The Mysterious Beauty of Sound – The Cymatics Effect

Sound plays a much larger role in the ebb and flow of life on our planet than most people fully appreciate.

More specifically, sounds warn, inform and guide us, trigger emotions and help us make better sense of the world around us and our place in the order of things.

The mysteries and wonders of the spectrums of sound generally intrigues us.

From loving warbles of a morning dove at the first light of dawn to the golden silence of a summer afternoon breeze to the ferocious crackles of thunder to the plip-plop of the falling rain, sounds fill our lives.

One of the most exciting and beautiful expressions of sound is found within the scientific artform of cymatics.

Cymatics was first documented in the 1880s by German physicist and musician Ernst Chladni. He demonstrated the process of using sound vibrations via varying frequencies to manifest geometeric patterns of sand.

Chlandi took a metal plate, spread sand along the top and then ran a violin bow on the edges. As he did this, the sand settled into distinct geometric patterns, depending on the frequencies of the sound waves.

No magic tricks. No hoaxing. Simply a mystery of science.

Later, during the 1960’s, Swiss physician Hans Jenny expanded upon Chladni’s experiments, delving into the study of vibrational phenomena and coining the term “cymatics”.

Then, visual artist Jeff Louviere stumbled upon the works of Jenny and Chladni. Intrigued, he and his partner, photographer Vanessa Brown, conducted a series of experiments exploring the visual manifestations of sound on matter.

Their endeavors culminated in the production of Resonantia (‘echo’ in Latin), a multimedia project featuring a dozen images generated by the cymatics process.

Importantly, it is not necessary to be a scientist to experiment with cymatics. Cymatics is able to be tested by anyone.

By using a metal plate with tiny piles of sand on it, hooked up to a machine that transmits sound, this YouTuber was able to demonstrate that different frequencies caused the sand grains to form their own unique, and consistent, geometrics patterns, as demonstrated in the video below.

The question that cannot be overlooked is: how do the grains of sand ‘know’ how to formulate into unique patterns based on the type of sound waves being received? It doesn’t matter who or where you are in the world, when conducted properly, the same geometric patterns correspond to a specific frequency.

Is this the language, the expression, of God? What else in our known existence could be instructing these sand grains to work together to form specific and perfect geometric patterns?

In essence, each individual grain of sand is a receiver and performs a function in unison with neighboring grains of sand depending on which frequency is presented.

Are the sand grains, somehow, one collective consciousness working together in some mysterious way that humans are unable to comprehend the reason, yet see clearly the end result?

How else is this amazing behavior of Nature possible? The metal plate is simply a conduit, essentially the transmitter of the message.

The images themselves are a creative example of physics at work. “It’s kind of a classic demonstration in acoustics,” says Trevor Cox, a professor of acoustic engineering at the University of Salford in England. “These are actual physical patterns.”

Every object has a characteristic frequency, or frequencies, at which it vibrates most, with the least input of energy. Those vibrations are associated with standing wave patterns called modes.

“What’s happening is, the sand is moving away from the bits [on the plate] where it’s vibrating a lot” says Cox, and it’s settling in places where there are no vibrations (these places are called “nodes”). And, “if you up the frequency, you’ll find the patterns get really complicated,” because more of those nodes occur.

All sounds on Earth are pressurized acoustic vibrations, or disturbances, in and through either a liquid (water), gas (air) or solid form, and as a result, manifest into different and specific sound wave patterns that affect everything else within their reach.

Regardless of how technical the actual science and mathematics behind cymatics are, it remains a challenge to apply an everyday explanation and logic to this wonderfully beautiful enigma of the world around us.

Tanglewood rocks by the water with Jackson Browne

LENOX, MA – Jackson Browne proved that older rock stars can still sound great into their 70s.

Backed by his accomplished touring band, Browne rocked concert-goers by the water (Stockbridge Bowl) in Lenox last evening with a two-hour-plus show under clear, warm skies.

Browne performed hit songs from his 50-plus year career – like “Doctor My Eyes”; “Lawyers in Love”; “Somebody’s Baby”; and many others – as well as some of his newer songs from more recent times.

