Based on the traffic, Likes, and Tweets of the previous installments of Top DIY Songs & Albums of 2014, you guys want – for at least a little longer – to hear more great DIY music released in 2014. You can stream all of the songs on this page by clicking on the play button of the embedded player below. If you cannot see the player, you can still simply click on the individual songs themselves to stream them on your cell, or download them to your favorite MP3 player.
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The bands and artists in this volume include (in no particular order):
Jack and The Ripper – Mexico City/San Diego Mechanical Joints – Chicago/Houston Monuments – Brooklyn Hippy Tantrum – Brooklyn No Sleep For Lucy – Stockholm, Sweden Time Spills – Salinas, California Desert Killers – Sao Paulo, Brazil Joel Strauss – Ontario, Canada The Crash Bandits – Minneapolis Kwolek – Boulder, Colorado Tony Michael Ellis – Los Angeles Paul McLinden – Glasgow, Scotland
Jack and The Ripper – Jack and The Ripper, Vol. 2
Originally from San Diego and now based in Mexico City, the alternative rock duo Jack and The Ripper consists of two multi-instrumentalist, identical twin brothers – Daniel C. Barbedillo (lead vocals, guitar, keyboards, synth, programming) and David C. Barbedillo (backup vocals, guitar, samples, programming). Formed in 2012, the brothers released their self-titled DIY debut album in June of 2013. As evident on blazing, thumping tracks like “Will You Be Mine” and “Drive Thru Spiritual Awakening,” from their sophomore album, Vol. Two, the Barbedillo brothers are heavily influenced by bands like Brian Jonestown Massacre, Nirvana, Radiohead, HEALTH, Warpaint, and Os Mutantes. Make no mistake out it – these twins grind out vicious, and frenetic buzzsaw riffs and chords, snarling, horsed vocals, psychedelic electronic atmospherics and triumphant percussions that slice and dice for a cathartic sound.
“Will You Be Mine“ – Jack and The Ripper from Jack and The Ripper Vol. 2
“Drive Thru Spiritual Awakening“ – Jack and The Ripper from Jack and The Ripper Vol. 2
After nine years of writing music together long distance by sending sound files back and forth to one another online, two 20-something DIY musician friends decided in 2013 that it was time to record and release their experimental electronic pop debut. The duo’s eponymous LP is something pretty spectacular that more people should hear. The self-titled 2014 release of the debut album from Shawn Wilson (drums, synth, guitar, samples, bass, vocals) of Detroit and Sam Sage (vocals, bass, guitar, synths, drums, samples) of Houston is completely a DIY work – from writing to recording and production.
The results are an amazingly intricate electronic rock album full of machine-like beats and sounds, fuzzy distortion, and mysterious vocals. The duo, influenced by bands like Nine Inch Nails, Sleigh Bells, Portishead, and Aphex Twin, currently live in Chicago where they are hoping to break out on the local, and national, scene. We think they have a damn good shot at doing both.
“Our self-titled debut album was written, recorded, mixed and mastered independently in less than a year,” Wilson said. “Our music could be described as electronic, noisy and occasionally poppy. We totally dig distortion.”
“Insigdifferent“ – Mechanical Joints from Mechanical Joints
“Long Goodbye“Mechanical Joints from Mechanical Joints
“Indie rock is music created without the influence of middlemen, corporations or monetary promise; free art.” – Shawn Wilson
Monuments – Brigadune
The Brooklyn-based DIY indie rock/psychedelic sci-fi band, Monuments, formed in 2006, released its sophomore LP, Brigadune, last spring, consisting of a collection of songs about “paranoia of things falling apart – from slippery/elusive consciousness, to the impermanence of personal relationships, to the creepiness of cults, and the fall of modern civilization.” Oddly enough, and the band claims completely unintentional, the title Brigadune, and the music on it, are surprisingly similar to an old musical called Brigadoon. “The word was just a placeholder title for an instrumental track, but when we Googled it a couple weeks later, there were many similar themes between our album and the musical…[which is] about two New Yorkers who travel to the highlands of Scotland to find a utopic [sic] town that only exists for a day every 100 years.” Monuments features Gabriel Berezin on vocals and guitar; Robby Sinclair on drums, and Grant Zubritsky on bass and synthesizer.
The band has opened for artists and bands like Nina Persson, Field Music, Shooter Jennings, Earl Greyhound, and consider Peter Gabriel, Queens of the Stone Age, Neil Young, Elbow, St. Vincent, and Jeff Buckley among their top influences. Speaking about what indie rock means to the band, Berezin told IRC: “Indie rock is freedom. It’s the label for music that defies category. It allows an artist to incorporate all styles. For us that means jazz, Motown, classic rock, prog rock, Indian music, and classical music. It’s what all music should be: open to all influences, trapped by none.”
Anthony DeMartini is the one man band behind Brooklyn DIY outfit Hippy Tantrum. In addition to writing all of the songs on his 2014 debut EP, Spadoinkle, DeMartini records and mixes the vocals, synths, guitar and percussion to create music he calls “electronic non-pop” rock. “Growing up in Jersey, I’ve had this itch to be a musician for a while, and now I’m looking to scratch out a living in Brooklyn,” DeMartini said. “I created my solo project as an outlet while I was persistently trying to start or join a band. Hippy Tantrum will strive to be unique and experiment with new concepts – like back-up dancers and awkward conversations with parents.” Although we really enjoy the tracks below, it should be noted that Hippy Tantrum doesn’t sound much like DeMartini’s self-professed favorite bands, which include Muse, Radiohead and The Dave Matthews Group.
We certainly can’t claim to always ‘get it right.’ Many times when we feature a new, under-the-radar or DIY artist or band, we’re basing it off of raw talent and a sense that there is great potential that has so far not been realized for whatever reason. That’s the case for the DIY Swedish band, No Sleep For Lucy. NSFL possess a tight, even well polished sound, that obviously emulates, quite well, the mainstream-leaning, southern California alternative rock sound that 15 years on is still inspiring ambitious, young musicians around the world to embrace it and somehow also make it their own. It certainly isn’t the type of rock of the hipster, stoner or serious musician crowds. But that’s OK – we’re all about inclusivity. It’s possible that a lot more people than we imagine will dig this two well performed songs by the unsigned band from Sweden that apparently has some back story about a girl named Lucy who has sleep issues.
Def props to the band for going with a name that is not exactly commercial oriented but is definitely search engine friendly, unique and memorable. Christian Rabbs, the co-founder and guitarist, told IRC that the band named it after the anthropological find of the oldest human remains ever found of a female that became known around the world as Lucy, who has been touring around the world for some time – thus, the name, No Sleep For Lucy.
The band came together after vocalist Lukas Meijer and bassist Kristoffer Sjökvist met and realized their tastes in making music were similar. After many practice sessions, the band released two terrifically energetic and memorable tracks, “Feel Alive” and “Going Down” earlier in 2014. The boys were helped out by the well-known Swedish producer Mats Valentine. Rabbs and Sjokvist had previously written platinum and gold records for artists around the globe along with their partners Tommy Henriksen (Simple Plan, Daughtry, Alice Cooper) and Mark Holman (Grammy Award nominee ‘RED’, American Idols). “When we write music we always start with just playing around with some riffs/chords and when we have something that feels inspiring we start and find some interesting melodies,” Rabbs said. “We love playing live better than sitting in a dark studio dungeon.”
From the heart of “America’s Breadbasket,” better known as the Central Valley of California, the progressive rock band Time Spills takes a different approach to their music than most bands – it’s all instrumental. The band’s drummer, Shane Luevano, says the trio was formerly a quintet, but they soon found out shortly after forming in 2012 that they had more fun writing and recording songs without a vocalist. As a newly minted three-piece band, they draw inspiration from bands like The Mars Volta, The Fall of Troy, Tides of Man, Tera Melos, Dance Gavin Dance, and Pink Floyd.
Morphing into an instrumental trio seems to be working out for the Salinas band, which is evidenced on tracks like “Kimmer Crispin” and “Trapazoid,” from Time Spills’ debut EP, Cool. Over a two year period, Luevano said, the trio came to realize they made the right decision. “It allowed us to experiment freely and push some musical boundaries. We try not to stick to one genre but to merge as many as we can.” To that point, the band mix math rock, jazz, surf rock and alternative rock into their signature sound. And even more so, they don’t care if it doesn’t stand up against criticism – a true DIY spirit if there is one. “We make music for ourselves, nothing else and if someone actually takes the time to listen, well that’s awesome!” The trio, which also includes guitarists Ricardo Chavez and Christian Talamante.
