Best New Releases – The Decemberists, R.E.M., Smith Westerns, Tennis, Braids, Oh No Oh My, Dolorean, Modern Skirts, Eulogies

It’s safe to say that among the biggest new releases this week The Decemberists‘ follow-up to the success of Hazards of Love in 2009, The King Is Dead. The band turn towards a more American folk style rather than the more-English folk that propelled the band from the fame within the indie rock world to the Billboard charts and the ‘mainstream’ rock world.

“January Hymn” The Decemberists from The King Is Dead

However mainstream The Decemberists are, or how much they don’t deserve to be ‘indie’ anymore (since signing with Capitol Records in 2009), are legit discussions, but the point is, they have managed to keep their branded sound uniquely their own, and continue to release awesome, ballad-heavy folk pop songs that appeal to a wide audience of music lovers.

The first single release, “Down By The Water”, was played live for the first time last September when we saw the band performed it at their sold out performance in Pioneer Courthouse Square during NWMF, Portland‘s biggest annual musical festival.

“Down By The Water”The Decemberists from The King Is Dead

R.E.M.’s Welcomed Return to Their Pop Roots

One of the world’s greatest rock bands of the past 30 years, R.E.M., have just made available the first single from their first album in since 2008’s Accelerate. The legendary band’s 15th studio album, Collapse Into Now,  is set to drop in March.

The new single, “Mine Smells Like Honey” (purchase MP3 via AMZ for 99 cents) is R.E.M. in true fashion – upbeat, hooklicious pop rock with a catchy beat, soaring, jangly guitar work from Peter Buck, the ironic lyrics and unforgettable nasaly and grumbling voice of Michael Stipe, and the sweeping chorus heights, preempted by the wild “call-and-response” backup vocals of Mike Mills.

You can pre-order the master CD for Collapse Into Now for a discounted $14.99.

The Debut Album from Husband and Wife Duo, Tennis, Officially Out Now

By Emma Majerus

After creating a buzz with the single, “Marathon,” college sweethearts turned husband and wife duo, Patrick Riley and Alaina Moore, along with band mate James Barone, have just officially released their debut LP, Cape Dory.  The songs on Cape Dory are not a departure from the summery sound of “Marathon,” as Tennis demonstrates a knack for the beachy pop music that so many bands have attempted to perfect over the past year or so.

“Marathon”Tennis from Cape Dory

In fact, with their breezy vocals and jangly percussions, Tennis seems to have made themselvess fore runners of setting the tone for the indie beach sound of 2011.  And that seems only fitting; afterall, the husband and wife duo spent seven months sailing on the Atlantic Ocean. The sounds and musical influences of the ocean, the wind and the sun are well within  their grasp.

In large part, Cape Dory is reminiscent of an earlier, simpler time, while maintaining a refreshingly relevant sound.  With all of Moore’s “Oh oh’s” and “sha-la-la’s”, there are songs that conjure up images of 1960’s girl groups, but this time around, singing on a sailboat.  With rhetorical lyrics like: “Do you wanna go where it never snows and the mid-60s are the extreme lows?” from the album’s title track, Tennis doesn’t attempt to go far beyond the realm of beach music, but they do it so well that it would be difficult to fault them for it.

“Take Me Somewhere”Tennis from Cape Dory

Chicago’s Smith Westerns Announce Debut LP for January Drop

The year 2010 was a grand year for Chicago’s rising band, Smith Westerns, whose name recognition and fan following grew by leaps and bounds, due in part to a wildly successful cross-country tour and plenty of blogger and social media love.

Today the band released its sophomore album, Dye It Blonde. Chris Coady (Yeah Yeah Yeahs, Beach House), produced the new LP.  The short indie film, Friends Forever, features a performance of the band playing the track, “All Die Younger”.

“Weekend” – Smith Westerns from Dye It Blonde

The film was shot by popular indie artist and photographer, Ryan McGinley, who captured Smith Westerns’ performance at this year’s Pitchfork Festival. In addition, the film also features footage from San Francisco rising indie band, Girls‘, gig at Pitchfork. Interestingly enough, both bands will be featured in IRC’s Best Bands of 2010.

“Imagine Pt. 3” Smith Westerns from Dye It Blonde

braidsband
California indie band Braids are an IRC band to watch in 2011.

New Releases from Braids, David Gergen, Oh No Oh My, Modern Skirts and others

In addition to the new and terrific debut album from Tennis, other recommended releases include  Braids, Dolorean, Seafarer and Modern Skirts. After a four year recording hiatus following their indie-hit debut, the band Oh No Oh My just dropped their sophomore album, People Problems, and the lead single below, just makes it more probable that we’ll get around to listening to all of People Problems.

