Category: Best Post-Punk Albums Ever

Best Post-Punk Albums Ever, Vol. II – Television’s ‘Marquee Moon’

Posted on by IRC Staff

Television’s Marquee Moon is a landmark album in the world of punk and alternative rock, released in 1977. With its intricate guitar interplay, poetic lyrics, and a sense of artistic ambition, this album stands as a testament to the band’s innovative approach to rock music. Let’s dive into a detailed song-by-song review of this iconic record.

“See No Evil” sets the tone for Marquee Moon with its driving rhythm, angular guitar lines, and Tom Verlaine’s distinctive vocal delivery.

The track’s infectious energy grabs your attention from the start, showcasing Television’s ability to seamlessly blend punk urgency with art-rock sophistication.

“Venus” captivates with its hypnotic guitar work and atmospheric soundscapes. The interplay between Tom Verlaine and Richard Lloyd’s intricate guitar melodies is nothing short of brilliant, creating an otherworldly sonic experience that draws the listener deeper into the album’s universe.

“Friction” is a sonic onslaught, propelled by Billy Ficca’s relentless drumming and Fred Smith’s pulsating basslines. The song’s raw intensity perfectly complements Verlaine’s enigmatic lyrics, creating a captivating tension that keeps you engaged throughout.

The title track, “Marquee Moon,” is the magnum opus of the album, clocking in at over ten minutes. This epic song showcases Television’s musical prowess and songwriting brilliance.

The intertwining guitar solos between Verlaine and Lloyd are a masterclass in guitar craftsmanship, constantly evolving and captivating the listener. The song’s dynamic shifts, poetic lyrics, and infectious hooks make it an absolute standout.

“Elevation” brings a change of pace with its more restrained and melodic approach. Verlaine’s emotive vocals and the intricate guitar arpeggios create a sense of introspection and yearning, showcasing Television’s versatility as musicians.

“Guiding Light” delivers a hauntingly beautiful atmosphere with its delicate guitar textures and Verlaine’s introspective lyrics. The song’s introspective nature allows for a moment of introspection amidst the album’s energetic sonic landscape.

“Prove It” bursts back with energy, driven by Ficca’s propulsive drumming and Verlaine’s urgent vocals. The song’s infectious rhythm and catchy hooks make it an irresistible track that showcases Television’s ability to blend aggression and melody seamlessly.

Closing the album, “Torn Curtain” brings a sense of resolution and reflection. The song’s gentle yet mesmerizing guitar melodies and Verlaine’s introspective lyrics create a poignant conclusion to the sonic journey of “Marquee Moon.”

Television’s Marquee Moon remains a seminal album that defies genre conventions and continues to inspire generations of musicians. With its intricate guitar interplay, poetic lyricism, and ambitious song structures, this album stands as a testament to the band’s musical prowess and artistic vision.

Marquee Moon is a sonic masterpiece that rewards repeated listens and solidifies Television’s status as one of the most influential bands in rock history.

Best Post-Punk Albums Ever, Vol. I – The Fall’s ‘This Nation’s Saving Grace’

Posted on by IRC Staff


A Sonic Exploration of Chaos and Commentary: The Fall’s “This Nation’s Saving Grace” Album Review

Released in 1985, “This Nation’s Saving Grace” is the eighth studio album by the iconic British post-punk band The Fall. With its distinct blend of raw energy, experimentalism, and biting social commentary, this album has earned its place as a seminal work in the band’s extensive discography.

“This Nation’s Saving Grace” showcases The Fall at the peak of their artistic prowess, delivering a collection of tracks that remain relevant and captivating even decades later.

Tracklist and Highlights:
1. “Mansion”
2. “Bombast”
3. “Barmy”
4. “What You Need”
5. “Spoilt Victorian Child”
6. “L.A.”
7. “Gut of the Quantifier”
8. “My New House”
9. “Paintwork”
10. “I Am Damo Suzuki”

From the opening track “Mansion,” The Fall plunges listeners into a chaotic soundscape, where driving guitars, relentless drumming, and Mark E. Smith’s distinctive vocal delivery collide. The album’s sonic palette traverses a variety of musical styles, incorporating elements of punk, post-punk, and even psychedelia. “Bombast” is a standout track with its infectious guitar riff and Smith’s sardonic lyrical prowess on full display.

Lyrically, “This Nation’s Saving Grace” showcases Smith’s sharp wit and social commentary. Tracks like “Spoilt Victorian Child” and “Gut of the Quantifier” delve into the disillusionment and hypocrisy of societal norms, while “L.A.” satirizes the allure of Hollywood and celebrity culture. Smith’s abstract and enigmatic lyrics leave room for interpretation, inviting listeners to ponder the deeper meanings beneath the surface.

The album’s production, helmed by John Leckie, captures the raw energy of The Fall’s live performances while maintaining a sense of controlled chaos. The band’s tight musicianship shines through, particularly on tracks like “What You Need” and “Paintwork,” where intricate guitar work and propulsive rhythms create an irresistible sonic force.

One of the album’s highlights is the epic closing track, “I Am Damo Suzuki.” Clocking in at over ten minutes, it showcases The Fall’s ability to create a mesmerizing and hypnotic atmosphere. The repetitive bassline, layered guitars, and Smith’s stream-of-consciousness lyrics pay homage to the iconic Can frontman, while also serving as a testament to The Fall’s distinct sound.

“This Nation’s Saving Grace” is a sonic journey that encapsulates the spirit and genius of The Fall. With its unapologetic energy, uncompromising lyrics, and eclectic musicality, the album stands as a testament to the band’s influence on the post-punk genre. It remains a captivating and thought-provoking work that rewards repeated listens, offering a unique and challenging experience that solidifies The Fall’s place as one of the most influential bands of their era.

If you want to hear more from The Fall – easily one of the UK’s best-ever bands – we recommend the following albums in order of the best to the excellent/very good.

“This Nation’s Saving Grace” (1985)
“Hex Enduction Hour” (1982)
“Slates” (1981)
“Grotesque (After the Gramme)” (1980)
“Live at the Witch Trials” (1979)
“Perverted by Language” (1983)
“The Wonderful and Frightening World of The Fall” (1984)
“Dragnet” (1979)
“The Fall – 50,000 Fall Fans Can’t Be Wrong” (2004)
“Bend Sinister” (1986)

These albums represent a diverse range of The Fall’s output and are often cited as highlights of their discography. Each album showcases the band’s unique sound, blending post-punk, art rock, and Mark E. Smith’s distinct vocals and lyrical style.

It’s important to note that The Fall released numerous albums throughout their career, and this list only scratches the surface of their extensive discography. Exploring their full catalog will offer a more comprehensive understanding of their evolution and influence.