Desert Killers is a DIY multi-genre duo from Sao Paulo, Brazil, featuring local musicians Antonio Ribeiro (vocals, drums, percussions) and Matheus Zingano (vocals, guitars, keys), that mixes blues, rock, psychedelia to create a unique sound. The duo got together in 2013 after having performed in other bands that were not taking the direction they wanted to go with producing music. Right away they began writing songs inspired by their personal “scars and insights” and “the complexities of the world.” Their debut EP, Ardio, features the two tracks below – “So Bad” and “Take My Way.” The duo’s musical influences include Eric Clapton, Gary Clark Jr, The Rolling Stones, The Beatles, Queens of the Stone Age, and Muddy Waters.
“So Bad“ – Desert Killers from Ardío
“Take My Way“ – Desert Killers from Ardío
Desert Killers official website
Joel Strauss – Don’t Lose That Feeling
The fist thing that we noticed about Canadian DIY multi-instrumentalist, singer and songwriter, Joel Strauss, is his voice – nasally, but a good kind of nasally (like Dylan and others). Perhaps even more so, he sounds a bit like Colin Meloy of The Decemberists, and conveys a remarkably sonic palette. In subsequent spins of Strauss’ songs over the ensuing months, we got to like his music all more and more, most especially the two singles included below from his 2014 DIY debut album, Don’t Lose That Feeling. Strauss skillfully weaves together various styles, like pop, rock and folk into his songs, together with intelligent and inspiring lyrics. And that voice – one which some will turn away from, and others will embrace. Strauss’ music is ‘grower’ style, although there are sure to be listeners who like his music right away.
“Don’t Lose That Feeling” – Joel Strauss from Don’t Lose That Feeling
“The New City” – Joel Strauss from Don’t Lose That Feeling
Joel Strauss Official Website
The Crash Bandits – Closer
The Crash Bandits are a three-piece indie rock band from Minneapolis who have made a name for themselves in the local scene thanks to their highly charged rock balanced with pop moments as displayed on their 2014 third LP, Closer. The band has spread its wings beyond Minneapolis to cities throughout the Midwest. In March of 2014, they were a showcase band at South By Southwest. Their musical influences span many decades, from The Ramones to the Pixies, Saves The Day to The Replacements, and Blink 182 to Motion City Soundtrack. The band members include Matt Brownon vocals and guitar; Kevin Goff on drums and Nick Westgor on bass. While at their core they are hard rockers, tracks like “Silly Things,” with it’s catchy pop/rock style and singalong choruses, is the type of song you’d want to hear on a sunny day after the skies have been cloudy and grey for too long.
Kwolek is Boulder musician, songwriter and vocalist Michael Kwolek. Unlike his music, he wanted to create a simple moniker. As he told us, “All of the cool names were taken, so it seemed like my last name was a no brainer.” Plus, it’s reflective of the concept of his one-man band project. In addition to writing and singing all of the tracks on his 2014 debut EP, Affections, Kwolek played guitar, keyboards and programmed the songs as well. The songs were written and recorded over the past five years in different locales around the world – New Jersey, Beijing, Tokyo and finally Boulder. Standout tracks include the dense, yet spacious, guitar riff single, “Creeper,” and the divergently melodic, yet cacophonous “Such Hot Shit.” Kwolek’s top musical influences include artists like M83, Radiohead, New Order and St. Vincent.
“Creeper“ – Kwolek from Affectations
“Such Hot Shit“ – Kwolek from Affectations
Tony Michael Ellis – Undertow
Anyone with a strong familiarity with The Beach Boys sound will find the songs on Los Angeles singer and songwriter Tony Michael Ellis‘ debut LP heavily influenced by the 60s pop rock icons. The single, “It Soothes My Soul,” combines upbeat melodies, acoustic guitar and piano, along with soaring harmonies, that couldn’t sound more like a rendition of The Beach Boys’ unique California pop sound (that still sounds fresh 50 years later). Ellis does a commendable job of replicating their sound, along with his admittedly Beatles-influence as well, in other singles on the album such as smooth love song, “Without Her.” However, the overall sound is still his own.
From Glasgow, Scotland, DIY songwriter and musician Paul Mclinden is a classically-trained, indie pop rock one-man band whose November release, Head Happy, and it turns out to be one of the best DIY LPs of the year, and perhaps our favorite debut LP of any other overseas artist in recent memory. Head Happy is a feast for the DIY hungry, featuring a banquet of appetizing songs like “Whether The Weather” and “Cheer Up,” to name just a couple. Ironically, “Cheer Up,” has – unlike his more upbeat songs – a more forbidding tinge with its sinister electric guitar notes rifling through the steadiness of the acoustic bass line, reminding us of something we’d hear on an early Velvet Underground demo tape. The fact that McLinden writes and sings all of his songs, but also plays all of the instruments AND mixes them altogether into tracks we want to play again and again, is more than just proof in the pudding of his talents as an artist.
“Cheer Up“ – Paul McLinden from Head Happy
“Whether The Weather“– Paul McLinden from Head Happy
The IRC series, Top DIY Songs and Albums of 2014, has been such a hit with readers around the globe and across the web that we figured it only made sense to push out the fourth installment sooner than planned. Every year thousands of terrific singles and releases from DIY artists and bands fly under the radar. Often, through the years, you guys have pushed them on to the radar after they were featured on IRC and via our Facebook and Twitter feeds.
First up, in Vol. IV of this series (which will run for some weeks), are artists and bands whose 2014 releases were big hits with IRC listeners and readers around the U.S. and the world. Also, we’re getting closer to finding a player to use to replace the Yahoo Media Player (Yahoo stopped supporting it in 2014) so that you can stream all of the songs in this post. You can also download and stream them one by one by clicking through the player or as you read the entries below.
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Bat Zuppel – Brain Eater
From small basements throughout Pittsburg, PA, the DIY garage rock band Bat Zuppel knock out aggressive teen angst with a well honed style they’ve been working on since forming in 2013. The sound is raw and gritty, drawn from their favorite ‘old punk and garage rock bands,’ all in an effort to ‘recreate that chaotic atmosphere’ bands from those days funneled into their music.
Last March, the band released their debut album, Brain Eater, featuring tracks like the crunchy “Under My Bed” and the Sonic Youth-inspired, “Apparition Girl.” Bat Zuppel’s sound and style is also informed from bands like The Damned, Metz, Nirvana, Ty Segall and Wavves. The trio features Matt Ruppel on bass, Zach Bronder on guitar and vocals and Gordy Brash on drums. “We play a lot of basement shows, those are the most fun for us and I feel like the fans have the most fun at these shows.” Bronder said. “We recorded and mixed this album entirely by ourselves, a lot of work was put into this one.”
Under My Bed – Bat Zuppel from Brain Eater
Apparition Girl – Bat Zuppel from Brain Eater
Young Creatures – Fear All Things EP
Los Angeles indie rock band Young Creatures has been competing for a piece of the LA music scene – the most saturated and competitive music scene int he world – since 2011. Over the past couple of years, they’ve managed to attract a small following. Julie Slater chose the band as her ‘Local Anesthetic’ on 88.5 KCSN in Los Angeles last year. We think the following two tracks exemplify the band’s sound perfectly – Young Creatures draw on heavy classic rock riffs peppered with indie rock hooks from guitarists Mike Post and Andrew Gleason, bassist Spender King and drummer Mikey Escalante. Post’s effortlessly terrific vocal melodies line up nicely with the band’s riff-oriented rock sound that honors musical influences such as Led Zeppelin, Delta Spirit, Dawes and Local Natives. The band’s latest EP, Fear All The Things, includes the standout track, “Lionheart,” which enjoyed frequent plays in the cafe, and the sunny pop of “Foreigner.” They’ve opened for bands like Burning Jet Black, The Sixth Son, Argentine, and The Podunk Poets.
Lionheart – Young Creatures from Fear All The Things EP
Based in the town of Oxford, in northeast Mississippi, The Holy Ghost Electric Show started out in an abandoned cabin a couple of years ago when songwriter, vocalist and guitarist Cody Rodgers began tirelessly working on songs for the eventual band’s 2014 release, The Great American. Together with other band members – including his brother Jake Rodgers on banjo and guitar, plus Austin Wheeler (drums), Connor Wroten (bass), and Will Shirley (chord organ) – Rodgers channeled his life experiences and thoughts into loosely arrange tracks that were honed over and over during performances at bars, house parties, in parking lots and even for “policemen in a park late at night,” with each member, Rodgers said, adding their own special touch to the songs. “To me, indie rock isn’t a specific sound a band may have, but instead just simply an independent band,” Rodgers said, “that is willing to pay out of pocket, without the help of a label, to record the music they’ve made with care.”
