Best Songs of 2013, Vol. II – Local Natives, Yo La Tengo, Wooden Hand, Pere Ubu, Gliss, Ty Segall and Mikal Cronin, Lost Animal

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by Devin William Daniels

There were so many terrific songs in 2013 that no one could blame you for still listening to them every chance you can get. Plus, 2013 is still fresh for many people. Devin William Daniels, a musician who records under the name of The Negative Sound, has written some more reviews of his favorite songs from the Top 10 Songs playlists. Volume One included tracks from artists like Kurt Vile, Sigur Ros, Phoenix, Wild Nothing, The National, Daft Punk and many others. The following reviews and playlist of the Best Songs of 2013 includes more fantastic songs from artists and bands like Local Natives, Yo La Tengo, Wooden Hand, Pere Ubu, Gliss, Ty Segall and Mikal Cronin, and Lost Animal.

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The opening track Yo La Tengo’s 2013 album, Fade, has the seminal indie rock group looking back as it moves forward. A chanting jangle pop number slowly drifts into hazy, vaguely-Eastern psychedelia. The voices intone: “…nothing ever stays the same/ Nothing’s explained/ The higher we go, the longer we fly,” a sermon of the ancient order of Anglo-American rock spiritualism. Yo La Tengo envisions pop music’s future expanding in height and duration, but the revelations aren’t new ones.

“Ohm”Yo La Tengo from Fade

Local Natives explore the sonic landscape in this excellent single. After a totally danceable intro, I expect four minutes of fairly clean, glassy afro pop, and instead I’m treated to a melancholic wall-of-sound that’s almost anthemic, then contemplative downstrokes over which we lay witness to the passage of time, “…watching/ The color drain from my ice.” The different elements reflect the different responses and impulses music elicits: the urge to forget, to transcend, and to dwell.

“Breakers”Local Natives from Hummingbird

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The legendary art-rockers, Pere Ubu, kick the year off with their surreal brand of pop music. Repetition, lyrical minimalism and synthesizers combine in unfamiliar ways to create this perplexing, eerie track. At times it feels melody-driven, at times rhythm-driven, while sometimes seeming to have no melody or rhythm at all. David Thomas’ seemingly innocuous refrain, “It’s a wonderful world/ It’s a beautiful thing” never sounded so disturbing an assertion.

“Free White”Pere Ubu from Lady from Shanghai

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James Jackson Toth, the man behind the Wooden Wand moniker, avoids the stylistic pitfalls of contemporary indie folk in this intense number. Instead of using clichéd instrumentation and forced depression-era imagery to evoke bygone folk heroes, Toth finds the tragedy in a modern – and thus infinitely more relatable – context: the 2011 crime spree of the so-called Dougherty Gang. The arrangement – juxtaposing a cutting, precise rhythm guitar with ghostly ancillary parts – evokes desperation, defeat and transcendence.

“Southern Colorado Song”Wooden Wand from Blood Oaths of the New Blues

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With their most obvious generic elements, you think you know what to expect from Gliss, but it’s not the usual 80s callbacks of electronic music or the songless goo of so much current shoegaze. Instead, “Weight of Love” recalls the heyday of 90s alternative rock in its structure: I hear Smashing Pumpkins, Nine Inch Nails and even 90’s Red Hot Chili Peppers lurking, as well as Victoria Cecilia’s ethereal vocals recall the music from David Lynch’s Twin Peaks. Yet it’s all packaged in silvery sheen and set to the backdrop of some sort of hyper-futuristic Los Angeles.

“Weight of Love”Gliss from Langsom Dans

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The prolific Ty Segall collaborates with Mikal Cronin on this great track. You know what to expect from Segall at this point, but it’s always welcome since it’s so hard to find elsewhere: great riffs, neck-bending hooks, and an unwavering commitment to volume. The title, “I Wear Black,” is appropriate, as in an era of slight singers and meek songwriters, Segall has become a sort of moustache-twirling sonic villain by comparison, which makes him the beloved antihero of those who think rock music is supposed to rock.

