When we first heard a few songs from the Brooklyn band Late Cambrian, we knew that we were listening to one of the great new under-the-radar indie bands of the year. Beginning with the latest songs from their newest release, we eagerly listened to the band’s back catalog of enjoyable singles, brimming with glorious power pop hooks, driving rhythms and harmony-lush choruses.
It’s the music that ultimately matters, and Late Cambrian have proven themselves, after four years of hard work and a growing discography, as a band to watch in 2015. Their latest album, Golden Time, released in January, is busting at the seams with amazingly melodic, uptempo songs. The title track is a great example thanks to a collision of blazing guitars and rhythms, soaring synths and perfectly delivered vocals.
[zbplayer]
Since its release last fall, the “Golden Time” single has received over 10,000 plays and more than 120 hearts on Soundcloud alone and scored a No. 1 spot on OurStage. The video for “Golden Time” was also the featured video of the month. Those are pretty good indications of the band’s trajectory as they win one fan at a time.
Late Cambrian’s frontman, songwriter and vocalist, John N. Wlaysewski, says the title track of their new album is really starting to catch on not just for how terrific it sounds, but also because of the lyrics. “It’s a song about a teenager’s perspective on clubs, looking from the outside in,” he said.
Another track, “Throwing Shade,” leaps right out of the speakers and demands attention. It’s fantastic guitar riff is one that Wlaysewski had been working on for some time, and waiting for just the right song to pair it to. “I’ve been wanting to make a slower groove-oriented song for a while,” he said, “and this is the first one.” “Throwing Shade,” he said, tells the story about “the weird mind games couples play with each other as a relationship is ending,” adding, “sometimes people see they have mental and emotional control over the other partner, and then use it to screw with their emotions.”
Golden Time marked a huge leap forward for the band sonically, Wlaysweski said. “The album was a big sonic departure for us. I really wanted to incorporate more modern sounds, synths and samples. I wanted the band to experiment more with structure. I’d been listening to a lot of Phoenix’s Bankrupt while we recorded this.” He said that the band members are all big fans of Weezer, Pinkerton, The Strokes and other acclaimed bands.
A quote on their Bandcamp page describes their sound more exactly. “If The Strokes and Phoenix adopted Elliott Smith and The Arctic Monkeys the baby’s name would be Late Cambrian.” All of these influences are evident in the songs on Golden Time.
Following the release of the debut LP, The Last Concert, in 2011, subsequent albums like PEACH and Golden Time demonstrate the band’s ever evolving improvement in every aspect of their music, and that reflects as well in their growing popularity. Tower Records and HMV just released Golden Time in Japan, and it’s selling more there than it is in the U.S. “We have a big following in Japan and I’m hoping we can tour the country at the end of this summer,” Wlaysewski said.
Last year they joined the bands Wheatus and McFront A Lot for a successful 30 show tour in the U.K. Late Cambrian has also shared the stage with bands like Dr. Dog and LIGHTS.
The band’s well-honed power pop energy, interesting and existential lyrics and soaring melodies accompanied by sweet vocal harmonies and fuzzy guitar riffs became more apparent on their sophomore release, PEACH, with songs like “Lovers Point” and “Ryan Gosling.”
Wlaysewski said that “Ryan Gosling,” named after the famous actor, is one of the band’s most well-known tracks, which is not surprising since it has a catchy, infectious melody and “woah-oh-oh” chorus, making it a perfect sing-along track. The song “details the struggle to make a meaningful connection with another human being in a fleeting New York City night life,” Wlaysweski said, while “Lover’s Point,” his personal favorite from PEACH, is “an incredibly romantic song for me…it’s about young love and having that feeling again when you’re older.”
The band’s discography offers one musical highlight after another. Taken all together, it’s easy to see why they were voted the best new artist of 2014 in a listeners’ poll. Late Cambrian has all of the makings of a breakout band that should kick up another notch in 2015 as more indie rock listeners in the U.S. hear their tracks.
Over the past few years, Father John Misty has attracted a huge following of disciples.
The Best New Album Releases for the first two weeks of February 2015 include new material from artists old and new, from folk and rock to pop and psych. The latest releases for this past week are reviewed and available below, followed by the first week of releases (Feb. 3-9) for the month, which include new singles and albums from Ólafur Arnalds, The Church, John Carpenter, Two Gallants, Dylan and many others.
[zbplayer]
Father John Misty, The Districts, The Do, Thurston Moore, Peace
Father John Misty has ordained the single, “Chateau Lobby #4,” from the well-received new album, I Love You, Honeybear, as the album’s first single. Next, one of the best new rock singles of 2015 is The District‘s track, “Peaches,” from their new album, A Flourish and a Spoil. Raucous guitar riffs and spatial percussions dominate the new title track from Thurston Moore (Sonic Youth) and John Moloney‘s new album, Full Bleed. Plus, listen to lead tracks from new LPs by The Do, Peace, Rone and Crushed Beaks.
“Overgrown” – Crushed Beaks from Scatter on Matilda Records/Moshi Moshi Records
Swedish artist Magnus Larsson, aka Pet Politics, released a compilation, titled simply, 2005-2008, of his solo music released on different labels during those years. The single we chose from the compilation is “The Ghost Mary and Her Friends.” The DIY band, Max and The Moon, self-released a new EP, MATM, featuring the single, “Modern Love.” You can purchase albums via Amazon by clicking the album title.
“Modern Love” – Max and The Moon from MATM EP (self-released)
Top Releases for Feb. 3rd – 9th: Olafur Arnalds, Two Gallants, Title Fight, Dylan
The prolific multi-instrumentalist and Arcade Fire collaborator, Olafur Arnalds‘ score for the soundtrack of Broadchurch: Original Motion Picture Soundtrack is out now, featuring the track, “Beth’s Theme.” Filmmaker John Carpenter releases his first non-soundtrack album, with the dark, cinematic orchestrations and pending doom rhythms. San Francisco duo Two Gallants dropped another roots blues rock and folk album We Are Undone, followed by Pennsylvania’s Title Fight and the new track – “Chlorine” – from the band’s decidedly more shoegaze-oriented album, Hyperview.
Beth’s Theme – Ólafur Arnalds from Broadchurch: Original Motion Picture Soundtrack on Mercury Classics
“Vortex” – John Carpenter from Lost Themes on Sacred Bones
Bob Dylan, The Aging Master, Drops LP of Sinatra Covers
Even though Bob Dylan would scoff (and always has) at the suggestion that he is a musical genius, at the ripe old age of 73, Dylan (whose birth name was Robert Zimmerman) simply is just that – a musical genius. And yet he hates that. Just last week he said in an interview that if he had to do it all over again, he would have been a school teacher. Hmmm…the world would have surely been different today if he had become a school teacher, and perhaps not have benefited quite as much.