Let The Waters Rise – The Holy Ghost Electric Show from The Great American
Phantom Engineer – The Holy Ghost Electric Show from The Great American
Tupelo Honey – Brave New World
Edmonton rock band, Tupelo Honey, has become one of Canada’s top DIY rock acts over the past decade . On their 2014 album, Brave New World (which debuted at No. 7 on the Canadian iTunes Rock chart), the band has built on their popularity in the region and acquired fans across Canada, and increasingly in the U.S. The past few years have been a ride for the band; in fact, they were picked to share the stage with Bon Jovi for two shows at Rexall Place in Edmonton and The Saddledome in Calgary. They’ve also shared the stage with Billy Talent, Everclear, Three Days Grace, Thornley, and Metric. The band picked up even more interest after one of their tracks was used for a Sunkist commercial that aired during the televised Billboard Music Awards in 2012. While that may not sound very DIY, most bands nowadays have to rely on licensing their music to commercials, TV and cable shows, and other opportunities just to pay their basic costs because they simply don’t make money, or enough money, from singles and album sales.
Singer Dan Davidson, echoing this fact, told IRC that “indie rock isn’t a genre to us, it’s the DIY way to make our style of music and get it to the fans on our own terms.” We happen to dig their singles “Halo” and “Lifetime.” The other band members include Steve Vincent on bass; Tyler Dianocky on guitar; Brad Simons on guitar, and Greg Williamson on drums.
Halo – Tupelo Honey from Brave New World – Feb. 6th
Lifetime – Tupelo Honey from Brave New World
Justin DiFebbo – Turn Out The Light, Turn On The Stereo
Mixing acoustic and electric guitars with bass, piano, organs, ukelele and mandolin, singer/songwriter and multi-instrumentalis Justin DiFebbo from Philadelphia crafts intricate, lush songs that draw from an eclectic background of church music, love for bands like the Beach Boys, The Beatles and Simon and Garfunkel, and years of music lessons from the time he was nine years old. During his early 20s, DiFebbo played the Hammond organ for the blues rock band K-Floor and toured extensively, performing live for more than 500. During this time, he honed his skills and developed a strong love of vintage keyboards, including the Hammond B3, Fender Rhodes and Wurltizer 200A.
In 2011, DiFebbo decided to strike out on his own. In 2014, he quietly released his debut album, Turn Out The Light, Turn On The Stereo, an homage to his keys fascination and a commendable exercise in recording and mixing all of the instruments, percussion and vocal tracks. His sound is a swirl of pop and harmonies, folk roots and bluesy rock with overtures of psych all supported by deep keys infusions. Tracks like the appropriately upbeat and melodic, “Coffee,” and the swaggering, reggae-like, “Play It Slow,” are two of the EP’s tracks that stand out particularly well.
Coffee – Justin DiFebbo from Turn Out The Light, Turn On The Stereo
Play It Slow – Justin DiFebbo from Turn Out The Light, Turn On The Stereo
Pyrrhura – Off The Big Road
Not often do we receive music from Slovakia, but Milan Tarina Jr. is a 17-year-old experimental indie folk musician from the former Soviet satellite town of Nitra whose been playing keys for eight years now. Together with a passion for indie music, piano and synths, he decided to write and record some of his own songs. And we’re glad he did because we’ve listened to tracks like “Spring Is Coming” and “Clouds of Thoughts” again and again. While his raw, under-produced sound and nasally vocals may not be the typical fare that one assumes rises to the level of being featured on an indie blog, we still like his DIY style. The sound overall is hard to define. His father, Milan Tarina senior, who plays guitar and sings in a band called Bearish Dream, also contributed
In March of last year, using the moniker Pyrrhura, he self-released his sophomore EP, Off The Big Road. That EP was proceeded by his 2012 debut EP, Try To Think,. In 2013, he released his debut LP, In The Middle of The Forest, which you can stream on Bandcamp (and we highly recommend you do). Oh, and the band name? According to Wikipedia, Pyrrhura is a genus of parrots in South America. Tarina’s musical influences include a diverse collection of bands and artists, like Julian Plenti, Death Cab for Cutie, Borko, Woods, Fossil Collective, The National, Noah and the Whale, and Great Lake Swimmers.
Spring is Coming– Pyrrhura from Off The Big Road
Clouds Of Thoughts – Pyrrhura from Off The Big Road
Fallen Among Thieves – Honey Mouth
We don’t know much about the unsigned Lancaster, PA indie rock trio Fallen Among Thieves other than to say they rock in the tradition of 90’s alternative rock and indie rock, with influences from bands like Surfer Blood and Cloud Nothings. Their songs are hard and crunchy as well as upbeat with ringing guitars as evidenced by two tracks from their Honey MouthEP. There’s no mistaking as well that the band members draw from Nirvana and Weezer in constructing and executing their own sound and style. The band members, formed in 2013, include Ian Anderson (drums); Joshua Buckwalter (vocals/guitar); Kurt Demarra (guitar); Carolyn Leber-Eyrich (vocals); and Sean Hillard (bass).
Down – Fallen Among Thieves from Honey Mouth
Mateo – Fallen Among Thieves from Honey Mouth
She The Monster – Pacific EP
Drawing from influences that include Sufjan Stevens, Coldplay, Relient K and others, the multi-continental indie rock band She The Monster dropped their debut EP, Pacific, last March, featuring exceptional tracks like “I Like You The Way You Are” and “Dream.” Fronted by Green Bay signer/songwriter Andi Peot, whose sassy, soft vocals are endearing, and so far, underrated, the band formed in 2011 when Peot met guitarist Darren Oosthuizen and bassist James Lennox at university in Sydney, Australia.
Peot was impressed with their existing band Nova Sky, and in return, they where taken by her songwriting and vocal skills. And thus, the groundwork for She The Monster was laid. Teaming up with Nova Sky, Peot and the guys launched a series of successful shows in Sydney and then took a break. Months later, in December of 2012, they decided to get back together, but instead reformed as She The Monster, a new band with a sound that would be “a lot different to the alternative rock style of Nova Sky.” Former Nova Sky drummer Kyle Rutten from Canada also joined the new outfit. Sometimes it’s very smart for bands to make such changes early on when they realize they want, or need, to go in a different direction. For She The Monster, it worked out on Magical Goodness for the Soul. In June, the band released another EP, Wayfarer, featuring the track, “Hey.” Update: Right before publishing this post we heard the band has broken up. Oh well, the music they did make together is now officially part of the History of DIY Archives.
I Like You The Way You Are – She The Monster from Pacific EP
Dream – She The Monster from Pacific EP
Cousin Dud – The Faded
With their upbeat, catchy track, “Illinois,” the Chicago band Cousin Dud are not duds at all. They remind us of The Proclaimers; they rock with a pop groove and some accordion riffs; they’re witty and like choruses that make you want to join in. “Illinois” is a good track when you just want to be mindlessly gleeful, and would fit in nicely with IRC’s next installment of the State of Music playlist series – which we really need to catch up with; it’s been a while.
A decidedly countryish-rock love song, “(Wilco) By The River,” harkens back to the soft Southern rock sound that was so big in the early to mid 70s. It’s really a very well written, executed and produced song from a band that deserves more attention. The members of Cousin Dud are Matt Carmichael (guitar, vocals), Josh Burns (guitar, vocals), Pete Geraci (saxophone), Dan Schuld (bass) and Ben Sams (drums). Their musical influences include The Hold Steady, The Grateful Dead, Oingo Boingo, Wilco, and The National. Their latest album dropped in March of 2014.
Illinois – Cousin Dud from The Faded
Wilco (By The River) – Cousin Dud from The Faded
The Whistles and the Bells – The Whistles and The Bells
During a 2010 tour, in which Nashville band, Cadillac Sky, was opening up for the Grammy-winning band Mumford and Sons, lead singer Bryan Simpson, a Nashville local, hit a wall – spiritually, mentally, physically and emotionally. In distress, Simpson made the incredible decision to leave the tour and his band right at the time when they had seemingly achieved the kind of success that just about any other band would give just about everything they had for. Supporting one of the hottest bands in the world is not a minor thing. But Simpson simply could not continue the rigorous tour. He battled demons and went to a very dark place, he told IRC.
