Fresh Indie Rock Tracks from Teleskopes, The Penthouse, Gabriel Lynch Band, Pete Lord, Lovelast, Blisss

The latest fresh indie rock songs and releases that we are digging right now including standout tracks from the rising Los Angeles trio Teleskopes, plus one of Boston’s hot new indie rock bands, The Penthouse, and more amazing DIY and indie tracks from the west coast, east coast, the Heartland and overseas.

TeleskopesLos Angeles, California
The PenthouseBoston, Massachusetts
Gabriel Lynch BandMelbourne, Australia
Pete LordChicago, Illinois
LovelastSan Francisco, California
BlisssLondon, England

Teleskopes – “Lazers”

The Los Angeles based alt. rock/shoegaze trio Teleskopes have just dropped the hard-hitting, blazing new ‘space rock’ single, “Lazers,” which, besides being an ass-kicker from start to finish, is at the same time a meticulously arranged, rehearsed and recorded composition that puts Teleskopes into the category of new DIY bands to watch in LA.

The beginnings of the band’s two premiere singles dates back to 2014 when members Fox Fagan (bass, vocals), Pelle Hillstrom (guitar) and Jesper Kristensen (drums) cut the tracks at Dave Grohl’s (Foo Fighters, Nirvana) Northridge Studio 606.

“Because we had played that song so many times live in LA clubs,” says Fagan, “when it came time to record at Studio 606, we did it in three takes…[and] used a lot of the guitars and atmospherics from my bedroom demo sessions.”

Fox and his band fellow band members next handed over their tapes for “Lazers” to famed music producer Joe Chiccarelli (White Stripes, Spoon, Jeff The Brotherhood, Morrissey) who put his final magical touches on the tracks to give the band the sound that they were gunning for.

Mix master Maxime Le Guil, who worked with Nigel Godrich on Radiohead’s “A Moon Shaped Pool,” and Ken Sluiter, assisted with mixing.

The band’s newest single was proceeded by the psych alt. rock, grandiose sound of the searing debut single, “Criminal,” dropped officially on Oct. 26th.

The members of Teleskopes have some serious mojo going on with an upcoming show (Dec. 9th) at the famous Viper Room in Hollywood and a couple of hot alt. rock singles under their belts. If you’re in the wood, check them out.

Via Soundcloud: Listen to the brand new Radio Edit for “Lazers”

Teleskopes on Facebook

the penthouse band

The Penthouse – “Another Day”

The world-renowned Berklee College of Music has spawned many artists and bands over the years – way more than probably anyone has ever been able to count.

They include Grammy-winning artists like John Mayer, Donald Fagen (Steely Dan), Ben McKee (Imagine Dragons), among many others. And there are countless other artists and bands who have graduated from Berkelee.

The relatively newly spawned indie rock band, The Penthouse, are current Berkelee students. The band has recently been playing gigs in notable venues like Pianos in New York City (Dec. 9th) and receiving more attention from live music goers and the press.

The band’s funky, tropical indie pop track, “Another Day,” with its intricate instrumentation at points, reminded us a lot at first of Ra Ra Riot mixed with The 1975. We really love when the song goes into the instrumentation and just wish that the jhammin’ part of the track lasted longer.

Frontman Patrick Minogue says the band’s overall sound combines “skinny jean, iconoclastic, gritty, white-boy funk influenced by bands like Two Door Cinema Club, Arctic Monkeys, The 1975, and Cage the Elephant.”

Minogue says the songs are “a visceral fashion of love, life, and the pursuit of happiness. Basically we want to make you dance and feel some type of way.”

In addition to Minogue, the band members include Eric Derwallis, Kyle Raney, Jacob Arias, and Jesse Mason with musical backgrounds that include blues, classical, rock, pop, indie rock and funk.

The Penthouse on Facebook

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Gabriel Lynch Band – “Language of the Affair”

The Melbourne recording artist, Gabriel Lynch, who has built a following of loyal fans over the years, is back with a new emotive single, “Language of the Affair,” featuring fellow Australian vocalist Jennifer Lackgren.

The song highlights Lackgren’s emotive, soft vocal style, along with Lynch’s heartfelt and honest songwriting style. The B-side of the new single, “Drink Your Love Away,” is a nice little bonus.

Lynch’s biggest musical influences include Radiohead, Elbow, Muse, Snowy Belfast, Saskwatch, Svavar Knutur, Megan Washington, Fleet Foxes, and Rage Against the Machine. Lynch is currently living and performing in Kuala Lumpur.

Via Soundcloud: Listen to more tracks from Gabriel Lynch Band

Gabriel Lynch on Facebook

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Pete Lord – “I’ll Be There”

Pete Lord is a Chicago songwriter, keyboardist, and vocalist with a voice that recalls the styles of traditional pop rock singers he emulates, including Marvin Gaye, Steve Perry, and Michael Bolton.

As evident on his chart-making new single, “I’ll Be There,” the golden days – when pop rock singers were superstars and didn’t use auto tune – seem to somehow be channeling Lord, who compliments the genre additionally by writing, singing and performing for more than a decade. The track is from Lord’s new sophomore album, Keep The Faith.

“The album means a lot to me,” he says. “I wrote many of these songs about relationships and about life and just how short it is. This album really came from my heart.”

Over the years, Lord concentrated on perfecting his vocal style and performing in venues throughout the Chicago metro area, building a local following before the surge of social media where ‘followers’ are what exactly? No one is really sure. Lord enjoys human interaction in person, seeing and singing to the audience and talking to them before and after sets.

Growing up in the Windy City suburb of Elmwood Park, Illinois, Lord began taking vocal lessons at a young age as his passion for singing and rock music grew. In fact, Lord was chosen by the popular Chicago band Paradise to be the band’s leader singer.

His debut solo album, The Only One, was a favorite among the adult contemporary radio market. In addition to the vocalists who influenced him the most, some of Lord’s favorite bands include Earth, Wind & Fire, Chicago, Foreigner and Little River Band.

Pete Lord official website

Lovelast – “Run”

Last year, we featured the music of San Francisco inspiring recording artist Chase Jenkins, aka, Lovelast. His ethereal, emotional compositions, soaring synths, dance beats and remarkable vocals on songs like “Promises” and “San Francisco” captured the praise of IRC listeners worldwide. That post itself received over 600 Likes, with a good chunk going to Lovelast’s tracks.

Lovelast’s latest standout single, the driving, uplifting, “Run,” from the new EP, The Beauty and The Fire, swirls and soars with more synth pop elements than his debut EP.

“I knew I wanted a more keys-driven sound while re-introducing some of the edge that the first EP had,” Jenkins said.

We also featured another single from Lovelast not long after the first big post called “Halfway To You,” which turned out to garner nearly 10,000 streams on Soundcloud alone.

Jenkins musical influences include Magic Man, The Naked and Famous, Parade of Lights, and Broods.

Lovelast on Facebook

Blisss – “Chalk Air”

Emerging earlier this year from a self-imposed retreat in a cabin in Kentish Forest to record some songs he had been working on, London multi-instrumentalist, songwriter and vocalist Tom Greenwood, aka, Blisss, just dropped his self-titled EP in September.

The EP includes the catchy lo-fi track, “Chalk Air,” which he says is the culmination of his love for Britpop, gospel music, and alt., classic and psych rock, with influences ranging from Primal Scream, Jungle, Tame Impala, Mac Demacro, and Lou Reed.

Blisss on Facebook

Fresh Indie Tracks from Corusco, Jack Kotz, Joseph Eid, Aux House, Kingsley Flood, Pacific Radio

The latest edition of Fresh Tracks includes new singles, albums and videos from artists and bands we’re digging are featured in the playlist below as well in their own sections of this post below.

Don’t forget to follow us, Like us and check out our playlists that we’ve worked on for years via Spotify (must listens!); via Facebook; new tracks and more via Soundcloud; announcements and other goodies via Twitter and please help us build up our Instagram by following with love Otherwise the indie-loving elves behind the scenes get cranky. Please don’t let them get cranky. :-)

Corusco – College Station, Texas
Pacific Radio – Los Angeles, California
Joseph Eid – West Hollywood, California
Jack Kotz – Wilmington, North Carolina
Aux House – Grand Rapids, Michigan
Kingsley Flood – Washington, DC

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Corusco – “Twin Ghosts”

South Texas songwriter, vocalist and guitarist Aaron Gonzalez and his band, Corusco, have spent the past year recording and touring from Texas to New Hampshire, stopping in many cities along the way.

Based in College Station, Corusco started as an acoustic solo side project of Gonzalez’s in 2015. Soon after, it “accidentally grew into a full band,” Gonzalez says, bringing on Ryan Corb on guitar, Phillip Baugh on bass and Carlos Garza on drums.

The inspiration for the band’s latest single, “Twin Ghosts,” Gonzalez? says, “is the story of the weekend one of my friends passed away…he was one of the kindest, smartest guys I’d ever met. I wrote it from the perspective of his roommate and his best friend, and what I think they would have told him if they could see him again.”

It’s a hauntingly beautiful song, and together with their tantalizing August release, Don’t Give Up, puts Corusco on indie map.

“We’re a band that wants to write music that is meaningful and though a lot of the material we deal with is somber or heavy, we always want there to be that glimmer of hope through it all,” Gonzalez says.

Via Bandcamp: “Twin Ghosts”Corusco from Don’t Give Up

Corusco on Facebook

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Pacific Radio – “Katie”

Based in the city of Los Angeles, the indie rock quartet, Pacific Radio, deliver a sound that “ranges from rock n roll to West coast ballad,” according to band member Kyle Biane.

Pacific Radio’s new single, “Katie,” is a bright, uplifting romp, highlighted by singer Joe Robinson’s well-honed vocals and the awesome talents of his band members. The second half of the track blossoms into a full blown, infectious celebration.

But Pacific Radio (not to be confused with Pacific Radio radio) is not simply an indie band that creates musical magic in the studio. In fact, the band has been very busy performing shows and touring.

Earlier this year, the band performed four shows at South By Southwest, including for showcases Red Gorilla Fest and the Midcoast Takeover.

Via Soundcloud: “Katie”Pacific Radio

joseph-eid

Joseph Eid -“One and Only” – Exclusive Premiere!

Southern California musician, singer and songwriter Joseph Eid‘s engaging new video, “One and Only,” was filmed on West Hollywood‘s famed Sunset Strip, giving the smooth, alt. folk rock ballad a nice touch against the backdrop of the city in his new video for the track.

Eid says the song itself “is about finding and longing for true love in a place where instant gratification and temporary thrills are the norm,” referring to Hollywood. He adds that the song could also be interpreted as a story about a common experience adults face in life – longing for a special relationship and holding on to it while fighting the temptations of the future.

“It’s the realization and confession that the short term fulfillment of a new thrill or adventure cannot compare to the true and everlasting fulfillment of a love that goes beyond the surface,” he says.

When making the video, Eid and director William Sanford set out to convey use the night lights of the Sunset Strip to convey the emotions and sense of loneliness in the middle of one of the largest cities in the western hemisphere. Brian Soucy co-produced the single.

His influences, not surprisingly, include Bob Dylan, Jackson Browne, Billy Joel, Tom Petty, Fleetwood Mac, Prince and many others. Eid has been performing around the Pacific Northwest for much of the year. He is working on completing the new EP, Watch It Fall.

Joseph Eid official website

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Jack Kotz – “Orange Neon Nectar Juice”

Last spring we featured some exciting new tracks from Wilmington, North Carolina musician and ‘one man band’ Jack Kotz‘s debut album, What’s All The Fuss About?.