Dylan is a historic figure who not only had tremendous impact on music, but also the world. He has been a powerful, yet modest, warrior against the forces of evil in the world. Millions of people took his words in the 60’s and turned them into positive change across the globe – from the equal right movement to protests against war and violence. Now, Dylan, always evolving, has recorded an album of Frank Sinatra songs – and it’s, of course, brilliant.
“Stay With Me” – Bob Dylan from Shadows in the Night (No. 6 on Amazon) on Columbia
Singles from New LPs by The Church, Butch Walker, All We Are and Michna
Next up is the dreamy psych pop of “Pride Before A Fall” from The Church‘s 21st! album, Further/Deeper, a release that is a textured mix of majestic power pop and psych rock, atmospheric guitars. Butch Walker doesn’t fade away; he keeps coming back every year with more solid music. Such is the case with his newest LP, Afraid of Ghosts, featuring the mysteriously ominous, yet gorgeous, single, “Bed of Fire.” Plus, listen to singles from new albums by All We Are and Michna, Breakfast in Fur and The Staves, and a split single from Kind of Like Spitting and Warren Franklin & the Founding Fathers.
The first batch of new DIY releases for 2015 is here, and there are some terrific singles from noteworthy new albums released by DIY bands across the U.S. and around the world. You can listen to singles singularly or use the streaming player below so that the 23 songs on this page will stream automatically and uninterrupted.
We’ll also be publishing the fifth volume of the Best DIY Releases of 2014, since there are still some not-to-miss EPs and LPs from last year, and a new Artist of the Week. Recently we have also posted the top non-DIY releases for January from well-known and small label indie artists and bands, featuring new material from Ty Seagall, Guster, The Decemberists, Panda Bear, California X, Belle & Sebastian and many others – see and stream it here.
And, if that’s not enough – the famed Top Ten Songs playlists for January will be out later in the week. The following are the bands highlighted in this first volume of 2015 DIY releases. Don’t miss any of it – follow IRC on Twitter and add us on Facebook.
In This Issue:
Steels – Tuscaloosa, Alabama Her Magic Wand – Paris, France Columbia – Melbourne, Australia Valley Shine – Los Angeles, California DAVID – Southampton, U.K. Kat and the Canaries – Culver City, California Radiolab – Alexandria, Virginia Shibuya Terminal – Denver, Colorado Benskuba – Regina, Saskatewhen, Canada Hilldale – Dijon, France Helen Mystic – El Cerrito, California Hydrogen Skyline – Denver, Colorado Action Jets – Phoenix, Arizona Sun Cut Flat – Brooklyn, New York
[zbplayer]
Steels is a DIY indie rock band forged in 2013 by musicians from ‘two glorious Southern cities’ – Tuscaloosa and Atlanta. Now based in Tuscaloosa, the band’s goal, according to frontman D. Charles Robinson was, and remains, “rock vengeance.”
The information we can find on this band (which is difficult because of their common name) is thin. The reason we want to know more is because we are smitten by the angling guitar riffs, horns and harmonic choruses on singles like “True Romance” and the splintering rock of “Be Around,” from the band’s debut EP, On the Other Side. Steels features Robinson, along with bassist Justin Ray-West, guitarist Brett Mitchell and a drummer known only as ‘Gunner.’ Each member, ex-pats from a variety of hardcore bands, bring to the table their aggressive passion to make love with the soul of rock.
Her Magic Wand is the creation of Parisian songwriter, vocalist and musician Charles Braud. Creating his own brand of French-inspired indie pop/rock, Braud’s impressive debut single, “Everything At Once,” from his forthcoming debut LP, is enough to make us take notice and await the rest of the album, which should be released in the next couple of months. According to Braud, the album was written and recorded over a period of nearly a year. Braud landed some terrific, grade A help with the album, scoring Stephane ‘Alf’ Briat (Phoenix, Air) to mix it and Chab (Daft Punk, Sebastien Tellier) to master. The results of such prestigious guidance and assistance are apparent on the new single. But Braud is also no stranger to the indie scene in Paris; he’s previously shared the stage with bands like Cloud Control and The Hundred In The Hands and artists such as Kyp Malone of TV On The Radio.
As far back as 2010, Braud released Her Magic Wand’s debut ‘demo’ EP, Catch A Rainbow, which sold out, even on Bandcamp, but is still available for streaming. If the new single, and the demo EP, are any indication of what Her Magic Wand’s debut LP will sound like, then we’re definitely keeping our ears and eyes open for its official release.
From the rock and roll city of Melbourne, Australia, the post-punk band Columbia crafts dark, mysterious and forbidding songs on their self-titled debut EP. Their sound reminds some of a mix between The National and Joy Division. Frontman Michael Magee‘s brooding, passionate vocals are at the heart of the band’s music, as evidenced on tracks like “One of These Days” and “Brother.” The other members of the band, including guitarists and keyboardists Simon Spratling and Vincent Freeny, and drummer Michael Blancato, round out Columbia’s reputation as a band to watch. The members hail from cities like New York and Belfast. According to Magee, the band’s music aims to “burn with desperate energy” and “confront classical themes of love, faith and work.”
For their debut EP, the band teamed up with reputed producer Anna Laverty, who is known for her work with Cut Copy, Nick Cave and Temper Trap, to record the EP at Melbourne’s Sing-Sing Studios. There’s no question when you listen to the two tracks below that Laverty helped enormously in fostering the raw and deep sound the band strived to create. “It’s the sound of people trying to break through,” Magee said. “We associate indie rock with honesty, integrity and a yearning for truth.”
Los Angeles songwriter, vocalist and strings musician Sam Sobelman, of the band, Lipstick Lumberjack, met his soon-to-be Valley Shine bandmate Jenna Blake of Xu Xu Fang, after she had posted a comment about Sobelman’s cat on Instagram. After some enlightening discussions, the two have been “writing and recording foot-stomping music non-stop” ever since, Sobelman told IRC.
Perhaps foot-stomping isn’t exactly the right description, but the duo sure do create cheery folk pop. Sobelman said they piece together influences such as the piano and guitar arrangements of The Head and The Heart, sing-a-long choruses of The Oh Hellos and Angus and Julia’s “male-female vocal harmonies” to create their decidedly pop folk charm. Their new single, “Bop Bah,” released on January 31st, is an uptempo pop gem that you might think you’ve heard somewhere before, but you probably haven’t). The duo will release their debut EP LOCA in the spring.
“Bop Bah“ – Valley Shine from LOCA – Jan. 31st
“If I Was a Bird“ – Valley Shine from LOCA
Opened For: None
Musical Influences: The Head and the Heart, Angus and Julia, The Oh Hellos, Rilo Kiley, Bon Iver, Mates of State
“Indie Rock is DIY!,” Sobelman wrote. ” It’s keeping the process personal: making everything true to the artistic vision of the creators, and rocking the folk out of music.”
