One Man Bands to Watch in 2010, Vol. I: Richmond’s Battle Flags and Brooklyn’s Alex Walker

As we continue on with various Bands to Watch posts, today we are featuring two “new” fascinating one man bands, Richmond, Virginia’s Battle Flags and Brooklyn’s Alex Walker.

On a regular basis, we receive in the mail surprisingly fantastic music from completely DIY, independent, artists and bands that just about no one has ever heard of, and in many cases, who have hardly, if ever, been written about on a music blog or online magazine.

In fact, we have featured probably hundreds (at this point) of such artists and bands, many of them reviewed in playlist mixes like Music In Dee Mail, Singer and Songwriter Spotlight Series, and Band of the Week profiles.

With 2010 nearly at full throttle, the music is piling up. But some of the submissions we’ve received already stand out from the rest – as of this date, perhaps a dozen or so that we will be featuring in the coming weeks here on IRC, and others that we’ve already featured (there are many MP3 nugs in our archive posts if you don’t mind clicking around a little).

Today we present two one-man bands from two completely different places and circumstances. Yet they both have a couple of things in common, the most notable being that they do it all – from writing and recording music, to playing all of the instruments, mixing and producing the songs, to distributing and marketing their albums. When you think about it, there is no way to not be in awe of someone who goes totally DIY – no band, producer, engineer; little to no financial backing; no fancy recording studio full of expensive equipment, and so on.

One of the finest examples of this type of totally DIY artist that has really wow’d us is the one man band, Battle Flags. Based in Richmond, Virginia, Battle Flags crafts semi-psychedelic electro-pop sounds and harmonies reminiscent of the so-called “surf-rock” resurgence that has risen to prominence in the past year or so.

With that context, it must be noted that Battle Flags really stands out as an Artist to Watch in 2010, particularly within that loosely defined genre that many trace back to bands like Animal Collective, and further back than that to the Beach Boys records of the late 1960s.

Listening to Battle Flags’ songs, you’d think this was an established synth-drum band who are already known to thousands, or millions, of music lovers, have been featured prominently on all the big blogs and music sites, toured to packed venues and so on. Not in this case; the relatively unknown Battle Flags is entirely the work of college music major Jack Budd.

While Battle Flags is not completely obscure – there have been some mentions and reviews in publications like DrownedInSound and Brick magazine – his name recognition has yet to catch up with his talent. Battle Flags’ biggest exposure to date has been opening for The Walkmen and Lake Trout.

After Budd sent us a few tracks via email from his debut LP, Color Engine, we have literally been playing thesongs again and again for the past week or so. The first track, “Siren Songs,” (watch official video above) could easily be an “indie” spring/summer hit on The Hype Machine, and the song that puts Battle Flags on the map. “Siren Songs” is one of the stand-out, surprise DIY tracks of the year. It entices the casual listener to soak in its hazy, warm sun-drenched synth pop sounds, raspsy, reverb-heavy vocals and dubbed choruses. Don’t be surprised if you end up playing this track again and again.

“Siren Songs”Battle Flags from Color Engine (2010)

On “We Don’t Operate,” Budd employs his genius yet again with electro pop rhythms, hand-clapping, layered and looped vocal harmonies and chants, raw drum beats, and even referee whistles. The result is an amazing and irresistible affect, that like its predecessor, “Siren Songs,” is instantly enjoyable and memorable; another fantastic addition to the coolest summer mixtapes of 2010.

The seed for Battle Flags was sowed while Budd was crafting stencil graffiti in a small bedroom in Richmond in 2007. Eventually he began constructing rhythms and samples using pots, pans, shovels, living room chairs and even empty beer kegs. Budd added his high pitch, but captivating, vocals, samples and effects and other elements until he had enough tracks that he was comfortable to send them to us to share with all of you.

“We Don’t Operate”Battle Flags from Color Engine (2010)

If there is an album that you should hear this month that you would have otherwise probably never known about, it’s Color Engine. You can listen to short samples of all the songs on Battle Flags’ official website, and buy the full album (officially released on March 8) as well.

Battle Flags on MySpace

Next up, Brooklyn’s Alex Walker is a composer, producer and multi-instrumentalist who creates layers of sounds, campfire singalong choruses, doubled-up samples and strong back beats with injections of quirky synth notes, as evidenced on the song, “Trust The Fire.” Guest vocalists include Matt Whyte (Earl Greyhound), Brian Grosz (Dogs of Winter), Anthony Yacobellis (Nice New Outfit), Shelly Watson and Alyson Greenfield. This track has an uncanny resemblance to the sound of Iceland’s popular one-man band, Sin Fang Bous.

Walker’s experience as a writer, producer and accomplished guitarist for NYC rock band, Aloke, and bassist for chamber group, Electric Kompany, demonstrates the breath of talent and skill, not to mention his reptuation for hours and hours of practicing.

“Trust the Fire” Alex Walker from Trust The Fire (2010)

And yet another side of Alex Walker – classical guitar
On the heavy grooves of “Caught Starin,” the listener is exposed to a different side of Walker, where his work, as he describes, “exists as an alchemic distillation of the classical guitar repetoire, the rock n’ roll cannon, a childhood in the 80s and 90s (and all the trappings of that era), a love of hip-hop, jazz and other American improvisational trends.” This song is darker, haunting, and even somewhat mechanical. The album, Trust The Fire, was officially released on March 2nd. Download Walker’s other work at Lapdance Academy.

“Caught Starin” Alex Walker from Trust The Fire (2010)

Alex Walker on MySpace

Other Playlist Mix Series You Might Like:

– Bands to Watch (2009)
One Man Bands
Best New Releases
2009 Indie Rock Songs
2008 Indie Rock Songs

Songs About New York City
Dream Playlist
Songs for Mom
The Great Unknowns
Quickies

State of Music
Best Rarely Heard Indie Songs
Summer Indie Rock Mixes
Songs of Winter
Songs of Spring
Songs About The Moon

SXSW 2010 Bands to See, Vol. I: Black Rebel Motorcycle Club, Princeton, Real Estate, The Drums and Surfer Blood


Black Rebel Motorcycle Club

It’s not a stretch that Black Rebel Motorcycle Club would be high on the list of bands to see at SXSW in 2010, even though they are definitely not indie (they’re signed to a major label), yet rule in the minds of many alternative-to-heavy rockers. The band’s new album proves their status in the rock world. The band keeps pumping out exciting rock songs with all the right elements to keep their original fan base engaged, and reach new fans. The music speaks for itself.