Kotz has just released his followup to Fuss with his sophomore album, Neon Orange Nectar Juice. For fans of guitar rock, funk inspired beats and rhythms, and psych pop, Neon is a tour de force of high order.

Here is the tantalizing title track, followed by an electrified cover of Jack Johnson, one of Kotz’s musical influences.

Via Soundcloud“Orange Neon Nectar Juice”Jack Kotz from Neon Orange Nectar Juice

Via Bandcamp: “Taylor” (Jack Johnson) – Jack Kotz from Neon Orange Nectar Juice

Jack Kotz official website

auxhouse

Aux House – “Antique Radio”

Based out of Grand Rapids, the DIY alternative rock trio, Aux House, offers listeners something more than the regular fare. And yet they manage to appeal to a larger audience with their fun and eclectic brand of alternative rock.

Perhaps founder, guitarist and vocalist of Aux House, Tristan Rudolph, explains it best as a revival of the “Bowian idea of the space-alien rock star.”

The Michigan trio’s debut self titled DIY album release contains a mix of rock and pop punk angst with sci-fi elements, and alt. rock overtones, creating a larger than life sound and stories about girls, cars love and troubles, which are no better demonstrated than on the irresistible “Antique Radio” and the delightful and unusual track, “Aliens Can’t Dance.”

Rudolph said the band’s top musical influences include Sufjan Stevens, Bruce Springsteen, Pavement, Wilco, and Bright Eyes. There’s a nicely suited eclecticism about that selection of artists and bands.

Aux House on Facebook

Kingsley Flood – “To The Wolves”

The Washington DC band Kingsley Flood, sports a gritty, and yet at times, sassy, sound on their new music video for the edgy track, “To The Wolves,” from the new album, Another Other.

The band was founded by Palestinian-American born singer and songwriter Naseem Khuri in 2009, and has won praise for his work from the press, including NPR, Rolling Stone, Esquire, Paste and American Songwriter.

The band has toured nationally, opening for artists like Grace Potter, Lucius, Langhorne Slim, Angus and Julia Stone, and Brett Dennen. They were also invited to perform at the 2011 Newport Folk Festival.

Khuri tackles a number of issues in his music, including the lingering – stoked by presidential candidate Trump – bias against Arab born Americans, who he says, don’t deserve to be treated as “one” – Khuri reminds people that the vast majority of Arabs, or Muslims, are peace-loving, law abiding hard-working members of society.

“At the end of the day, I’m American,” he asserts. “The only Arabic words I know are foods and swears. It’s just that more jarring to somehow always be labeled ‘an other’ when you don’t even see yourself that way.”

Via YouTube: “To The Wolves”Kingsley Flood from Another Other

Kingsley Flood official website

New Indie Rock Song Premieres from Cloud Safari and Pomonasounds; Plus, Norwood, Alx Kawakami & More

Cloud Safari is the moniker of Pennsylvania indie synth pop musician Travis Pierson, a 21-year-old songwriter, singer and musician based out of State College who began writing and recording his own guitar and synth pop songs as a teen. premies

His new single, “Pleasin’ You,” premiering today on IRC, is a watery blend of chilled out, reverb-heavy psych pop rock, swimming in waves of heavily distorted vocals, melodic grooves, swaying rhythms, and a Steely Dan-like electric guitar jam set against a backdrop of warm synths and an understated beat throughout. It’s the perfect lazy summer day track.

“It was a song that I wrote the basic melody to on an acoustic guitar a long time ago,” he says, “but I didn’t fully conceive all the parts until about a year ago. It was one of the first songs I’ve ever written and recorded. It was written to my girlfriend as something of a reassurance when she is upset or something in life goes wrong.”

“Pleasin’ You” is the first single from Cloud Safari’s upcoming EP to be released sometime this fall.

Pierson made a DIY splash on Soundcloud late last summer with a number of singles, including January’s “Sunset Park,” and last fall’s “Wonderer,” amassing an impressive 10,000+ streams and plays online and over 300 likes on Soundcloud.
Pierson played in several bands during high school and has been writing music since his early teens.

He officially launched Cloud Safari in the fall of 2015 after experimenting with another moniker – Oceans – that didn’t work for him because it made it too difficult for his followers to find him, and there were too many existing bands named the same. That’s when Pierson came up with what we think is a creative, non-run-of-the-mill moniker; Cloud Safari. His top musical influences include Pink Floyd, Tame Impala, MGMT, and Marc Demarco.

Listen and like on Soundcloud
Cloud Safari – Facebook

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Pomonasounds – “The Girl (After Midnight)”

As children growing up in London‘s crumbling, post-industrial Southend, the band members of Pomonasounds, know all too well about hard economic and social times and the struggle of the working class in the age of globalism and an increasingly oligarchical world order.

The band’s dark, minimalistic, Velvet Underground-like, lo-fi rock sound, as evident on their premiere debut single, “The Girl (After Midnight),” has a haunting and mysterious allure.

According to PomonaSounds’ guitarist Lee Smith, his band mate, songwriter, guitarist and vocalist Andrew Blake, wrote the song about a broken up relationship that he was having difficulty overcoming.

“For a while he found himself experiencing crippling realistic dreams of her and her presence,” Smith recounts. “So apparently he wrote this song in an effort to combat these dreams, and it worked. The girl after midnight being that of the girl in his dream.”

The other band members, also from the same area of south London, include bassist John Bailey, and a revolving door of drummers recently as the band looks for a permanent replacement.

“The list of our musical Our influences is nearly endless and mainly originate from the punk, new wave, classic rock and the indie/alternative rock scenes, including bands like AC/DC, Jesus & Mary Chain, Nirvana, Joy Division, and The Clash, among others,” according to Smith.

The band named themselves after Alistair McDowall’s play Pomona, in which all roads lead to where journeys end and nightmares begin. Meanwhile, the band continues to work in the studio on their debut EP, expected to drop later this fall, and perform at gigs around London.

Pomonasounds on Soundcloud
Pomonasounds’ official website

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Alx Kawakami – “Count From Ten”

Hawaiian songwriter, producer and musician Alex (or ‘Alx’) Kawakami, has overcome many challenges in his life. One of the most profound has been his struggles musically.

As a child, defying the Hawaiian ukulele masters (including Roy Sakuma) he schooled with, Kawakami would return from lessons and practiced by playing ‘upside down.’

As Grammy nominated songwriter and world-renowned pianist, Jim Brickman, recalls: “The first time Alx grabbed a ukulele, he held it left-handed but kept the strings tuned right handed. That was the start of a very upside down journey into the music world.”

After high school, where he continued his musical pursuits, Kawakami left Hawaii for the University of Colorado at Boulder, where he was soon discovered that he was not allowed to move forward in the music program “because he played upside-down and backward,” according to Kawakami. So, he decided to return home to Hawaii and founded the musical project ManoaDNA.

Since then, ManoaDNA has recorded five albums. In the summer of 2014, Kawakami co-produced a cover of the famous Men at Work’s song, “Land Down Under,” which made it onto the Billboard Top 40 list.

As a preteen, Kawakami went on to study with one of his idols, Jake Shimabukuro (became one of the first YouTube sensations in 2007 for his ukulele cover of George Harrison’s “While My Guitar Gently Weeps”), a ukulele virtuoso and composer known for his fast and complex finger work. In the course of his studies, Shimabukuro encouraged Alx to play the ukulele in whichever way made him most comfortable.

Kamakami’s newest single, “Count From Ten,” is from his solo debut album, Rise & Shine, which dropped officially on August 9th.

Via Soundcloud: Listen to Alx Kawakami’s  Rise & Shine

Alx Kamakami on Facebook

https://www.youtube.com/watch?v=8fgUNu_FR5M

Norwood – “Notes To My Blood”

Based out of Queens, New York, Norwood is an acoustic indie rock band founded and fronted by guitarist and vocalist Chris Norwood. The band’s new single, “Notes To My Blood,” is, according to Norwood, for the ‘middle children of culture.’

“They are the people who are constantly being told what’s cool and how they should think,” he insists. “These songs [on the band’s new release] are for people who take life on a person-by-person basis rather than lumping people into easily marketable groups, cliques, races, social classes, genders…for anyone who feels pinned down by a thousand voices telling them they aren’t good enough for a million bullshit reasons.”

The other band members include Keith Michael Pinault on bass; Max Maples on drums, and Hajnal Pivnick on guitar.

Norwood describes the band’s sound as one “rough and tumble.” He was inspired to pick up a guitar and start writing music after listening to Sublime Acoustic: Bradley Nowell and Friends.

“Music was something outside of everything,” Norwood says. “And the bands I clung to were the bands that couldn’t be clearly defined.”

“Sublime was my first really favorite band,” he says. “They were punk, but not. They were ska, but not. They were even kinda pop sometimes, but definitely not too.” Norwood contends that his mantra became, ‘I am not a genre.’

“That album [Sublime’s Sublime Acoustic] made me want to pick up a guitar and play music,” Norwood says. “That led to all kinds of bands – ska bands, singer-songwriters, classic rock, R&B, and whatever They Might Be Giants would be called.”

Via Bandcamp: Stream Notes To My Blood

Norwood on Facebook

railroad

Beth Marlin – “Railroad”

With a background that includes writing and recording children’s’ music (Bethie; Disney TV, Sesame Street Live), San Francisco songwriter, musician and vocalist Beth Marlin turned a new leaf over a decade ago, dedicating herself to folk music in most recent years, with an particularly recent revivalist Americana roots focus, she says.

Marlin’s new EP, Railroad, is an ode to the traditions of the American folk singer of yesterday, as her own special cover of the title track implies.

Marlin is well aware of the history of the song, with its original late 1800’s racist lyrics. In the folk tradition, Marlin explains, it’s not uncommon to take such a song and reconstitute it to preserve the musical aspects of the song – which is a derivative of an African slave spiritual. In the 1880’s, the original spiritual from slaves was taken and corrupted with disgustingly racist lyrics.

Other songs on the four-song EP include “Juliana Valentine” – written for one of the child victims of 9/11 who was on her way to Disneyland when the plane she was on crashed into one of the Twin Towers in NYC, and “Califor-ni-an,” about Marlin’s falling in love with the Golden State when she first arrived there years ago as a young musician.

Marlin is experiencing positive reviews for her new EP, which includes contributions from many LA musicians and artists.

Via SoundcloudStream Railroad on Soundcloud

Beth Marlin on Facebook

David Jacobson and the Space Wizard

David Jacobson and the Space Wizards – “8 AM”

With heavy melodies, soaring electric guitars and drum-bass jamming, David Jacobson and The Space Wizards, which is really the one-man band of Jacobson, recently let it hang out on the single, “8 A.M.” from the Brooklyn indie psych rock project’s debut album. The band has opened for other local bands like The Main Squeeze, Foxtrax, Best Behavior, The Magic Beans. Their album was released on July 3rd.

Via Soundcloud – “8AM” – David Jacobson and The Space Wizards

David Jacobson on Facebook

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Mr. Thundder – “I’m The Conquering Lion”

Twenty-five-year veteran musician and award-winning Los Angeles songwriter, Mr. Thundder, recently dropped his new single, “I’m The Conquering Lion,” a follow-up to his last EP, With The Love, which was DIY released in 2014. It’s available on Spotify here.

His breakthrough song from the EP was “Rolling Thundder.” He has performed at L.A. venues such as Amplify and Angel City Cafe.

Fresh Tracks – New Indie Rock Songs by Beta Play, Sandmoon, The Sleeping Tongues, Elizabeth Geyer, Pearla

The first Fresh Tracks for August is here, featuring a band from Santa Barbara, another from Brooklyn, and a third from across the world in Beirut, Lebanon, as well as artists that have come to our attention, including Elizabeth Geyer and Pearla, both gifted singers and musicians from New York City.

