on tour, including one time by bicycle. Aucoin has performed on stage with artists like Dan Deacon, Girl Talk, Deerhoof, The Weakerthans, The Golden Dogs, Holy Fuck, The Constantines, Dirty Projector’s and others. We don’t think it was an accident, however, that Aucoin’s album cover art is strangely similar to Sufjan Stevens‘ brilliant, and classic ‘indie,’ LP, Illinoise (shown below for comparison). From the font choice to the inclusion of Superman. Hmmmm.
“It” – Rich Aucoin from We’re All Dying To Live
“Once Around the Sun” – Jupe Jupe from Reduction in Drag
Double-shot: “Suspicion” – Jupe Jupe from Reduction in Drag
Also, this week Fallon Cush released their self-titled, debut album, AM & Shawn Lee continue their collaboration with the release of Celestial Eclectic, plus listen to The Beach Boys’ The Smile Sessions via Spinner.
“Disintegrate” – Fallon Cush from Fallon Cush
“Dark into Light” – AM & Shawn Lee from Celestial Eclectic
Stream The Beach Boys’The SMiLE Sessions via Spinner
If you’re a fan of Jesus and the Mary Chain, and The Beach Boys, you’ll probably want to hear the Mary Chain’s cover of the Boys’ “Surfin USA.” The track is from an site we like a lot called Cover Me Songs, where there are also other J&TMC covers of Pink Floyd, The Temptations and Jerry Reed. While we are featuring Beach Boys’ cover songs, might as well throw in a great new one – My Cousin, The Emperor covering The Beach Boys’ “Girl Don’t Tell Me.”
“Surfin USA” (The Beach Boys) – Jesus and the Mary Chain
“Girl Don’t Tell Me” (The Beach Boys) – My Cousin, The Emperor
Earlier this year, we featured an advance single from the Dallas band Air Review, and the track received a good response. The band’s music is masterfully composed, performed and produced indie folk pop, as clearly demonstrated on the splendid track, “America’s Son.” In fact, it’s one of our favorite Rarely Heard Songs of 2011 (that series will also be coming out soon; browse past posts). We included both tracks the band sent us from their LP, America’s Son, which was officially released on Nov. 1st.
Without hesitation, Air Review are a band to watch in 2012. Having previously opened for bands like Bowling for Soup, Blue October, Boxer Rebellion and One Eskimo, and after making a name for themselves in the Dallas-Forth Worth area, it’s beyond us to explain why they haven’t received a record deal yet. Perhaps they have, and they turned it down, but when we listened to these tracks for the first time, and the whole album afterwards, it simply did not make sense that a label wouldn’t have signed Air Review by now.
Air Review is just another example of what we always say – there are ten times as many fantastically talented and incredibly promising bands, that are DIY and flying under the radar, than there are popular ‘indie’ and alternative rock bands that are drooled over in some mainstream ‘indie’ blogs and music sites. The second single, “Low Wishes” is unmistakably upbeat, uplifting indie pop song, complete with magnificent choruses – the kind of song that you might want to play if you need a quick shot of inspiration. If we were a label, we’d probably sign this band. In 2009, the band released their debut album, Landmarks.
“America’s Son” – Air Review from America’s Son
“Low Wishes” – Air Review from America’s Son
Plus, we would be remiss not to include the latest new tracks from new albums by rising band, Girl in a Coma, and the now globally-known band, Florence and the Machine. Also, don’t miss standout singles from new releases by Low Roar, The Soft Moon, The Loom and Carter Tanton.
Out of only respect, we are including the new single, “The View,” from Lou Reed and Metallica. Now, don’t get us wrong, we are HUGE fans of Lou Reed, (especially his Velvet Underground days a million years ago), and as far as Metallica, well, not so much. But this single is absolutely dreadful; shockingly so. But we still wanted to include it so that everyone can make up their own minds, but “yikes.” As soon as we heard that Lou was making a single with Metallica, we didn’t understand, and now we can see much more clearly just why that announcement made us skeptical.
“Smart” – Girl in a Coma from Exists & All the Rest
“Shake It Out” – Florence + the Machine from Ceremonials on Island Universal
“Tonight, Tonight, Tonight” – Low Roar from Low Roar
“Under Evergreen” – Shelby Earl from Burn the Boats
“Total Decay” – The Soft Moon (courtesy of Pitchfork) from Total Decay EP
“For the Hooves That Gallop, and the Heels That March” – The Loom from Teeth
In Dee Mail Releases for the Week of Nov. 1: Sun Sweet Sun, Hundred Days, The Cocks, The Scales
This section of Best New Releases keeps with our tradition of presenting good and interesting music from relatively unknown to completely unknown signed, but mostly DIY, unsigned artists who sent their music directly to us. Greenville, South Carolina indie space pop/noise-rock band Sun Sweet Sun, lead by James Noyes, and his brother, Julian, is probably our favorite DIY artist with a new album out this week, Goodbye, Strange World. Julian is the band’s composer and lead vocalist, and James assumes guitar and synth.