Browne and his band also played other crowd favorites like “Running on Empty”, “These Days” (his first hit record Browne wrote at age 16 and made a minor hit by Nico on Velvet Underground’s classic 1967 debut album) and “For Everyman,” among others.

In between numbers, Browne told heart-warming stories about some of his songs and changed guitars many times during the night.

The crowd was enthusiastic and leaning into the vibes, singing and dancing right to the very end with the monumentous encore track, “The Load Out/Stay” (otherwise known as the ‘Roadies Song’).

Browne first performed at Tanglewood on July 31, 1973, as the opening artist for the band America.

Since then, Browne has appeared numerous times at Tanglewood, including for a record crowd of more than 21,000 concert-goers in 1978, the height of his long career.

The Tanglewood Popular Artists series debuted in 1968 and since has been one of New England’s top outdoor venues, serving as host to bands from Led Zeppelin to The Who.

Other artists who performed at Tanglewood over the years include Chicago, The Who, Ravi Shankar, Jefferson Starship, Modern Jazz Quartet, B.B. King, Miles Davis, Chet Atkins, and many others.

LISTEN: Composer Ross Lucas drops new track; LP set for Halloween

Wisconsin musician Ross Lucas sent us a new track, “All Day Longing,” as an ode to his wife.

“It’s sort of poem that I wrote for my wife. During many tedious days at work, I would ruminate about how much I missed her and wished to be with her,” he says.

“In time, I was able to form these sentiments into the lines of a song. Some occasions and some emotions call for just such shameless romanticism.”

Based in the small town of Elk Mound, Wisconsin, Lucas’ new album, Endless Winter, is set for release this coming Halloween day.

We were first introduced to Lucas’s music back in 2020 with his touching single, “Under The Sun.” Lucas is a forklift operator by day, and musician and composer by night.

Check out his socials:

https://www.facebook.com/ross.lucas.798

https://rosslucas.bandcamp.com/track/all-day-longing

He says that he failed music in his freshman year of high school and promptly left school to start his first band Wussbudget. Lucas never looked back, opening for bands like Tenement, Arms Aloft, and Savage Unicorn.

He moved to the U.K.  following the break up of the band.  During his two-year sojourn, Lucas wrote a flurry of new songs while managing to “get kicked out of a couple different bands for failing to sound like either John Squire or Tom DeLonge.”

He plays, records, mixes, and masters his tracks laying down all of the work on guitar, bass, drums, and vocals.

IMMERSE: 5 Talented Artists You Didn’t Hear in 2022

Get to know talented indie DIY artists and bands we’ve been listening to this summer. We decided to highlight one 2022 track from each artist or band, even though they all have others we dig as well. There’s a range of sub-genres represented as well.

Young Robin – Perth, Australia
Loops & Loops – Bronx, New York
Patches – Enid, Oklahoma
Nathan Colberg – Nashville, Tennessee
Cries For Colour – Waterloo, Ontario

Aussie alt-pop band delivers bliss on latest single

PERTH, Australia – Originally released in May, “Waste My Time” by Australian band Young Robin, is a blissful indie track that really stuck with us through the summer; thus, its inclusion in this series.

The band leans into the maturing sound it has discovered, blending bright signature riffs with sound elements borrowed from genres such as modern pop-driven hip-hop.

The alt-pop quintet comes straight out of Perth’s eastern suburbs, fusing a kaleidoscope of influences, and delivering a soulful, blissful sound and captivating on-stage performances.

The group are forging their own path in the music scene with a sound that doesn’t conform to trends. With a natural chemistry between the members and a knack for creating a euphoric atmosphere, their live shows are unmissable. ”

Social: https://www.instagram.com/youngrobinband/
Members: Jed Begho – vocals, Sophian Manik – vocals and guitar, Hamish Graham – bass guitar, Jarred Osborne – guitar, Tyler Vivian – drums
Influences: Clairo, The 1975, Last Dinosaurs, Foals, Jungle Giants, Glass Animals
Opened For: South Summit, Adrian Dzvuke, Pacific Avenue
Formed: 2013

Bronx one-man band Loops & Loops blends dream and lo-fi

BRONX, New York – Last year, Loops & Loops, aka Peter Bogolub, purked our ears with the lo-fi, dream-pop number, “Not Yet” – a track he says was based on a walk through NYC during the pandemic.