DAVID – Impulses
Based in the U.K. town of Southampton in Hampshire, musician and vocalist David Blackbourn creates what he calls “raw, passionate, weird” acoustic sounds accompanied by lyrics that are “chaotic and confused and full of venom and anger and hope.” These self-professed traits and feelings are not necessarily funneled into the songs featured here; in fact, we don’t hear any anger or chaos on songs like the bright, uptempo, “Keep Smiling,” and the more tame, somewhat melancholy, “Pleasure Seekers.”
“My aim is to make you feel something and to connect,” Blackbourn writes, “…to share joy and pain and to highlight the illogical and the strange.” Using the moniker DAVID (which makes it difficult for people to find him on web searches), Blackbourn contends that his musical influences are “a mess,” including artists that range from polar ends of the music spectrum, such as Aimee Mann to Eminem, Kings of Leon to Frank Ocean, and Fiona Apple to Nick Drake.
He may call his diverse musical influences a ‘mess,’ but the results sound pretty good to our ears. “People say I sound like Jeff Buckley, Paolo Nutini and Tom Waits’ strange love child.” On January 1st, DAVID self-released his debut EP, Impulses.
Based in Culver City, a city that borders Los Angeles, the quintet DIY band, Kat & The Canaries, released its self-titled debut EP on January 1st, featuring catchy singles like “Dead Canary” and “Close The Blinds.” Formed last year, this new alternative/punk rock band features lead vocalist Kat Grant, guitarists Mikey Flores and Adam Joe, bassist Nate Waxler, and drummer Terry Barajas.
“Indie rock to me is rock in its freest form,” Grant told IRC. “When I think of indie rock, I think of rock with no boundaries, traveling down an array of avenues of influence. New sounds mixed with old familiar favorites seems to be the epitome of the indie rock experience.”
“Dead Canary“ – Kat and The Canaries from Kat and The Canaries – Jan. 1st
Radiolab is the musical moniker of Alexandria, Virginia multi-instrumentalist Dane Di Pierro, who crafts breezy, dreamy tracks like the standout song, “Sail to the Stars,” from Radiolab’s third album, Dreamless, released on January 5th. In addition to writing all of the songs, Di Pierro plays the guitar, bass, keys, synths and programs the drum beats. Occasionally adding samples from obscure films and movies, Di Pierro mixes all of the elements together and layers them with dense overlays, particularly for guitars and keys. Vocalist Meghan Redding joined the Radiolab project in 2009 and recorded two albums with Di Pierro before departing for other endeavors before the recording for Dreamless began.
<a rel="nofollow" href="https://indierockcafe.comwp-content/uploads/05%20sail%20to%20the%20stars.mp3">“Sail to the Stars“</a> - <strong>Radiolab</strong> from <em>Dreamless</em> - Jan. 5th
<a rel="nofollow" href="https://indierockcafe.comwp-content/uploads/04%20after%20the%20rain.mp3">“After the Rain“</a> - <strong>Radiolab</strong> from <em>Dreamless</em>
Opened For: Time Colulmns, The Floor is Hot Lava, Ghost Hotel, Seaknuckle, Chainsaws, Heavy Lights
During the long, warm Denver summer of 2014, Shibuya Terminal was a newly formed indie rock trio performing gigs at clubs and festivals, and gaining a following in the local music scene. However, when frontman guitarist and vocalist Pierce Murphy sojourned to Japan last September, he decided to morph Shibuya Terminal into a solo project. Drawing from a variety of genres, including garage rock, post punk and indie, as well as from artists and bands like Elvis Costello, The Thermals, and The Strokes, Murphy wrote and sang each song, as well as played all the instruments, recorded and mixed the DIY EP, The Javelin Set, entirely by himself.
“Javelin“ – Shibuya Terminal from The Javelin Set EP – Jan. 5th
“We’re Not Getting Any Younger“ – Shibuya Terminal from The Javelin Set EP – Jan. 5th
Opened For: None Indicated
Musical Influences: Elvis Costello, The Thermals, The Strokes, Mose Allison, The Modern Lovers
The Canadian outfit Benskuba started out in 2005 as a trio featuring former members of the band Mad Shadows; they were Kevin Cholerton, Blair Polischuk, and Randy Reibling. As Mad Shadows, the Regina based trio recorded and toured together for eight years playing from a discography of punk, ska and pop tracks. The band transitioned into a new band called Benskuba. But the trials of change that the years bring dealt the trio a number of blows, the most tragic of which was the death of Polischuk, the band’s veracious drummer. Polischuk (or “Spike”) was diagnosed with ALS and passed away only months later. Reibling decided to return to Dubai, where he performs in a few bands.
That left Cholerton to set out on his own; pulling himself together on the heels of losing his best friend in such a tragic and sudden (when compared to all of the years they were together) way, Cholerton decided to keep Benskuba going as a solo project. He wrote and recorded Celebration as a tribute to his long-time childhood friend. “I ended up playing all the instruments,” Cholerton said. “The CD is somewhat of a tribute to Spike as we were best friends, and had played together in bands since we were 10 years old. The music can best be described as an alternative rock/pop sound with an emphasis on groove and melody – a blend of big electric guitar, acoustic, big drum sound, introspective lyrics.”
“Indie music is independent, unfiltered music played and written without the constraints of commercial or corporate interests, allowing the artist full control over his art, career, and anything music related.”
“Just a Dream“ – Benskuba from Celebration – Jan. 10th
“Ease the Line“ – Benskuba from Celebration
Opened For: ‘None so far’
Musical Influences: U2, Kings of Leon, Beck, Teenage Head, Black Keys, The Clash
Hilldale is a DIY indie pop band based in Dijon, France. The four band mates – Christelle Armenio (lead vocals, guitar, bass), Lucas Auroy Lopez (drums, backup vocals), Charlie Suchaut (guitar, bass) and Julien Rouche (guitar, backup vocals) – formed the band last year in a mutual quest to write and record songs with sunny, glimmering guitars, mid and uptempo percussions and dreamy melodies, as evidenced on songs like “Day Off” and “Curtis.” Hilldale released a self-titled EP on January 6th.
Musical Influences: Real Estate, Real Lies, Future Islands, Beach Fossils, Mac Demarco, Warpaint
Helen Mystic – Sistine Candles
Helen Mystic is an alternative folk rock trio based in the Bay Area town of El Cerrito. All three of the band members – Tennessee Mowrey, Tobias Butler and Isaac Silk – studied music at Wesleyan University and moved to the Bay Area after graduation. They describe their music as “slow, melody-based electronica, influenced by artists like Beach House and James Blake,” as well as the band members’ “various studies of world music and experimental music at Wesleyan.” The following two tracks are from their debut EP, Sistine Candles, released on January 1st, and available via Bandcamp.
