Best Indie Rock Songs, Bands, Albums

Best New DIY Singles, Vol. II – z3th3r, Patches, Loops & Loops, Ice of Neptune, Poploader

There is more DIY indie and alt. rock/pop/folk music than ever before. Everyone pretty much already knows that.

Still, for some folks, they like to have fellow music lovers do some sorting and selecting among a non-stop flow of gigabytes containing new DIY tracks and albums.

That’s where truly-indie blogs (like ours we hope) still have a place in the culture of indie and alt. rock. While blogs, like ours, have taken a huge hit in recent years – thanks largely to Spotify and social media – there is still a hankering ‘out there’ for carefully-selected homegrown indie music – across the ‘indie spectrum’ that includes indie rock; indie pop; indie folk, etc., and alt. rock; post-punk; new wave; psych rock; alt. country; dream pop; etc. Pretty much anything that sounds good and falls under the ‘indie/alt’ umbrella, to put it another way.

In This Installment:

z3th3r – Oakland, California – “Goodbye”
Patches – Enid, Oklahoma – “A Nice Day to Orbit Saturn”
Loops & Loops – Broxn, New York – “Not Yet”
Ice of Neptune – Larisa, Greece – “Solitude”
Poploader – Regensburg, Germany – “Books of Love”


z3th3r – “Goodbye”

OAKLAND, California – Bay Area producer Zachary Greer, aka z3th3r, together with vocalist Ulenni Okandlouvu, creates indie love on the new track, “Goodbye.”

About the song, Greer writes: “Ulenni says it’s "a prayer for loved ones to endure and stay strong in tough times, remembering that the journey of life always comes with ups and downs." Weaving dizzying guitar riffs through a lofi dysphoric soundscape, the sonic palate of the track is a reflection of the bittersweet notion of saying goodbye.”

Okandlovu is a professional artist from Matopo Hills, Zimbabwe and lead vocalist for the music duo Bantu Spaceships. Greer dabbles in indie rock, lo-fi, experimental with interest in field recordings, heavy 808 beats and guitar elements. The duo’s musical influences include Obongjayar, CKay, Four Tet, Bonobo, Tobi Nwigwe, and Flying Lotus.

https://www.instagram.com/z3th3r


Patches – “A Nice Day to Orbit Saturn”

ENID, Oklahoma – The indie-rock/post-punk trio Patches first met in the online world early last year. The band’s music is harmonic, pop infused rock with experimental noise since our inception, and the three members switch instrumental roles on the fly.

Patches’ new single, “A Nice Day to Orbit Saturn,” fulfills their new sound with “equal parts melody-oriented pop and scathing, distortion heavy feedback that quickly builds into layered guitar play,” says vocalist and bassist Nick Robilliard.

“Lyrically, it is a bitter, first person narrative of an astronaut in a futuristic setting who has resigned himself to being stranded on one of Saturns moons. Clean harmonies obscure some of the dread.”

The track is the band’s third song to be presented on their new album Tales We Heard From the Fields.

With backgrounds in REM style jangle pop, minimalistic art rock bands like Wire, and the bombast of outfits like Jesus Lizard, each member of Patches brings something unique to the band. The other two members are Evan Seurkamp (vocals, guitar) and Melodica Aaron Griffin (guitar, drums).

The trio’s major musical influences include original post-punk heroes like Wire, The Cure, Guided by Voices, Kitchens of Distinction, Gang of Four, and REM.

https://www.instagram.com/robinkc3/


Loops & Loops – “Not Yet”

Loops & Loops began as a musical project of Bronx-based producer/musician Peter Bogolub formed as a way to deal with the quarantine.

As a result, Bogolub ended up experimenting mostly with lo-fi. After a few short months, he had recorded over 60 songs and had released two albums under his Loops & Loops moniker.

Initially, he recorded under the name The Sems and released shoegaze/dream pop style of music under that moniker for many years.

Elements of shoegaze and dream pop as well as indie and indie-folk are clear on singles like “Not Yet”.