The first track, “Planet Earth,” is edgier, fuzzier and noisy than the more spacey, reverb-heavy, predominantly vocal-lead sound of “Even Spacemen Need A Little Love” is charming enough on its own. They describe their music as “Lewis Carrol by way of James Dickey…a broad-ranging home-recording project and also a raggedly enthusiastic live band with a bit of Warholian mythologizing.” Aside from the over-stuffing of adjectives, we like their style – definitely can see why they count The Flaming Lips among their biggest influences.
“Planet Earth” – Sun Sweet Sun from Goodbye, Strange World
“Even Spacemen Need a Little Love” – Sun Sweet Sun from Goodbye, Strange World
The following handful of tracks are from new releases out this week that are more on the metal to punk spectrum of the musical scale, including London DIY hard rockers, Hundred Days’; another UK band, The Cocks‘ “Turns Around The Corner”; a new single from NYC punk band, The Scales, plus a track from a Russian band, Cape Fligely.
“Turns Around The Corner” – The Cocks from Tuesday Morning Hangover
“Day to Day” – The Scales from Brain Food
“Private Life” – Cape Fligely from The Key
Again, these are not songs (and especially not albums) that we are expecting to make a big splash, but since the artists went through the trouble of submitting their music, and because each has a new album out this week, we just felt it is worth including them in the mix. We’re especially interested to know which of this week’s In Dee Mail (for artists that send their music in the mail) artists you guys like the most, so please use the Comments section to do your own critique or review; sometimes we even update the post to include listeners’ comments.
Perhaps our favorite album of the week is the debut, self-titled release from Colorado duo, Gauntlet Hair. If you’re a fan of Animal Collective, then it’s likely you’ll dig the sounds of Gauntlet Hair, especially the lead tracks below, “Top Bunk” and “Keep Time.” Following right behind GH is the newest single, “Yellow Missing Signs,” from Someone Still Loves You Boris Yeltsin‘s new LP, Tape Club, as well as new material from radar band, The Trophy Wife.
(Note: We’d like to apologize for being so late with last week’s Best New Releases – we had a server outage and some family issues to iron out – but all’s good. Enjoy)
Bonus Track: “Keep Time” – Gauntlet Hair from Gauntlet Hair
“Yellow Missing Signs” – Someone Still Loves You Boris Yeltsin from Tape Club
“Modern Hearts” – The Trophy Fire from Modern Hearts
This week’s Best New Releases features yet another eclectic mix of lesser-known, radar bands and artists, like Mommyheads, Brown Shoe, Richard Swift, and Forest Fire. There is a clear theme running through all of this month’s new releases so far – that is, a fairly large collection of terrific music from new-to-us bands and artists who have also made an impression on IRC listeners and visitors (also see Best New Releases for Oct. 11th and Oct. 4th).
“Mtns Are Mtns” – Forest Fire from Starting at the X
“Hello Friends” – Mommyheads from Delicate Friction
Double-shot: “Another Crowded House” – Mommyheads from Delicate Friction
“Colt Rider” – Brown Shoe from The Gift Horse
Double-shot: “Late Nights” – Brown Shoe from The Gift Horse
The following mix features more singles from last week’s Best New Releases. In the interest of time, we’re going to just throw them up and let you guys decide which are your favorites. Again, sorry about being so late with the latest Best New Releases – a new BNR will be up in a couple of days. Enjoy.
“This Is The End” (Haste Edit) – Springtide from single release only
“Everbody Breaks” – Garrett Pierce from Everybody Breaks
“Cheers to the Years” – Turf War from Years of Living Dangerously
Double-shot: “Summertime Booze” – Turf War from Years of Living Dangerously
“Reaching Through To The Other Side” – My Brightest Diamond from All Things Will Unwind
“Sophistructure” – Rob Crow from He Thinks He’s People
“Love and Light” – Sandro Perri from Impossible Spaces
Alternative rockers The Supreme Dicks re-released a number of remastered albums this week, among them, The Unexamined Life and Breathing and Not Breathing. The following features two tracks from the former album, and one track from the latter. Admittedly, we haven’t included much about the band over the years, and it’s all the same reasons
Another week, another set of new albums. But firstly, this week saw the official release of a new live album from a musical genius that some people consider one of the forerunners of indie rock – the prolific Peter Gabriel. This week, Gabriel released New Blood, an album recorded live in London with an orchestra, no guitars and no drums – playing alternative versions of many of his best-known songs, and of course Gabriel on piano.