Lately, he’s been on a roll and quite prolific – dropping four EPs and albums so far this year, intermixed with a series of singles.

Other notable tracks we dig from his 2022 discography include “County Fair” and “Pain In My Heart,” among others, both from his Fake Face drop.

Clocking in at just under 2 minutes, “Pain in My Heart” highlights Bogolub’s inner monologue as he navigates the weird, limbo-like transition period following the end of a personal relationship.

Fake Face, he says, “serves as a return to indie roots of such bands as Yo La Tengo and The Magnetic Fields.” (two bands we’ve been covering since our start in 2007) .

Melding somber elements from the lyrics, a melancholy vocal delivery as if he was frowning throughout the entirety of it, the track delivers an optimistic ukulele riff and a bouncing pop melody hook.

One of his releases this summer, The Mysterious Case of Harper Goodwin, features 11 experimental space-pop/rock/shoegaze/dream-pop instrumentals, including stand-outs like the opening track, “Call Of” and “Lost In It”. If you’re into meditation music, check this out.

For nearly 20 years, Bogolub played in “noisier bands,” but the pandemic “opened the doors for me to find a more intimate and lo-fi groove as a solo artist,” he says.

However, he did not release his own recordings again for nearly 14 years. It was during the quarantine that he discovered, experimented with and released lo-fi music. We’re glad he did. You can

Social: https://www.instagram.com/peterbogolub/
Members: Peter Bogolub, songwriting, instruments, composition
Influences: Yo La Tengo, The Magnetic Fields, My Bloody Valentine, The Shins, Lord Huron
Opened For: n/a
Formed: 2020

New Trio Outta OK crafts spacey-pop rock

ENID, Oklahoma – Patches is a new indie rock/post-punk trio out of the mid-west that held our attention with the band’s February release of the single, “A Nice Day to Orbit Saturn” from the debut album Tales We Heard from The Fields.

“We have been making harmonic, pop infused rock with experimental noise since our inception, and the three members switch instrumental roles on the fly,” notes vocalist and bassist Nick Robilliard.

“We have a pronounced lo-fi and DIY aesthetic when it comes to everything from songwriting, to artwork, to production. With backgrounds in REM style jangle pop, minimalistic art rock like Wire, and the bombast of bands like Jesus Lizard, each member brings something unique to the band which is reflected in the song variety,” he adds.

“‘A Nice Day to Orbit Saturn’ was the third song created for our debut album. It is equal parts melody-oriented pop and scathing, distortion heavy feedback that quickly builds into layered guitar play.

“Lyrically, it is a bitter, first person narrative of an astronaut in a futuristic setting who has resigned himself to being stranded on one of Saturns moons. Clean harmonies obscure some of the dread,” Robilliard concludes.

Social: https://thesoundsofpatches.bandcamp.com/track/a-nice-day-to-orbit-saturn
Members: Evan Seurkamp – Vocals, Guitar; Nick Robilliard Vocalist/Bassist; Melodica Aaron Griffin – Guitar, Drums
Influences: Wire, The Cure, Guided by Voices, Kitchens of Distinction, Gang of Four, REM
Opened For: n/a
Formed: 2021

NASHVILLE, Tennessee – Earlier this year, Nashville-based indie-pop songwriter and musician Nathan Colberg released his debut album, Dream On, Kid.

The stunning track, “Oblivion,” has been on repeat in our Best DIY Music of 2022 playlist series on IRC’s Spotify channel.

The album was produced by Jason Mater (Encanto, High School Musical the Series) & Chumba (Dua Lipa, Maroon 5) with songwriting contributions from Sam Martin (John Legend, Maroon 5, Jason DeRulo)and Bo Rinehart (Needtobreathe).