He left it all behind to strike out on his own, and formed The Whistles and the Bells, making peace with himself and his former band mates. The entire experience, from the highs of a national spotlight, to the lows of his darkest moments on the road, provided plenty of material for the young songwriter. The result is his new band project’s self-titled debut album, described by his publicist as “the dark, and at times musically twisted, autobiographical snapshot of Bryan’s personal earthquake surrounding the education of studying his maker.” Obviously, he was particularly struggling with his faith. The debut album encompasses “all [of] the modern southern gothic swirl of sounds from blues, to Americana, to New Orleans-style horns and darkness of the [sic] self-exploration,” the type of material, he contends, that creates a “personal soundtrack of a character from a Faulkner novel.” The first single, “Mercy Please” was a Rolling Stone magazine daily download.
Mercy Please – The Whistles and the Bells from The Whistles and the Bells
Transistor Radio – The Whistles and the Bells from The Whistles and the Bells
As with every year in the past, there were thousands of amazing, must-hear and under-the-radar indie music releases in 2014. If you’ve been following IRC, you’ve heard some of the most promising and unique, many that were not featured anywhere else online before being profiled on IRC. And, in the coming weeks, we’re going to be posting more great releases from 2014 that are worthy of your time from bands you’ve probably never heard of before. We also hope to put together a posting of the bands and songs in 2014 that all of you liked the most.
Also, don’t miss Vol. I and Vol. II of the Top DIY of 2014 series; there’s plenty of great bands to watch and amazing tracks to listen to.
Throughout the year, we post obscure but talented artists and bands in series like DIY Bands to Watch, 5 Bands That Rock; 7 Bands You’ve Gotta Hear; In Dee Mail and Artist of the Week, to name just a few of our long-running, popular playlist series. Many of you have asked what happened to the Top Ten Songs playlists – we’ll do our best to revive them in 2015.
North By North – Something Wicked
Chicago’s North By North rock it out on their 2014, 18-track LP debut, Something Wicked, channeling the magnetically electric ferocity of Jack White’s guitar playing, and mixing it with the shadowy dark pop influences in the vein of Queens of the Stone Age to create their own mysterious, raucous hard rock sound.
The trio’s mix of thrashing garage rock with 70’s-styled psych and 80’s arena rock on songs like “Burn It Down,” “Blood & Glitter,” and “Her Name Was Vengeance” set them apart from many of their DIY contemporaries. And yet to see them walking down the street you’d never guess they were the musicians behind such awesome, riff-heavy rock. In fact, the album is so good, it was hard to pick just a couple of songs to highlight. It’s too bad that – even after this posting – so many people will never know about one of the best under-the-radar rock albums of 2014.
“Burn it Down” – North By North from Something Wicked
Lurching into the cafe speakers with ringing, blazing guitar work by Nate Girard, the unforgettable and passionate vocals of Kendra Blank (who also plays keyboards) and the energetic and ferocious drum work of Dylan Andrews, this Windy City band has managed to release one of the best, yet largely overlooked, debut rock albums of 2014. And that’s not just the consensus in the cafe; check out what others are saying about North By North and Something Wicked.
Once you’ve listened to this double album a couple of times, you’re likely to see why it has garnered such praise with rock and rollers. And some of you will be as baffled as we are about why this band hasn’t broken through as one of the best new rock bands of the year. Not surprisingly, the band’s top musical influences are The White Stripes, Queens of the Stone Age, Arctic Monkeys, Black Keys, and The Kills. North By North have shared the stage with alternative and DIY bands such as The Ivorys, Swimsuit Addition, The Cunning, Inspector Owl, and All Eyes West.
“Her Name Was Vengeance” – North By North from Something Wicked
In May, the band released a double single, “Mama Gold/Break Some Bones,” that offers more hard-hitting rock and roll for, as the band says, “the intellectual,” or, “the thoughtful individual whose ears require more than four chords and a chorus to get them off. ” For those who bemoan the alleged decline of rock, North By North are one of many bands we’ve feature since 2007 that demonstrates that under-the-radar, DIY indie rock is alive and well. That’s what Indie Rock Cafe is all about; we don’t just regurgitate what dozens and dozens of other blogs are posting every week. Instead, we’re committed to documenting the rarely heard, but amazingly good, music that would otherwise go unnoticed, and unrecorded, in the annals of DIY rock history.
Visit North By North on Facebook
FEiN – FEiN Times
Hailing from Los Angeles, the DIY alternative rock band, FEiN, are not your run-of-the-mill LA rock outfit. In fact, the band’s debut EP, Fein Times, released in August, features songs like “#Grownupz,” which the band calls “a tongue-in-cheek tune about trust-fund babies, mad stacks, Buddhism, bass drops, and memorizing the days of the week.” Together with other tracks like “Monay Grabba,” the EP has been gaining ground throughout the second half of the year. In fact, “#Grownupz” with it’s sick melodic allure, was featured as the opening track on Tunecore’s Summer Songs compilation. Their sound has been called “Vampire Weekend’s bitter cousin and “Grizzly Bear meets a more electronic Arctic Monkeys.” However one wants to label their sound, the duo dabble nicely with integrating pop and electronic elements.
The unsigned duo of former session guitarist Luke Walton and Brandon Woodward (drums, guitar, keys, vocals) have been gaining ground in the ball-busting world of LA’s underground scene, including a well receive show at the Troubadour, the iconic LA club that helped launch famous bands and artists like Led Zeppelin, The Byrds, Bob Dylan, Neil Young, The Eagles, Elton John, and Bruce Springsteen and the E Street Band. Both Walton and Woodward have also played separately with The Beach Boys, and Walton toured with The Doobie Brothers as a session guitarist. Imagine that for young musicians? The duo’s wide musical influences include Mother Mother, St. Vincent, Portugal. The Man, Saint Motel, Belle Brigade, and Everything Everything .
From the city of Boston, home of dirty water, baseball and clam chowdah, the DIY band Wrong Body delivers tightly structured post-rock inspired by the ‘D.C. sound’ (but which is not, they proclaim, ’90’s revival’ rock) on their debut album, BIG. The title track single drives hard with chunky guitars and raw riffs, raucous drumming and the high-pitched, sort-of-Ozzy-but-not-really vocals of guitarist Andy Szymcik, creating a ‘big’ rock sound that deserves a spot headlining a hot Boston club. The second track, “Medal of Honor,” starts out slow with jangling guitar licks and subtle beats and then builds and blasts into a full throttle rocker with an interestingly ghostly chorus.
Wrong Body formed in August 2010 when Syzmcik met guitarist Bryan Mastergeorge while working at an electronics store. The two bonded over the first Rival Schools‘ album, and set out to emulate it along with their other big influences like Fugazi, Jawbox, Nada Surf and Burning Airlines.
The rare common link of musical inspirations propelled the duo to get serious about jamming together and putting together a sick rhythm section to form an official rock band. Not long after, drummer Steve Delany and bassist Jonathan Hislop joined, marking the creation of one of Boston’s best DIY bands you’ve never heard of. If you have, chances are you caught them opening for Therefore I Am, The Bynars, Ghost Thrower, or Foreign Tongues.
There are probably more bands in the Los Angeles area than any other one region in the world. So, you could say, they’re a dime a dozen. But then there are bands that stand out from the blur of all the others, like DIY post punk psych outfit The Electric West. Formed in 2012, the band released their self-produced debut album, Dusty Trails last year featuring tracks like the riff-heavy, dark “Who’s Big Enough” and “Devil Horse.”
The band members include Lee Lewallen on bass and vocals; Chandler Sterling on guitar and keys, and Byron Pagdilao on drums. The Electric West counts among their biggest musical influences Interpol, Sunset Rubdown, Wolf Parade, Interpol, Arctic Monkeys, Bad Brains and Prince. Around the megalopolis of LA, the band has opened for groups like Owenstone, The Shivas, Gravy’s Drop, The Black Heartthrobs, Ghost Noise, and Hex Horizontal.
Straight outta Brooklyn, indie pop rock band Rhino House Band serve up some stellar melodies, harmonies and pop-inspired guitar riffs on their 2014 Golden Summer EP thanks to songs like “Little Things” and “James’ Song.” The band first formed in the college town of New Paltz, New York, comprised of students from the local SUNY campus. The band’s first public performance was at the town’s Rhino Records shop, and it went off so well that they decided to name their band after the shop. As the band played more shows around town, their crowds became larger, and soon, they were a buzz band on campus, drawing attention of the local press thanks to songs like “Wallkill River Demo.”