Some of the material is purely instrumental, fitting for the background of movies and montages. Others are more introspective with vocals reminiscent of Elliot Smith and Yo La Tengo. Good stuff.


Ice of Neptune: “Solitude”

Based in the town of Larisa, Greece, the band members of the alt progressive rock band Ice of Neptune, belt out a captivating sound on their new single, “Solitude.”

The band members are vocalist Pierlorenzo Molinari; guitarist and keyboards Timoleon Adamopoulos; bassist Federico Giardini; and drums Alessandro Bissa.

The song, according to the band is “a story tale through modern man’s eyes during the decades and the social facts that happened.”

Molinari (ex-Kezia/ex-Blackmail of Murder) and Adamopoulos (Forbidden Lore) founded the band originally in 2010.


Poploader – “Books of Love”

The ‘revival’ music of German indie rockers Poploader is quite a kick.

Take this latest single and video, “Books of Love.” We don’t usually go for ‘cutesy’ type of indie rock/pop but this is such an original and impossibly-catchy track. This is one of the first new songs from the band in 20 years.

At the end of the nineties, the young trio spent many hours and days together in stinking rehearsals, backstage rooms, and live show after live show.

Fast-forward to the year 2018. The band members meet up for a beer, reminiscence of the past, and decide to record some new tracks together. “Books of Love” is one of the results and it proves the band can still rock as does its predecessor, and equally as catchy, the 2020 single, “Summerboy Blues.”

The member’s musical influences demonstrate exceptional taste: The Kinks, Oasis, The Kooks, and DMA’s via The Cure, and David Bowie.

Fans of English indie guitar pop can look forward to more catchy songs with a lot of optimism, a pinch of retro, and great recognition value.

Album Review – Guided By Voices’ ‘Crystal Nuns Cathedral’

There have been 13 Guided by Voices albums released since Robert Pollard resurrected the name in 2016, and two of them have been double albums. All of the songs that have tumbled forth would be easy to gloss over if a certain percentage were half-baked throwaways.

Alas, that’s not been the case. Pollard and his long-standing, ever-shifting band may be the living definitions of “indie” and “lo-fi,” but each album has been a sturdy collection of fully-realized songs.

Crystal Nuns Cathedral, arriving just four months after the band’s last LP, is being touted as one that will stand above the pack. “[T]heir 35th and quite possibly…BEST album” the press release so humbly states. It’s not unlike the time Guided by Voices allowed themselves only one album in 2018, the much-acclaimed Space Gun.

Again, the band’s PR team made much of it, insisting that no other record that year would distract listeners from its singular greatness. Judging from the two songs that preceded the album’s release, Crystal Nuns Cathedral has the markings of yet another winner. But what about the rest of it?

When it comes to Guided by Voices, that’s a rather reasonable question. Is Crystal Nuns Cathedral worth the investment of time that a potential fan could also pour into Styles We Paid For or Mirrored Aztec?

For one thing, Crystal Nuns Cathedral follows a pretty no-nonsense format with 12 songs clocking in at just over 38 minutes. Secondly, there are no demo-quality recordings like “Razor Bug” from last year’s It’s Not Them. It Couldn’t Be Them. It Is Them!.

Continue reading original by John Garrat on SpectrumCulture

Ex-Slander drummer Rich Freitas dedicates ‘Weatherall’ to an old friend

Based in the legendary town of Mystic, Connecticut, songwriter and multi-instrumentalist Rich Freitas’ latest single, “Weatherall,” from the debut solo album REVENGE, is based on a true story.

“In 1995, a group of Mysticites decided to build a disco on their spacious attic floor. A DJ booth was installed, sound equipment from the rehearsal space of several local bands was hauled up the stairs, and the music began promptly at 10pm,” writes drummer Rich Freitas.

“Weatherall” is a special dedication to one of the original members – Andrew Weatherall.

The song is a touching tribute with an edgy, lo-fi vibe that is a bit reminiscent of Velvet Underground complete with an electric slow burn and one of the key musical veins that runs throughout the splendid nine-track album.

For his first album, Freitas decided to release it under the moniker Ellery Twining.