“Conscience Killer” Black Rebel Motorcycle Club from Beat The Devil’s Tattoo

BRMC SWSX Shows:

March 19th at 11:00 at La Zona Rosa
March 19th at 4:30 at Cedar Street Courtyard

– Black Rebel Motorcycle Club on MySpace


Princeton

Kanine Records (Grizzly Bear, Surfer Blood, The Depreciation Guild) has steadily been building a solid roster of bands in the past few years. One of their most recent family members, are the shoegaze pop band Princeton of Eagle Rock, California.

The band has climbed up quickly since the release of their 2006 DIY EP debut, A Case of the Emperor’s Clothes, followed in 2008 with their second EP, Bloomsbury. Last year, their debut LP, Cocoon of Love was released to critical acclaim and a growing following of fans.

“Calypso Gold” Princeton from Cocoon of Love (2009)

“Korean War Memorial”Princeton from Cocoon of Love (2009)

Bonus tracks:

“Ms. Bentwich” Princeton from Bloomsbury EP (2008)

“The Waves”Princeton from Bloomsbury EP (2008)

Princeton shows at SXSW:

Mar 17 2010 10:00P KANINE SHOWCASE @ WAVE ROOFTOP
Mar 18 2010 12:30A CREEKSIDE LOUNGE
Mar 19 2010 12:00P BROOKLYN VEGAN PARTY@ CLUB DEVILLE
Mar 20 2010 4:00P KEVCHINO PARTY @ CAFE MUNDI

Princeton on MySpace


Real Estate

New Jersey band Real Estate are returning to SXSW for their second year. Plus, the band released their much anticipated debut LP in November to a great deal of positive reviews. The LP is definitely one of the best debuts of 2009. Check out our review of the LP and then come back here to listen to two additional songs not included in the release review. This band is truly amazing and unique and just about every track on the LP is a keeper – can’t say that about most debut albums. Anticipate big crowds for their shows at SXSW next week.

“Suburban Beverage”Real Estate from s/t debut (2009)

“Black Lake”Real Estate from s/t debut (2009)

Real Estate Shows at SXSW:

Mar 17 2010 1:00A Underwater Peeps house show
Mar 17 2010 4:30P Forcefield Party @ Red 7
Mar 18 2010 3:00P Other Music show @ French Legation Museum
Mar 18 2010 9:00P 2908 Cole Street w/ Woods, Pocahaunted, Beach Fossils, Eternal Tapestry, Silent Land Time Machine
Mar 19 2010 12:00P Ground Control Party @ Urban Outfitters
Mar 19 2010 2:00P Pitchfork Party @ Emo’s Jr.
Mar 19 2010 11:00P Gorilla Vs Bear/ Mexican Summer @ Klub Krucial
Mar 20 2010 2:00P The Mohawk, Mog Party
Mar 20 2010 6:45P Fader Fort
Mar 20 2010 11:45P Woodsist Showcase @ Red 7

– Real Estate on MySpace


Surfer Blood

Surfer Blood definitely fall into the new wave of surf rock bands during the past year or so. The West Palm Beach, Florida area band broke through last August after putting on a much-talked-about show at Brooklyn’s Bruar Falls, and subsequently, during last falls’ NYC CMJ festival. The band relentlessly toured throught 2009, including bills with Art Brut and Japandroids. Within months of literally becoming a band, Srufer Blood were making it on to many music blogs’ and sites’ “Bands to Watch” lists. Heather Phares of the All Music Guide wrote warmly that Surfer Blood “fuse sunny surf rock charm with indie rock cool.” In January, the band released their excellent debut LP, Astrocoast.

“Swim (To Reach The End)”Surfer Blood from Astrocoast


Surfer Blood SXSW Shows:

Mar 17 2010 4:00P Waterloo Records (live free instore)
Mar 17 2010 11:45P The Wave Rooftop, Kanine Records SXSW Party
Mar 18 2010 1:00P Club Deville (Insound SxSw Party)
Mar 18 2010 3:00P The Parish (NPR SXSW Party)
Mar 18 2010 5:45P Sled Island Party
Mar 19 2010 1:00P La Zona Rosa: Village Voice SxSW Party w/ The Pains of Being Pure at Heart, Superchunk, The XX
Mar 19 2010 5:30P Emos (Pitchfork SxSw Party)
Mar 19 2010 10:00P Lustre Pearl (Filter, Dickies SxSw Party)

– Surfer Blood on MySpace


The Drums

The Drums have busted through in the past year to praise from bloggers and the music press, not to mention enthusiastic fans. It’s easy to get lost in the vast ocean of “hot, new” indie bands from Brooklyn nowadays, but The Drums have definitely carved out their little piece of home turf with their decidely catchy, post punk/pop sound. The Drums are considered by some to fall into the so-called “surfer indie rock” that has been attributed to other bands like, ironically enough, Surfer Blood, Real Estate, Holiday Shores, all of which are also favorites to be seen at this year’s SXSW fest in Austin.

“Let’s Go Surfing” The Drums from Summer Time EP

“I Felt Stupid”The Drums from Summer Time EP

The Drums SXSW Shows:

Mar 19 2010 1:00am NME Showcase @ Latitude
Mar 19 2010 3:45pm FADER FORT
Mar 20 2010 10:00pm Stubb’s Showcase

– The Drums on MySpace

Bands that Should be at SXSW 2010: The Swimmers: We plan to feature this band in the near future. They are good. Also, The Canon Logic; see our review for perspective on that. Other bands that would have been cool to see at SXSW, but apparently won’t be there, include Pete and the Pirates, Frank Ferdinand, Sigur Ros, The White Stripes. Getting conflicting messages of whether The Ruby Suns are showing or not. While they are doing one show, more slots at SXSW of The Morning Benders would be a good thing.