Colberg is originally from Charlottesville, Virginia but moved to Nashville in 2018 to pursue a career in music.
Interestingly, Colberg chose Nashville even though his music is not country or even close to country; instead, Colberg produces heart-felt pop/rock songs.

“Despite an insanely talented team,” he says “I am still independent and currently have a small following.”

Other notable tracks from his latest release – Dream On, Kid – include “Gateway Bridge” and “Gold,” among others.

His catalog of music (on Spotify, YT and Soundcloud) claims to have amassed more than 10 million streams – and not from being featured on any high-profile playlists, but instead from likes and adds by bloggers and music lovers who have latched on to Colberg’s music. Most of his streams came from the 2018 album, Silo, and his 2016 EP, Barricade.

His 2018 song, “Calm,” racked up over two and a half million streams on Spotify alone.

Social: https://www.instagram.com/nathan_colberg/
Members: Nathan Colberg – all instruments
Influences: Phil Collins, Maggie Rogers, 1975
Opened For: Johnnyswim, Matt Wertz
Formed: 2018

WATERLOO, Ontario – Based in Canada, indie dream pop solo artist Quinn Downton, aka Cries for Colour, weaves together disciplines in songwriting, compisitions and production. with a focus on atmospheric and melancholic sounds.

“The songs are fleshed out by an incredibly talented rotating carousel of guest musicians and singers to ensure that the music remains fresh and ever-changing,” Downton says.

One of his latest single, “Sea Fret,” has been on our ‘favorite DIY songs’ all year. Perfect for you chill-loving dudes.

“"Sea Fret" is an atmospheric yet fun indie pop song meant to mesh the acoustic and melancholic strumming of bands like Fleet Foxes with the more upbeat and funky pop of The 1975, Talking Heads and Daft Punk, but with a hint of modern electronica elements in the mix,” Downton writes.

“While the lyrics seemingly hint at a broken relationship they are actually about my own relationship with intrusive thoughts and anxiety.”

The song was released ahead of his debut album, Fairlight, that dropped earlier this year.

Social: https://www.criesforcolour.com/
Members: Quinn Downton
Influences: Fleet Foxes, The 1975, Talking Heads, Daft Punk
Opened For: n/a
Formed: 2020

DIY DRIP: newmath drops new single, ‘Poison Apple’ ahead of new album

SEATTLE, Wash. – Experimental outfit newmath‘s latest single, “Poison Apple,” weaves elements of dream pop, shoegaze and other sub-genres of rock and indie pop to create a song inspired by “the fears, worries, and uncertainties about becoming a first-time parent,” according to musician Chris Fish.

The song takes inspiration from Deerhunter, M83, Blink 182, and the repetitive structure of acts like Glenn Branca and Swans, he adds.

Newmath evolved from a lo-fi acoustic drone project to the noisy dream pop sound heard on Fish’s 2021 release Kudzu.

Fish’s top musical influences are My Bloody Valentine, Kanye West, Blink 182, and Glenn Branca.

The forthcoming album, BLOOM, is a noise-rock, rock opera about the panic, uncertainty, and love of becoming a first-time parent during a time of social unrest. The album will drop in October.

https://newmath1.bandcamp.com/

SINGLE:Denver band VYNYL drops new track, ‘Strawberry Blonde’

DENVER – DIY outfit VYNYL has dropped a rich new single, “Strawberry Blonde” – a sweet, moody ode to summer and the tribulations of love.

The pop rock-oriented track was mixed and mastered by reputed sound engineer Matt Bishop (U2, Bad Suns, The Killers) and is the first ever fully self-produced track from VYNYL.

According to frontman John Tyler, the catchy new single came about after realizing that he had fallen for a girl that “would come to show me that love exists after heartbreak.”

“It’s about learning to trust someone with your heart again, even if you’re scared,” he adds. The trio’s musical influences are hinted here and there throughout VYNYL’s dynamic 80’s-evoking music, recalling the sounds of artists such as Prince, The Cure and Tears for Fears.