“This Whale“ – Helen Mystic from Sistine Candles – Jan. 1st
“Josef“ – Helen Mystic from Sistine Candles
Opened For: None
Musical Influences: James Blake, Beach House, Alt-J, Novelty Daughter
The Denver alternative electro rock band Hydrogen Skyline comprises a husband and wife team that reunited after years of being separate following an intense high school romance. In 2012, Norman Skyline, his real name, graduated from university and pursued a career in music by starting a solo project which “absorbed other artists as the evolution of its existence began.” He found it difficult, however, to find local talent to work with. “Years later,” Skyline says, he crossed paths with Asher, his former high school sweetheart and their love was rekindled; as Skyline says, it never burned out (“there was an old love still there”), and in less than a year, the two were married and Hydrogen Skyline was launched.
“Initially, it was never our intention to work on music together,” he wrote. “She came down to rehearsal one day asking about singing to one of the established songs, and without much preamble showed me why she belonged in this project.” A few months ago the band was featured on Reverbnation and on January 16th, they dropped the album, Hey Sly King Drone.
“Over Tonight (Paradise Remix)“ – Hydrogen Skyline from Hey Sly King Drone
“Shadows” – Hydrogen Skyline from Hey Sly King Drone
Opened For: Civil Twilight, Atlas Genius, Abney Park, Saving Abel
Musical Influences: Metric, Sia, Panic at the Disco, Nine Inch Nails, Thrice
Hydrogen Skyline on Facebook
Action Jets – Action Girl on Instagram
Action Jets is an indie rock/power pop band from Phoenix that grind out hook-laden rock fused with elements of power pop, punk and new wave to create an original sound on their debut 7″ single, “Action Girl on Instagram,” with the B-side, “Action Party Epic Fun!” Action Jets is appropriately a phoenix-rising band that formed from the ashes of the pop punk band, Dfactor, that disbanded in 2013. The band is currently recording an EP for release this spring. In the meantime, they’ve released the EP’s first double-single.
“Indie rock is a movement that brings together fans, musicians, promoters and publishers in a spirit of DIY creation-making for bringing sounds to the street without the interference of corporate interests.” – ‘Action Dan’
“Action Girl on Instagram“ – Action Jets from Action Jets Single – Jan. 15th
“Action Party Epic Fun!“ – Action Jets from Action Jets Single
Opened For: Warm Soda, The Everymen, Field Tripp
Musical Influences: The Hives, Teenage Bottlerocket, Tinted Windows, Cheap Trick, Guided by Voices, The Replacements
DIY band Sun Cut Flat was originally formed as a live band in Boston during 2009. Nick Lattanzi (vocals, guitar, synth), then a freshman at Boston University, began collaborating with Erik Kramer (bass) and later Chris Pegram (keys, synths, percussion), both freshman at Berklee College of Music. The group bonded over their similar taste in music and appreciation of everything from jazz to electronic. It was only last year that the trio began writing and recording. They decided to use the same name that they had originally performed under because “we want the energy of our music to be as powerful and bright as the sun being split in half.” Sun Cut Flat completed the recording of the 14-track debut album,Copy Machine Dream, relocated to Brooklyn, and welcomed a new member to the band, drummer Angelo Spampinato.
Avindale is an exciting El Paso indie rock band whose sound can be best described as a mix of powerful ambient guitar melodies, distinct bass lines, dynamic drum beats, and evocative vocals that draw from the band members’ diverse musical interests.
[zbplayer]
Early in 2014, the band released a 7-inch containing two triumphant singles – the funkier, more electronic Grizzly Bear-like, “Azure,” with its slick guitar and bass hooks, followed by the ringing guitars and melancholy mood of “Not Even Gold.”
So where did this promising new band start out? In 2011 – four years after first forming – the band released their debut EP, Cycles, containing three demo tracks. But it was their 2013 sophomore EP, Lost In A Place Some Call Home, recorded with the help of engineer/producer Dryw Owens (Indian Lakes, Culprit ), that really started gaining traction with music lovers, and with which the band felt they were finally producing the sound they always envisioned.
“Her Piano” – Avindale from Lost In A Place Some Call Home
Following the release of Lost In A Place Some Call Home , which also included a Japanese release on Cars and Calories Records, with distribution through Tower Records, Avindale set out to tour the U.S. and Japan, gaining more fans along the way. Standout songs from the EP include “Come Through,” “Her Piano,” and “Summer Meets Winter” (watch the db Session video) . In November, the band released the single, “Dreamer,” a mellow pop song that floats along on the wings of soaring and swirling synths and guitars that deliver encouraging lyrics of better days ahead.
Avindale’s blending of rock, electronic, ambient and jazz creates wonderfully rich and textured sounds that draw the listener in to hear more. That’s part of what makes labeling the band not such an easy thing to do. To that point, lead vocalist, guitarist and keyboardist, Oscar Alderete, says they consider themselves part of a “new wave of rock music that can not really be defined, where different influences are merging together.”
Unfortunately, the band has to travel far from their home base to participate in this ‘new wave of rock music.’ That’s simply because the El Paso music scene, Alderte told IRC, “has not had much to offer. El Paso, he said, is a “considerable distance from other cities with a stable or even growing music scene,” which in turn, “motivated the band to work even harder.” And that’s good for music fans everywhere. The more the band can get out of El Paso – especially to big music cities like Austin – the more their popularity is bound to spread.
The other band members include bassist Gary Espinoza, guitarist Chris Gards, drummer Beto Herrera, and percussionist and backup vocalist Oscar Diaz de Leon. The band’s musical influences range from Bombay Bicycle Club, Mutemath and Young the Giant to Indian Lakes and Radiohead. In the past, they’ve opened for Indian Lakes, as well as bands like Circa Survive, Dance Gavin Dance, Coheed and Cambria, A Lot Like Birds, and artist Johnny Craig. At a time when so many ‘indie’ bands, often at the hands of the record labels, are putting out predictably cookie-cutter releases, it’s refreshing to have bands like Avindale to listen to.
Pittsburgh's Bat Zuppel rock as hard as they play The IRC series, Top DIY Songs and Albums of 2014, has been such a hit with readers around the globe and across the web that we figured it only made sense to push out the fourth installment sooner than planned. Every year thousands of terrific singles and releases from DIY artists and bands fly under the radar. Often, through the years, you guys have pushed them on to the radar after they were featured on IRC and via our Facebook and Twitter feeds.