Disbanded: Band Break-Ups, Vol. I: New Faces, The Fake Fictions and The Catholic Comb


It sucks when good bands break up. In the past year, we’ve seen a number of bands split, and the band members go their separate ways, including Page France, the awesome indie duo The Format, the sensational band, The Sun, and a relatively unknown (in comparison to their talent), but fantastically promising, New Faces.

Seattle’s New Faces split in November of last year, sending mini-shock waves through the Puget Sound music community. In a post on their MySpace page on Nov. 16th, the following statement was issued: “Due to irreconcilable conflicts, we have decided to break up. We want to thank everyone that supported us…Sorry there wasn’t a second album.”

The New Faces received a flood of critical praise, especially in the Seattle area, with the release of their debut EP in 2007, and their debut LP, Two Years, in 2008. They had an undeniable gift for enthralling music, a sound refined beyond their time as a band, and a potential that could have made them international rock stars (if they wanted it) – those are not usually characteristics of a fresh, unsigned, totally DIY band.

“My Alarm”New Faces from Two Faces (2008)

“She’s Like The Snow”New Faces from s/t EP (2007)

“Ms Kiss Kiss Bang Bang”New Faces from Two Years (2008)

But with as much promise as New Faces had, and the praise of music critics throughout the Northwest and beyond, it’s a blow to all music fans when a spectacular band ends before they hardly got started. In 2008, the Seattle blog, Sound on the Sound, proclaimed: “I’m often asked what are the best new things I’ve been hearing…In the New Faces, I finally feel without reservation that I have an easy (and good) answer to that question.”

Artists and bands that influenced New Faces: David Bowie, The Smiths, The Libertines, Interpol, The Strokes, The Clash, Franz Ferdinand, The Rakes, The Beatles, The Velvet Underground, Arctic Monkeys, New Order, Violent Femmes, Joy Division, NWA, The Cure and XTC.


When the punk pop band The Fake Fictions announced in January on their official website, “The Fake Fictions are done. It has been a wild ride. We played our last show on Nov. 20, 2009…” fans of the band were understandably disappointed. The band had delivered a steady stream of edgy, engaging albums and EPs since their formation early last decade.

Thankfully, however, the band has been good enough to offer much of their music as free MP3s, spanning a total of seven releases.

“Parallel World”The Fake Fictions from Magic Infinity EP (2010)

“Laugh Track Loser”The Fake Fictions from Les Faux Fictions (2008)

“TV Snow”The Fake Fictions from Krakatoa (2009)

The Catholic Comb, only months after announcing work on a new album, Halloween Street, suddenly broke up last summer. In a non-explanatory post on their MySpace blog, dated August 4, 2009, and titled, ‘Comb Over’, the band wrote: “We are no longer a band. Sincere thanks to anyone who ever supported us in any way.” The Catholic Comb were Adam Dishart, Daniel Awand, Ryan Rene Wansley and Andy Rice, all from the San Francisco Bay Area.

The band first rose to national, and in some cases, international, recognition with their 2005 single, “Sixteen to Twenty-One,” which was later used as the soundtrack to a Corey Duffel skateboarding video.


“Sixteen to Twenty-One”The Catholic Comb

The band described their music as “a morbid bicycle ride.” But that doesn’t begin to explain the far-reaching, intoxicating sound they had cultivated, and which was being gobbled up within the circuitry of the underworld alternative rock network.

The past year has seen plenty of evidence of culture’s long-standing obsession with vampires, whether in film or music, but somehow most people missed out on The Catholic Comb’s splendid track, “Vampire Life.”

Not surprisingly, the song is all about the dreaded existence of life as a vampire, but with a musical twist that infuses acoustic pop, prog rock and goth to create a song that is hard to pin down, and even harder to ignore. Despite it’s subject matter, the song is intriguingly bright and melodic.

The lyrics of “Vampire Life” fit perfectly with the tempo of the song, while being slightly ironic and direct: “I go out at night/I eat what I like/I sleep where I might/the vampire life…” Hmmm, is this The Smiths slowed down to a ballad pace or The Cure with folksy abandonment?

Vampire Life”The Catholic Comb from s/t 7″

The Catholic Comb on MySpace

Band of the Week: Oregonian Band The Dimes Present a History Lesson of Colonial Boston in Song

When we first heard Portland, Oregon’s The Dimes‘ splendid album, The King Can Drink the Harbour Dry, in December (after the band sent us some tracks), we were quickly head-over-heels, and since that time, the LP has become one of our favorite releases of 2009.

The album serves as a history lesson (or “musical Cliff Notes”) of early Boston, and the people and events that shaped American history. There are songs about the Great Boston Fire of 1872 (“Damrell’s Fire”); Clara Barton (“Save Me, Clara”), the Civil War nurse who founded the American Red Cross; Abigail Adams (“Abigail, Don’t Be Long”), the wife – and woman’s rights advocate – of the second U.S. president, John Adams; the prolific Concord born writer, philosopher and historian, Henry David Thoreau (“Walden and the Willow”), to name just a few.

“Damrell’s Fire”The Dimes from The King Can Drink the Harbour Dry (2009)

The Dimes’ lush harmonies and unforgettable melodies are heavily influenced by the band’s musical mentors, including Simon and Garfunkel and The Beatles. The Dimes’ first LP, The Silent Generation, was released in 2007, and received national and international acclaim, with enthusiastic reviews from SPIN, NPR, Under the Radar, The BBC, The Oregonian, and many others. Similar positive reviews for The King have also brought the attention of The Dimes to a growing number of music lovers, bloggers and mainstream art critics.