By the time graduation came, the band’s farewell concert at Snug Harbor turned out to be the second best-selling show of all time at the venue. Golden Summer is the reconfigured band’s first release since relocating to Brooklyn. The new trio includes Ricky Demetro on vocals and guitar; Steven Bartashev on drums and background vocals and Joey Vergara on bass. The band’s top musical influences are The Beatles, The Strokes, Vampire Weekend, Paul Simon, and Best Coast.
“Little Things” – Rhino House Band from Golden Summer EP
“James’ Song” – Rhino House Band from Golden Summer EP
Ontologics – Something to Needle Over
The Providence, Rhode Island DIY band, Ontologics‘, debut album, Something to Needle Over, showcases their own brand of jam-tronica, trip hop, and post and prog rock fusion, sprinkled with psychedelic prose and melodies. The band members spent a year writing, rehearsing, recording and mixing before releasing their debut.
Singer/songwriter and multi-instrumentalist Ian C. (short for Campopiano) has an unconventional and experimental love for the fusion of genres and unique prose as well as “various forms of string and percussive instrumentation and sampling.” The other pivotal member is drummer Matt Walshe who approaches percussions with the world of possibilities and forms that he selects from to make it fit the intent of the song, covering the range from rock to hip hop and with complex time signatures and dual drum arrangements in the mix.
Ontologics have previously opened for artists like Godsmack, Michelle Branch, and Gruvis Malt, and they count among their biggest musical influences King Crimson, Beck, Peter Gabriel, Beastie Boys and The Noise.
“Something To Needle Over” – Ontologics from Something to Needle Over – Jan. 10th
Something To Needle Over – Ontologics from Something to Needle Over
Hemmit – Antimatter
From Portland, Oregon, the garage rock duo, Hemmit, featuring Adam Rohosy and Keith Fleming, belts out high-energy, melodic rock complete with vicious guitar riffs and even howling on songs like the short, rapid fire DIY hit-worthy track, “Everything Is Fine.”
That song, and the second recent single, “15 Minutes,” were released on the duo’s 2014 release, Antimatter, the follow up to their marginally successful 2008 debut, Rocketride, an album that received regular college radio airplay. In fact, the single “Yeah, Right Now” was featured on MTV‘s Shreducation Season 2 and became a No. 1 hit on the rock charts at Our Stage. A second single, “Hold Out,” was selected for Dirtbag Music’s Navy Seals Tribute Vol. 2, and the band was featured on Diesel U Music’s Emerging Artists Show on Boston’s WFNX FM. Ronosy and Fleming list among their top musical influences Motorhead, The Ramones, The Pixies, The Posies and Bob Mould.
Atlanta DIY singer and songwriter Sam Burchfield blends a unique mixture of funk, blues, rock and R&B in standout songs like the soulful “Monopoly” and the upbeat and romantic, “Here Tonight.” How has a talent like this remained under cover? Well, as anyone who has followed IRC for long knows, we feature incredibly talented, under-the-radar artists year round. Yet Burchfield is one of the best ‘unknown’ vocalists we’ve heard in some time; his vocal abilities and range are apparent in his passionate and sultry vocals you can hear for yourself on the songs below.
He was raised in South Carolina where he had an immersed exposure to different styles of music and began playing the guitar at a young age and discovered his vocal abilities which were honed as he maneuvered through the awkwardness of adolescence. His musical influences are not the typical names we see for artists featured on IRC – ZZ Ward, James Morrison, Ray LaMontagne, and Joe Bonamassa. His accomplished band members and contributors include Spencer Smith on drums; Phil Scheidt on bass, Zach Wells on guitar and banjo, and a trio of horn players – Richard Sherrington, Dashill Smith, and Will Scruggs. The group’s 2014 release is Where To Run.
The raspy vocals of Lancaster, Pennsylvania folk singer/songwriter Gordon Smoker, aka, The Hickory Town Ruckus rise up to a melodic chorus “some day before I die, I’d like to see Holland in the spring time” on the track of the same name, “Holland in the Springtime,” from his sophomore DIY LP, Old City Night. The album also contains the song “I Held You Close.” Smoker, who is an RN by professional, is truly a dedicated unsigned artist – he has no backing, label or publicity budget, but writes and records music simply to “make it available and visible.” His musical influences include Counting Crows, Joshua Radin, Blackhawk and Switchfoot.
“Holland in the Springtime” – The Hickory Town Ruckus from Old City Night
“I Held You Close”– The Hickory Town Ruckus from Old City Night
One of the things that we’ve definitely found over all these years of reviewing DIY, and even small label, artists and bands who submit their music to us, is that we need a good chunk of time, over a period of weeks, even months, to listen again and again to our draft playlists. Read more about our submission review process that results in post playlists like this one.
This second installment of the Top DIY Rock Songs & Albums of 2014 offers a rich anthology of indie rock music styles and diversity of bands from across the United States and around the world. In this post playlist, you’ll learn about, and hear genres and bands, that fall under the umbrella of indie rock, such as A Clearing, Baby Baby, Traits, Falcon Hood, Saints of Bliss, Nishe, Jack Denvir, Gardens and others. Don’t miss Volume One of the top DIY music of 2014 – it was a hugely popular playlist with listeners.
But first, we’re opening this DIY playlist of new releases with a band to watch in 2014 – Philly’s A Clearing.
A Clearing From Philadelphia Drop Splendid Debut Album
Sometimes there are bands like just sound like other bands, whether by design or by circumstance, or more often, a mix of the two. Such is the case with the Philadelphia electro-shoegaze band, A Clearing. The uncanny likeliness is evident in their debut single, “The God Cell, Part I,” from the band’s debut album, The Cell, released in January by Azteca Records. The song has a soaring, repetitious, somewhat minimalistic, riff that could be called ambient, shoegaze-y, and esoteric, which is fitting for what has been officially promoted as “a concept album exploring the solar system as a fundamental unit for life, with the coalescing and ultimate fusion of a star creating a life support system for the surrounding matter” while also reflecting “the relative hostility of space.” While the latter is less obvious, we certainly took notice of the two tracks featured below.
While it’s not entirely clear, it appears that A Clearing is the work of a “Benjamin Endling,” the quotations duly noted as that is how the artist presented his “name,” which we’re going to assume is actually a moniker. “Endling” is the “primary member,” and therefore, we presume, not the only member. And yet there is no information provided on any other band member(s). He (“Endling”) is responsible for all songwriting, singing and instrumentation, including “dense, textured (though often heavily electronic) swells” with “late 1970s-era post-punk and electronic” influences, often “incorporating vintage synthesizers and instruments” from the era. The band’s top musical influences include New Order, The Smiths, Macha, Serge Gainsbourg, and The Velvet Underground.
“The God Cell, Part One” – A Clearing from The Cell – January 1st
“The Seeds of Life and War” – A Clearing from The Cell
Chicago DIY Garage Pop Band Baby Baby’s Debut Slips Under The Radar
Another band with a recently released, and impressive, debut album that got our notice is Chicago‘s indie pop rock duo Baby Baby. We don’t know much about these guys other than they’re college students heavily influenced by The Strokes, The Kinks and The Zombies, and who self-released a collection of riveting power garage pop, and heavily melodic, songs on their self-titled debut, Baby Baby, officially released on January 25th. In addition to the afore-mentioned, the two DIY musicians also dig a diversity of artists from The Ronnettes to Tame Impala, and from Balkans to The Beatles. All in all, they sound like a great band mainly influenced by The Strokes, and to some extent, The Walkmen (even though they didn’t list them as a top influence), but who also have enough of their own style and skill that allows them to be respected as an original band of their own making. We hope there’s more to come from these Chicago DIY musicians.
Emerging New Band to Watch, Detroit Indie Rockers, Traits’, Debut
Another 2014 debut band that is definitely influenced – and says so, as does Baby Baby – by The Strokes, and yet maintains their own identity and musical signature, is the Detroit self-described indie rock band Traits. As with Baby Baby, Traits is also a new band, formed during the past year, who dropped their self-titled debut in January. Every unsigned band that puts out a reasonably strong, or otherwise decent, debut gets our attention because it shows they have great potential and talent. We think this about Traits as well, and we’ll be interested to see how listeners of IRC’s playlists and profile series, respond to Traits, as well as other artists and bands in this particular post.