First up, in Vol. IV of this series (which will run for some weeks), are artists and bands whose 2014 releases were big hits with IRC listeners and readers around the U.S. and the world. Also, we’re getting closer to finding a player to use to replace the Yahoo Media Player (Yahoo stopped supporting it in 2014) so that you can stream all of the songs in this post. You can also download and stream them one by one by clicking through the player or as you read the entries below.
[zbplayer]
Bat Zuppel – Brain Eater
From small basements throughout Pittsburg, PA, the DIY garage rock band Bat Zuppel knock out aggressive teen angst with a well honed style they’ve been working on since forming in 2013. The sound is raw and gritty, drawn from their favorite ‘old punk and garage rock bands,’ all in an effort to ‘recreate that chaotic atmosphere’ bands from those days funneled into their music.
Last March, the band released their debut album, Brain Eater, featuring tracks like the crunchy “Under My Bed” and the Sonic Youth-inspired, “Apparition Girl.” Bat Zuppel’s sound and style is also informed from bands like The Damned, Metz, Nirvana, Ty Segall and Wavves. The trio features Matt Ruppel on bass, Zach Bronder on guitar and vocals and Gordy Brash on drums. “We play a lot of basement shows, those are the most fun for us and I feel like the fans have the most fun at these shows.” Bronder said. “We recorded and mixed this album entirely by ourselves, a lot of work was put into this one.”
Under My Bed – Bat Zuppel from Brain Eater
Apparition Girl – Bat Zuppel from Brain Eater
Young Creatures – Fear All Things EP
Los Angeles indie rock band Young Creatures has been competing for a piece of the LA music scene – the most saturated and competitive music scene int he world – since 2011. Over the past couple of years, they’ve managed to attract a small following. Julie Slater chose the band as her ‘Local Anesthetic’ on 88.5 KCSN in Los Angeles last year. We think the following two tracks exemplify the band’s sound perfectly – Young Creatures draw on heavy classic rock riffs peppered with indie rock hooks from guitarists Mike Post and Andrew Gleason, bassist Spender King and drummer Mikey Escalante. Post’s effortlessly terrific vocal melodies line up nicely with the band’s riff-oriented rock sound that honors musical influences such as Led Zeppelin, Delta Spirit, Dawes and Local Natives. The band’s latest EP, Fear All The Things, includes the standout track, “Lionheart,” which enjoyed frequent plays in the cafe, and the sunny pop of “Foreigner.” They’ve opened for bands like Burning Jet Black, The Sixth Son, Argentine, and The Podunk Poets.
Lionheart – Young Creatures from Fear All The Things EP
Based in the town of Oxford, in northeast Mississippi, The Holy Ghost Electric Show started out in an abandoned cabin a couple of years ago when songwriter, vocalist and guitarist Cody Rodgers began tirelessly working on songs for the eventual band’s 2014 release, The Great American. Together with other band members – including his brother Jake Rodgers on banjo and guitar, plus Austin Wheeler (drums), Connor Wroten (bass), and Will Shirley (chord organ) – Rodgers channeled his life experiences and thoughts into loosely arrange tracks that were honed over and over during performances at bars, house parties, in parking lots and even for “policemen in a park late at night,” with each member, Rodgers said, adding their own special touch to the songs. “To me, indie rock isn’t a specific sound a band may have, but instead just simply an independent band,” Rodgers said, “that is willing to pay out of pocket, without the help of a label, to record the music they’ve made with care.”
Let The Waters Rise – The Holy Ghost Electric Show from The Great American
Phantom Engineer – The Holy Ghost Electric Show from The Great American
Tupelo Honey – Brave New World
Edmonton rock band, Tupelo Honey, has become one of Canada’s top DIY rock acts over the past decade . On their 2014 album, Brave New World (which debuted at No. 7 on the Canadian iTunes Rock chart), the band has built on their popularity in the region and acquired fans across Canada, and increasingly in the U.S. The past few years have been a ride for the band; in fact, they were picked to share the stage with Bon Jovi for two shows at Rexall Place in Edmonton and The Saddledome in Calgary. They’ve also shared the stage with Billy Talent, Everclear, Three Days Grace, Thornley, and Metric. The band picked up even more interest after one of their tracks was used for a Sunkist commercial that aired during the televised Billboard Music Awards in 2012. While that may not sound very DIY, most bands nowadays have to rely on licensing their music to commercials, TV and cable shows, and other opportunities just to pay their basic costs because they simply don’t make money, or enough money, from singles and album sales.
Singer Dan Davidson, echoing this fact, told IRC that “indie rock isn’t a genre to us, it’s the DIY way to make our style of music and get it to the fans on our own terms.” We happen to dig their singles “Halo” and “Lifetime.” The other band members include Steve Vincent on bass; Tyler Dianocky on guitar; Brad Simons on guitar, and Greg Williamson on drums.
Halo – Tupelo Honey from Brave New World – Feb. 6th
Lifetime – Tupelo Honey from Brave New World
Justin DiFebbo – Turn Out The Light, Turn On The Stereo
Mixing acoustic and electric guitars with bass, piano, organs, ukelele and mandolin, singer/songwriter and multi-instrumentalis Justin DiFebbo from Philadelphia crafts intricate, lush songs that draw from an eclectic background of church music, love for bands like the Beach Boys, The Beatles and Simon and Garfunkel, and years of music lessons from the time he was nine years old. During his early 20s, DiFebbo played the Hammond organ for the blues rock band K-Floor and toured extensively, performing live for more than 500. During this time, he honed his skills and developed a strong love of vintage keyboards, including the Hammond B3, Fender Rhodes and Wurltizer 200A.
In 2011, DiFebbo decided to strike out on his own. In 2014, he quietly released his debut album, Turn Out The Light, Turn On The Stereo, an homage to his keys fascination and a commendable exercise in recording and mixing all of the instruments, percussion and vocal tracks. His sound is a swirl of pop and harmonies, folk roots and bluesy rock with overtures of psych all supported by deep keys infusions. Tracks like the appropriately upbeat and melodic, “Coffee,” and the swaggering, reggae-like, “Play It Slow,” are two of the EP’s tracks that stand out particularly well.