The King Can Drink the Harbour Dry (album cover above) showcases singer-songwriter Johnny Clay‘s, and the band’s, incredible talents, featuring a baroque assortment of instruments, sixties pop sensibilities, and delightfully simple arrangements that solicit repeated listening.

“Abigail, Don’t Be Long”The Dimes from The King Can Drink the Harbour Dry (2009)

For their sophomore release, the band turned again to the genius of engineer Jeff Stuart Saltzman (Death Cab For Cutie, The Decemberists, Sleater-Kinney), and a continuing appreciation for uniquely American historical themes that began with The Silent Generation.

If you like the songs featured in this post, we strongly recommend visiting The Dimes’ store. A purchase of The King Can Drink the Harbour Dry also comes with a free copy of the EP, William Dawes and Other Forgotten Jems.

“Celia’s Garden”The Dimes from The King Can Drink the Harbour Dry (2009)

“Walden and the Willow” The Dimes from The King Can Drink the Harbour Dry (2009)

Bonus: “Catch Me Jumping”The Dimes from The Silent Generation (2007)

Check out the accompanying interactive Flash map of colonial Boston that ties in nicely with the release of their latest album. This is a band that really understands how to use the opportunities presented by interactive media to engage with their fans and market their remarkable music to a wider audience. We can only hope that the band’s popularity will continue to grow so that they will embark on a national tour, and give more of you a chance to see them perform live.

The Dimes on Twitter

The Dimes on MySpace

The Dimes on Facebook

Band of the Week: The Genre-Bending Music of Hosta

hostathebandThere are still plenty of fantastic songs and albums from 2009 that we’re catching up to, and we suspect that will extend into the first couple of months of the rapidly approaching 2010. Wow, it’s almost a new decade; let’s hope it is a better one than the 2000s – for everyone. You might want to check back daily over the next few weeks – not only do we have barrels of great 2009 music you probably have never heard in the pipeline, but also additional alternative and indie Christmas songs; best songs and best albums year end lists and lots more.

This week’s Band of the Week is Hosta, a folk rock band from Fayetteville, North Carolina. Admittedly, it took us a while to get around to featuring this band; the more we have listened to their self-titled debut over the past half year, the more it has proven itself as one of the best under-the-radar debuts of the year. It’s baffling that the rest of the blogosphere, if you will, missed out on what is a fantastic album from start to finish.

Hosta is a trio of musicians: Iris Shepard (bass/vocals), Greg Moore (guitar/keyboards/vocals) and Randy Kehne (drums). The genre-bending band mix blues, ska, folk and experimental rock to create fun and interesting songs with likely comparisons to Weezer (and to some extent Pavement; hear “Hope You’re Not Sorry”), which is especially evident on the geo-centric song, “Cali,” and the quirky, ska-infused, “Secret Self.”


Band member Greg Moore is also a Fayetteville artist

While the band primarily tours in the Midwest, we hope they will come out to Cali (actually, someone easily gives themselves away as a newcomer when they call California ‘Cali,’ sort of the same idea as calling New York, “The Big Apple,” or D.C., “Washington, DC”). Hosta were awarded the Northwest Arkansas Music Award in the category “Best None of the Above” this year. We strongly recommend getting the entire LP if you like the songs featured below.

“Cali”Hosta from s/t debut (2009)

“Secret Self”Hosta from s/t debut (2009)

“Hope You’re Not Sorry”Hosta from s/t debut (2009)

Hosta on MySpace

Coming Up: More alternative Christmas songs; a new installment of the Singer/Songwriter Spotlight Series; In Dee Mail Special Year End Edition, Vol. II and much more.

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Band of the Week: Austin’s Wiretree Release One of the Best Under-the-Radar Albums of 2009, ‘Luck’

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Band of the Week: Austin’s Wiretree Release One of the Best Under-the-Radar Albums of 2009, ‘Luck’


New video for Wiretree’s song, “Days Gone By”

We have not been able to stop playing one of 2009’s most brilliant pop albums since it crossed our radar a few weeks ago. The album title is Luck from the incredibly talented Austin power pop band Wiretree. If you love masterfully crafted, infectious, melodic pop with vintage 60’s and retro hipster underground influences, chances are you’ll want to add Luck to your CD collection.

Fans of the Matthew Sweet, Paul Weller, Velvet Underground, The La’s and Elliott Smith are the most likely music lovers to turn on, and tune in, to Wiretree. It is bands like Wiretree that keep our faith that independent music is far from dying out.

Wiretree is Kevin Peroni (vocals, guitar, keys), Rachel Peroni (bass), Joshua Kaplan (guitar), and Daniel Blanchard (drums). Their debut, a self-titled EP, was released in 2005 via their own independent label, Cobaltworks Music. In January of 2007, the band released their first LP, Bouldin. If you enjoy Luck as much as we do, you’ll want to get their debut album as well.

There are so many wonderful songs on Luck that it was hard to pick only the three tracks we’ve presented here; choosing just one is nearly impossible. The LP gets better with each spin, which explains why we’ve been listening to it so much. See the video above for the upbeat and catchy song, “Days Gone By.”

The track, “Back in Town,” is one of the band’s best songs; a mix of 80’s style power pop guitar riffs, xylophone chimes and passionate vocals that you might just find yourself listening to again and again. “Falling” is a sweet, drifting pop song about love and longing that would be great for a movie soundtrack or a Valentine’s mixtape. The hooks and choruses of “Satellite Song” makes it one of the many standout tracks on the album.

“Back in Town”Wiretree from Luck (2009)

“Falling”Wiretree from Luck (2009)

“Satellite Song”Wiretree from Luck (2009)

“Big Coat” is an irresistible hook-driven masterpiece that reminds us a lot of Elliot Smith, yet it is brilliantly original. Other great tracks on Bouldin include, “Travelin’ On,” “Summercity,” and “Feel Me.”

“Big Coat”Wiretree from Bouldin (2007)

It is always surprising to us that when a remarkable LP is pretty much missed by the majority of popular music blogs and websites, which is a big reason why we choose Bands to Watch that are, for the most part, unknown to even die-hard indie music fans.