VYNYL has been steadily-building a fanbase over the past few years and shared the stage with artists such as Blink 182, Bleachers, 3Oh!3 and girlfriends, among others. The single is a “culmination”, Tyler says, of the band’s rising profile.

Tyler, who performs guitar and drums in addition to writing and producing, is backed by his bandmates Andries Ceronio on bass and Hunter Heurich on guitars and synth and Caique Morais. The band originally formed in 2016.

instagram.com/vynyltheband

STREAM: Ali Hugo drops inspiring new single

Canadian singer/songwriter, videographer and engineer Ali Hugo returns with the inspiring new single, “There’s A Light Out There.”

The single is the first release from his upcoming new album of the same name.

The song, he says, ” is a tribute to the kind of music I grew up listening to on the radio in Ontario. This was also the first time that I did not write down the lyrics,” he adds. Rather, he wrote and sang the lyrics after the musical composition was nailed down. Further, he wrote the song specifically to perform live on the road.

“The singing style is different than anything I’ve recorded before,” he adds, “it was important for me to stay true to my influences which was not so hard for me because I grew up actively listening to this kind of music.”

“However, while in the studio, instead of picturing a video concept that could accompany the song,” he writes, “I kept picturing shorts, reels, and spotlights and that gave me more room to maneuver my way around the song both musically and vocally.”

https://ingrv.es/there-s-a-light-out-ynn-q

“Also, I wanted the song to have the right balance between the feel of city life as well as a small town so a listener in Vancouver or someone from a small town in Nova Scotia, that is; both listeners would be able to connect to the song.”

Hugo plays keyboardist, music, video producer, dancer, sound engineer. He used PreSonus and Yamaha keys for this production.

Hugo will be performing a number of shows throughout the Ontario area in the coming months.

https://www.facebook.com/hopeforthemeek

Musical Influences: Kenny Loggins,; Richard Marx; Bryan Adams; Cyndi Lauper
Indie musical influences: The Pixies; Oasis; Metric

 Background

Ali Hugo started his music career at the early age of eight when he joined his family’s band, Leo,  as the lead singer.

After attending university, Hugo set out to start a career in music.

His debut album charted into the top ten on the global indie charts and the hit single “Tears of a Broken Heart”.  Hugo has continued to pursue his music and video production career since then, releasing an EP titled Time Machine – which he says: “used a complex engineering process to transport the songs into the digital streaming age.”

The album generated three indie hit singles and earned Hugo a gold record from his Canadian label Mirage Records. He also produced the  Time Machine Rockumentary  that documents the Time Machine project.

Hugo’s rockumentary was a finalist at The Carey Movie Festival in North Carolina.

STREAM: New track “Snow Fortress” from Copenhagen s/s he is tall

New song from Danish recording artist deals with acceptance and belonging

COPENHAGEN, Denmark – Indie DIY solo singer/songwriter Troels Thorkild Sørensen, who records nowadays using the moniker he is tall, has dropped a touching and playful new song, “Snow Fortress.”

“Despite the name, the last icy crystals of the winter are long ago melted by the songs outreaching ,” Sørensen writes.

The song is laid-back with a vibrant live sound featuring a confluence of vocal, acoustic, percussion and trumpet parts supported by soaring choruses. “It’s somewhere in between Arcade Fire and https://indierockcafe.com?s=arcade+fire,” adds Sørensen.

Describing the story behind the song, Sørensen writes: “Behind the extrovert sound of the song hides a very introvert and shy main character who is singing about wanting to succeed and fitting into ‘public space’ that one enters as a live performer.”

“The character in the story believes that the solution is to act as someone else and be an extrovert party animal,” he adds. “It all ends with he/she having to use extreme methods in the quest of transformation.”

Besides studio recordings, Sørensen has played numerous live shows around Denmark, including opening shows for international artists like Tyler Childers and The Divine Comedy.

As a one-man-army with an acoustic guitar, Sørensen manages to fill even large stages with his connective presence. In fact, this summer he will be playing a series of festival shows.