One of the clear influences of the band is The Smiths – any fan of the latter will be able to spot it, and the great thing is that Traits respectably uses that influence to also be as original otherwise as possible, which is another smart characteristic of a talented band because ultimately every band borrows, consciously or not, from what they’ve heard and liked from other musicians, who in turn have been influenced by even more artists, and ultimately, that’s what makes this whole indie rock thing so remarkable as a musical genre that is so distinctly better, more creative, and non-cookie cutter-esque compared to the popular commercial top 40 radio playlists. Indie rock is a safe haven for talented artists to incorporate all kinds of styles from the past half century to make their own music – and we love it because so much of it is good. Traits should be a band that becomes popular, a band to watch in 2014. Traits’ members include Sean Shea on vocals; bassist Domenic Cam; synth player Megan Marcoux; drummer Sam Arment, and multi-instrumentalist and songwriter Michael Seeger.
Latest Releases from Overseas Bands Saints of Bliss and Falcon Hood
From South Africa, Dr. Groove and the Saints of Bliss, with a decade of releases and performances under their belts, mix together a sweet combination of pop, rock and emo on their new single, “Don’t Hide Your Love.” The band has been popular in South Africa and to some degree as well in Europe and Australia. The list among their top influences Blink-182, The Police, Goo Goo Dolls, Placebo, Foo Fighters, and Coldplay.
“Don’t Hide Your Love” – Saints of Bliss from Don’t Hide Your Love Away single – Jan. 30th
Saints of Bliss Official Website
With the London band Falcon Hood, the vocals need some work and the drums sound far away and understated. The drums are the basis for timing that leads a song, and which, once improved, and remixed, could make the track, “Fool” better than it is. A good producer would work on the vocals, drums and other instruments, and push the band closer to perfection of what that producer can determine is what the band wants, and the sound the producer thinks will most likely fit the vision. We still like the song, but can hear how better it would be with more work. The band released their debut single on January 21st in the U.K., and originally formed last summer.
“Fool” – Falcon Hood from single – January 21st
London Indie Rock Trio, Nishe, Drop Eclectic Debut Album
Nishe is a three-piece alternative rock band from London, who like many others in this post playlist, are only about a year old and released their self-titled debut album – This Is Niche – in January. The young group of musicians barely out of their teens, featuring members Giovanni Zappa (lead vocals, guitar), Harold Wilson (bass, backing vocals) and Thomas Romer-Smith (drums, backing vocals) knock out highly energetic and infectious melodic hooks with excited guitar riffs and perfectly synched bass and drums. Nishe sounds surprisingly fresh and exhibit a great fondness for creating songs that personify an eclectic array of styles and influences. Among their musical influences, the band listed Muse, Arctic Monkeys, Kasabian, and The Kooks.
“You Got Me Blind” – Nishe from This is Nishe – Jan. 22nd
Shoegaze DIY Anchorage Artist Teenage Daydreams’ Surprisingly Vocals
The sounds of shoegaze alternative dream pop and gritty alternative rock spiked with heavily distorted, chunky chords and sharp-edged, treble-dripping notes, hard-hitting base and drums, topped with glitzy blitzy synths and the whispery ‘female’ vocals make-up the track, “Emotional Lightning Girl” and “Hearts Touching,” two often intense songs – and not everyone’s cup of tea either – from the sophomore album, False Hope Syndrome, by Anchorage musician Aidan Christopher Haughey. You rightfully think you hear a female singing, but it’s a guy. His moniker, Teenage Daydreams, was formed in 2010, and is modeled after the music of My Bloody Valentine, The Wu Tang Clan, Sonic Youth, Beach House, Nas and even Chopin. Haughey says the love of art and beauty drives him; plus, he taught himself everything he knows about music. He not only writes and sings, he also records all of the instruments, which makes him a candidate for One-Man Band series. But the biggest surprise about the music is that it is Haughey vocals, and he sounds convincingly like a female. Unusual indeed, but the music stands on its own.
“Hearts Touching” – Teenage Daydreams from False Hope Syndrome
Raleigh DIY Alt. Rockers, The Record, Plus San Diego Bedroom Teen Artist 8th&M
The North Carolina DIY alternative rock band, The Record, have dropped four releases in the past four years, but have largely remained under the radar. After listening to two singles, from the five-song EP, A Verdict Wouldn’t Matter, self-released on January 28th, a number of times, it was evident that the Raleigh-based band’s credibility as an alternative rock band were completely valid. The EP’s stand-out single, “Come Back To Earth,” is terrifically written and performed from start to finish. While it has pop elements, it remains a rock ballad with fairly good lead vocals and harmonies, all packaged together nicely but with the rawness edge we love about DIY releases. But with that said, the second single, “Keep Your Head Up,” is a longer song that jams spectacularly throughout the seven minutes or so the track runs. The band members of The Record include Sean Spollen on guitar and vocals; Will Hendrick on keys and vocals; Tyler Drake on bass and Robbie Duncan on drums. The band has opened for artists like John Nolan, Augustana, Mr. Gnome, and Unifier, and count among their major musical influences The Beatles, Stone Temple Pilots, and Butch Walker.
“Come Back To Earth” – The Record from A Verdict Wouldn’t Matter – Jan. 28th
“Keep Your Head Up” – The Record from A Verdict Wouldn’t Matter
The Record Official Website
Situated in the awesome city of San Diego, California, bedroom artist Michael Alvarez painstakingly mixes elements of electro, dance, R&B and indie pop together, resulting in fairly impressive songs like “Slow Down A Bit” and “Fly Over to Sweden.” Alvarez, who adopted the 8th&M moniker last year, obviously has talents for creating rich songs that don’t get old with multiple spins. Alvarez also recently got his business license to operate as an independent label, 8th&M Music. His top musical influences include an eclectic mix of Jeff Buckley, The Mars Volta, Phantogram, Miike Snow, The Doors and Boyz II Men.
“Slow Down a Bit” – 8th&M from Something Proper – Jan. 28th
“Fly Over to Sweden” – 8th&M from Something Proper
Teen Singer/Songwriter Jack Denvir’s Debut EP, ‘Teen Love, Sick Vanity’
The first thing we thought of when we heard of singer/songwriter Jack Denvir was why had we not heard of him before. As it turns out, the 18-year-old Washington, D.C. bedroom artist self-released his debut solo EP, Teen Love, Sick Vanity , on January 1st. Two of the indie, lo-fi folk rock singles, “The Walls” and “After Sister’s Accident,” are excellent songs coming from an unsigned artist. Denvir says that he first comes up with his songs during “periods of insomnia” and starts out on acoustic guitar, slowly transforming his ideas to multiple instruments that he plays and records himself, and then mixes into full songs.
“The Walls” – Jack Denvir from Teen Love, Sick Vanity – Jan. 1st
“After Sister’s Accident (Ten Years Old)” – Jack Devir from Teen Love, Sick Vanity
Chicago Band Gardens Release Debut EP With A Hard Alt. Emo Pop Edge
The next band to drop a DIY debut in January is Chicago ‘s own Gardens. On January 7th, Gardens self-released the EP, Everything Looks Different in the Daylight, their first official release. As the two singles below demonstrate, Gardens draw from alternative rock, emo, pop and post hardcore music. Not surprisingly, the band’s major influences include Balance and Composure, Brand New, Manchester Orchestra, Daylight, and Citizen. The band members include JR Glyman on guitar and vocals, Jordan Brasko on lead guitar, Jackson Mills on bass and backing vocals, and drummer Aaron Foster. They’ve opened for bands like First Things First, Letithappen, and Envoi. Gardens is the second Chicago artist featured in this latest volume of the top DIY releases.
“Haze” – Gardens from Everything Looks Different in the Daylight – Jan. 7th
Basically, we go through the submissions and filter first by whether or not the artists submitted streaming MP3s (since that’s the format base for our playlists, podcasts, feeds – and since MP3 streams work on every device and browser) and were otherwise compliant. Next, we listen to their first song submission, and if it generally sounds good to us, we’ll listen to their second song (if applicable). If the first listen passes the initial ear test, we put their tracks into one huge draft playlist that can contain up to 100 songs. Over the course of weeks, we’ll listen to the draft playlist songs – usually without looking at who the artist is – in one long, uninterrupted stream (like they’re presented on all of our published posts).