It’s not that Wiretree haven’t been praised by other publications and blogs; it’s just that they haven’t received the wider exposure their music deserves. The blog, Absolute Powerpop, writes that Luck retains the band’s “signature sound yet broadens it to point where I could see the intelligentsia of indie rock and the poobahs at Pitchfork giving it a thumbs up if they take the time to check it out.”

Why a label like Sub Pop, Merge or Asthmatic Kitty haven’t signed this band is baffling, to say the least. But, in the end, that doesn’t matter; we have Wiretree at the top of our ‘lesser known bands’ lists with four and five stars in iTunes for most of their songs. We can only hope that more people get to hear this fantastic band.

Get Luck via iTunes

Wiretree’s official website

Stream more songs on Wiretree’s MySpace page or their official website.

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The Sun Break From A Major Label Deal, Team Up With Spoon Producer and Shine On Their Second, and Last, LP


What happens when a band with a major record label deal tosses it away and puts everything on the line in a bold move to return to their independent roots? The answer in the case of the rock band The Sun is simple: they create a masterpiece album.

But The Sun’s split from Warner Bros. was not trouble-free nor fool proof – two band members left as a result, legal battles ensued and major disagreements with management were just some of the fallout in the wake of their decision to sever their contract and go indie.

“We hawked the gear, we sold the van, we squeezed as much as we could out of the label (Warner Bros.) and severed all ties,” The Sun’s singer and guitarist Chris Burney said of the break.

In the aftermath of their former lives as big label artists, the remaining band members teamed up with Spoon producer Mike McCarthy to work on their second – and reportedly last – LP, Don’t Let Your Baby Have all the Fun, which was officially released as a free download on November 10th via RockProper.com. Free is great; but this is one record we’d gladly pay for, so if a vinyl edition comes out (please!), we’ll let you know.

The Sun formed in 2001 after Burney wrote and recorded a tape of slick, gritty garage rock demos. With songs in hand, Burney recruited New Bomb Turks’ drummer Sam Brown and Floatation Walls’ guitarist Carlos Avendano to start a band. All three members dropped out of Ohio State University in Columbus to make music full-time. Eventually they were joined by another FW member, Brad Fosblom, on bass, and Brad Caulkins, on keyboards and guitar. (Subsequently, Avendarno, Fosblom and Arendt left the band to pursue other projects.).

In 2001-2002, The Sun began recording with Wilco’s Jay Bennett in his Chicago. Within in few months time, the band signed with Warner Bros. and released their debut EP, Love and Death, in February 2003, followed two years later by their first LP, Blame It on the Youth. But the LP, despite its solid collection of songs, was a commercial failure, and the remaining band members – Burney, Brown and Caulkins – were uncertain of what would happen next.

Sometime in 2008, McCarthy contacted the band to express interest in producing their next album at his Austin studio. “I was a big fan of their first record,” McCarthy said. “I was surprised [Blame It on the Youth] didn’t become a huge, big, big deal.”

“It was the first time that the band felt natural to me,” Brown said. Even though other labels, including Merge Records, demonstrated interest to distribute the album, the band’s manager deliberately delayed its release, apparently with the hope to elaborately promote it as a self-release – a formula that has worked well for other artists.

Frustrated by the LP’s state of limbo, the remaining band members started giving away Don’t Let Your Baby Have All the Fun at their 2008 ComFest performance, until its official release earlier this month via RockProper. Essentially giving up hope that the LP would be released by a label, Caulkins left to join LA’s Afro-pop band, Fool’s Gold.

The LP’s first single, “So Long Sundays,” blends catchy rhythms, high octane synthesizers, raspy vocals, and edgy lyrics, resulting in an seductive garage rock hit (and probably the most “Spoon-sounding” track on the LP.)

“So Long, Sundays”The Sun from Don’t Let Your Baby Have All the Fun (2009)

“The Goddess,” is one of the most memorable tracks on the LP, and frankly of the latter half of 2009. The bright guitar riff alone hooks you into the grooves of the song’s T. Rex-meets-Pavement sound. As it marches along enthusiastically for two and half minutes, the song suddenly ends, followed by a 40 second acoustic interlude (“A Prayer Before Dawn”) which ends abruptly with a burp and a giggle.

“The Goddess”The Sun from Don’t Let Your Baby Have All the Fun (2009)

As you listen to this album, you can’t help but notice how much fun the band is having, and it rubs off, as evidenced by tracks like new wave leaning recording “Cold Hands”; the epic, melodic pop rock of “In Perfect Time”; the danceable, excited, “Watch Out,” and the lo-fi urgency suspense of “Alien.”

“Cold Hands (Clap Louder)”The Sun from Don’t Let Your Baby Have All the Fun (2009)

“In Perfect Time”The Sun from Don’t Let Your Baby Have All the Fun (2009)

It’s just too bad the band does not plan to record another album together. During the past year, Caulkins stated he has no interest in playing with The Sun again; Burney started a new band called Adult Fiction, and a record label, Eastern Watts; Brown continues to tour with RJD2 and has embarked on his new power-pop project, You’re So Bossy.

If you enjoy the C86, glam rock and post punk music genres of the 1970’s and early-to-mid 1980’s – all of which paved the way for so much of the alternative and indie rock we enjoy today – you’re probably going to love Don’t Let Your Baby Have All the Fun. This LP is simply a masterpiece, and a decade from now, it will be regarded as a underrated classic. We can only hope that the band will reunite to record more music and set out on tour in the near future; absent that wishful-thinking, The Sun have left us with at least two amazing albums.

The Sun on MySpace

The Sun’s Official website

Get The Sun’s new LP free

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Band of The Week: Long Beach Folk Pop Band Avi Buffalo

avi buffalo mp3sEighteen-year-old Long Beach, Calif., guitarist and singer/songwriter Avigdor Zahner-Isenberg, and his band, Avi Buffalo, have created quite a buzz within the indie music circles during the past year with their impressive folky pop hooks, intriguing lyrics and live shows. So it was no surprise to some when Seattle‘s legendary Sub Pop Records – home of popular indie artists like Band of Horses, The Shins, Iron and Wine, Grand Archives and Blitzen Trapper – signed Avi Buffalo to a record deal last month.