After being a member of bands such as 17 Relics and Low-Beam, Freitas joined the band Slander in 2012. Not long after, Stereogum named as a band to watch for 2013.

“If I was going to come out of retirement, I wanted to be a part of a rock band,” he said about joining Slander.

“What happened next was the wildest time of my entire life playing music.” Alas, Slander disbanded in 2014.

“After thirty years playing drums in several rock bands, I found myself being kicked out of my last band.”

None of that matters when you absorb the intricately composed simple, yet poignant, stories that feel authentic and organic. REVENGE is a recommended listen beyond just the single.

The album was recorded last November and December at Dirt Floor Studios in Chester, Conn. and co-produced by Freitas and Dirt Floor owner Eric Lichter along with engineering by Guido Falivene.

The other musicians helping with the album include bassist Dave Bentley(formerly of 17 Relics); guitarist Brad Bensko and percussionist Jason Curland.

Top 10 Indie Songs, February 2022

Fast and furious. That’s how anticipated, and widely-acclaimed, albums from indie rockers have been pouring out of the spout.

The year started off with a bang. Top releases for January spawned enough singles to easily fill up the top ten indie songs playlists. The top ten indie rock songs for January features new and hot singles from Band of Horses; Yard Act; Animal Collective; Beach House; Black Country, New Road; Fontaines DC; The Wombats; Beirut; Broken Social Scene and Metronomy.

And just like that – another month has passed (good, closer to spring!). There were so many additional new singles and tracks from albums that dropped in February that it made it a challenge to pick out just 10.

As a result, the Ten 10 Indie Songs for February 2020 include keeper-singles from Dehd, Spoon, Rolling Blackouts Coastal Fever, Kurt Vile, Foals, Elf Power, Jack White, PUP, Frank Turner, and Big Thief.

Top Ten Indie Rock Songs – February 2022 (YOUTUBE)

Top 10 Indie Rock Songs – February 2022 (SOUNDCLOUD)

Album Review: North Atlantic Explorers – ‘Night Owls’

Night Owls is the fourth album from North Atlantic Explorers, a DIY indie project/collective lead by Glenn D’Cruze.

The nine-track album is comprised of elaborately produced and decidedly more uptempo songs than on previous releases while retaining an undercurrent of sadness, beauty and atmospherics that permeates throughout.

The songs incoporate elements of classic pop, orchestral, 60’s psychedelica and “an understated mid 70’s Young Americans/Royal Scam-style groove.”

Night Owls intersperses grandiose choral harmonies, a horn section and mind-bending improvisational jams alongside moments of ambience – inspired by The Beach Boys’ classic 1968 album Pet Sounds, D’Cruze states.

The album contains songs about northern winter nights, deceptive lovers, out of body experiences, catastrophic weather events and vampires. The album title is a reflection of D’Cruze’s solitary and nocturnal nature and his affinity for the tranquility and mystery of the pre-dawn hours.

Unfortunately, the release of Night Owls is a bittersweet event.

Andrew Arida, who performed the incredible Rhodes, Wurlitzer and organ solos on “Dreams of Flying” sadly passed away shortly after the recording session.

Night Owls was recorded, mixed and mastered by Jonathan Anderson (Foxwarren; Javelin; Teen Daze) and dropped DIY on January 7th, 2022.

Screaming Trees’ frontman Mark Lanegan dies after covid battle

Mark Lanegan (57) was the lead vocalist for the indie rock band Screaming Trees.

He was easily one of the central figures in the Seattle grunge rock scene for many years. Lanegan also recorded for Queens of the Stone Age and was well regarded by many fellow musicians.

Lanegan was hospitalized for Covid-19 earlier this month but passed away on Tuesday due to complications caused by the effects of Covid on his body.

RIP. Thank you for the music. Rock on!

Black History Month – Say It Out Loud

To honor and raise more awareness of Black History Month we put together a playlist of black artists and bands who’ve galvanized change.