Over time, one and two star bands will be removed from the playlist, while three and four (four being the highest) star rated songs will stay. Then we continue to listen and may decide against some three-star ratings, but generally by the time we’ve gotten to the point of reconfirming the star ratings, we’ve listened to the playlist six, seven, eight or more songs. Therefore, by the time the final playlist is determined, we feel like it’s a solid playlist of great songs from talented artists and bands that most people – even indie lovers – have never heard of before (that changes for many bands after being featured on IRC). Then we begin the long process of writing profiles and introductions about the music and the artists, checking facts, coding and labeling, formatting, adding photos, editing and so on. It’s a hell of a lot of work, but it feels great to give earned credit to artists and bands that for whatever reason have so far flown under the radar.
For many artists and bands featured on IRC over the years, they’re no longer under the radar once our listeners have heard them, and why you’ll see so many archived profiles and playlists (we keep the song links alive!) with big numbers of Likes, Tweets, and so on. And then of course, there are actually numbers of page visits, which run into the tens of the thousands for big post playlists like this one, and especially for the DIY and under the radar series, because again, so many of these artists are getting their first, or first big, exposure on IRC. And eventually, we create Top 10 lists (have to catch up on creating the new ones for 2014 – coming soon) based on how many times you guys streamed and downloaded the songs we post.
If you’re looking for really ‘new’ music, that is often also exclusive to IRC, by yet undiscovered artists and bands, this is the place. There simply is no other site like this on the web – we bring you the best only of both DIY, under-the-radar and popular indie rock.
As we get close to wrapping up January’s coverage to get caught up, we’re listening to and sifting through all of the February submissions as well. As with so many of our features and playlists of new songs, albums and bands, we keep coming across fine music that simply is not available anywhere else on the web in any real accessible and organized format – such as DIY bands and artists’ releases for January. That’s why it’s so important we keep doing this because otherwise so much of this great music we feature on IRC from relatively unknown, but talented, artists and bands would go almost completely unnoticed. It doesn’t make any sense to have just another “indie blog” that rehashes what has already been featured on dozens of other blogs.
It’s been a daunting task; we sifted through over 150 (154 exactly) submissions for January alone. By the way, in some of the artist profiles, where there was a lack of information provided, we took the liberty to provide artists and bands with some basic, but essential, advice, using some of the artists we’re highlighting as an example to help other artists.
There’s a lot to cover, so let’s get to it.
We would love to hear which songs, and artists and bands, from this playlist post, that so much work went into, you like the most. Dig in and enjoy tracks from January releases by The Howler Weary, The Supplement, Tom Harrison, The Fake Vulgarys, Matt Boroff, Manic At Midnite, Zach Jones, Glitch Mouth, Canadian Hunter, One Eleven Band, Pictures, Tom Harrison, Urban Wildlife, and Gold Spectacles.
The Howler Weary Rip Out Blues Rock On Debut LP
One of the first bands to catch our attention in 2014 was Livingston, New Jersey blues and garage rock band The Howler Weary. This is a band of fine musicians, and friends, Jake Levine, Henry Yavorski and Trevor Fedele, who create amazing touching and somber acoustic songs – in the vein of Nick Drake and Elliott Smith – like “When I’m Loving You ” and “Summertime,” and also rock out on tracks like “High.” The trio formed last year to take an approach to rock drawing from the musical influences of the past 75 or so years, tapping into southern blues sounds (the true origin of rock and roll) as well as legendary bands like The Beatles and Led Zeppelin, and iconic figures of the so-called ‘crooner’ era, such as Frank Sinatra and Nat King Cole.
While the band takes pride in their more delicate folk melodies, we also appreciate their ability to rock and roll too; either way, there’s a decidedly blues feel throughout all their tracks. Their own literature states; “The Howler Weary look to bring their own taste of rock and roll to a new generation.” While they’re a band less than a year in the making, their first recordings demonstrate that their confidence is not zealous as much as it is something this New Jersey trio take seriously; and so far, given they are new out-of-the-box, they’ve taken the first steps successfully. We’ll be watching; see their short video of them in the studio.
LA Punk Buzz Band Returns With Follow-Up to Hailed Debut
The Los Angeles punk band The Supplement kicked up a buzz in 2011 in the LA punk scene with the release of their eponymous debut album. The band is not strictly a punk band per se; in fact, the band describes their music as as a fusion of “southern California punk with high-octane ‘blue collar’ rock.
The buzz the band earned back in 2011 led to a series of high-profile shows supporting some of the biggest names in punk rock, including The Dwarves, Cro Mags, Generators, Fear and TSOL. The band took some time off in 2012 (a risky thing to do in the brutally competitive rock scene of southern California) and returned to the studio late last year with a new vocalist, Chris GySelinck, to record the tracks for their follow-up album with founding members, guitarist Brian Michaels, bassist Paul Ensley and Greg Yocum on drums. The new album, Step Up From Zero, was officially released on January 14th.
The album contains a number of standout songs, including “Nowhere,” which the band calls a “broadening of the scope” of their music, as well as songs closer to their punk and rock roots, like “Love Lie and Steal.” As evident in their music, the band listed their top musical influences as SuperSuckers, The DAtsuns,The Replacements, Wolfmother , The Cult, and Dinosaur Jr.
“Nowhere” – The Supplement from Step Up from Zero – Jan. 14th
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Veteran Rocker Matt Boroff Teams Up with QOSTA/Screaming Trees’ Vocalist Mark Lanegan
For a quarter of a century, American-born, Austria-based songwriter, vocalist and guitarist Matt Boroff has shared the stage with bands like Nirvana, Calexico, Black Rebel Motorcycle Club, and Bad Brains, among others. In the 1990’s he toured sporadically performing experimental noise rock, and by the mid-2000’s was garnering kudos from listeners and critics with his new band, Matt Boroff & The Mirrors, before releasing his first solo album in 2009. On January 14th, Boroff release his sophomore solo album.
Anyone who has made it through the insanity of the music business for more than two decades, and is still making a decent living at it, has earned their battle scars and cred. Throughout a storied career, Boroff has continued to take his passionate brand of music to new heights, which has journeyed through new and exciting musical landscapes and experiments – from cinematic noise rock to gardens of indie rock ambience. This time around, for his second solo full-length album, titled Sweet Hand of Fate, Boroff steps into yet another new direction, even bringing in the legendary vocalist for Queens of the Stone Age and Screaming Trees, the widely respected Mark Lanegan.
Boroff listed his biggest musical influences as Tom Waits, Nick Cave, The Gun Club, and Leonard Cohen. That’s definitely an interesting mix – wonder what a musical psychologist would say about such a specific, yet wide-reaching, group of names. We also like Boroff’s answer to “what is indie rock,” which he said “is a label that rightfully should refer to artists who are doing things on their own terms with their own unique signature. All too often that label is misused and attributed to things that are anything but that. That being said though, the independent spirit of music is still alive and well all over the world if one cares to try and discover it.” While almost everyone has a slightly differing longer answer for what is indie rock, the most common theme, not surprisingly, is the idea that indie implies a DIY style and the ultimate independence and freedom to create what he or she wishes to without pressure and interference from label representatives and other commercial mechanisms. Boroff’s latest work is DIY, so that lends even more credence to his concept of indie.
“Lost” – Matt Boroff from Sweet Hand of Fate – Jan. 14th
“My Black Heart” – Matt Boroff from Sweet Hand of Fate
Matt Boroff Official Website
Brooklyn Band Manic After Midnite Release Tragic First Single
You could spend a life time reviewing and listening to musical artists and bands located, or relocated, to Brooklyn, and still never get to hear and absorb all of the talent the borough of New York City has contributed to indie and alternative rock, folk and whatever other sub-genre you can think of. While the newly formed Brooklyn “alternative soul/celestial” band, Manic After Midnite, has a pretty solid debut single to offer, we’ll reserve a more reliable, and fair, judgement once we’ve heard the other songs. One song is certainly shy of sufficient material to get a handle on an artist, but if the tragic beauty of “Faces (Can You Tell Me)” is an indicator of things to come, we’ll definitely keeping tabs on MAM. In the meantime, there is this little number to hold over potential admirers. MAM draws influences from The Sylvers, Snowmine, Kings of Convenience, Solex, KING, and Selda Bagcan.