With Isenberg at the helm, Avi Buffalo, consisting of Sheridan Riley (drums), Arin Fazio (bass) and Rebecca Coleman (keyboards and vocals), are now under the wings of one of the finest indie record labels in the business.

Tonight, Nov. 2nd, Avi Buffalo will open for the wildly popular Vampire Weekend in a sold out show at the Art Theatre in Long Beach – clearly an indication of Avi’s rising star status within the indie music scene.

Things started to roll for the band after a couple of well received live performances in 2007 and 2008 led to a meeting with musician and producer Aaron Embry. Before long, Embry – who has worked with musicians like Elliott Smith, Daniel Lanois and Emmylou Harris – was recording Avi Buffalo’s material.

The result of this collaboration is evident on the band’s label debut 7″, due out next month via Sub Pop. The A-side track, “What’s In It For?”, is a jangly guitar driven song with a southern rock twang, and rounded out with well crafted, melodic hooks, Isenberg’s high pitched and quirky vocals (think Wayne Coyne meets Daniel Johnston), and uplifting back-up choruses.

“What’s In It For?”Avi Buffalo from What’s in It For? 7″ (2009)

Isenberg begin recording home demos in 2006 when he was just a sophomore in high school (most of the band members recently graduated from high school; Riley is still a senior), and as recently as this past spring, he was mixing the demos using Macbook Pro Tools and SM58/57. In August, the band independently released five songs via their Bandcamp page, allowing fans to decide how much they would pay for each track.

One of those tracks, “We Can’t Try This Again,” is a lazy, lo-fi acoustic strummer, featuring the following lyrics: no one ever said we can’t try this again/brought it so high, brought me so high/spent too much time in there/don’t know just what you saw. The translation is, perhaps, typical teenage disillusionment with the highs and lows of young love. Near the end of the song, a brief, but edgy, guitar riff shatters the dreamy soundscape, and closes with a chorus of whistling.

“We Can’t Try This Again”Avi Buffalo

If you like what you hear, you can purchase ($1 minimum) more tracks from the band, including “Distaste and Interest”, Avi Buffalo’s first song – written and recorded by Isenberg (when his moniker was Avi Buffalo before it became the band name) when he was only in the 10th grade.

It’s possible that some of these songs will make it on the track listing for the band’s debut full-length album, planned for release in spring of 2010. Avi Buffalo lists musical influences such as Simon and Garfunkel, The Beach Boys, Wilco, Panda Bear and Grizzly Bear. Isenberg recently told BeatCrave: “As much as I’d love to say we’re not pop, we’ve got some poppy stuff going on. I like the way hooks sound, and I like the idea of infiltrating minds with catchy stuff.”

We are looking forward to seeing Avi Buffalo open for the Grand Archives on Nov. 12th in Santa Cruz, Calif. In our review of the show, we will published more tracks from Avi Buffalo, including a couple of hard-to-find songs. In the meantime, listen to more songs on the band’s MySpace page.

Check out a HD quality video of Isenberg discussing his music, with studio out-takes, plus a video of the 7″ B-side track, “Jessica” and a live recording of the song “Remember Last Time”.

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Bands to Watch: Double-Shots on the Rocks from Scotland Yard Gospel Choir and Fool’s Gold

The Scotland Yard Gospel Choir is not a gospel choir at all, but a rock band; and they’re not even from London – their home base is Chicago. But the band’s sound has an underlying influence of the post punk movement in the UK during the 1980s, with an indie rock predominance that includes joyous guitars, flourishes of horns and string arrangements and subject matter that ranges from disillusionment and betrayal to loneliness and STDs.

In case you haven’t heard, the band was involved in a terrible accident on September 24 in which all of the members were hospitalized. The band was traveling to Cincinnati for their next gig to promote their excellent new album, And The Horse You Rode In On. The police reports say the band’s 1999 Chevrolet van blew a tire, causing the van to roll over “multiple times in the grassy median.”

The most seriously injured, Mark Yoshizumi, SYGC’s bassist, was airlifted to hospital with leg, internal, and major head trauma injuries, where he is still listed in serious condition.

We send our sincerest thoughts, and wishes for a full and speedy recovery for the band. If you want to help, the band is accepting donations to help off-set their medical bills, buy new instruments and equipment, and other mounting costs (via PayPal to tsygc@bloodshotrecords.com.) There will also be a Halloween night benefit concert for the SYGC.

Their new album, And The Horse You Rode In On, is brilliant! SYGC’s MySpace page lists among their influences Ernest Hemmingway, The National Pop League, Jackson Pollock, “vegetarians, teenage punks and Daniel Johnston‘s honesty.”

“Tear Down the Opera House”The Scotland Yard Gospel Choir from And The Horse You Rode In On (2009)

“Stop!”The Scotland Yard Gospel Choir from And The Horse You Rode In On (2009)
Bonus (out of print): “Lamp Post”The Scotland Yard Gospel Choir

foolsgoldband

The next band in the Double Shots on the Rocks has been making a lot of buzz in 2009. They are LA’s “tropical soul” band Fool’s Gold, not to be confused with singer and songwriter Dan Folgenberg‘s back-up band of the same name from years ago.

Fool’s Gold’s nucleus consists of Luke Top and Lewis Pesacov, and at other times is supplemented by musicians from We Are Scientists (an awesome band, by the way) and The Fall (legendary post-punk pioneers). Peasacov also plays in Foreign Born, one of our favorite “new” bands of 2009 thanks to their stunning LP Person to Person. The band considers among their main influences Afropop music.

Fool’s Gold debut, self-titled album dropped last month and has won critical acclaim from the mainstream press like The New York Times and music blogs, such as Pitchfork, and well, Indie Rock Cafe. Fool’s Gold Luke Top hails from Israel and often sings in Hebrew on the band’s exceptionally cheerful, infectious debut LP.