Coffee – Justin DiFebbo from Turn Out The Light, Turn On The Stereo
Play It Slow – Justin DiFebbo from Turn Out The Light, Turn On The Stereo
Pyrrhura – Off The Big Road
Not often do we receive music from Slovakia, but Milan Tarina Jr. is a 17-year-old experimental indie folk musician from the former Soviet satellite town of Nitra whose been playing keys for eight years now. Together with a passion for indie music, piano and synths, he decided to write and record some of his own songs. And we’re glad he did because we’ve listened to tracks like “Spring Is Coming” and “Clouds of Thoughts” again and again. While his raw, under-produced sound and nasally vocals may not be the typical fare that one assumes rises to the level of being featured on an indie blog, we still like his DIY style. The sound overall is hard to define. His father, Milan Tarina senior, who plays guitar and sings in a band called Bearish Dream, also contributed
In March of last year, using the moniker Pyrrhura, he self-released his sophomore EP, Off The Big Road. That EP was proceeded by his 2012 debut EP, Try To Think,. In 2013, he released his debut LP, In The Middle of The Forest, which you can stream on Bandcamp (and we highly recommend you do). Oh, and the band name? According to Wikipedia, Pyrrhura is a genus of parrots in South America. Tarina’s musical influences include a diverse collection of bands and artists, like Julian Plenti, Death Cab for Cutie, Borko, Woods, Fossil Collective, The National, Noah and the Whale, and Great Lake Swimmers.
Spring is Coming– Pyrrhura from Off The Big Road
Clouds Of Thoughts – Pyrrhura from Off The Big Road
Fallen Among Thieves – Honey Mouth
We don’t know much about the unsigned Lancaster, PA indie rock trio Fallen Among Thieves other than to say they rock in the tradition of 90’s alternative rock and indie rock, with influences from bands like Surfer Blood and Cloud Nothings. Their songs are hard and crunchy as well as upbeat with ringing guitars as evidenced by two tracks from their Honey MouthEP. There’s no mistaking as well that the band members draw from Nirvana and Weezer in constructing and executing their own sound and style. The band members, formed in 2013, include Ian Anderson (drums); Joshua Buckwalter (vocals/guitar); Kurt Demarra (guitar); Carolyn Leber-Eyrich (vocals); and Sean Hillard (bass).
Down – Fallen Among Thieves from Honey Mouth
Mateo – Fallen Among Thieves from Honey Mouth
She The Monster – Pacific EP
Drawing from influences that include Sufjan Stevens, Coldplay, Relient K and others, the multi-continental indie rock band She The Monster dropped their debut EP, Pacific, last March, featuring exceptional tracks like “I Like You The Way You Are” and “Dream.” Fronted by Green Bay signer/songwriter Andi Peot, whose sassy, soft vocals are endearing, and so far, underrated, the band formed in 2011 when Peot met guitarist Darren Oosthuizen and bassist James Lennox at university in Sydney, Australia.
Peot was impressed with their existing band Nova Sky, and in return, they where taken by her songwriting and vocal skills. And thus, the groundwork for She The Monster was laid. Teaming up with Nova Sky, Peot and the guys launched a series of successful shows in Sydney and then took a break. Months later, in December of 2012, they decided to get back together, but instead reformed as She The Monster, a new band with a sound that would be “a lot different to the alternative rock style of Nova Sky.” Former Nova Sky drummer Kyle Rutten from Canada also joined the new outfit. Sometimes it’s very smart for bands to make such changes early on when they realize they want, or need, to go in a different direction. For She The Monster, it worked out on Magical Goodness for the Soul. In June, the band released another EP, Wayfarer, featuring the track, “Hey.” Update: Right before publishing this post we heard the band has broken up. Oh well, the music they did make together is now officially part of the History of DIY Archives.
I Like You The Way You Are – She The Monster from Pacific EP
Dream – She The Monster from Pacific EP
Cousin Dud – The Faded
With their upbeat, catchy track, “Illinois,” the Chicago band Cousin Dud are not duds at all. They remind us of The Proclaimers; they rock with a pop groove and some accordion riffs; they’re witty and like choruses that make you want to join in. “Illinois” is a good track when you just want to be mindlessly gleeful, and would fit in nicely with IRC’s next installment of the State of Music playlist series – which we really need to catch up with; it’s been a while.
A decidedly countryish-rock love song, “(Wilco) By The River,” harkens back to the soft Southern rock sound that was so big in the early to mid 70s. It’s really a very well written, executed and produced song from a band that deserves more attention. The members of Cousin Dud are Matt Carmichael (guitar, vocals), Josh Burns (guitar, vocals), Pete Geraci (saxophone), Dan Schuld (bass) and Ben Sams (drums). Their musical influences include The Hold Steady, The Grateful Dead, Oingo Boingo, Wilco, and The National. Their latest album dropped in March of 2014.
Illinois – Cousin Dud from The Faded
Wilco (By The River) – Cousin Dud from The Faded
The Whistles and the Bells – The Whistles and The Bells
During a 2010 tour, in which Nashville band, Cadillac Sky, was opening up for the Grammy-winning band Mumford and Sons, lead singer Bryan Simpson, a Nashville local, hit a wall – spiritually, mentally, physically and emotionally. In distress, Simpson made the incredible decision to leave the tour and his band right at the time when they had seemingly achieved the kind of success that just about any other band would give just about everything they had for. Supporting one of the hottest bands in the world is not a minor thing. But Simpson simply could not continue the rigorous tour. He battled demons and went to a very dark place, he told IRC.
He left it all behind to strike out on his own, and formed The Whistles and the Bells, making peace with himself and his former band mates. The entire experience, from the highs of a national spotlight, to the lows of his darkest moments on the road, provided plenty of material for the young songwriter. The result is his new band project’s self-titled debut album, described by his publicist as “the dark, and at times musically twisted, autobiographical snapshot of Bryan’s personal earthquake surrounding the education of studying his maker.” Obviously, he was particularly struggling with his faith. The debut album encompasses “all [of] the modern southern gothic swirl of sounds from blues, to Americana, to New Orleans-style horns and darkness of the [sic] self-exploration,” the type of material, he contends, that creates a “personal soundtrack of a character from a Faulkner novel.” The first single, “Mercy Please” was a Rolling Stone magazine daily download.
Mercy Please – The Whistles and the Bells from The Whistles and the Bells
Transistor Radio – The Whistles and the Bells from The Whistles and the Bells
As with every year in the past, there were thousands of amazing, must-hear and under-the-radar indie music releases in 2014. If you’ve been following IRC, you’ve heard some of the most promising and unique, many that were not featured anywhere else online before being profiled on IRC. And, in the coming weeks, we’re going to be posting more great releases from 2014 that are worthy of your time from bands you’ve probably never heard of before. We also hope to put together a posting of the bands and songs in 2014 that all of you liked the most.
Also, don’t miss Vol. I and Vol. II of the Top DIY of 2014 series; there’s plenty of great bands to watch and amazing tracks to listen to.
Throughout the year, we post obscure but talented artists and bands in series like DIY Bands to Watch, 5 Bands That Rock; 7 Bands You’ve Gotta Hear; In Dee Mail and Artist of the Week, to name just a few of our long-running, popular playlist series. Many of you have asked what happened to the Top Ten Songs playlists – we’ll do our best to revive them in 2015.
