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The only problem with Fred Neil’s music is that there’s not nearly enough of it. That’s why even a brief, informal session like 38 MacDougal feels like a treasure trove. Taped in 1965 at Neil’s apartment by Peter Childs, who accompanies Neil on guitar throughout, the recently released collection is the equivalent of a private recital by one of the great American singer-songwriters.
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Growing up in the country’s playground town of Orlando, Florida, musician and singer/songwriter Steve Marino, now a resident of Bloomington, Indiana, writes and records introspective songs under the moniker, Moor Hound.
In 2008, with just an acoustic guitar and some new recording equipment, Marino set out to create strictly folk songs – anything but, he told IRC, “the saccharin, lovesick songs” he was accustomed to hearing as a teen. But it didn’t take long for Marino to find himself drifting back towards the very format and sound that he had previously committed to avoiding.
In fact, once Marino discovered the self-indulgent thrill of the melancholy love song, he eventually produced two full-length albums filled with organic, heartfelt indie folk music, as songs like “Holiday” and “Low Season” clearly demonstrated.
“Holiday” – Moor Hound from Stifled Spirit – Jan. 29th
“Low Season” – Moor Hound from Stifled Spirit
Last year, a few of Marino’s musician friends located many hundreds of miles north of central Florida coaxed him into moving to Indiana to join their band. Soon after he arrived, they were performing as a back-up band on some of his song.
“Moor Hound is ultimately a solo project,” he said, adding, “I do have friends play on my records…but it’s a solo thing at the core.” Other musical genres, such as alt. country rock, occasionally seeped into his recordings, as evidenced by the twang of the electric slide guitar on songs like “You’re Still Around.”
“You’re Still Around” – Moor Hound from Stifled Spirit
While Marino is signed with a small indie label, Rhed Rholl Recordings, the original, limited edition cassette of Stifled Spirit was released this past January via Viva La Records, a small indie label founded by Alexander Charos of the band Alexander & The Grapes.
We decided to include one song from each of Moor Hound’s previous releases to give listeners an idea of his earlier work and his progression as a songwriter and musician over the past half decade. In February 2010, Marino released an LP titled Land/Sea with Australian friend and fellow musician Will Farina. Since we could not decide which of two songs from Land/Sea we liked the most, the decision was made to include both. In November of 2010, Marino released his debut solo LP, Love in My Jaws, from which the standout track, “Through The Fence,” is taken.
“Bolton Valley” – Moor Hound & Will Farina from Land/Sea – Feb. 26th, 2010
“Before and Between” – Moor Hound & Will Farina from Land/Sea
“Through The Fence” – Moor Hound from Love In My Jaws – Nov. 2nd, 2010
From “Before and Between” is the following stanza, which just about anyone who has ever experienced young love in the splendor and solitude of nature can relate to: In this place there is no strife or bitterness/Only the sound of the wind in our ears/Why pray for heaven/When we have it right here?
In September of 2008, Marino released his first recording, an EP titled Enduring World, which, like his other releases is available via Moor Hound’s Bandcamp page.
“Enduring World” – Moor Hound from Enduring World EP – Sept. 25th, 2008
Marino listed among his major musical influences artists such as J. Tillman, Iron & Wine and Sufjan Stevens. Marino, in response to a question we ask all featured artists, wrote that “indie rock, with its many forms and interpretations, is music that is genuine in its creation, and finds its impact in the character and personality of the creator. It’s not a genre as much as it is an approach to songwriting.”
Visit Moor Hound’s Facebook page.
Based on a number of recent, popular DIY posts, it’s clear that many people who dig indie and alternative music particularly like to read about and listen to music from talented, under-the-radar bands they’ve never heard of before.
Each week, we feature DIY and ‘underground’ bands and artists that are making music just as good (and sometimes better) than artists and bands who receive plenty of blog love, praise from the mainstream press, fan adulation and financial success.
We’ve reviewed and listened to music from hundreds of submissions in recent months, and narrowed down our favorites into a number of posts recently, such as the 7 Bands You’ve Gotta Hear, DIY Bands to Watch, and the Artist of the Week series, in addition to Best New Releases and a variety of other posts featuring DIY and signed indie artists.
It’s still always amazing to us, after all of these years of reviewing under-the-radar bands, just how many excellent bands we profile who are largely unknown. That fact makes them, in our view, even more special (as long as they don’t go the way of a band like fun. where everyone knows that one way overplayed song), which is clearly why people come back to IRC – for great music the rest of the blogsophere is missing out on.
In December, the Sarasota, Florida DIY band Umbrella Cult released their debut album. However, the fact that it came out only four days before Christmas means that it basically got lost in the crush of the holidays, when people are not really paying attention to new releases. In 2011 and 2012, the band’s gritty production style and high energy concerts quickly garnered them a strong and loyal fan base in their hometown and the surrounding region. The band purposely embraces the “raw and reverb-y production of the 60’s and 70’s,” to create a sound that is balanced by modern and vintages aesthetics.