Beta PlaySanta Barbara, California
SandmoonBeirut, Lebanon
The Sleeping TonguesBrooklyn, New York
Elizabeth GeyerNew York, New York
PearlaNew York, New York




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Beta Play – “The Way We Play”

Beta Play is the talented, relatively new indie pop trio from Santa Barbara who are probably most known in the coastal college town for their quirky and earnest dance grooves and anthemic love pop songs. The band was founded in 2014 by guitarist and vocalist Tom Cantillon, his brother, Mike Cantillon, on keys and Mike Dyer on bass.

Their new dance-driven single, “The Way We Play,” with its unmistakable 80’s integrated influences, is the follow-up to their 2015 crowd-funded self-titled debut EP mixed by Eric Palmquist (Thrice, MUTEMATH, Bad Suns). Beta Play have performed opening spots for touring bands like Toad The Wet Sprocket and Plain White T’s.

Another standout track,”Do You Love Me,” was produced by Matt Wallace, who has previously worked on albums from The Replacements, Maroon 5 and Faith No More. The band has also performed at LA’s famous Troubadour and are currently working on the next release. The trio is heavily influenced by The Talking Heads, The Killers, and Foster the People. The band enjoyed robust radio play and online plays for their single from last summer, “Heaven Is Under The Sun.”

Bonus track (Via Soundcloud: “Heaven Is Under The Sun” – Beta Play from 2015 single that helped

Beta Play on Facebook
Beta Play Official Website




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Sandmoon – “Time Has Yet To Come”

Beirut has flourished for hundreds of years as an essential international crossroads between East and West, with a wonderful tradition of diverse art, food, education, history, and most definitely, music.

One young girl was particularly influenced by her cultured surroundings growing up in the vibrant cosmopolitan capital city.

Beirut born and raised, pianist and vocalist Sandra Arslanian’s fluid piano-playing and emotive vocal style are unforgettable.

Arslanian’s particular musical influences range from traditional, and modern, music of Lebanese and Middle Eastern musicians, as well as indie and rock artists, such as Cat Power, Radiohead, Bright Eyes, Bob Dylan, Portishead, Bob Dylan and Granddaddy.

Her band, Sandmoon, include talented musicians like Maen Rajab (guitars); Ribal Kallab (cello); Khaled Omran (bass); Maya Aghniadis (drums) and Raffia Elmadjian (trumpet).

Sandmoon’s new melancholy track, “Time Has Yet To Come,” features ringing guitars and mysterious synths, 70’s funk-inspired percussions, and Arslanian’s hypnotic, sad, almost grieving, vocals to make it one of the best overseas DIY singles we’ve heard so far this year.

Via Soundcloud: “Time Has Yet to Come”Sandmoon from #InTheEnd EP

After performing in the local city circuit and festivals around the region, Arslanian and Rajab set on a mini European tour – stopping in Stockholm, Brussels, and Paris – as an acoustic duo last summer.

In an article about Arslanian, the publication Your Middle East, wrote “She knows how to tell a story well. Sandra puts them into words, music, and she visualizes them. As a concept artist, she narrates her stories and illustrates the feelings that they evoke at the same time.”

We echo those sentiments. Today, the band is exploring new avenues – from the orchestration of new songs to the recording of intricate soundtracks. The five-track EP, #InTheEnd, is a uniquely eclectic EP, featuring a blend of indie pop, rock, folk, country, and blues. The EP was entirely written on ukulele and vocals.

Sandmoon on Facebook
Sandmoon on Soundcloud




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The Sleeping Tongues – “Lyra”

Starting with an initial catalog of songs written by bassist Craig Kepen during a period of homeless car living, Brooklyn indie rock band The Sleeping Tongues have been performing around the NYC area since their formation in late 2014. The band thrives on live performance and authentic songs that mix modern influences with classic rock feel and instrumentation. The band members are totally DIY – producing, recording and mixing all of their own material.

The Sleeping Tongues’ new single, “Lyra,” from their self titled debut, has 80’s rock/soul feel with its drum machine beats and Prince-like sexiness helped along by intricate keyboard work from Evan Ignatz; hard-hitting, perfectly timed drums and cymbals from Alex Chung; exotic guitar work from Chris Fatcat and Kepen’s soulful, R&B-influenced vocals.

Via Soundcloud: “Lyra” – The Sleeping Tongues from The Sleeping Tongues

The band has opened for artists like Yabadum, Aotearoa, Shapes On Tape, Lofi Lincoln, Shayfer James, No Sky God, and are heavily influenced by The Cure, The Clash, New Order, Bob Marley, and Queens of the Stone Age.

Second single (Soundcloud) : “One-Eyed World” – The Sleeping Tongues from The Sleeping Tongues

The Sleeping Tongues on Facebook




elizabeth-geyer-music

Elizabeth Geyer – “The Wall”

Australian songwriter, vocalist and jazz trumpet extradonaire Elizabeth Geyer, who has performed at top festivals like the Monterey Jazz and Newport Jazz festivals, waited seven years before writing and recording her newest album, The Bridge. She was ‘waiting’ for a moment of inspiration to come.

“That moment finally came late one night,” she said, referring to an evening in late 2014, “after a few seconds into my first listen of an album that had arrived from America, Paul Adams’ The Land Where I Come From …I was hooked straight away by its unique beauty and wondered about talking Paul into joining creative forces.”

Before long, she was on a plane to meet musician and producer, Paul Adams, whose music she loved so well. The result is a 13 song album of intoxicating, gorgeous and introspective music.

The lead single, and title track, “The Bridge,” exemplifies Geyer’s heartfelt, gorgeous vocals, her emotional expressions with each line delivered, and touching, thoughtful lyrics, not to mention her undeniable talents as a pianist, guitarist and flugelhorn player.

Geyer’s accomplishments are many. She was a featured singer for the Duke of Edinburgh Awards ceremony; the Legends of Jazz at Jazz in the Domain; and performed in backing bands for artists like James Morrison during the opening of the Sydney Olympic Games in 2000, and artists Marcia Hines, Harry Secombe, and Gene Pitney.

She travelled on the road as a trumpeter and jazz singer for years, and she was looking for a change. Then, sometime at the turn of this century, that change came out of the blue.

“I suddenly realized I couldn’t do it anymore,” she said. “As grateful as I was, I had to find my own voice.”

That’s exactly what she did – setting out on her own to record and release her debut album of jazz standards in 2000 after a decade of working as a freelance trumpeter and jazz singer.

Now, years later, Geyer is set to release her fourth album, The Bridge, featuring the lead single, “The Wall.”

“My dream was always to make music that might touch others like it touched me,” she said recently. “The Bridge has been a long journey, a whole series of leaps of faith…my hope is that these songs capture that.”

Via Soundcloud: “The Bridge”Elizabeth Geyer from The Bridge

Elizabeth Geyer Official Website
Elizabeth Geyer on Facebook




Pearla

Pearla – “Waking Up”

New York City artist Pearla, the moniker of singer/songwriter Nicole Rodriguez, dropped her debut single last week, “Waking Up,” the first of a number of songs she is working on for her debut EP to be released later this year.

The track, as with all of the songs she writes, is a reflection, perhaps even a therapeutic journey, of her own life struggles – something that many listeners can all relate to.

“This song is essentially about coming out of a dark place in life,” she said. “It’s about suddenly seeing all of this beauty that you had been blind to for so long – ‘waking up.’

The producer of the track, and the upcoming EP, Devon C. Johnson had originally sent an acoustic guitar track from an old folk album that he hadn’t time to finish to Rodriguez, who wrote the lyrics almost immediately.

“I wrote the lyrics in a stream of consciousness over the track in less than a half hour,” she says. ” We did not edit much because it captured the feeling so perfectly and came about so naturally.”

Rodriguez’s moniker was adopted from, and is an homage to, her late grandfather, singer Jeff Pearl, who headed the doo-wop group The Neons. Rodriguez’s interest in music began to accelerate after her grandfather’s death, and she soon picked up a guitar and started listening to Bob Dylan and Joni Mitchell. Her other musical influences range from Fiona Apple to Alanis Morissette, and Conor Oberst to Laura Marling.

Via Soundcloud: “Waking Up”Pearla from forthcoming EP

“I would take the bus to NYC almost every day from when I was 16 to collaborate with different writers and producers. It has eventually led me to this project which is the culmination of all of that.”

Pearla has performed at The Count Basie Theater and The Stone Pony in New Jersey and The Bitter End in New York.

Pearla on Facebook
Pearla on Bandcamp







Fresh Indie Rock Tracks – Animal Names, Coding Candy, Lastlings, Jack Lavoie, VTW

Summer is a full flame right now and we have some hot Fresh Tracks from artists and bands across the country and around the world, featuring rock, pop, electronic, experimental, alt. country rock and plain ‘ole alternative rock, spanning from Oklahoma to Wisconsin, and Italy to Australia. Enjoy and share this post. Indie and DIY forever!

Animal Names – Tulsa, Oklahoma
Coding Candy – Milan, Italy
Lastlings – Sydney, Australia
Jack Lavoie – Quebec City, Quebec
Versus The Wake – Long Island, New York
Ian and The Dream – Milwaukee, Wisconsin
BestMan – Chicago, Illinois
Boomlights – Nashville, Tennessee

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Animal Names – “Flowers In Your Hair”

Musicians Ian Gollahon and Brian Keller are no strangers to the indie annals of Tulsa. Nearly a decade ago, they were just kids making a splash in the growing local indie scene.

Then high school graduations and college came along. And while they were out of the Tulsa scene for a number of years attending university, the duo, along with drummer Philip Martin, and bassist Aaron Wesinger, returned to their hometown recently to start a new musical project called Animal Names.

A successful Kickstarter campaign earlier this year officially welcomed Animal Names to the Tulsa indie scene. The new trio draws inspiration and influence from the bands they have admired for years, such as Grizzly Bear, Modest Mouse, Band of Horses, Counting Crows, Mountain Goats, and Fleet Foxes.

The first single – from their upcoming debut album slated to drop next month – “Greens and Reds,” is an electric guitar-driven song with elements of atmospherics, somewhat in the tradition of Jeff Beck, that has a real classic rock quality about it, intentionally or not.

The newest, and second, single, “Flowers In Your Hair,” is not a hippy dippy song as much as it sounds like. In fact, it is something of a real gem for the summer playlists, we believe. It cannot be overstated that the band members’ skills in instrumentation and song composition prove that they are, once again, and perhaps more than ever, a force to be reckoned with in Tulsa. (Yes, you can go back home again).

When indie was really taking off, from 2007 to 2009, Gollahon and Keller, were part of the indie band, I Said Stop! in Tulsa. Even when they split up and went off to college, I Said Stop!’s music did not fade completely from their local radio stations and fans’ memories.

In May, Gollahon, who interned with producer Brian Deck (Modest Mouse, Counting Crows), and Keller, who interned at Chicago Recording Company and works C9 Studios, joined the other band members of Animal Names to headline the Blue Dome Arts Festival.

Animal Names self-titled debut album will be released officially on vinyl and CD at a release party next month.

Via Soundcloud: “Greens and Reds”Animal Names from Animal Names

Animal Names on Facebook

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Coding Candy – “Rachael”

The Italian composer of genre-bending cinematic, electronic/digital music, Luigi Cirelli, otherwise known as Coding Candy, dropped a terrific new EP titled, H3ll0 W0rld, last month.