North By North – Something Wicked
Chicago’s North By North rock it out on their 2014, 18-track LP debut, Something Wicked, channeling the magnetically electric ferocity of Jack White’s guitar playing, and mixing it with the shadowy dark pop influences in the vein of Queens of the Stone Age to create their own mysterious, raucous hard rock sound.
The trio’s mix of thrashing garage rock with 70’s-styled psych and 80’s arena rock on songs like “Burn It Down,” “Blood & Glitter,” and “Her Name Was Vengeance” set them apart from many of their DIY contemporaries. And yet to see them walking down the street you’d never guess they were the musicians behind such awesome, riff-heavy rock. In fact, the album is so good, it was hard to pick just a couple of songs to highlight. It’s too bad that – even after this posting – so many people will never know about one of the best under-the-radar rock albums of 2014.
“Burn it Down” – North By North from Something Wicked
Lurching into the cafe speakers with ringing, blazing guitar work by Nate Girard, the unforgettable and passionate vocals of Kendra Blank (who also plays keyboards) and the energetic and ferocious drum work of Dylan Andrews, this Windy City band has managed to release one of the best, yet largely overlooked, debut rock albums of 2014. And that’s not just the consensus in the cafe; check out what others are saying about North By North and Something Wicked.
Once you’ve listened to this double album a couple of times, you’re likely to see why it has garnered such praise with rock and rollers. And some of you will be as baffled as we are about why this band hasn’t broken through as one of the best new rock bands of the year. Not surprisingly, the band’s top musical influences are The White Stripes, Queens of the Stone Age, Arctic Monkeys, Black Keys, and The Kills. North By North have shared the stage with alternative and DIY bands such as The Ivorys, Swimsuit Addition, The Cunning, Inspector Owl, and All Eyes West.
“Her Name Was Vengeance” – North By North from Something Wicked
In May, the band released a double single, “Mama Gold/Break Some Bones,” that offers more hard-hitting rock and roll for, as the band says, “the intellectual,” or, “the thoughtful individual whose ears require more than four chords and a chorus to get them off. ” For those who bemoan the alleged decline of rock, North By North are one of many bands we’ve feature since 2007 that demonstrates that under-the-radar, DIY indie rock is alive and well. That’s what Indie Rock Cafe is all about; we don’t just regurgitate what dozens and dozens of other blogs are posting every week. Instead, we’re committed to documenting the rarely heard, but amazingly good, music that would otherwise go unnoticed, and unrecorded, in the annals of DIY rock history.
Visit North By North on Facebook
FEiN – FEiN Times
Hailing from Los Angeles, the DIY alternative rock band, FEiN, are not your run-of-the-mill LA rock outfit. In fact, the band’s debut EP, Fein Times, released in August, features songs like “#Grownupz,” which the band calls “a tongue-in-cheek tune about trust-fund babies, mad stacks, Buddhism, bass drops, and memorizing the days of the week.” Together with other tracks like “Monay Grabba,” the EP has been gaining ground throughout the second half of the year. In fact, “#Grownupz” with it’s sick melodic allure, was featured as the opening track on Tunecore’s Summer Songs compilation. Their sound has been called “Vampire Weekend’s bitter cousin and “Grizzly Bear meets a more electronic Arctic Monkeys.” However one wants to label their sound, the duo dabble nicely with integrating pop and electronic elements.
The unsigned duo of former session guitarist Luke Walton and Brandon Woodward (drums, guitar, keys, vocals) have been gaining ground in the ball-busting world of LA’s underground scene, including a well receive show at the Troubadour, the iconic LA club that helped launch famous bands and artists like Led Zeppelin, The Byrds, Bob Dylan, Neil Young, The Eagles, Elton John, and Bruce Springsteen and the E Street Band. Both Walton and Woodward have also played separately with The Beach Boys, and Walton toured with The Doobie Brothers as a session guitarist. Imagine that for young musicians? The duo’s wide musical influences include Mother Mother, St. Vincent, Portugal. The Man, Saint Motel, Belle Brigade, and Everything Everything .
From the city of Boston, home of dirty water, baseball and clam chowdah, the DIY band Wrong Body delivers tightly structured post-rock inspired by the ‘D.C. sound’ (but which is not, they proclaim, ’90’s revival’ rock) on their debut album, BIG. The title track single drives hard with chunky guitars and raw riffs, raucous drumming and the high-pitched, sort-of-Ozzy-but-not-really vocals of guitarist Andy Szymcik, creating a ‘big’ rock sound that deserves a spot headlining a hot Boston club. The second track, “Medal of Honor,” starts out slow with jangling guitar licks and subtle beats and then builds and blasts into a full throttle rocker with an interestingly ghostly chorus.
Wrong Body formed in August 2010 when Syzmcik met guitarist Bryan Mastergeorge while working at an electronics store. The two bonded over the first Rival Schools‘ album, and set out to emulate it along with their other big influences like Fugazi, Jawbox, Nada Surf and Burning Airlines.
The rare common link of musical inspirations propelled the duo to get serious about jamming together and putting together a sick rhythm section to form an official rock band. Not long after, drummer Steve Delany and bassist Jonathan Hislop joined, marking the creation of one of Boston’s best DIY bands you’ve never heard of. If you have, chances are you caught them opening for Therefore I Am, The Bynars, Ghost Thrower, or Foreign Tongues.
There are probably more bands in the Los Angeles area than any other one region in the world. So, you could say, they’re a dime a dozen. But then there are bands that stand out from the blur of all the others, like DIY post punk psych outfit The Electric West. Formed in 2012, the band released their self-produced debut album, Dusty Trails last year featuring tracks like the riff-heavy, dark “Who’s Big Enough” and “Devil Horse.”
The band members include Lee Lewallen on bass and vocals; Chandler Sterling on guitar and keys, and Byron Pagdilao on drums. The Electric West counts among their biggest musical influences Interpol, Sunset Rubdown, Wolf Parade, Interpol, Arctic Monkeys, Bad Brains and Prince. Around the megalopolis of LA, the band has opened for groups like Owenstone, The Shivas, Gravy’s Drop, The Black Heartthrobs, Ghost Noise, and Hex Horizontal.
Straight outta Brooklyn, indie pop rock band Rhino House Band serve up some stellar melodies, harmonies and pop-inspired guitar riffs on their 2014 Golden Summer EP thanks to songs like “Little Things” and “James’ Song.” The band first formed in the college town of New Paltz, New York, comprised of students from the local SUNY campus. The band’s first public performance was at the town’s Rhino Records shop, and it went off so well that they decided to name their band after the shop. As the band played more shows around town, their crowds became larger, and soon, they were a buzz band on campus, drawing attention of the local press thanks to songs like “Wallkill River Demo.”