“Red Rain” (Instrumental) – Peter Gabriel from New Blood
This week’s Best New Releases offers a diversity of music styles, artists and subjects.There is a good number of truly ‘indie’ and DIY bands – such as Color Radio, Casiokids, High Places, Future Islands – and more well-known artists, like Andrew Bird, Ben Lee and John Wesley Harding.
But first, we want to introduce you to a band that you may have not heard of before, but it would not be for a lack of press and accolades. Enation is an anthemic indie rock band from Washington state fronted by Jonathan Jackson. Their music has appeared on film and television soundtracks, including One Tree Hill and Stephen King‘s Riding the Bullet. Enation broke into the Top 10 on iTunes‘ Rock Charts. CDBaby picked the band as a Notable Artist and The New Music Seminar nominated Enation to the prestigious “Top 100 Artists on the Verge” for 2011In fact, CDBaby praised the band enthusiastically, stating that “Enation is fast becoming recognized as one of the best epic rock bands around.” Judge for yourself. Here are two tracks the band set to us to share with you from their new album out this week,
“Prodigal” – Enation from My Ancient Rebellion
“The Rushing Wind” – Enation from My Ancient Rebellion
Enation have previously opened for artists like Angels & Airwaves, Kate Voegele, Everly, Dustin Ruth, and House of Heroes, and list among their influences Coldplay, U2, Bob Dylan, Radiohead, Snow Patrol, and Switchfoot.
Another band that sent us tracks directly is the newly formed eclectic Baltimore band, Drunk Monk. Infusing a combination of rock, “surf doom” (their words), psychedelic and jazz, Drunk Monk describe themselves like so: “Guitar, bass, drums. Very few words. We like to record live. We don’t know how to surf…overwhelmingly positive response at every show.”
“Woefully Intentional” – Drunk Monk from Drunk Monk
“Dorothy vs. The Shadow People” – Drunk Monk from Drunk Monk
We’ve also included nearly two dozen MP3s of new singles from new releases by bands and artists like High Places, Sun Hotel, T.W. Walsh, Yukon Blonde, Extra Arms, Casey Shea, Rocket from the Tombs, Crooked Fingers, Savaging Spires, The Morning Clouds, Rachael Yamagata, Gill Landry, Library Voices, and Hess Is More.
“Balance” – Future Islands from On the Water
“Golden Years” – Casiokids from Aabenbaringen Over Aaskammen
One of the best new releases of the week comes from a band that sent their music submission directly to us, but who we don’t see really being covered on other indie sites in the U.S. The Walls are a popular rock band from Ireland that was formed in 1998 by brothers Steve and Joe Wall (previously of The Stunning) . This week they released their new album, Stop The Lights, and earlier this spring, the EP, Bird In A Cage. The Walls have been featured on the BBC and have performed as openers for heavy weights like U2, Bob Dylan, Crowded House, and Red Hot Chilli Peppers.
While the band is essentially unknown in the States, that is not the case at all in Ireland. In fact, their first album Hi-Lo went gold in Ireland in 2000 thanks to the brothers indisputable talent, regular radio airplay and constant touring. Their second album, New Dawn Breaking, entered the Top 5 in 2005 and won the praise of music bloggers and the mainstream press as well, with The Sunday Times calling it The Walls’ “best work to date.” Among the band’s biggest influences include Wilco, The Band, The Black Keys, MGMT, The Beatles, Captain Beefheart, Howling Wolf, and Steve Earle.
“Bird In A Cage” – The Walls from Stop The Lights
The next artist, electro-pop band, BacknBloom, from Venice, California, also have a new album out this week, Music For The Modern Monkey. Describing their sound as “Efficacious Poetic Fervor,” Los Angeles’s Backnbloom flaunts a sleek mix of nostalgic, well-read indie rock with harmonious, complex sonic layers, grooving rhythms and a sprinkling of electric violin.
It all started in a cramped Hollywood apartment where Lori Steele and Alberto Beka penciled ideas, programmed drums and keyboards while waiting for a break in traffic and… yells from the alley to cease so that the emotionally charged vocals could be recorded. Unplugging the fridge also helped. Backnbloom’s newest single, “Heed the Flashes,” was mixed by Mark Needham (The Killers). Listen to that, and other tracks from the album via BacknBloom’s Tumblr page.
“The Feel” – BlacknBloom from Music for the Modern Monkey
There are other anticipated releases out this week from bands like We Were Promised Jet Packs, Siskiyou, Loney Dear, Bonnie Prince Billy, Big Tree, and Jessie Payne, among others.