Largely inspired by “movie soundtracks, TV series, anime and novels,” as well as England’s Bristol trip hop movement, H3ll0 W0rld‘s overall feel is an ethereal tour de force of engaging synth riffs; laid back instrumentations; angst-filled, and sparingly used, vocal arrangements; trippy dance beats; sonic dreamscapes and ambient overtones; various sound effects and samples; infusions of world and international music, and loads of electronic and digitally enhanced song structures and experimentation.

Cirelli himself calls his new and very different EP “a soundtrack for life,” covering genres from electronic and industrial to pop and psychedelic. “It can be a movie score,” he writes, “a background for your daily life set to music and sounds.”

The first single from the album, the thrilling and potent, “Rachael,” was inspired by the 1982 classic movie Bladerunner, according to Cirelli. Altogether, Coding Candy’s new EP, is a remarkable work that you don’t want to miss.

Cirelli’s main artistic influences in the popular music world include Chemical Brothers, Daft Punk, Pink Floyd, New Order, Nine Inch Nails, Massive Attack, Radiohead, Air, Aphex Twin, and The Cure.

Coding Candy on Facebook

Via Soundcloud: Listen to H3ll0 W0rld  in its entirety

Lastlings – “You”

Combining their unique brand of lush electronica and breathtaking vocals, Australian brother-sister duo Lastlings, just released a new exotic music video for the hypnotic and emotive, even melancholic, track, “You,” from the siblings’ new EP, Unreality.

Directed by rising talent ORFN, who produced The Rubens’ “Hoops” clip, the Lastlings’ video was shot in multiple locations around the city of Tokyo. According to the band’s publicist, “A minimal and refined approach was used to explore and juxtapose the different textual elements Tokyo had to offer, with the choreography element incorporated to pay homage to the traditional Japanese Geisha.”

The EP also features the standout track “Wavelength,” and 2015’s “Chills,” which has received over a half million streams on Spotify alone. Lastlings has garnered the attention of the critics and fans in Japan, Australia and now, worldwide.

We hope they’ll now breakout in the U.S. “You” is their debut US-UK single, which you can play in the streaming playlist at the top of the page or via the YouTube video above.

Via Soundcloud: “You”Lastlings from Unreality
Lastlings on Facebook

Jack Lavoie – “I Wonder”

Canadian country rock musician Jack Lavoie grew up in Quebec City listening to music and participating in arts and learning whilebeing raised in a bi-cultural, bilingual family. Today Lavoie is an established, yet DIY, country rock star in Canada.

Last year, his single, “I Am Sorry,” became a crowd favorite, blew up on Canadian radio and has receive nearly 180,000 plays on YouTube alone.

Lavoie and his band released their third album, Out of The Box, in April, featuring the standout single, “I Wonder.” The catchy melodies and sing-along quality of the song, as well as it’s decidedly less modern country rock feel, make it a little something different for fans, not to mention the live and post-live film shooting and editing with a group of friends at the studio. The video has already received over 300,000 views in the past four months.

Growing up in a creative and diverse environment was the perfect incubator for Lavoie, so it is no surprise that he began writing, composing and performing his own songs as a teen.  It was not long before Lavoie was filling venues in his native land and growing a loyal fan base.  His accolades also include songwriting awards like an honorary mention in the 2004 John Lennon Songwriting Contest for the song, “Reason,” from his band’s debut album, and a Billboard World Songwriting award.

Jack Lavoie on Facebook

Versus The Wake – “Pursuit of Perfection”

Versus The Wake is an acoustic duo from Long Island, New York. Their newest video, “Pursuit of Perfection,” is a studio session outtake. The song, which is divided into two parts, features rich acoustic and vocal driven melodies, and does a remarkable job conveying the emotions that come with the ups and downs of any of life’s pursuits, especially that of perfection, which is ultimately unattainable.

What we would say is that VTW’s sound comes off a bit too polished and predictable to be indie, and the whispery vocals are a bit too imitative of so much radio music during the past decade.

Since their bio says that both guys, who wish to remain anonymous, were “born from the rubble and ash in which life’s hardships and obstacles leave one with,” we’d like to hear some of that angst and grit in their music music instead of the safe place they are currently operating from. Another new single, “Soul Search,” is available for viewing.

“Soul Search”Versus The Wake

Versus The Wake on Facebook

Ian and The Dream – “The Girl Who Knows Everything”

The Milwaukee band Ian and The Dream craft pop-rock driven songs with heavy melodies and hooks, like the new single, “The Girl Who Knows Everything,” with its decidedly 80’s new wave slant to it.

A second song, which hasn’t been released yet, titled, “The Heat of Her Soul,” reminded me at first of Dr. Hook’s “When You’re In Love With A Beautiful Woman,” but definitely has it’s own flare and appeal. Over the past couple of years, the band has been increasingly been on the radar of indie fans in the western Great Lakes region.

The band is the creation of Ian Ash (songwriter, lead vocals, guitar, keyboards), and also features Matt “Chivo” Chivas on bass and Brian Farvour on drums. In 2014, competing in Bodog’s Battle of the Bands, Ian and The Dream were named ‘Best Milwaukee Band,’ landing them performances in front of larger crowds at venues like the Metro and House of Blues in Chicago.

Ian and The Dream on Soundcloud

Ian and The Dream on Facebook

bestman

BestMan – “Worry”

The very 80’s-sounding new single, “Worry,” from the Chicago recording duo BestMan, is the latest new track from the upcoming album Big Sky, set to drop on August 5th.

BestMan founding songwriter and multi-instrumentalist Brian Clouthier and vocalist Jonathan Alvin are the forces behind the new Windy City indie duo.

They are keen at combining sunny, vibrant electro indie pop and new wave to produce glittery melodic synth riffs with driving, industrial-like beats – the essential building blocks and the hallmarks of BestMan’s music – imagine Depeche Mode’s children on prozac.

The duo this Friday evening, July 15th, at Chicago’s Beat Kitchen with the band Step Rockets.

BestMan on Facebook

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Boomlights – “Visitors”

Nashville indie rock band Boomlights formed when brothers Alexander Jones and Derrek Jones, from Delaware, moved to Nashville and eventually began to record reverb-soaked demos on GarageBand with their neighbor, and Atlanta born guitarist, multi-instrumentalist and vocalist Tony Compton, and drummer Adam Puff, also from Delaware, who moved to Nashville to join the band.

Over the past year, the band has worked diligently on writing and recording a set of songs from their initial demos. The result is an impressive debut EP.

Tracks like the electric guitar-driven alt. rock ballad, “Visitors,” with Compton’s tortured, soulful vocals, and the more edgy, garage rock cut, “Behave Like Animals,” are some of the standout tracks from the band’s new four-track EP, Forty-One Fifteen Sessions.

“Visitors,” more vocally than instrumentally, is likely to draw some comparisons to Thom Yorke. Not surprisingly, the Jones’ brothers, and their band mates, are Radiohead fans.

“From what I recall we found out we had a great deal of music in common,” Alexander Jones says, “including modern bands like Radiohead, Cold War Kids, the Strokes and Beck, as well as more classic bands like The Rolling Stones, Talking Heads, Pixies, and Television.

“I think we bonded over how wide-ranging our tastes were,” Jones adds, “and a love for catchy melodies and good song structure more than we did over any certain band or one genre.”

The band’s EP, recorded at Nashvile’s Forty-One Fifteen Studio, which served as the inspiration for the EP title, was officially released on June 20th.

Boomlights on Facebook

Fresh Tracks Mix – Mock Sun, Red Kitchen, Beach Gossip, Navigation Day, Night Talks

The latest edition of Fresh Tracks features lo-fi psych pop from Pennsylvania to pop rock from Seattle; alt. rock in Los Angeles to cinematic alt. folk from Minneapolis. There are some really amazing tracks here from artists and bands worth checking out. You can stream the playlist below or download MP3s.

If you’d like to submit your music for review, and you think it will fit our, and IRC’s worldwide audience of listeners’, tastes, submit your music here.

Mock Sun – Wilkes-Barre, Pennsylvania
Red Kitchen – Seattle, Washington
Beach Gossip – Los Angeles, California
Navigation Day – Leeds, England
Magi – Indianapolis, Indiana
Day Hustle – Boston-via-Brooklyn
Ryan Lee – St. Paul, Minnesota
Night Talks – Los Angeles, California
Lionel Lodge – Vienna, Austria
Marah in the Mainsail – Minneapolis, Minnesota
Jack Of None – Manila-via-Chicago
Alice Sweat Alice – Kansas City, Missouri


If you’re a musician or a member in a band with a new release and would like the chance to be featured on IRC, one of the longest-running and most respected blogs for exposing and launching talented DIY artists and bands, check out our submission page for the deets.


Mock Sun – “Soup Spoon”

From the old mining district of northeastern Pennsylvania comes Mock Sun, a lucid, ever-evolving, psychedelic lo-fi pop duo “born out of desperation” when two young Wilkes-Barre musicians, Mark Wohl and Jami Kali, “became dangerously dissatisfied with the hum drum dumb-dumb routine of the small coal-mining town from which they sprouted.”

The result was the impressive debut album, Hungry Mother, that dropped in 2013, followed by two EPs and two live albums. In 2014, the duo morphed into a quartet with the addition of Mark Dimirco and DJ Tasselmyer.

The band just dropped the new single, “Soup Spoon,” a dreamy, surreal psych jam that we have enjoyed since we first got ears on it. We are looking forward to the album release of Post-Hypnotic this summer – no official date set as of yet.

MP3: “Soup Spoon”Mock Sun from Post-Hypnotic

Mock Sun on Facebook

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Red Kitchen – “Drummond Heights”

The pop rock of Seattle band Red Kitchen reminds us a lot of The Kinks (circa 1966-1971) when Ray Davies‘ prolific, and genius, songwriting spree produced some of the most beloved and well-known songs in British rock, including “Waterloo Sunset,” “Tired of Waiting,” “Dedicated Follower of Fashion,” “This Time Tomorrow,” and, of course, “Lola.” But Red Kitchen is definitely not The Kinks at the same time – just influenced, directly or indirectly, by the band.

Pacific Northwest musician Matt McClure is the one man band behind Red Kitchen, playing, recording and mixing all of the instruments himself. In 2008, McClure wrote and released the album, The Second Person, an audio novel of sorts that follows the life of an elderly man who lost his wife and ends up in a nursing home suffering from dementia. It’s an interesting listen, that’s for sure, and shows McClure’s ability for creative songwriting and instrumentation, vocals and mixing. The album’s lyrics have an accompanying unpublished novel.

The album features guest spots on vocals by the Swedish front man for The Open Up and Bleeds, Joel Segerstedt, as well as bass and production work by Canadian producer Jonathan Piche. The song “The Flag Makers” was featured on a Silver Jews-related compilation.

The track is really zany, upbeat, melodic and fun. So much so we have played it a number of times. Other standout tracks from his first album include the catchy, hook-filled “Right Subject, Wrong Day,” and the mysterious lo-fi of “Fake Estates,”.

MP3: “Drummond Heights”Red Kitchen

Bonus: “The Flag Makers” – Red Kitchen from The Second Person

Red Kitchen on Facebook

beach-gossip-nick

Beach Gossip – “Stupid Surf Song”

Beach Gossip is a Los Angeles duo founded by songwriter, vocalist, producer and guitarist Nick Coffey earlier this year.

The energetic and angst-filled mix of punk, garage and surf rock on Beach Gossip’s debut single, “Stupid Surf Song,” rings out as a calling to all skateboarders, surfers and other dare devils who like their music fast, hard and raw.