Not just a voice in song or lyric, but in speaking out about racism, in their own way, and of course who made a big impact on society, politics, and culture with their music, and their words.

hip-hop-black-history-month

There is no shortage of black musicians, singers, and songwriters who have addressed racism and injustice in one way or another through the years – mostly through the words of their songs of course.

Here are some of the best.

Album Review: North Atlantic Explorers – ‘Night Owls’

Night Owls is the fourth album from North Atlantic Explorers, a DIY indie project/collective lead by Glenn D’Cruze.

The nine-track album is comprised of elaborately produced and decidedly more uptempo songs than on previous releases while retaining an undercurrent of sadness, beauty and atmospherics that permeates throughout.

The songs incoporate elements of classic pop, orchestral, 60’s psychedelica and “an understated mid 70’s Young Americans/Royal Scam-style groove.”

Night Owls intersperses grandiose choral harmonies, a horn section and mind-bending improvisational jams alongside moments of ambience – inspired by The Beach Boys’ classic 1968 album Pet Sounds, D’Cruze states.

The album contains songs about northern winter nights, deceptive lovers, out of body experiences, catastrophic weather events and vampires. The album title is a reflection of D’Cruze’s solitary and nocturnal nature and his affinity for the tranquility and mystery of the pre-dawn hours.

Unfortunately, the release of Night Owls is a bittersweet event.

Andrew Arida, who performed the incredible Rhodes, Wurlitzer and organ solos on “Dreams of Flying” sadly passed away shortly after the recording session.

Night Owls was recorded, mixed and mastered by Jonathan Anderson (Foxwarren; Javelin; Teen Daze) and dropped DIY on January 7th, 2022.

Album Review: Spoon – ‘Lucifer on the Sofa’

In considering the 10th studio album by Spoon, we take a moment to appreciate what kind of an underappreciated milestone that represents.

Among bands that can be considered part of the first- or second-generation American indie rock cohort, there are plenty of heroes (Pavement, Modest Mouse, the White Stripes, Death Cab for Cutie) who either couldn’t keep it together long enough or have seen their output slowed to a crawl.

Lucifer on the Sofa finds Spoon joining the double-digit club (waddup Sonic Youth, Sleater-Kinney, Guided by Voices, Flaming Lips) in full control of the distinct talents and trademarks that have become familiar on the nine previous LPs – this one distinctly more driving and aggressive than predecessor Hot Thoughts, where synths and atmosphere were the ruling order.

The album’s bookended by its two longest songs and two of the more ruminative tracks, leading off with a faithful cover of Smog’s “Held” and closing with the title track that begins by showcasing moody, scene-setting saxophones for a late-night travelogue through Lavaca Street, West Avenue, thoughts about Dale Watson, and an unnamed someone who has left the narrator to deal with remnants that include records, cassette tapes, letters, pictures, and what lead man Britt Daniel paints to be a small fortune in cigarettes.

Continue reading review at The Austin Chronicle

Top 10 DIY Songs, Jan. 2022 – No Suits in Miami, Darksoft, Marquee Sullivan, 8Bit Wizrd &more

More than ever, the choices of music are overwhelming.

Therefore, keeping focused is important. And yet, it used to be, say a decade ago, easier to focus on the ‘indie rock’ craze (which began to wane right about 2012 for whatever reason; proof is this keyword search chart from Google Trends) and a few dozen popular artists and bands.

But nowadays there are too many fking good artists and bands. And with fewer people going to blogs (you guys turned on us – sniff sniffle) to find new music and bands, there are fewer truly independent music indie blogs (like yours truly); many have closed shop or stop posting.

The advent of ad-blockers also helped put a big nail into the blogger world, as did the continued corporate take-over of the web (yes, you too Google – replacing so many naturally earned search positions by regular folks with all of your own content – hugely impacting blogger’s visibility and thus traffic.)

One of the things that will never fade out for us is putting the spotlight on talented, rising DIY indie artists and bands. The fact is that there is way too much good music out there. A possible hit record (if radio played diy music – yeah right); a genius young songwriter; a breakthrough album; a hot new band on a tear, etc., already exist with more to come.

SO, let’s celebrate what we can.