“Act on Impulse” – We Were Promised Jet Packs from In The Pit Of The Stomach
“How Come You Never Go There” – Feist from Metals
“Vessel”– Zola Jesus from Conatus
Twigs and Stones – Siskiyou from Keep Away the Dead
“This Fall” – Big Tree from This New Year (self-released)
“Quail And Dumplings (remix)“ – Bonnie Prince Billy from Wolfroy Goes to Town
As far as the quality of the individual lead singles from this week’s Best New Releases, this is a great mix of fantastic tracks – the type of singles that make you want to hear the whole album. In fact, we partly put them in the order we have below to highlight the best singles. Of course, Wilco’s “I Might” gets the top spot for all of the obvious reasons, but more so because it’s such a killer song. Listen to a few other tracks live from Wilco via Yahoo.
Not only are we stoked to finally have Wilco‘s fantastic new album, The Whole Love, but there are a bunch of new releases this week from so many hot indie bands, like Dominant Legs, Young Lagoon, Twin Sister, Young Man, VHS or Beta, and Warm Ghost. At the end of this post, don’t miss new singles from lesser-known bands who sent their tracks to us directly.
It’s practically impossible to contain yourself listening to Dominant Legs‘ incredibly uptempo track, “Hoop of Love,” from the band’s sophomore album, Invitation, which you can stream in full for a few more days via Spinner. Next, blaze it for a few minutes with the dreamy, hazy verses of Youth Lagoon‘s ode to the ‘silver and gold’ state on the lead single, “Montana.”
Radiation City channel the sounds of 1960’s girl-group blues choruses with a heavy bass line and tambourines on the lead track “The Color of Industry.” Plus, the Dum Dum Girls offer up two singles from their latest album – the power pop song “Bedroom Eyes” and the more somber, fittingly named “Coming Down”. Interestingly, the next two tracks from Vanish Valley and The Gift both revolve around the central theme of racing, and each is a fantastically upbeat song, perfect for listening to while you’re driving, jogging or biking. While we have heard, and covered, before The Gift, this is our first exposure to Vanish Valley, and we’re guessing the same is true for most of you as well.
Dan Mangan‘s new single, “Post War Blues” continues to add value to his talents as a well-respected songwriter and musician. The track is almost spoken prose for the first half of the song, but the choruses and climaxes are gorgeously uplifting and delivered with gusto. You can listen to the entire album via Spinner for a few more days.
The mood mellows out a bit for the next single by Alessi’s Ark, but not for long because Kasey Anderson and The Honkies rip it up with a blistering, Kills-style garage rocker, “The Wrong Light.” But that’s not all, this mix also features lead singles from
Double-shot: “Bedroom Eyes” – Dum Dum Girls from Only in Dreams
“Races” – Vanish Valley from Get Good
“Race Is Long“ – The Gift from Explode
“Post-War Blues“ – Dan Mangan from Oh Fortune
Wire – Alessi’s Ark from Time Travel
“Nothing” – Young Man from Ideas of Distance (album stream)
I Found a Reason– VHS or Beta from Your Light Like White Lightning, Your Light Like A Laser Beam (album stream)
The Wrong Light– Kasey Anderson and The Honkies from Heart Of A Dog
Geeshie – The Mekons from Ancient & Modern
Double-shot: “Space in Your Face” – The Mekons from Ancient & Modern
“Breakers – Gem Club from Breakers
“Gone, Gone, Gone”– Nikki Lane from Walk of Shame
“Opium” – The New Division from Shadows
“Whatever Leads Me To You” – Geoffrey O’Connor from Vanity Is Forever
“Come Rain, Come Sunshine” – Pallers from Sea of Memories
” I’ll Down” – Sóley from We Sink
“Bad Street” – Twin Sister from In Heaven
Double-shot:“Peaches” – Twin Sister from In Heaven
“Eyes Like Pearls” – Van Hunt from What Were You Hoping For? (album stream)
New Releases from In Dee Mail – The Janks, Little Fish
Los Angeles indie rock band The Janks sent us a couple of tracks from their new release this week, Hands of Time. The band has been featured in People magazine, USA Today and the Los Angeles Times, among other publications and blogs such as The Deli, The Acorn, and now, Indie Rock Cafe. The Janks have opened for bands such as Hot Hot Heat, The Shivers, Carney, and Fishbone.
“Dead Man” – The Janks from Hands Of Time
“You Can’t Give Up” – The Janks from Hands Of Time
From Oxford, UK, Little Fish dropped a new single this week, “Wonderful,” with engineering help Gaz Coombes of Supergrass. The B-side “Invisible Dreaming” was also sent out by the band just for IRC Best New Releases mix. Little Fish have opened for some rather big fish in the music world, including Blondie, Them Crooked Vultures Placebo, Hole, Alice in Chains and Eagles of Death Metal. They’re major influences include Patti Smith, PJ Harvey, Velvet Underground, and Jack White in his many incarnations.