But the song also weaves in elements of pop and has a wicked hook and chorus. It is meant to be lo-fi, rough and a summer anthem for DIY-loving punks.

In fact, “Stupid Surf Song” is almost custom made for any number of skateboard and other thrill sports videos that are fast, daring and dangerous. In fact, there are plans in the works for just such a video.

As a skateboarder and enthusiast growing up on the legendary streets and pool pits made famous in the 1970’s and 80’s by LA’s Z Boys and Bones Brigade, Coffey earned his skateboard creds. In his teens, he broke his neck in a car accident.

The single is the lead advance track from Beach Gossip’s upcoming June release. Coffey recruited drummer Brendan McQueeney in March of 2016. The duo are rehearsing in order to play live shows in the Los Angeles region.

MP3: “Stupid Surf Song” – Beach Gossip

Beach Gossip on Facebook

navigation day

Navigation Day – “Town”

Leeds indie-rock duo Navigation Day‘s new track, “Town,” is the lead single from the upcoming release of the duo’s debut EP, entitled Mid-Decade Blue, on May 27th. The EP marks the first collaborative venture from songwriters Spencer Bayles and guitarist Tim Hann, despite having contributed to each other’s musical projects over the past few years.

Bayles based the song “Town” on “lyrical snapshots about the constantly changing face of the modern city and how we find our own place within it.” The video for the single captures the scenes of the duo’s adopted town of Leeds. Songs like the title track, “Mid-Decade Blue” and “Formed Into Armour” delve into questions of identity and belonging, asking ‘what you’ve achieved at this middle point of a decade that’s proved turbulent in so many ways?’

Hann previously fronted the alt. rock quartet I Concur, whose debut album, Able Archer, was championed by Radio One’s Huw Stephens, leading to a Maida Vale session and appearances at the Reading and Leeds Festivals. Bayles formerly fronted indie folk bands Last Night’s TV and Low Moor Rising.

MP3: “Town”Navigation Day from Mid-Decade Blue

Bonus MP3: “Formed Into Armour”Navigation Day from Mid-Decade Blue

Navigation Day on Facebook

Magi – “Mercy”

Indianapolis musician Magi, aka Terence Smith, has been recording since he was 13 years old and is most influenced by Lupe Fiasco, Flying Lotus and Flo Rida. Magi’s new upbeat single, “Mercy,” is a feel good pop/rap track for spring produced by Da Saintz, and mixed and mastered at Azmyth studios.

MP3: “Mercy”Magi

Listen to more Magi on Soundcloud

dayhustle

Day Hustle – “Dreams”

The origins of Day Hustle date back to 2012 when musicians Steven Weston and Lisa Hickox met in Boston. After performing throughout New England with the band Rich People Food, the two parted ways. Hickox moved from Brooklyn after receiving a music production degree from Berklee College of Music, while New Hampshire native Weston, stayed in Boston.

After a year apart, the pair reconnected over their love of good old fashioned indie rock and began writing the songs for the EP, sending ideas over the internet, and eventually coming up with a catalog of music. “We united west coast twang with east coast grit, both musically and aesthetically,” Hickox says. Soon after, they began recording in a Brooklyn basement, she says. “It was in this basement, riddled with graffiti, that we made out the words ‘Day’ and ‘Hustle’ in the cluster of illegible tags.”

MP3: “Dreams”Day Hustle from Day Hustle EP

Day Hustle on Facebook

ryanlee

Ryan Lee – “With A Wolf”

Wisconsin native musician and singer/songwriter Ryan Lee is a musical storyteller, a folky innovator, a guitar-wielding poet; the artistic offspring of Woody Guthrie, Tracy Chapman, Rufus Wainwright, Joni Mitchell and Cat Stevens. And that’s also encompassing his travels around the world, from Thailand to Ojibwa, Wisconsin; writing, performing, teaching, creating and sharing his emotional, captivating songs of the sometimes challenging, frequently joyful, always engaging human experience.

Raised in a Baptist family in Wisconsin, he attended a small Christian school for 13 years with only two students in his graduating class and attended Northwestern College in St. Paul, where he majored in theater and was introduced to the exciting Twin Cities music scene. His new single, “With A Wolf,” is s wicked and well produced track, and thus why it’s on this playlist.

MP3: “With A Wolf”Ryan Lee

Ryan Lee on Facebook

nighttalks

Night Talks – “Green”

Night Talks is an alternative rock band based in Los Angeles that creates powerful vocals, shimmering guitars, driving bass and drums as expressed on their new single, “Green.” With vocals that are equal parts angelic and razor-tipped, the band might remind you of the first time you stayed in your room all night listening to a record that became special in your life. Members of the band are Soraya Sebghati; Jacob Butler; Josh Arteaga and Cris Arteaga.

MP3: “Green”Night Talks

Night Talks on Facebook

lionellodge

Lionel Lodge – “All She Wants”

From the culturally rich streets of Vienna, and the fertile highlands of his birthplace of Scotland, comes to the music of songwriter Lionel Lodge. For a number of years, Lodge toured Canada with The Corndogs and built a reputation as a gifted songwriter/musician.

“Over 15 years in Europe my innocence was dragged across and through many countries, many bars and clubs and many festivals and music halls,” Lodge says. His new album, Human Heart, drops officially on May 18th. The lead single, “All She Wants,” should attract some to watch out for the full album drop.

MP3: “All She Wants”Lionel Lodge from Human Heart

Lionel Lodge on Facebook

marahinthemainsail

Marah in the Mainsail – “The Traveling Man”

“The Traveling Man” is the new single from popular Minneapolis ‘cinematic’ alt. folk band Marah in the Mainsail‘s new debut album, Thaumatrope, just released on vinyl in select U.S. record stores. The band’s sound on the single and album plays to their strengths, featuring an aggressive sound with eclectic instrumentation.

The band has been carving a name for themselves in the midwest United States and beyond with their subtle nod to blues and punk music, played with an eclectic and unique instrumentation.

MP3: “The Traveling Man”Marah in the Mainsail from Thaumatrope

Marah in the Mainsail on Facebook

jackofnone

Jack Of None – “There Was A Crooked Man”

You almost couldn’t get more further away on planet earth than are the heavily U.S.-influenced capital city of Manila in the Philippines and Chicago. But the experimental art rock project Jack Of None between siblings A.G. Syjuco (songwriter, guitar, bass and synths), Maxine Syjuco (songwriter, vocalist), and Julian Syjuco (guitar) straddles these two locales in the creation of the band’s new album, Who’s Listening to Van Gogh’s Ear? . Here’s the zany track, “There Was A Crooked Man,” from the upcoming drop.

MP3: “There Was A Crooked Man”Jack of None from Who’s Listening to Van Gogh’s Ear?

Jack of None on Soundcloud

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Alice Sweet Alice – “Daredevil”

Longtime Kansas City, Missouri band Alice Sweat Alice grinds out genre-bending music that resists description or categorization – yet sounds intimately familiar. There are definite rock influence with overtones of electronica, jazz, blues and post punk that explode with elements of progressive rock. “Always killer, with no filler,” the band’s motto, is fitting for their newest release.

ASA took a hiatus beginning in 2014 when band leader Scott Martinez traveled to California to care for his father. That experience caused him to rethink ASA’s direction, resulting in a new and impressive nine-song album, Viola Organista and Other Impossible Dreams, which marks a new beginning for the group.

ASA has shared the stage with such notable acts as Collective Soul, Adrenaline Mob, Chuck Mosley (Faith No More), Blameshift, Mushroomhead, Hurt, and are fans of artists and bands like Killing Joke, Cocteau Twins, Bowie, Warpaint, Portishead, Garbage, and Pink Floyd.

Fresh Tracks from MOSAICS, DTHPDL, Dead Day Revolution, The Looking, Charlie Millikin, The New Apollos, Kristaps Locmelis

Now that Coachella and Record Store Day have come and gone, it’s time again for another installment and playlist of Fresh Tracks, featuring talented indie and DIY artists and bands from around the world.

In this edition:

MOSAICS – San Francisco, California
DTHPDL – Findon, England
Dead Day Revolution – Los Angeles, California
The Looking – New York, New York
Voys – Paris, France
Charlie Millikin – Cincinnati, Ohio
The New Apollos – New York, New York
Linda Draper – Brooklyn, New York
Kristaps Locmelis – Jersey City, New Jersey
33 Years – Boca Raton, Florida
Janet Odani – Brisbane, Australia


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MOSAICS – “Year of Valor”

San Francisco electronic trio MOSAICS, who built a fairly large following a couple of years ago with standout singles like “Soju,” recently dropped the title track from an upcoming EP, set to drop on May 20th.

On the newest single, “Year of Valor,” the band, featuring founders Devon Kelts (guitar) and Tyler Hill (production), and new vocalist Maryam Sadeghian, fuse experimental electronic music with pop and acoustic guitar elements that guide Sadeghian’s sultry vocals to merge wonderfully with the instrumentation.

“Maryam’s tantalizingly sultry vocal arrangements, her confidence, and her professionalism,” Kelts said, “have been hugely beneficial to the success of the Year of Valor single, and strike just the right balance with the darker aspects of our sound.” Already the track has garnered thousands of plays online.

MP3: “Year of Valor”

MOSAICS on SoundCloud

MOSAICS’ official website


dthpdl

DTHPDL – “The Future”

DTHPDL, or DeathPodal, first gained attention back in 2009 with the electro pop cassette release of Exu_Wowin. The DTHPDL project is the brainchild of Findon (a village in West Sussex, England) singer, songwriter and musician Alastair J. Chiversand.

Over the past couple of years, he set out to recruit band members D. MacDonald, Humdrum Jetset and Ross Taylor. The band recently completed a tour of Scotland, and have also opened for Team Ghost (ex-M83), YAK, Shield Your Eyes, Paws, and RM Hubbardand Islet, and are due to play the Restless Natives Festival in Glasgow with Blanck Mass, Tim Hecker and Future of the Left.

The band dropped the new EP, The Future, a few days ago in the UK, writing that it is an “exploration of weird, electronic pop, post punk drones and belief,” with the standout title track and their new video.

MP3: “The Future”DTHPDL from The Future EP

DTHPDL on Facebook


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Dead Day Revolution – “Needles”

It’s good to see that there are still plenty of talented bands recording balls-to-wall rock like Los Angeles duo Dead Day Revolution, whose new album, On Our Own, features thrilling rockers like “Vampire Blues”; riveting, stadium-ready tracks like “Children of The Night,” and the Pearl Jam-sounding, “Ghost,” as well as unusually titled blazers like “Dancing on the Corner of Death” (whatever that means).

And yet Dead Day Revolution can also lay down a mean ballad-like slow dancer, “Down The Road,” definitely one of the standout tracks on the album. But it is the more accessible pop rocker, “Needles,” with it’s upbeat rhythm and melodic hooks, that will likely appeal to the much wider audience. Either way, the members of Dead Day Revolution – Skeeter Joplin (drums) and Mike Sandoz (guitar, vocals) – are not rookie musicians, and considering that they have built up a ‘following’ of more than 94,000 Likes, many agree.

MP3: “Needles”

Dead Day Revolution on Facebook


thelooking

The Looking – “Lead Me To Water”

New York City based musician, singer and songwriter Todd Carter has branched out again with a new band project called The Looking, featuring well-known musicians like bassist Andy Hess (The Black Crowes, Gov’t Mule), Diego Voglino (Marshall Crenshaw) on drums, Steve Elliott (Shooter Jennings) on guitar, and background vocalist Sasha Dobson (Norah Jones).