“Faces (Can You Tell Me)” – Manic After Midnite from Faces – Jan. 7th
Manic After Midnite on Facebook
Brooklyn-Via-Virginia 20 Year Old Artist Drops Debut Album
Born and raised in the Virginia suburbs, like so many aspiring young musicians, Zach Jones packed up and moved north to the artist haven of Brooklyn. On January 1st (again, one of the worst day’s to drop a new release), Jones dropped his debut album, All That We Crave, from which we have taken interest in, especially the tracks below.
Without providing much of a bio, Jones did leave us with this description of himself and his music: “When he’s not cursing the masses or trying to combat his emptiness with yoga, he composes music with his guitar. His style ranges from ‘sad folk for sad folks’ to ‘pop rock for cynics,’ along with songs that embrace the absurd, welcome the void, but don’t sweat the small stuff. We’re a disillusioned generation and he’s learning to deal with that.” Presuming that was written by someone else, and not Jones himself, it really doesn’t say much of any consequence or usefulness at all other than some guy has some sad folk and cynical pop songs, and to sum it all up with the worst recycled cliche of the past 50+ years, he’s a by-product of a “disillusioned generation” – oh, boo hoo. Again, we want to know about the artist – who are you; what do you write about and why?; when did you start getting interested in music; what is your musical background, and so on. People are naturally going to be more likely to appreciate and care about what you have to say if you make yourself human to them and not just a name to a song.
“All The Blue” – Zach Jones from All That We Crave – Jan. 1st
“Murder Muffins” – Zach Jones from All That We Crave
The following are two artists who both DIY dropped their debut albums in January, and yet who we know almost nothing about because they failed to provide any type of a real bio or profile (which are always rewritten anyways, except when noted). It’s not really fair to other band’s that didn’t make the final playlist, but who worked diligently on writing their bios. Here’s what we do know of them (we’re not going fishing for more information about them; too many other submissions to review). First, DIY musician Jake Maas, who goes by the moniker Canadian Hunter, and lives in Denver, sent over a dreamy homemade pop song, “Hibernation,” his single debut, officially released on January 11th. While we are fond of Canadian Hunter’s woozy, lo-fi, organic sonic representations, we also see great potential for growth, even though he’s been diligently working on his music for the past four years. The process, and the time span, are less important to us, ultimately. At the end of the day, what we care about most is the music.
In the limited bio he did provide, this is what he provided, verbatim: “I’m a blend of flannel, plastic handles of whiskey, and nothing to do on a Friday night. My music is a blend of keyboard, reverb, and pessimism. I’ve never played a show and I’ve never been inside a recording studio. This song, in fact, is my debut, recorded in my apartment. And it’s damn good.” Confidence is good; more than that: not so good. You want to understate, or not at all, your own praise of your own music – it leaves much more to the imagination, and is more likely to be well received. And if people don’t agree with the artist’s self-review, especially considering how good “damn good” is, the disagreements tend to be magnified more than usual. Furthermore, humility, especially for an unestablished artist, is a big part of the game right there. Let the praise come to you – organically. As mentioned earlier, in this post we are providing feedback that is geared towards helping the artist in question while also serving as useful tips to aspiring musicians and bands who follow IRC.
Other important consideration for artists and bands – carefully chose your band name. For example, in this case, Maas did himself a disservice by enlisting the moniker Canadian Hunter. Do any search engine query for ‘Canadian Hunter’ and the results are dominated by results for the popular Canadian Hunter Whiskey, and other results, but nothing for the band. Of course adding ‘band’ or ‘music’ to the name helps, but in this case, not as much as one would suppose. Therefore, from a branding perspective, Canadian Hunter is not a name we’d go with, but we don’t really care. The point is we have his new single here for all to enjoy.
“Hibernation” – Canadian Hunter from Hibernation – Jan. 11th
The second band that we don’t know much about, and who literally just formed a month ago, is the London-based indie rock duo Pictures, featuring lead vocalist Alexandre Caulier and pianist Rosa Ullmann. The duo teamed up with producer and friend Garry Cosgrove from Newcastle to record their debut single, “Return,” and B-side track, “Echo”. The duo are apparently at work on their debut album and listed their top musical influences as Arcade Fire, The Fray, and Radiohead.
“Return” – Pictures from Return single – Jan. 16th
Pictures on Facebook
Las Vegas’ One Eleven Band Mixes Hip Hop, Reggae, Rock and Funk on Debut
The new-to-the-scene and unsigned duo, One Eleven Band, from Las Vegas, is headed up by Doc Jones and ‘master guitarist’ Daniel Moore. Jones and Moore met in 2013 and realized they had a mutual interest in the same types of music, and the desire to write and record their own tracks, combining hip hop, reggae, funk, rock and soul. After some time writing the songs, the duo huddled in Jones’ home studio. The duo recorded, mixed and mastered all of the guitars, bass, drums, as well as lead and backup vocals into one compelling collection of songs.
One thing that really stood out from the get-go was how much the opening riff on the “Awesome Fresh” single sounds so much like some of the riffs on Peter Frampton‘s “Do You Feel Like I Do,” but that’s beside the point. As a bonus, we have included yet another song from the EP. The only thing that some people might hesitate about, while others will rejoice, is that the band members are faith-based musicians.
“Awesome Fresh” – One Eleven Band from One Eleven Band EP – Jan. 11th
“Living Water” – One Eleven Band from One Eleven Band EP
Brooklyn Trio Glitch Mouth Fuse Old Skool Hip-Hop and Other Genres
Formed in 2009, Brooklyn trio, Glitch Mouth, set out to take hip-hop to places it had presumably not gone before while “still drawing influence from the 90s Golden Era,” which we take to be the height of the hip-hop sound when artists like N.W.A. and Run DMC dominated the hip-hop scene. But that’s another discussion entirely. The group listed their top musical influences as Wu-Tang, Big Pun, MF DOOM, Black Star, and The Fugees. According to the outfit’s producer, Sean Harold, Glitch Mouth’s new EP, Cure for the Common Flow, is “the incorporation of live instrumentation, classically-trained female vocals, and experimental studio techniques” with hip-hop, and “set[s] Glitch Mouth out[sic] from many of their contemporaries.” That is true, especially in how elements of jazz, rock and soul are spliced and fused in with the beats. In addition to Harold, GM, is comprised of MurMur, the MC, and vocalist Erin Pellnat. The EP, Cure for the Common Flow, was self-recorded in “DIY guerrilla studios” throughout New York and Connecticut.
“How I Feel “ – Glitch Mouth from Cure for the Common Flow – Jan. 12th
LA Musician and Composer Tom Harrison Drops New EP
DIY artist Tom Harrison is a young Scot who has taken his music all over the world, and recently settled into his new home in Los Angeles. In addition to writing his own music, Harrison has written songs for other artists like YouTube sensation Savannah Outen as well as music for a whole host of television shows, including CSI, Under The Dome and The Simpsons.
Harrison’s latest EP, Electric Postcards, was produced by Christopher Tyng, the man behind the music of Futurama, The O.C. and Suits. The EP is a coming together of Harrison’s love of high energy 90s rock and eccentric lyrical sensibilities reminiscent of artists like Squeeze. Add to that a bit of irony taken from cues by his musical hero, Paul McCartney, the EP breathes new life, and a younger interpretation, in between Harrison’s rock and roll riffs and beats.
“Far From Home” – Tom Harrison from Electric Postcards EP – Jan. 6th
“Meaningless” – Tom Harrison from Electric Postcards EP
Portland Band Urban Wildlife Release Sophomore Album
Consisting of Emily Logan, Ryan Mauk, Wade Morehead and Paul Notley, the Portland band Urban Wildlife blends the musical histories of each member to incorporate folk, country, pop, indie and alternative. Urban Wildlife manifested slowly, adding musicians from all over the Pacific Northwest and California until finally finding its perfect formation to release a second LP, Strangers, released on January 24th. Strangers takes listeners on a journey of birth, death and rebirth and explores the human experience through songs that vary from sparse to foot-stomping and sanguine.
“Strangers” – Urban Wildlife from Strangers – Jan. 24th
“Alchemy” – Urban Wildlife from Strangers
Urban Wildlife Official Website
London Baroque-Pop Band Gold Spectacles Debut New Single
Gold Spectacles are a baroque-pop duo based in London, that produces sample-based alternative pop music. Formed in 2012, the band is a collaborative venture of two British songwriter/producers who draw on an eclectic range of musical influences from Paul Simon to Phoenix, Gold Spectacles write sample-based alternative pop music. The duo dropped their debut single, “Steal You Away” on January 25th.