New York City’s underground music scene makes a triumphant return to the subway

subway-live-music-new-york
by Kevin James for StreamlineMusicBlog

Its baaaaack!!! New York City’s bustling “underground” music scene has returned to subway stations across the city.

The Metropolitan Transportation Authority’s (MTA) Music Under New York (MUNY) program schedules music performances across the vast transit network and provides exposure to over 350 artists and groups who participate.

Official live musical performances resumed Friday in the Big Apple’s subway system.

The return of the live underground performances come after more than a year long hiatus compelled by the coronavirus crisis in April 2020.

A multitude of musicians and artists took to the subway to play an eclectic, multi-genre blend of music in a variety of styles.

As a New Yorker, I am personally excited about this news I have seen an enormous amount of talent performing under the MUNY program over the years.

From MTA’s May press release:

The Metropolitan Transportation Authority (MTA) today announced that its popular Music Under New York program will return to the subway system on June 4, more than 14 months since it suspended public performances due to the COVID-19 pandemic, and immediately on the heels of the return of 24/7 subway service and the broader reopening of New York City.

Authority officials, including MTA Arts & Design Director Sandra Bloodworth, joined longtime Music Under New York groups to formally celebrate the news with a brief concert at the 72 St station featuring The Opera Collective and Diverse Concert Artists.

“This is such a profoundly exciting and special moment for MTA Arts & Design and Music Under New York, one of Arts & Design’s flagship programs,” said MTA Arts & Design Director Sandra Bloodworth. “The last year has been difficult for these artists just as they have been difficult for the entire city. To see Music Under New York return is the product of hard work from so many and I am thrilled that our customers will once again get to experience the power and joy that this program has long been known for. No one has to tell a New Yorker why the arts are so important, but the absence of live performance over the last year has only served to reinforce their cultural significance. After 14 months of missing them, today is a special day.”

In a press release issued by the MTA, New York City Transit Executive VP for Subways, Demetrius Crichlow, stated “Almost every subway rider can speak to a time when the beauty, power, and joy of a particular MUNY act has stopped them in their tracks,”

“[Music] serves as an immense source of joy and inspiration to the millions of people who ride our system each day. I’m thrilled it’s back.”

Vampire Weekend Members’ Moonlighting Projects

New York indie band Vampire Weekend have had quite a wild ride since their 2007 song “Cape Cod Kwassa Kwassa” first won over music fans in the U.S. and U.K.

Now, nearly two years since they appeared on the proverbial indie rock radar, the band has become one of the biggest buzz bands of the past 18 months, gracing the cover of Spin magazine, appearing on Saturday Night Live, and touring extensively to sold out crowds on three continents.

Vampire Weekend’s unique blend of catchy indie pop with upbeat African influences – the band prefers to call it ‘Upper West Side Soweto’ – has made them extremely popular. But a good chunk of ‘indie’ music fans ridicule them as preppy, corny and way over hyped.  Such a critique of the band is largely true. In fact, Vampire Weekend, as a band, and despite their success, is often the butt of jokes and the antithesis of what other view indie rock to be.

Perhaps more aware of this image problem than anyone else, the band members have already begun to take time off from Vampire Weekend to work on other musical projects. Keyboardist Rostam Batmanglij teamed up with Ra Ra Riot leader singer and friend Wes Miles – who began recording together back in 2005 – under the moniker Discovery. Their spectacular debut album, simply titled LP, was released earlier this year. The LP oozes with electro pop and hi-fi sonic sounds, at times reminiscent of a mash between Kayne West meets Animal Collective meets, of course, Vampire Weekend.

Lead vocalist and guitarist Erza Koenig has also kept busy with moonlighting projects, including singing on The Very Most song called “Warm Heart Of Africa”.

“Osaka Loop Line”Discovery from LP (2009)

“Warm Heart Of Africa” (featuring Erza Koenig) – The Very Best, ‘7 inch (2009)