The band’s debut single, “Lead Me To The Water,” is a driving country rock track (but not like the Billboard cookie-cutter crap) featuring a wailing steel guitar and an upbeat, melodic rhythm. Other songs on the band’s new album include the precisely-picked acoustic gem, “Where Did You Go?” and the contentious “Bone To Pick.” Todd Carter will kick off a week-long tour from Pittsburgh through the midwest ending in Columbus, Ohio on May 23.

MP3: “Lead Me To Water”
The Looking on Facebook


Voys – “Louise In The Clouds”

Voys is the musical project of Parisian artist Patrick Derache. Earlier this month, Voys released a new video, Louise In The Clouds. It is the first video of the musical story of a fantasy world of pop and rock sounds, organ melodies, guitars, rabbit heads and the character, a masked girl who transitions from teenage years to adulthood.

It’s a weird but enchanting world Voys creates in the video, which has garnered more than 14,000 views in three weeks, which isn’t so bad for any music video these days, as well as more than 4K Likes on FB – a heck of a lot more than a lot of artists have. Voys top musical influences include Lou Reed, Neil Young, David Bowie, Sex Pistols and The Clash.

MP3: “Louise In The Clouds”Voys from single

Voys on Facebook


charlie-millikin

Charlie Millikin – “Change Me”

A superb mix of soul, funk, rock and some jazz elements, along with infectious rhythm and an array of vocal styles, make up the sounds of Charlie Millikin, an Ohio musician, singer and songwriter who is set to release his self-titled, debut EP on May 6th.

Performing music since he was a child, Millikin has honed his sound over the years, gaining notoriety in the Cincinnati area, where he is also scheduled to perform a number of shows in coming weeks. Fans will be treated to standout songs like “Change Me” and the arresting “Take Control.”

MP3: “Change Me”

Charlie Millikin’s official website


thenewapollos

The New Apollos – “In The Shade”

The New Apollos is a brand NYC rock band formed by producer and musician Neill MacCallum, who has worked with well-known musicians like Wesley Schultz (The Lumineers) and Nick Bockrath (Cage The Elephant). With a raw, surfy sound, and a garage—like blend of 60’s experimental pop and 90’s alternative rock, as displayed so expertly on the band’s new single, “In The Shade,” the band will drop the debut album on May 30th, which based on the success of the single, should be something worth checking out. The other band members include Karen Walker (pianist and vocals); Gregoy Morgan (drums) and Isobel Ward (bass and production).

Video: “In The Shade”

The New Apollos Official Website


lindadraper

Linda Draper – “Modern Day Decay”

Brooklyn based musician Linda Draper is set to release her eighth album, Modern Day Decay, this Friday, April 29th, featuring the standout title track. The album was funded through crowdsourcing on PledgeMusic. The funds allowed for only two days of studio time with help from Grammy award-winning mixing engineer Geoff Sanoff (Bruce Springsteen, Green Day, Cat Power), who ended up mixing “Modern Day Decay” at Little Steven’s studio, Renegade Nation.

“This project was a collaborative process,” Draper said. “Every step of the way and I am grateful for the support that has led me to where I am today.”

Draper’s first earned some notoriety in 2001 with the release of her debut album, Ricochet, produced by Kramer, who is famously known for his work with Low, Galaxie 500, Lou Reed and Urge Overkill, among others. Not surprisingly, Draper grew up in a musical family, and has studied everything from Bach to pop before beginning to write her own songs as a teen.

Linda Draper on Soundcloud


Kristaps Locmelis – “Shelling Out For A Tiki Bar”

It’s always refreshing to hear something completely different. We love being surprised. Jersey City instrumental musician Kristaps Locmelis offers just that on his experimental electronic “Shelling Out For A Tiki Bar,” which might remind some of a cross between space rock and Martin Denny. Another new track released just days ago titled, “Rover,” is a short mix of funk, R&B, psychedelic synths and experimental sounds.

MP3: “Shelling Out For A Tiki Bar”Kristaps Locmelis from single

Kristaps Locmelis on Bandcamp


33 Years – “Love Don’t Live Here”

The Floridian husband and wife duo of Paula and Kevin Tolly, known as 33 Years, have been performing folk, rock and country for many years and toured with a band around the U.S. In fact, they’re touring right now with the release of the new album and a number of singles, including “Love Don’t Live Here” and “A Case of Whiskey.”

MP3: “Love Don’t Live Here”33 Years


janet-odani

Janet Odani – “Make It Alright”

Janet Odani is an Australian musician with a new album, Transparency, featuring songs like the upbeat “Make It Alright,” which is available via YouTube.

Video: “Make It Alright” Janet Odani from Transparency

Fresh Tracks – 7 Horse, Press on Randy, Evan Mix, Alan Chapell, Old New York, theKI

Here is the latest edition of Fresh Tracks, featuring artists from Australia California and from Indiana to Oregon. The team continues to sift through and listen, as well as prepare to post, only the best 2016 music and songs of DIY and indie artists and bands, some known, most yet unknown.

Coming Up/On Deck: Best DIY of 2016; Bands That Rock; 7 Bands You’ve Gotta Hear; Radar Love; and more playlists. We’ll also be updating the Top 10 Songs playlists for 2016.

In this installment:

7Horse – Los Angeles, California
Press on Randy – Bend, Oregon
Evan Mix – Floyds Knobs, Indiana
Alan Chapell – New York, New York
theKI – Los Angeles, California
Old New York – Brisbane, Australia

7Horse – Livin’ in a Bitch of a World

The Los Angeles blues rock band 7Horse dropped their debut video, ‘Two Stroke Machine,’ last week ahead of the release of their new album, Livin’ in a Bitch of a World , set to officially drop on April 15th.

7Horse is perhaps best known for having their blazing track, “Meth Lad Zozo Sticker,” (still love that song!) on the official soundtrack for the blockbuster movie, Wolf of Wall Street. The band’s new album also includes a cover of “Stayin’ Alive” by the Bee Gees.

The band members, Phil Leavitt, who lives in LA, and Joie Calio from Seattle, are also the previous members of the art rock pop band Dada (comic hit “Dizz Knee Land”).

View the cities and dates for their April cross-country tour which kicks off Monday, April 11th at The Viper Room in LA. The duo’s next show is their album release party at Bowery Electric in New York.

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Press on Randy – A Ghost with a Fish Eye Lens

Press on Randy is the one man electro pop outfit of Bend, Oregon, musician Seamus Tomkins. We love his sound, which is finely produced for a young DIY artist, and ranges from upbeat synth pop goodies to guitar based songs with deeper lyrical content on the new LP A Ghost with a Fish Eye Lens.”

The songs on A Ghost with a Fish Eye Lens combine acoustic and electric elements to create playful indie electronica music with dark lyrical content such as on the fantastic synth pop gem, “Please Get Up.” POR’s music can be catchy, clever and even deranged.

The album, while light in its musical vibe, is about depression. The results should be inspirational for anyone, especially DIY artists who are discouraged at how difficult it is to get any recognition.

Tomkins self produced, engineered and recorded the album in a gardening shed last year. Stream even more tracks from the album via Press on Randy’s Soundcloud below or get a copy via his Bandcamp. This is fire!

We asked Tomkins how he came up with the moniker Press on Randy: “It came from seeing the phrase, ‘press on Randy!’ spray painted on the side of a bridge and I found it inspirational in the moment. I later named my looper pedal Randy.”


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Evan Mix – Chips Forboy

The musical and lyrical influences and forays of young Indiana artist Evan Mix are expressed fully on his DIY release, Chips Forboy, a compelling and fascinating album that features a fusion of all kinds of sounds and stories, featuring components of rap, hip-hop, trance, experimental, dance, rock and instrumental. At times, a listener may feel a little tripped out as well.

Mix emerges as a contemplative and intelligent lyricist and vocalist – taking great measures to make the lyrics discernable while still being respectful to the artform itself, and not playing it safe by just mixing out the same beats, rhythms and overused words that everyone has heard a thousand times in various reincarnations for the past 25 years.

Evan Mix answers the call for everyone that wants something totally unexpected and fresh, maybe even a bit crazy too – that offers something different and special even if it’s not for a mass market, it still exists and triumphs as its own, and that’s good enough for a young dude with a lot to say.


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Alan Chapell – The Redhead’s Allegations

NYC musician and songwriter Alan Chapell‘s new single, “Heroes,” is a fitting track for the political, environment and security woes in the world today. Who are our heroes? Where are they in our greatest time of need? Donald Trump? Psst. Billary? Ahhh, no thanks (done with the Clintons).

Moving on, the song is catchy and dripping with melodies. The song is from Chapell’s new release, The Redhead’s Allegations, which was produced by Jerry Harrison of Talking Heads. The CD release party was held at New York’s legendary Mercury Lounge.

After a couple of years living in Mumbai, Indian, writing jingles for Indian TV and playing in the cosmopolitan fusion band Kalki. When he returned to the states, Chapell began to write and record his new album, pulling together veteran musicians from the NYC music scene to create an impressive album featuring all different kinds of instruments as well as styles and stories about the good and bad of living in the city.

Alan Chapell on Facebook


theki

theKI – theKI

The self-titled album of a new Los Angeles duo, theKI (pronounced ‘the-key’), spent all of March and February on the official CMJ College Radio Top 200 Airplay Chart, thanks to a Kickstarter campaign that raised $25,000 to mix and master the album. The creative members of theKI are vocalist Roxie Sakura and bassist Lucas Francis.

The songs on the album display a remarkable fusion of rock, funk, and neo-soul with such a magical touch. In fact, a collective of LA musicians, who assembled to record the album, seek, and wish to spread, spiritual self-awareness and a one-ness with all life, which, in Japanese, is ‘Ki.’ The duo market the album as a concept album featuring lyrics that are taken from ancient teachings of spiritual guides, including Eckhart Tolle & Buddha. For example, the song, “Dirty,” is apparently a song from the perspective of a prostitute who is crying out to be “cleansed.”

theKI on Facebook


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Old New York – Before We Hit The Ground

Down Under there is a terrific rock band called Old New York who made their name in the Brisbane live circuit over the past five years. The band will drop their third release, Before We Hit The Ground, on May 23rd.

The album, which was successfully funded through Pozible, is a trip through the sonic universe of 60’s like vocal harmonies together with 80’s and 90’s rock, twisted with a pop sensibility and a contemporary edge to create their own style of indie music that is bold, exciting and fresh. The first song from the album, “Washed Hands,” is a driving pop rock track that is perfect for a beautiful spring day.

Old New York members each bring their own musical experience and talents to the overall sound of the band, and are committed to their DIY roots, taking great pride in being personally responsible for all their own recording, mixing, publicity, artwork, filming and web design.


Fresh Tracks from Tangerines, The Bourgeois, Connor Roff, Tom Shaner, My Silent Bravery, Justin Sosa, The Euphony Machine

The latest batch of Fresh Tracks includes the new single from London’s hot new garage rock DIY band, Tangerines, plus recent and new tracks from the following artists and bands selected for this latest installment of Fresh Tracks:

Tangerines – London, England
Connor Roff – Ontario, Canada
The Bourgeois – Tulsa, Oklahoma
Tom Shaner – Brooklyn, New York
Jamie Borrowdale – London, England
My Silent Bravery – Boston, Massachusetts
Justin Sosa – Los Angeles, California
The Euphony Machine – Vineland, New Jersey
Justin DiFebbo – Philadelphia, Pennsylvania

https://soundcloud.com/pete-heywoode/tangerines-you-look-like-something-i-killed

Tangerines – “You Look Like Something I Killed”

London-based Tangerines are an electrifying indie psychobilly quartet with chugging guitars, rolling bass lines and thunderous drumming similar to Black Lips and the late 70’s Talking Heads era – all fronted by the tangible vigor and verve of vocalist Gareth Hoskins’ signature snarl, on the band’s debut single, “You Look Like Something I Killed.”