In 2012, the band began work on an entirely self-produced album in Lee’s foreclosed childhood home (long ago nicknamed the “Umbrella Cult”, which seemed the appropriate name when the band formed). Recording nearly 30 songs during the home sessions, the band members eventually narrowed it down to the 14 tracks on their debut LP, Apocalove.
“Another One Goes” – Umbrella Cult from Apocalove
“New Mistakes” – Umbrella Cult from Apocalove
Umbrella Cult covers all kinds of genres from alt. pop and indie rock to garage rock and psychedelic. Originally formed in 2011, Umbrella Cult counts among their top musical influences excellent bands such as Guided By Voices, The Kinks, The Smiths, The Brian Jonestown Massacre, The Magnetic Fields, and Neutral Milk Hotel.
In response to a question included on the IRC submission form (“What is indie rock?”), band member Promise Hope (yup, that’s his name), replied: “indie rock is spirited and thoughtful music that has the freedom to operate independently of the well-worn style and genre constrictions. Indefinable perhaps, its sounds are as varied as it’s purveyors.” We like that take on the subject – well put.
From the Florida swamp lands filled with alligators and cypress trees covered with Spanish moss, has emerged the relatively new ambient folk band, Roadkill Ghost Choir. In recent months, the band of brothers – quite literally – have exploded in popularity, selling out gigs up and down the east coast, and landing spots in the lineups for various festivals, including South by Southwest (SXSW) and other musical events. The ball got rolling for RKGC last year when Andy Shepard (vocals, guitar) was invited to perform a gig at a local club. Not wanting to perform solo because he feared it would be boring, Andy recruited his brothers – and brothers Maxx Shepard (drums) and Zach Shepard (bass) to join him on stage. And that was the planting of the seed.
Soon after, the band was completed with the addition of Kiffy Meyers (pedal steel, banjo, guitar), Joey Davoli (keys, trumpet) and Stephen Garza (lead guitar). Indie music lovers have clearly shown over the years that they love indie folk music, as evidenced by the success of bands like Fleet Foxes, Bon Iver, Avett Brothers, among others. The bands debut EP, Quiet Light, was released in September of last year, produced by David Plakon and mastered by Doug Van Sloun (Bright Eyes, She & Him).
“Beggar’s Guild” – Roadkill Ghost Choir from Quiet Light
“Bird in the Window” – Roadkill Ghost Choir from Quiet Light
Roadkill Ghost Choir Official Site
No Shoes is a Brooklyn prog-punk quartet consisting of Fabian Kaupert and Arcody Ruin, both guitarists and vocalists, plus, bassist Dan Kunkel and drummer Emilio Herce. Since launching the band a year and a half ago, No Shoes has formed a underground following, including plenty of women, which is inspiration to the band members, on more than one level. Herce told IRC: “We are known for our high energy show and eclectic time signatures. A surprising number of faces in the crowd during our sets are young and attractive females.”
The band’s new EP, Mingling, was released last September by Mama Coco’s Funky Kitchen. No Shoes have opened for bands like Viva Mayday, Jangula, Osekre and The Lucky Bastards, and named some of their major musical influences as Banzai, Fall of Troy, The Mars Volta, and The Dillinger Escape Plan.
“Honeycomb Mirrors” – No Shoes from Mingling EP
“Raindrops” – No Shoes from Mingling EP
Brooklyn unsigned new wave/post punk band Hints sent in a couple of tracks recently from their fresh release, Vol. I. Since forming as a musical project in the summer of 2011, the line-up has solidified with Garrett Morin on vocals and guitar, Matthew Fisher on drums, Collin Lewis on lead guitar and Wyeth Hansen on bass. Honing in on their individual, diverse talents, Hints set out to forge something entirely unique from the get-go. “Our goal has been to make something both fun and earnest that honors influences without becoming derivative,” according to Lewis. Among the band’s top musical influences are bands like Orange Juice, The Church, The Cure, and Echo & The Bunnymen. They’ve recently shared the stage with bands like Menahan Street Band, Owen & The Eyeballs, Rifle Recoil, Relations, Ash Reiter and Jenny Besetzt. On January 29th, the band released a new double single available via the Hints Bandcamp page.
“Ritual” – Hints from Vol. I
“Built A Church” – Hints from Vol. I
The Hoot Hoots, hailing from the beautiful city of Seattle, have been dishing their brand of fuzzy power pop to local admirers for the last three years. Their latest LP, Appetite for Distraction, gained critical praise that paved the way for the band’s latest release, an EP titled, Feel the Cosmos. The Hoot Hoots fun, whimsical songs have been compared to artists like The Flaming Lips, The Unicorns, and The Shins. Such comparisons to legendary artists for a largely unknown, DIY band is no doubt a risky assertion, but The Hoot Hoots meet the requirements in this case. The band was founded by brothers Adam Prairie (lead vocals/guitar) and Chris Prairie (drums), and was completed when they recruited musicians Geoff Brown to play bass and Christina Ellis as the resident synth master.
“Home” – The Hoot Hoots from Feel The Cosmos
“Empty Hands” – The Hoot Hoots from Feel The Cosmos