By the time graduation came, the band’s farewell concert at Snug Harbor turned out to be the second best-selling show of all time at the venue. Golden Summer is the reconfigured band’s first release since relocating to Brooklyn. The new trio includes Ricky Demetro on vocals and guitar; Steven Bartashev on drums and background vocals and Joey Vergara on bass. The band’s top musical influences are The Beatles, The Strokes, Vampire Weekend, Paul Simon, and Best Coast.
“Little Things” – Rhino House Band from Golden Summer EP
“James’ Song” – Rhino House Band from Golden Summer EP
Ontologics – Something to Needle Over
The Providence, Rhode Island DIY band, Ontologics‘, debut album, Something to Needle Over, showcases their own brand of jam-tronica, trip hop, and post and prog rock fusion, sprinkled with psychedelic prose and melodies. The band members spent a year writing, rehearsing, recording and mixing before releasing their debut.
Singer/songwriter and multi-instrumentalist Ian C. (short for Campopiano) has an unconventional and experimental love for the fusion of genres and unique prose as well as “various forms of string and percussive instrumentation and sampling.” The other pivotal member is drummer Matt Walshe who approaches percussions with the world of possibilities and forms that he selects from to make it fit the intent of the song, covering the range from rock to hip hop and with complex time signatures and dual drum arrangements in the mix.
Ontologics have previously opened for artists like Godsmack, Michelle Branch, and Gruvis Malt, and they count among their biggest musical influences King Crimson, Beck, Peter Gabriel, Beastie Boys and The Noise.
“Something To Needle Over” – Ontologics from Something to Needle Over – Jan. 10th
Something To Needle Over – Ontologics from Something to Needle Over
Hemmit – Antimatter
From Portland, Oregon, the garage rock duo, Hemmit, featuring Adam Rohosy and Keith Fleming, belts out high-energy, melodic rock complete with vicious guitar riffs and even howling on songs like the short, rapid fire DIY hit-worthy track, “Everything Is Fine.”
That song, and the second recent single, “15 Minutes,” were released on the duo’s 2014 release, Antimatter, the follow up to their marginally successful 2008 debut, Rocketride, an album that received regular college radio airplay. In fact, the single “Yeah, Right Now” was featured on MTV‘s Shreducation Season 2 and became a No. 1 hit on the rock charts at Our Stage. A second single, “Hold Out,” was selected for Dirtbag Music’s Navy Seals Tribute Vol. 2, and the band was featured on Diesel U Music’s Emerging Artists Show on Boston’s WFNX FM. Ronosy and Fleming list among their top musical influences Motorhead, The Ramones, The Pixies, The Posies and Bob Mould.
Atlanta DIY singer and songwriter Sam Burchfield blends a unique mixture of funk, blues, rock and R&B in standout songs like the soulful “Monopoly” and the upbeat and romantic, “Here Tonight.” How has a talent like this remained under cover? Well, as anyone who has followed IRC for long knows, we feature incredibly talented, under-the-radar artists year round. Yet Burchfield is one of the best ‘unknown’ vocalists we’ve heard in some time; his vocal abilities and range are apparent in his passionate and sultry vocals you can hear for yourself on the songs below.
He was raised in South Carolina where he had an immersed exposure to different styles of music and began playing the guitar at a young age and discovered his vocal abilities which were honed as he maneuvered through the awkwardness of adolescence. His musical influences are not the typical names we see for artists featured on IRC – ZZ Ward, James Morrison, Ray LaMontagne, and Joe Bonamassa. His accomplished band members and contributors include Spencer Smith on drums; Phil Scheidt on bass, Zach Wells on guitar and banjo, and a trio of horn players – Richard Sherrington, Dashill Smith, and Will Scruggs. The group’s 2014 release is Where To Run.
The raspy vocals of Lancaster, Pennsylvania folk singer/songwriter Gordon Smoker, aka, The Hickory Town Ruckus rise up to a melodic chorus “some day before I die, I’d like to see Holland in the spring time” on the track of the same name, “Holland in the Springtime,” from his sophomore DIY LP, Old City Night. The album also contains the song “I Held You Close.” Smoker, who is an RN by professional, is truly a dedicated unsigned artist – he has no backing, label or publicity budget, but writes and records music simply to “make it available and visible.” His musical influences include Counting Crows, Joshua Radin, Blackhawk and Switchfoot.
“Holland in the Springtime” – The Hickory Town Ruckus from Old City Night
“I Held You Close”– The Hickory Town Ruckus from Old City Night
A good rock mix featuring standout songs with a ‘new year’ theme is more than fitting as the world says goodbye to 2014 and welcomes 2015. The following is a collection of carefully selected tracks from the archives of indie, alt and classic rock genres about new beginnings and leaving the past where it belongs. Just about everyone looks forward to a better new year, a fresh start and the path to something positive, or even just a continuation of good fortunes and health.
We think 2015 is going to be another great year for independent music, and under-the-radar DIY and small label artists and bands. Don’t forget to follow us on Twitter and Like us on Facebook to make sure you don’t miss anything. Listen to U2‘s “New Year’s Day,” as well as tracks like Beach House‘s dreamy “New Year” track; the classic Tom Waits‘ “New Year’s Eve,” Death Cab For Cutie‘s fragmented, reverb-heavy, “The New Year.”
The mix features Camera Obscura‘s upbeat, indie pop anthem, “Happy New Year”; the mysteriously intoxicating, carnival-spirited track like none other, “In The New Year,” from the wonderfully fabulous band, The Walkmen (and a bonus of their “New Year’s Eve” track); an 80’s pop gem from The Kinks all about looking forward to “Better Things” (a track that even Bruce Springsteen liked so much he recorded it); and the tragically ironic last hit – “Starting Over” – from John Lennon before he was murdered in NYC in 1980 – a last gift to the world.
The whimsical “5 Year’s Time” from the indie band Noah and The Whale seems appropriate as a measuring of time song. Certain yeras that pass or come rushing in trigger us to compare our lives in blocks of time – that’s when you know you’re really acting getting older and that youth will pass sooner than you want it to. Deep inside we are all still savages competing for survival. Right?
The next block of New Year-themed songs – and new beginnings, endings, fresh starts, cleaning the slate, and resolutions; yes, all those resolutions – include tracks from Bonnie Prince Billy with the Trembling Bells on “New Year’s Eve, The Loneliest Night of The Year”; the glamorous, piano-bar-style playing and singing of Regina Spektor, followed by The Head and The Heart‘s “What Are You Doing New Year’s Eve?” And “New Resolution” is the spooky, synth and bass-blazed track from the band Azure Ray, plus Scattered Trees, FM Belfast and
“New Year’s Eve, The Loneliest Night of The Year” – Bonnie Prince Billy with Trembling Bells
“My Dear Acquaintance (A Happy New Year)” – Regina Spektor