“The feel of the song is set within those fine lines of despair and self satisfaction, thrusting our evil ways to the very limit and questioning how far can a man really be pushed before he blurts out all of his desires,” Hoskins told NME.

Tangerines sound much like an American garage rockabilly band from 1950s suburbia (where the neighbors are calling parents, rather than cops), but in the modern age. If that makes sense.

And it appears that it is no accident, as DIY pointed out: “[Tangerines] relish in a bonkers, bruising Americana. Where other groups with similar influences might lay back in wooziness and relish in the lazy-day sunshine, though, Tangerines descend into madness…” on “You Look Like Something I Killed” a “sun-stroke addled slice of batshit brilliance.”

All of that is true, and so are various other adjectives for a band that has such a forceful and commanding presence on audio and video, we can certainly understand why their shows are popular. As a matter of fact, the band is selling out shows across London and the surrounding burbs and cities. Hopefully, it’s only a matter of time that they land in NYC and do some touring in the U.S.

Connor-Roff

Connor Roff – “Turn On The Dark”

British-born, Canadian citizen folk pop artist Connor Roff‘s earthy acoustic tones and well-honed voice come out on his new single, “Turn The Dark On,” the follow up track to his successful release of the title track from Roff’s debut album, Chasing Dreams.

https://youtube.com/watch?v=e3eL6sIynTY

Roff’s well-polished sounds emote deep-seeded feelings and experiences with a voice that demonstrates a wide range, spanning from heartfelt fragility to soaring refrains. He plans to tour the UK this spring. His musical influences includes James Bay and Hozier.

Connor Roff on Facebook

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The Bourgeois – “Black Church Or No Church”

Guitarist, singer and songwriter Zach Mobley and drummer Ty Clark grew up in rural Oklahoma where they coped with the oppression of the Bible Belt in different ways. Mobley (guitar/vocals) spent much of his adolescence holed up inside listening to punk rock and plotting his escape, while Clark, who also found solace in music, got caught up in the nation’s growing opiod epidemic.

After a stint in prison, Clark turned his life around, met up with Mobley through an ad, and the two founded their band, The Bourgeois. Recently, bassist Vance Young was added to complete the trio. The guys draw their influences from bands like Nirvana, The Talking Heads, The Smiths and The Violent Femmes.

The video for their first single, “Perverting The American Dream,” was produced by Delo Creative (The Flamling Lips, Broncho) and has racked up more than 200,000 plays. The band is working on their sophomore album expected to drop sometime later this year.

Their new single and video is “Black Church Or No Church” is quite interesting and definitely shows their rock and roll talents and ethos.

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Jamie Borrowdale – “I Need Music”

Singer-songwriter Jamie Borrowdale‘s new single, “I Need Music,” opens with a haunting audio scene – howling wind and violins – before the dance beats, funk-inspired rhythms, rock guitars, indie pop elements, scratches and rap sequences jump in and take over for a sonic journey where you might be dancing the whole way. It certainly makes it hard for critics to pigeonhole his genre or target audience.

After gaining recognition from the BBC, Borrowdale has received an enthusiastic reception from fans on his UK tour while making his name increasingly known internationally. He pulls from musical influences that include Led Zeppelin, Plan B and Rudimental.

Jamie Borrowdale on Facebook

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Tom Shaner – “Vanessa The Vegan Murderess”

Tom Shaner is a New York musician who just released a new music video for his terrific new single with the awesome title, “Vanessa The Vegan Murderess,” from Shaner’s new release, I Hate To See Your Spirit Fade, produced and mastered by Grammy winner Brian Lucey (The Black Keys, Beck, The Shins, The Arctic Monkeys).

The album was recorded mostly in Williamsburg, with some parts recorded in Ireland and Vermont. His songs range from rockers, ballads, waltzes and cinematic stories. His sound ranges from influences like Leonard Cohen and Radiohead, with deeper music roots in American acoustic and electric blues, Sun Records, the British Invasion, punk, new wave, hip hop, and indie rock.

My Silent Bravery – “Ride With Me” (Nelly)

Boston musician Matthew Wade has been performing as My Silent Bravery for the past 10 years to inspire people with a fun, positive, and uplifting message. Nelly’s “Ride With Me” has always been a fan favorite at MSB live shows so Wade wanted to bring this cover to life and share the good times he has singing this song with all of his fans and anyone else, we assume, that would want to see it.

His new album was produced by Anthony Resta (Collective Soul, Guster, Shawn Mullins) and Warren Huart (Aerosmith, The Fray, Augustana).

My Silent Bravery on Facebook

justinsosa

Justin Sosa – “Again”

Chicago resident Justin Sosa is a young musician who shows some promise. His debut album, Change, features eight tracks in all, including the fantastic, memorable single, “Again.”

MP3: “Again”Justin Sosa from Change

Sosa just announced a new singles series to include “alternate versions of songs, outtakes, collaborations, covers and just about anything fun and different that I’m working on outside of my albums.”

Justin Sosa on Facebook

The Euphony Machine

The Euphony Machine – “Trial & Error Ravenous”

The Euphony Machine is an example of the sounds that can be produced in ‘The Euphony Room,’ a studio run by musician Mike Smith from Vineland, New Jersey. Along with help from close friends, Smith crafts eclectic, passionate music as found on the interesting single, “Trial & Error Ravenous,” featuring Eric Shorter and Marty Maar.

The Euphony Machine on Facebook

Justin DiFebbo-Skin and Bones

Justin DiFebbo – Skin and Bones

Philadelphia musician Justin DiFebbo‘s sophomore release, Skin and Bones, set to drop next month, is more of the seductive, dreamy music found on his acclaimed debut, Turn Out The Light, Turn On The Stereo.

DiFebbo’s style brings to a festive table the songwriting sensibilities of Brian Wilson and The Beach Boys, the vocal vulnerabilities of Neil Young and the simplistic complexity of artists like Simon and Garfunkel. It is a fitting comparison. His new singles, “Blue Melody” and “Adrift” feature “Good Vibrations”-like organ riffs, The Doors’ style electric piano solos on songs like “Riders On The Storm,” as well as tremolo guitars and booming bass. His vocals, such as on “Adrift,” are soft and yet high pitched.

“Adrift”Justin DiFebbo from Skin and Bones

DiFebbo definitely is channeling a bygone era when music was more organic and trail-blazing. He also plays with the band Summer Fiction.

https://soundcloud.com/justind/blue-melody

Fresh Tracks – Wired Minds, Atlantic Francis, Farewell Teddy, Gråblomst, Piney Gir, A Love Like Pi, Chris Kudela

The following are select new tracks for 2016, with more on the way – including the first edition of Best New Releases (featuring mostly signed and better-known indie bands and artists), Artist of the Week, and oodles of new talented DIY bands you’ll probably only hear on IRC.

Atlantic FrancisStockholm, Sweden
Wired MindsChicago, Illinois
GråblomstHamar, Norway
Farewell TeddyAtlanta, Georgia
A Love Like PiHarlem, New York
Piney GirLondon-via-Kansas
Chris KudelaPhiladelphia, Pennsylvia

[zbplayer]

atlanticfranciscoverart

Atlantic Francis – “Where Do We Run”

The Stockholm band Atlantic Francis crafts a chippy type of folk rock with 12-string guitar and ukulele-driven melodies, sweet harmonies and soulful pop percussion on singles like “Where Do We Run” and “Ocean Swim” from the album Just Add Ocean.

Formed in 2010, the band features guitarist and lead vocalist Victor Norberg; Johan MacDonald on ukulele; Jesper Karlsson on bass, and Adrian Lefvert on drums.

While the band has been tagged with various genre-labeling over the years, Norberg says the labels don’t matter. “We refer to it as the music you will be dancing to in the grass, at the summer festival, as the sun sets over the hills and you forget all your troubles.”  The band members are fans of Mac Demarco, Mumford and Sons, and The War on Drugs.

[sc_embed_player_template1 fileurl=”https://dl.dropboxusercontent.com/s/ssbzz0lu268x4lz/u75Z-where%20do%20we%20run.mp3″]

MP3: “Where Do We Run“Atlantic Francis from Just Add Ocean

Bonus Track: “Ocean Swim“Atlantic Francis from Just Add Ocean

Ocean Swim YouTube video by Atlantic Francis

Atlantic Francis on Facebook


wiredminds

Wired Minds – “Victoria”

Less than a year since forming, the Chicago post-punk/neo-psych band Wired Minds‘ new single, “Victoria,” has certainly caught our attention with its reverb-drenched, jangly guitars, brooding bass, atmospheric synths, and soaring vocals. The band has two other singles worth streaming as well via Soundcloud.

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MP3: “Victoria“Wired Minds from single

Formed in April of 2015, Wired Minds straddles comparisons to Britpop icons The Stone Roses, ‘80s post-punkers The Chameleons and Australian favorites The Church. They also remind us of The Close Lobsters, a very under-appreciated C-86 band of the 80’s.

Wired Minds’ official website


grablomst

Gråblomst – “Candy Driver”

Gråblomst, a lo-fi alt. rock duo from Hamar, Norway, crafts beautiful songs with influences from classic rock and Britpop, addressing issues like mental illness and courage. Maren Ingeborg Gråblomst Galgum (vocals, bass) and her husband, Sverre Galgum (guitars, bass), include Portishead, PJ Harvey, Led Zeppelin, Radiohead, and Black Sabbath among their musical influences.

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MP3: “Candy Driver“Gråblomst from Mr. Shrimp

Bonus Track: “Not Quite Right“ – Gråblomst from Mr. Shrimp

Gråblomst on Facebook


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Farewell Teddy – “Connoiseur of the Boulevard“

Farewell Teddy is a new Atlanta-based acoustic folk rock duo, just formed last year, featuring musicians James Daniel Brown and Nathaniel David (percussion, bass, production). They recently dropped, The Ferris Wheel, their four-track EP, ahead of the release of Farewell Teddy’s debut album, Brave New World’s Fair (Part 1), set for DIY drop soon.

The lead track, “Connoiseur of the Boulevard,” is uptempo, sensual and woodsy, featuring a horn section and a catchy, even soulful, beat and vocal work from Brown. It’s a nice little surprise on a cold day. There’s little question that Brown (vocals, guitar) and David (percussion, bass, production) are accomplished musicians as their debut EP aptly demonstrates.

While we call them an ‘acoustic folk rock’ duo, their sound is a bit hard to pin down precisely. No worries, the music is still strong on it’s own.

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MP3: “Connoiseur of the Boulevard“Farewell Teddy from The Ferris Wheel

Bonus Track: “I’m Not Afraid of Torture“ “Farewell Teddy“ from The Ferris Wheel

Farewell Teddy on Facebook

Indie rock is the raw and real sound that comes from the guts of those who are not bound by cliche, overly produced songs and trite, kitschy art. It’s the music that can yank the emotional response from you whether it’s being performed by a quartet or with a First Act guitar by an unknown soul in a basement. – Nathaniel David


A Love Like Pi – “Dirty Work”

A Love Like Pi is the creation of Harlem based musician Lief Liebmann. The trio’s new EP, Jack and The Giant, is full of driving punk guitars, danceable, moving beats and tinges of electronica around the edges as evidenced on standout tracks like the voracious “Dirty Work.”

Oodles of musical projects come out of the Big Apple every month, but few separate themselves from the pack as A Love Like Pi does.