“Surprise Hotel”Fool’s Gold from s/t debut (2009)

“Nadine”Fool’s Gold from s/t debut (2009)

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Treasure Island Music Festival This Weekend: Flaming Lips, MGMT, Decemberists, Beirut, Grizzly Bear and More!

The last touch ups to the stages for this weekend’s Treasure Island Music Festival are being made as thousands of people arrive in San Francisco for the popular festival, now celebrating its third year. Our friends at Noise Pop and Another Planet Entertainment have put together a stellar line-up for the two-day fest, including headliners The Flaming Lips, The Decemberists, Grizzly Bear, MGMT, Girl Talk, Passion Pit, Yo La Tengo, Beirut, and many others (see schedule with band links and MP3s below).

Passion Pit have had a great year, thanks largely to the release of their brilliant album, Manners. The band will play the Treasure Island fest on Saturday before heading off to the UK to kick off a three week tour of Europe. Of course many people are looking forward to The Flaming Lips, Beirut and The Decemberists, among others, and electro and dance fans will be treated to the likes of Dan Deacon and Brazilian Girls.

The fest will feature some popular Bay Area artists and bands, including SF’s The Limousines, Thao, Tommy Guerrero and Santa Cruz band Sleepy Sun. Incidentally, the Sleepy Sun will be sharing a double-bill with Edward Sharpe and The Magnificent Sevens at the Brookdale Lodge in the Santa Cruz mountains tomorrow night before they head up to play Treasure Island on Sunday. Plus, Yo La Tengo will also be playing the historic Rio Theatre in Santa Cruz.

Treasure Island Music Festival 2009 Line-up/Schedule:

SATURDAY OCTOBER 17th, 2009

Bridge Stage

The Limousines – 12:00-12:40 PM
Murs – 1:20-2:05 PM
Passion Pit – 2:50-3:35 PM – “Moth Wings”
The Streets – 4:25-5:15 PM
Brazilian Girls – 6:05-6:55 PM – “Cross-Eyed”
MSTRKRFT – 7:45-8:35 PM
MGMT – 9:25-10:40 PM – “Time To Pretend”

Tunnel Stage

Crown City Rockers – 12:40-1:15PM
Federico Aubele – 2:05-2:45 PM
Dan Deacon – 3:35-4:20 PM – “Hey Let’s Go For a Ride”
DJ Krush – 5:15-6:00PM
LTJ Bukem Feat. MC Conrad – 6:55-7:40 PM
Girl Talk – 8:35-9:20 PM – “Shut The Club Down”

SUNDAY OCTOBER 18th, 2009

Bridge Stage

Sleepy Sun – 12:00-12:40 PM – “New Age”
Thao & The Get Down Stay Down – 1:15-1:55PM – “Know Better, Learn Faster”
Edward Sharpe & The Magnificent Zeros – 2:30-3:15 PM – “Day Dream”
Grizzly Bear – 4:00-4:45 PM – “Two Weeks”
Beirut – 5:30-6:20 PM – “A Sunday Smile”
The Decemberists – 7:10-8:10 PM – “The Rake Song”
The Flaming Lips – 9:05-10:35 PM – “Halloween on the Barbary Coast”

Tunnel Stage

Tommy Guerrero – 12:40-1:10 PM – “Paper Switchblade”
Spiral Stairs – 1:55-2:25 PM – “True Love”
Vetiver – 3:15-3:55 PM – “Everyday”
Bob Mould – 4:45-5:25 PM – “I’m Sorry Babe, But You Can’t Stand in My Light Anymore”
The Walkmen – 6:20-7:05 PM – “Morning Tide”
Yo La Tengo – 8:10-9:00 PM – “Periodically Double Or Triple”

Here are the Last.fm pages for each artist and band on the bill for Treasure Island Music Festival 2009:

The Flaming Lips, MGMT, The Decemberists, Yo La Tengo, The Streets, Beirut, The Walkmen, Grizzly Bear, DJ Krush, MSTRKRFT, Girl Talk, Brazilian Girls, Passion Pit, Vetiver, Federico Aubele, Murs, LTJ Bukem, Dan Deacon, Bob Mould, Tommy Guerrero, Thao with The Get Down Stay Down, Crown City Rockers, Edward Sharpe & the Magnetic Zeros, Sleepy Sun, MC Conrad, Spiral Stairs and The Limousines

In somewhat related news, The Flaming Lips announced this week that they will cover the historic, legendary album Dark Side of the Moon by Pink Floyd. Now that’ll be something; let’s only hope they play at least one of the Floyd songs on Sunday as a teaser. Here’s an audio clip only of Wayne Coyne talking about Syd Barret and performing a piano solo of the Floyd classic “Shine on You Crazy Diamond” on KCRW in 1999, and a live YouTube video of The Flaming Lips playing another Dark Side track, “Breathe.

In Dee Mail: One Man Band Series with Washed Out, Stuart Newman and Labrador Labratories

washedoutmusicLargely due to the availability of affordable technology and the explosion of the Internet in recent years, independent musicians are finding it easier than ever before to record, distribute and promote their music. In the last installment of this series, we featured Portland’s Channel In, Channel Out. Today, IRC spotlights three one-man bands, including the indie buzz ‘band’ Washed Out, the UK’s Stuart Newman and San Francisco’s Labardor Labratories.

Washed Out is the moniker of a solo musical project by Georgia native Ernest Greene. Washed Out’s debut EP Life Of Leisure is a perfect soundtrack for a lazy afternoon; the EP title suits Greene’s chill, retro lo-fi electronic sound perfectly. Rolling Stone described Washed Out’s music as “impossibly gorgeous pop that mixes up woozy synthesizers, droney shoegaze textures and funky, sometimes danceable beats.”