His musical influences are varied across the indie rock spectrum: “Growing up as a teenager I have been listening a lot to indie artists like Sufjan Stevens, Bon Iver and Florence and The Machine, but in the past years I’ve grown to really like hiphop and catchy pop melodies. I think my music has become a mix of what I listened to back then and what I listen to now. ‘Snow Fortress,’ he adds, “is a good example of that composite musical universe.”

instagram.com/heistall1
facebook.com/heistall

WATCH: Billie Eilish debuts new song, ‘TV,’ in Manchester

MANCHESTER, England – Billie Eilish is currently touring through the UK, and during tonight’s set at the AO Arena in Manchester, she debuted a brand-new song called “TV.” In a stripped-down performance, Eilish sat next to brother and producer Finneas (on acoustic guitar) to share the melancholy new track.

“We haven’t played a new song live before it’s out since 2017 or 2018,” Eilish said before launching into “TV.” “This is one we just wrote, and we just wanted to play for you.” This was Eilish’s first UK performance since she performed at Reading in 2019.

Later in the month, she’ll be back for Overheated, a multi-day climate event taking place at the O2 Arena in London on June 10-12 and 25-26.

Watch some fan-shot footage of Eilish and Finneas performing “TV” below.

Via Stereogum – see full original post

FESTS:  Colorado’s Sonic Bloom electronic dance music festival is entering the metaverse

The festival will offer versions of its real-life elements through new virtual realms when the event returns from a two-year COVID-19 hiatus this month
by Angela Ufheil for 5280.com

The best music festivals are worlds unto themselves. Burning Man, for example, feels like a Mad Max–esque fever dream, while Coachella is a celebrity-studded carnival.

Since it started in 2006, Sonic Bloom, one of Colorado’s biggest electronic dance music festivals, has cultivated a techno-psychedelic summer camp vibe—and, this year, a trip into the metaverse will solidify that brand.

For the uninitiated, the metaverse is a developing network of 3D worlds that exist on the internet, à la Ready Player One. Like the characters in the 2018 sci-fi film, users can don goggles and explore virtual realms, where they interact with others.

The ever-expanding metaverse has long fascinated Annie Phillips, a Denver artist who, in 2019, designed metaversal replicas of her RiNo digital-art gallery, IRL Art, so customers could virtually peruse the exhibition space on different platforms.

“People look at the metaverse as checking out of reality,” Phillips says, “but it’s a cool way to still experience art and feel connected to a community.”

Continue reading on 5280.com

WATCH:  Trailer for upcoming Bowie documentary ‘Moonage Daydream’

Filmmaker Brett Morgen’s new David Bowie documentary, Moonage Daydream, calls his film an “immersive cinematic experience” created from thousands of hours of rare performance footage from Bowie’s earlier years.

The music doc premiered earlier this week at the high-brow, ‘prestigious’ Cannes Film Festival.

Much of the footage in the film features live performances and television show appearances among other video clips of Bowie’s career.

Moonage Daydream is set for theaters and IMAX this fall via NEON, and will stream on HBO Max in 2023.

WATCH:  xx’s Oliver Sim shares new single ‘Hideous’ about living with HIV

The xx’s Oliver Sim has announced his debut solo album, Hideous Bastard, which will be out September 9 via Young.

The album includes previous singles “Fruit” and “Romance with a Memory,” and has just shared a third single, the lush, string-laden “Hideous,” which was produced by his xx bandmate, Jamie xx, and features Bronski Beat and Communards cofounder Jimmy Somerville. He’s also shared its striking video, by director Yann Gonzalez, that just premiered at the Cannes Film Festival.

In a statement about the album and single, Sim revealed that he’s been HIV positive since he was 17. “Two thirds in, having a good idea of what the record was about, I realized I’d been circling around one of the things that has probably caused me the most fear and shame: my HIV status,” Sim writes.

“I’ve been living with HIV since I was 17 and it’s played with how I’ve felt towards myself, and how I’ve assumed others have felt towards me, from that age and into my adult life.”

Continue reading at BrooklynVegan