“I love the dichotomy in our music. It has this element of technology and the power and soul of rock,” says Liebmann whose multi-instrumental MO includes guitar, keyboards/synths and violin.

A Love Like Pi have toured across the United States with a band, and performed at big music festivals and events like SXSW, Warped Tour and Bamboozle.

“As the audience is working it on the dance floor, strange stuff is happening on-stage. The guys have played in costume, wearing blindfolds, and basically use the live shows as an opportunity to let loose.” Liebmann is a fan of musical influences like Paul Simon, Brand New, and Sufjan Stevens.

MP3: “Dirty Work“A Love Like Pi from Jack and The Giant

“Wide Awake“ – A Love Like Pi from Jack and The Giant

A Love Like Pi on Facebook

“Indie music is about keeping your band sounding like a side project: full of love and naturally unsolicitous.” – Liebmann


Piney Gir – “Mouse of a Ghost”

London-based artist Piney Gir‘s upcoming album, Mr. Hyde’s Wild Ride, set to drop on February 19, is the quirky Kansas-born musicians’ latest release. The album’s first single, “Mouse of a Ghost,” is a terrifically touching track, in it’s own mutant, and wonderfully odd, way, and an ode to Gir’s friend who passed away the year prior.

The ‘music video’ for “Mouse of a Ghost,” spliced together by Geoff Howell, is zany, politically-charged, full of pop culture references featuring droves of penguins, including a penguin ‘president’ with a serious drinking problem.

We love how the 60’s pop influence builds from the quiet xylophone trickles, and Gir’s girlish, almost silly, vocals. But before long the song bursts out into a full blown exuberant wave of fuzzy guitars, crashing cymbals, distant beats – all tied together like a Phil Spector-style wall of sound track on acid, and running the spectrum from innocent to outrageous. Perhaps even scandalous; what a weird video, though – creative in some ways and disturbing in others. Created by Geoff Howell.


chriskudelacover

Chris Kudela – “Greenroom”

Philadelphia singer, songwriter and musician Chris Kudela knocks out rock and roll that is quintessentially American.

On this new album, the self-taught guitarist, Kudela combines rock riffs with pop melodies and hooks, and chugs along optimistically and energetically – imagine driving down the boulevard with the top down on a beautiful summer day – on songs like “Greenroom,” which automatically reminded us a lot of Gin Blossoms’ “Hey Jealousy.”

Kudela ranked at No.6 on Alternative Charts of a Philadelphia radio station.

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MP3: “Greenroom“Chris Kudela

Fresh Tracks from Human Buoy, Tomas Doncker, and Dogs In The Fight

Perth, Australian musician Ben McDonald, a current member of POND‘s side-project Shiny Joe Ryan, has started a new lo-fi psych rock solo project with the moniker Human Buoy.

His debut album, Animation Station, will drop sometime in the next couple of months. And he proves just why he belongs in the Tame Impala extended family on his new release.

On Human Buoy’s first dazzling single, “Oxygen,” the West Coast psych pop artist creates a transfixing blend of driving beats and hazy waves of sizzling synths that complement his remarkable vocal work.

“I thought of [“Oxygen”] walking up my street to buy avocados on a really hot day, so I tried to make it sound like a polaroid of suburban palm trees in a heat-mirage,” McDonald says.

“I recorded it…and then forgot about it for a while. When I decided I was going to actually finish it, I went to a studio and got a friend to re-record drums…I’d also ask various characters who’d pop around to lay down some of their musical juju because I find it freakin’ fascinating to see what happens. It’s a silly song but it was fun to make.”

McDonald gets some major indie artists to help him out: Ariel Rosenberg, aka Ariel Pink, plays ‘mouth drums,’ Shiny Joe Ryan (POND) lends backing vocals while Malcolm Clark from The Sleepy Jackson plays the drums. Throughout the entire Tame Impala extended family of musicians (kind of like Broken Social Scene – it’s hard to keep track), there is a lot of collaboration and loyalty.

McDonald has been in a number of bands, primarily as a bassist, that include POND, Peter Bibby, Grace Woodroofe (R.W. Grace), and Sonpsilo Circus, opening for artists like Unknown Mortal Orchestra, San Cisco, Wavves, and Matt Corby. His major influences include David Bowie (RIP), The Beatles, MGMT, Ariel Pink, and Pink Floyd.

Although he played and recorded almost every instrument himself for the album, including vocals, bass, guitar and keys, McDonald got some help from guitarist and keyboardist Ben Smith and drummer Malcolm Clark. Multi-instrumentalist Steve Macchiaverna and Ali Flintoff are also contributors for live shows and some sessions.


 

Oxygen

Human Buoy on Facebook


Cover Art

Tomás Doncker‘s “The Mess We Made” music video, with its stunning imagery and achingly painful theme, is antidote to hate, and an ode to love and forgiveness. The video tells an epic tale about the doubly-tragic circumstance of The Charleston Massacre, where gun violence and hatred intersected at the crossroads of evil bigotry-charged, and senseless murder of church goers.

Doncker is well known as a New York blues and soul artist who holds strong political views, which are potently expressed in “The Mess We Made,” and another charged single, “Church Burning Down.”

Stream the album below via Soundcloud, and view the album trailer, edited by Dan Truitt.


 

 

dogsinthefight

Dogs in the Fight from We Want Peace…But Are Ready for War

Boise punk band Dogs in the Fight might be a new name but these are some old Dogs of the punk underground scene.
The band’s new album, We Want Peace…But Are Ready for War, set to drop on Jan. 31st, is a raucous, energetic, guitar ravaging marathon of indie punk madness, with songs like “No Apologies” and “Hold Fast,” standing out among the lot.

Started in 2015 by lead vocalist and bassist Jimmy Turner (formerly of Aces & Eights; Ripchain; Rum Rebellion), Dogs in the Fight also features drummer Josh Hakenholtz, veteran guitarist Clark Chaos (The Braindead) and Coby Hughes, and Wayne Williams on vocals – all former members of The Bloody Nampons, a Boise street punk band.

The band has opened for bands like Potbelly, Millhous, Delta Bombers,Toxic Holocaust, Lord Dying, and count among their biggest influences bands like Noi!se, The Bruisers, Street Dogs, Agnostic Front, Main Street Saints, and Oxymoron.

No ApologiesDogs in the Fight from We Want Peace…But Are Ready for War

Hold FastDogs in the Fight from We Want Peace…But Are Ready for War

Dogs In The Fight on Facebook

Watch “Home To War” on YouTube

New Releases from Attic Light, Flocke, Cait Brennan, and MMXJ

Attic Light, a relatively new Kansas City rock band, is known throughout the Midwest for its vigorous and eccentric live performances. Last summer they hit the studio; the result is the band’s new EP, The Exile, featuring a smoking lo-fi garage rock single, “Exile.”

The song could fit in nicely on a dark film soundtrack. It has a sinister presence with its repetitious and gritty guitar riff, brooding bass and reverb-laden, goth/hard rock vocals. The EP follows months of touring, appearing at lots of venues, regional radio stations, television programs, and publications throughout the heartland. The EP was recorded in Nashville with producer Dohse.

“Exile”Attic Light from Different Shades of Black


flocke

Flocke – Bye Polar Bear

Brooklyn indie chamber pop outfit Flocke has some mighty sweet sounds to share from the upcoming release of the debut album, Bye Polar Bear, due to drop on January 29th. Flocke is the side project of singer and songwriter Nicole Mercedes.

The result is the dreamy chamber pop found on standout singles like “Legs Are Not For Running,” with its magically soothing melodies that build up into a fully orchestrated flush of strings and keys, similar to orchestral pop flourishes made famous by Sufjan Stevens.

Her project came to light as a result of Mercedes’ desire to make “more lush sounding music; incorporating semi-orchestral arrangements into light pop songs” that were inspired by her love for film soundtracks and classical music. Other standout tracks include “Pink Robots,” “Venice,” the floating trumpets ans xylophone embellishments, and the dreamy chimes of “Easterling.”

Flocke was formed when Mercedes, inspired by film soundtracks and classical music, wanted to explore making more lush-sounding music, incorporating semi-orchestral arrangements into light pop songs. She teamed up with guitarist and long-time band mate Daniel Roth (Milan to Minsk) and drummer Aaron Mendelson (Isadora), using loopers and lo-fi keys to create a unique-sounding live performance. The album was produced by friend and producer Joe Rodgers (The Shivers, Kelli Scarr).


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Cait Brennan – Debutante

To say Cait Brennan has lived many lives is truly an understatement. She’s been a schoolteacher, a working screenwriter, a dyed-in-the-wool indie record store clerk, a newspaper reporter, a printing plant grunt. She’s changed her name more times than she remembers and has occupied more genders than there are on the map. But one thing, above all, has burned bright at the center of everything: her music.

Because of a difficult time as a child and teenager coping with gender identity issues, Brennan’s lyrics are poignant, sad and hopeful all at once. Last year, she met indie pop musician Fernando Perdomo. He recognized the need to get Brennan’s music to more ears, and wanted to facilitate that. With Chris Price, he helped bring Laurel Canyon psych-folk legend Linda Perhacs back into music after a four-decade hiatus.

In the sultry heat of July, Brennan and Perdomo ripped out twelve songs from her extensive songbook, recording them all in five manic days and nights. The duo split production and instrumental duties, with Perdomo taking the lead and playing what Brennan calls “the badass virtuoso stuff”, like the Brian May-tribute guitar solo on “Harmony Lies” and the titanic four-horseman drumming of “Black Diamond,” both of which, like the album itself, demonstrate the duo’s incredible talents and skills to bring what started as an idea to full fruition.

The album, Debutante, officially drops this Friday, January 22nd.


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MMXJ – Into The Wild

The highly-anticipated debut from Singapore’s rising DJ/producer MMXJ, Into The Wild, has produced two dope-heavy singles – “Kings,” featuring Gentle Bones, among other artists.

The album’s lead single “Kings” was co-written with popular local singer-songwriter Joel Tan (Gentle Bones), and aims to encourage anyone filled with self-doubt to learn how to trust and love one’s self.

“I composed [“Kings”] whilst going through a rough period in my life,” MMXJ says, “and had begun to doubt if I could succeed in my dream of pursuing a music career. This song served as much-needed hope and encouragement for me through rough water, and I hope it will do the same for everyone.”

Title track “Into The Wild” is the second single from the album, once again co-written with Gentle Bones and featuring vocals from Mae Sta, MMXJ’s fellow finalist on Idol.

“I’m a nature-lover at heart. I love the beach, the ocean and the mountains. This song stems from my personal connection with nature and the feeling that we’re all connected somehow,” explains MMXJ, on the inspiration behind the track. “It also hopes to serve as a reminder to live every day to its fullest and to make the most out of the life you have.” Both songs are awesome examples of globally-influenced EDM that a large worldwide audience of EDM lovers can get lost in.


Born in Singapore, raised in Hong Kong and the UK, and schooled in the U.S. studying at Stanford University, MJ, a.k.a MMXJ, is clearly a cosmopolitan young guy. His melodic electronic dance music has attracted fans from all over the world.

MMXJ’s musical journey began at the age of 8 when he picked up a guitar, and furthered along at age 12 when he began practicing the piano, inspired by artists like Jason Mraz and John Mayer. After placing as a finalist in the 3rd season of Singapore Idol, MMXJ then began further exploring EDM after witnessing Alesso and Swedish House Mafia perform at Coachella.

He began taking his love for music even further by exploring his sounds in Electronic Dance Music after watching Alesso and Swedish House Mafia perform at the renowned Coachella Arts and Music Festival in California.