Also, check out other recommended releases, including two DIY from Seafarer and David Gergen, plus LPs from Dolorean, Eulogies, Modern Skirts, Only Sons, Fergus & Geronimo, and others.

In addition to this week’s highlighted releases, you can also still stream and download singles from our first Best New Releases of 2011, last week’s installment that we were admittedly a couple of days late with.

“Plath Heart”Braids from Native Speaker

“The Streets I’m Walking”David Gergen from The Nearer It Was…The Farther It Became

“Walking Into Me” – Oh No Oh My from People Problems

“You Hide”Eulogies from Tear the Fences Down

“The Unfazed”Dolorean from The Unfazed

“Magic”Only Son from Searchlight

“Noise Floor”Seafarer from Hiding Places (self-released)

“Bumper Car”Modern Skirts from Gramahawk

“Powerful Lovin'”Fergus & Geronimo from Unlearn

“Superstition” – Disappears from Guider

Other New Releases – Hip-Hop, Country, World Music, Trip Jazz

Tracks that are rarely heard, but not forgotten

“Arrivederci”Sane Smith from Robots Will Kill

“Dark RoadDaniel Martin Moore from In the Cool of the Day

“Wolf Pantolones” – Beep from City of the Future

“Tio Sam” Aurelio from Laru Beya

Posts and Playlists In the Pipeline on IRC

We didn’t do any other real reviews this week other than what’s on this page. The reason why is because we’re so busy still compiling and rolling out ‘best of 2010’ playlists. In fact, on Wednesday, we’ll publish the first installment of our top songs for 2010, which will be different from the Top 50 No.1 Indie Songs of 2010 that you guys all voted for throughout the year on the Top Ten Songs page.

Since 2009’s Best Songs series was such a big hit, we had to put one together for 2010, right at the same time that the first best new songs of 2011 are coming out.

Also, don’t miss our Winter/Spring 2011 Anticipated Releases Guide, hopefully to hit the site next weekend. In the meantime, enjoy. When you run out of great songs, just remember that all you have to do is click around the site a little to find hundreds of more songs to stream and listen to online and/or download to your MP3 player.

Death Cab For Cutie Ben Gibbard’s iPod Playlist

The indie pop quartet out of Bellingham, Washington with the unusual name, “Death Cab For Cutie”, has taken the rock world by storm in the past two years with heart-filled indie rock songs, thoughtful lyrics and creative musicianship. (photo, left: Photo by Autumn De Wilde)

DCFC (as they are known to many fans, or else just “Death Cab”)consists of singer, songwriter and guitarist Ben Gibbard, guitarist Chris Walla, bassist Nick Harmer and drummer Michael Schorr.

The guys of Death Cab have been together for a decade, but their popularity reached international proportions only recently and rather quickly.

Prior to 2005, Death Cab released a number of CDs, LPs and EPs with moderate success, but it wasn’t until their 2005 Atlantic Records release “Plans” that the band’s name became recognizable to millions worldwide.

Even more recognition has come the band’s way via Ben Gibbard’s “side project” The Postal Service, which pumped out a big hit with “Such Great Heights” – a popular radio and online dance hit that was later covered by alt country rock outfit Iron & Wine, whose acoustic version of “Such Great Heights” brought them enormous attention and name recognition.

Let’s face it, “Such Great Heights,” both versions, is arguably one of the classic rock songs of the 21st century.

Curious to this indie rock fan and perhaps others is what happens when Ben Gibbard fans go to a Death Cab For Cutie concert and he doesn’t play “Such Great Heights”.

Gibbard is probably not stupid enough to fall for that every time; it can kill a singer/songwriter to be “type cast” in the music industry by one song or one sound.

For example, such a dilemma is threatening to “do in” Blue October with their worldwide hit “Hate Me”.

At this point, Blue October pretty much has to play “Hate Me” (trying not to) at every f**king concert or there will be a full-scale riot by hundreds, if not thousands, of screaming girls from pre-teens up to “full grown” adults.

There was a time when Pearl Jam couldn’t have a concert without playing “Even Flow”. In fact, it’s still like that. Most recent example: Lollapalooza 2007 (Aug. 3-5, Chicago). Eddie, you don’t “have to” do anything, remember?

In Gibbard’s case, his talent speaks for itself and it is unlikely that he, of all the songwriters out there, is to be pigeon-hold into one sound or song. So, with that in mind, what would you think Ben Gibbard has on his iPod?

Well, let Ben tell you what music he listens to; for starters, his tastes in music are surprisingly eclectic – from post modern minimalism (Brian Eno) and electronica pop (Letting Up Despite Great Faults) to country (Joe Tex) and R&B (Doris Duke).

Get DCFC and Postal Service MP3s and music videos at IndieRockSongs.com.