A big asterik to the title of this series would include a note that says ‘the top 10 is based entirely on the music we’ve actually had time to listen to’.

Let’s face a fact: there is so much damn good music that comes from non-labeled artists.

Here are just a few for January’s Top 10 DIY Songs of 2022 releases. In this playlist: No Suits in Miami; Marquee Sullivan; Darksoft; 8BIT WIZRD; Indigo/Lure Division; Lucas Stern; Slark Moan; The Lagoons; Cole Loomis and String Machine.

Enjoy and please share.

Album Review: Animal Collective – ‘Time Skiffs’

Let’s be real with each other… Even the most dedicated Animal Collective followers can’t hide that the critical tide had turned drastically poisonous across the ’10s after seemingly being unable to follow up a wave of acclaim. Their run of albums and EPs from 2004’s Sung Tongs through to 2009’s era-defining Merriweather Post Pavilion (and let’s not forget the outstanding companion EP Fall Be Kind released later the same year) proved to be legendary.

The Baltimore based neo-psych darlings could practically do no wrong in the eyes of indie-alternative bloggers, journalists and music obsessives. 2012’s follow up to Merriweather saw the quartet pushing into noisier and more dense sonic chaos, finding the spiritual successor to their true masterpiece, 2007’s Strawberry Jam.

Even though Centipede Hz is an incredible album – one that desperately needs reappraising – it seemingly wasn’t what fans and critics wanted after the blissful, melodic psych-pop gems that defined its predecessor. 2016’s Painting With pushed back into the opposite direction; their most outright sunshine pop sounding record seemed to be too lacking in their striking experimental flourishes.

To give you an idea of how harshly the critical perception turned, The Quietus’ Lee Arizuno described Painting With as “absolute dogshit from start to finish”. Unscathed, AnCo entered a prolific phase afterwards, exploring much less accessible sounds with a series of trippy experimental droney works and a couple of film scores.

As a dedicated fan myself since the release of Strawberry Jam, I’ve certainly not heard any dogshit in their discography – even during the past decade’s “rough patch”. Animal Collective have always been prolific and have always changed up their sound and methodology.

From the freak-folk of Sung Tongs, the largely synth and electronic leaning Merriweather, and then finding instruments again on Centipede Hz (with Panda Bear doubling up as drummer and vocalist), Animal Collective’s constant reinvention of their sound and bold desire to experiment has always been one of their most exciting assets – even if it doesn’t always land.

If any long standing band has deserved the tides to turn back in their favour, it’s Animal Collective, and fortunately this 13th full length (depending on how you count them) is the album to do it with…

Continue reading on AudioTrail (where review was first posted)

Album Review: Alt-J – ‘The Dream’

By their very nature, alt-J are leftfield, travelling through time at the same pace as us, but slightly detached. There’s no pressure to reinvent the wheel.

Fourth album ‘The Dream’ has the same relationship to reality as its predecessors, however alt-J have more offbeat storytelling fodder at their disposal than ever before: true crime obsession, crypto fanaticism and insidious corporations are just a few of what’s reflected on the record, all through a fun house mirror of stratospheric soundscapes.

Their tangentially psychedelic weavings of music and lyrics more poke and prod at the contemporary psyche than challenge: ‘Hard Drive Gold’’s tongue-in-cheek jibes at crypto bros come dressed up in a Beach Boys B-side sound; pseudo-cautionary tale ‘The Actor’ leans perhaps a little too much into its story and ends up feeling a little Fear and Loathing In Las Vegas sensationalised.

The most unusual, but most impactful moments are where alt-J go for timeless: ‘Get Better’, the record’s most unadventurous in sound with just an acoustic guitar strumming isn’t typical alt-J, but its intentional simplicity is shattering. Similarly, ‘Walk A Mile’’s crooning chorus is a little more sonically intriguing, but still quietly unsettling with its trudging orchestral interjections.

‘The Dream’’s strength is in packing not just alt-J’s usual futuristic twist, but a heavy side serving of nostalgia too. It’s a perfect, subtle, and unpretentious combo.

By Ims Taylor via DIY Magazine