“New Theory”Washed Out from Life Of Leisure (2009)
“Feel It All Around”Washed Out from Life Of Leisure (2009)

Washed Out on MySpace

stuartnewman

Melancholy reigns in the song “51st State” by UK songwriter and musician Stuart Newman. As an unsigned artist, Newman, 22, has total control over every aspect of his music. Many times this turns out to be a good thing, as evidenced by Newman’s debut, self-released album, Single But Defective.

Based in Brighton, Newman’s music is best described as acoustic pop. He cites among his biggest influences Elliot Smith, The Beatles, Paul Simon and Nirvana. Interestingly, Newman is right-handed, but plays exclusively left-handed on guitar and other instruments. He has been featured on BBC6 Music, BFBS Radio and “gas stations throughout Connecticut on the AMP Radio Network.”

Newman’s new album, Single But Defective, is available as a free download, with the idea, he said, to “spread the music far and wide internationally.” Sweet.

“51st State”Stuart Newman from Single But Defective (2009)
“Cry Wolf”Stuart Newman from Single But Defective (2009)

Stuart Newman on MySpace

labra

San Francisco indie musician Labrador Labratories, or “Labra,” creatively mixes influences of Serbian traditional music with dreamy psychedelic folk that conjure up images of a younger Leonard Cohen playing with an European gypsy band. This is apparent on Labra’s newly released EP Open Cage, featuring songs like “Your Arms” and “Butterflies”. Labra lists among the instruments he plays as “guitars, voice, knees and harmonica”.

Labra says he was conceived when a Vegas stripper named Miley went on a trip to Burma, meet a monk and returned home to California two weeks pregnant. When he was six years old, Labra went to live with his Serbian grandmother in West Hollywood where he was home schooled, and became a “devout” Catholic and choir boy.

“Butterflies”Labardor Labratories from Open Cage EP (2009)
“Your Arms” Labardor Labratories from Open Cage EP (2009)

Labardor Labratories on MySpace

In the next installment of In Dee Mail‘s one-man band series, we will highlight the music of a Tampa area experimental ambient folk musician, a Montreal artist who sounds a bit like Prince mixed with Hall and Oates, and an alternative rocker from the lakes region of Michigan.

Yesterday’s Post: The first installment of Halloween Indie Songs was a huge success, featuring songs from Arctic Monkeys, Spoon, Cat Power, Beck, Beach House, Flaming Lips and many others.

The second playlist of that series will feature Halloweenish music from Sufjan Stevens, Pavement, The Arcade Fire, Radiohead, Cut Copy and eight other bands and artists. By Halloween Eve, we’ll have published a total of 13 playlists, each featuring 13 songs.

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In Dee Mail – One Man Band Series: Portland’s Fascinating Channel In, Channel Out


Marcus Cotten is Channel In, Channel Out, a one man experimental band from Portland, Oregon. He writes and records lo-fi, ambient electronica compositions using piano, guitar, keys, sound clips, programming and even a typewriter (what’s a typewriter?).

Channel In, Channel Out’s music is a tapestry of eclectic influences and styles that include electronica, classical, minimalism and indie/alternative, accented by a fascinating repository of sounds that exist in nature, in urban life and Cotten’s imagination. You can hear water drips, wind, traffic and other strange and familiar sounds and notes that flow in and out of his compositions like a slow, meandering river colored by soft rhythms, harmonies and melodies.

He even makes use of his own ‘instrument’ – a vintage radio transmitter receiver that reacts to a custom made remote control to pick up sounds traveling through the airwaves. To speed up, or slow down, the sounds transmitting from the receiver, and achieve whatever rhythm he has in mind, Cotten uses the remote control to move the antennas around “like a percussion instrument.” Watch a video demonstration of the device.

“I wanted to find more authentic sounds, and there really weren’t the sounds I was looking for available,” Cotten told Indie Rock Cafe. “So I thought maybe I would try to create something. I am fascinated by every day sounds, so a lot of times I hear things that aren’t usually used for instruments, and think, ‘well, maybe that could be.'” A friend suggested he call the ‘instrument’ a MarCot, using the first three letters of his first and last names.

However he does it, Cotten possesses clear signs of a musical prodigy. His moniker, Channel In, Channel Out, is aptly fitting because the music has a ‘channeling’ aspect to it that is easier to hear than to describe. Cotten points out that his music does not fit a genre on purpose because he is interested in creating music “with no boundaries…hosting different sounds and visual experiments” driven by “the atmospheres of scenery and nature and by the wonders and puzzles of every day life.”

Electro dream pop combines with church-to-opera-like vocal harmonies and Noah Lennox (aka Panda Bear) type minimalistic experimentation on the song, “Invalid Entry and the Enchanting Word.” Cotten integrates various sound effects with radio broadcasts, conversations, and the accompanying video (see above), furthers the theme of searching for a place in the world. Other stand-out tracks on the EP include the amazing “I’m Pondering A Number from 1 to 10” and “A Modulating Perception.”

Cotten’s musical influences include Apex Twin, Alfred Schnittke, Syd Barrett, Jefferson Airplane, Radiohead, Mum, Brian Eno, Phillip Glass and 1960’s Pink Floyd. The latter three musicians/bands influence on his music is apparent – experimental, lo-fi, minimalistic, artistic and enchanting.

Cotten was recently featured on American Public Radio‘s Market Place, which played his song, “Combative Dialogue Thru Thin Walls.” He has received his credentials as a film composer for his contributions to the indie action/horror film VS, by director Kevin Richmond. Cotten is signed with indie label Izumi/Imoto Records, and has a modest, but loyal following in Japan. Learn more, and check out the store, at Channel In, Channel Out’s MySpace page and the official website.

It would be great to hear what others think about Channel In, Channel Out’s music; just use the Comments section below; no signing up or logging in required. The best description of his unique music will be picked at the end of this week, and the winner will receive a free digital copy of The Author and The Narrator EP. Please make sure to include your email address.

“Invalid Entry and The Enchanting Word”Channel In, Channel Out from The Author and The Narrator EP (2009)

“I’m Pondering A Number Between 1 and 10”Channel In, Channel Out from The Author and The Narrator EP (2009)