“I Wear Black”Ty Segall & Mikal Cronin from Reverse Shark Attack

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Jarrod Quarrell’s keyboard pop offering lacks in melody and direction, at times feeling like its wandered into the mid-tempo wilderness, but the appeal to this track comes in its carefully constructed texture and Quarrell’s meticulous, spoken-word-poet delivery.

“Say No to Thugs”Lost Animal from Ex Tropical

Devin William Daniels is a writer and musician from Pennsylvania currently teaching English in the Republic of South Korea. Follow him on Twitter or listen to his recordings on Soundcloud. Read more of Mr. Daniels’ posts and reviews via IRC’s archives.

 

Best New Music Releases, Week of May 7th – AM & Shawn Lee, She & Him, Deerhunter, Mikal Cronin, Savages, Fitz and The Tantrums

AM-and-Shawn As summer approaches, the number of new releases from a variety of well-known, and some lesser-known, bands and artists, will begin to increase. This week is sort of one of those weeks because it’s still early enough in the spring to get a good roll started and ride it through the summer. IRC’s top releases this week include new albums, and the singles that accompany them, from the funky, genre-bending Los Angeles singer/songwriter and British producer/multi-instrumentalist duo, AM & Shawn Lee, and another highly regarded duo, actress Zooey Deschanel and Portland singer-songwriter M. Ward with She & Him‘s third installment of the Volume series; plus, dig the raw, psychedelic garage rock forays of Deerhunter, and the crunchy, melodic power-pop of Ty Segall collaborator and San Francisco Bay Area musician, Mikal Cronin.

“Two Times” – AM & Shawn Lee from La Musique Numerique on Park the Van

“I Could’ve Been Your Girl”She & Him from Volume 3 on Merge Records

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“Shout It Out”Mikal Cronin from MCII on Merge Records

“Monomania”Deerhunter from Monomania on 4AD

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Lead Singles from Savages, Mother Falcon, Way Yes, Fitz and Tatrums

The rising UK buzz band, Savages dropped one of the most anticipated debut albums of 2013 this week, Silence Yourself, via Matador, fronted by the single, “Shut Up.” Interest in the debut by many music lovers was fueled by Savages appearance at Coachella last month.

Following Savages is the new track from Mother Falcon, who are, it’s fair to say, one of the buzz bands (more like collectives) of 2013, thanks to three widely praised appearances at SXSW in March. The fact that the band is based in Austin made it much easier to transport their 21 member troupe to their shows at SXSW. Mother Falcon relies solely on acoustic instrumentation – from the guitar and vocals to drums and the violin – to produce their enticing sounds. During SXSW, the band test-piloted some of the material from their sophomore album, You Knew, and launched a triumphant IndieGoGo fund-raising campaign to fund the production of the LP. And there’s more: stream new songs from freshly-dropped albums by Noah and the Whale, Fitz and Tatrums, Way Yes, Kid Congo & the Pink Monkeybirds, The Child of Lov, Lana Del Rey and Kid Congo & the Pink Monkeybirds.

“Shut Up”Savages from Silence Yourself on Matador Records

“Dirty Summer”Mother Falcon from You Knew

“Heart of Nowhere”Noah and the Whale, featuring Anna Calvi from Heart of Nowhere on Mercury

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“Out Of My League”Fitz And The Tantrums from More Than Just a Dream on Elektra

“Broken Record”Little Boots from Nocturnes on On Repeat Records

“Give Me”The Child of Lov from The Child of Lov on Domino Records

“Young and Beautiful”Lana Del Rey from The Great Gatsby soundtrack on Interscope

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“Get Healed”Way Yes from Tog Pebbles on Lefse Records

“Western Town”We Are Loud Whispers from Suchness on Hardly Art

“Conjure Man”Kid Congo & the Pink Monkeybirds from Haunted Head on In The Red

“The Road”A Tribe Called Red from Nation II Nation on Tribal Spirit Music

“The Caustic Light”Shannon Wright from In Film Sound on Ernest Jenning Record Co