Fresh Tracks: Beirut’s ‘The Rip Tide’ Album is One of the Most Anticipated of the Summer – and For Good Reason

beiruttheriptide
Beirut will release their new album, The Rip Tide, on August 30th

One could make a pretty good case for the fact that Beirut are one of the most talented and popular indie bands ever, and deserve their fair share of the credit for helping to popularize indie music to a wider audience over the years. With a solid discography of classic indie albums like The Flying Club Cup, any announcement of a new album by Beirut creates a sustained flurry of expectation, speculation and chatter among literally millions of fans worldwide.

The anticipation building around the upcoming release of the band’s first album in four year’s is palpable. The new album is called Rip Tide, and has been slated for official release in the U.S. on August 30th. After a show recently, we were given an advance copy of the album (see tracklisting below), and listening to it, was the main priority after the show.

Based on the number of times we’ve listened to Rip Tide now (on the fifth or sixth spin right now), we feel strongly that Beirut fans are going to be pleased with the band’s first album in four years.  We’ve already listened to it three times. Already, the first single from the album, “East Harlem,” has made the rounds, even taking the No. 2 spot on the third week of June’s Top 10 Songs list. It’s a fantastic song, but, thankfully, it doesn’t end there. Rip Tide is yet another album of wonderfully written and impeccably recorded songs from one of the best indie bands of the past decade.

“East Harlem”Beirut from The Rip Tide – out August 30th

One of the main things that we like about Beirut is the consistency of their sound and their work – rich, textured, full, creative, clever, engaging, and a pillar of influence to other musicians around the world. And while Beirut does have a recognizable sound – the unmistakable brass and string instrumentation, the distinct, crooning vocals of Zach Condon, the synth orchestrations, fabulous choruses, thrilling climaxes, strong poetic songwriting influenced by a keen world view, and a professionalism that makes the band members, individually, and collectively, admired by fans, critics and fellow artists.

rip-tide

We don’t want to give away too much about the album, but we believe that Beirut fans will be particularly delighted with The Rip Tide. There are some really fantastic songs on here, including “Santa Fe,” “Goshen,” “A Candle’s Fire”, the first single, “East Harlem,” and the title track. As is the case with all of Beirut’s albums, it’s hard to find a song on The Rip Tide that we don’t like, and easy to find songs we enjoy immensely.

“The Rip Tide”Beirut from The Rip Tide – due out August 30th

One of the things we also like about the album is that there are many songs about places, as the track listing below clearly shows. Beirut has always evoked a deep affinity, and even longing, in their music for places, which any Beirut fan knows to be true. There are a dozen or more Beirut songs from their fantastic discography that have a geographical reference in them, whether it’s in the lyrics, the song title, or both. We share this affinity for songs that are about places – whether it’s a town or city, state or country, or even a lake, river or ocean.

Beirut has the unique gift to create a sense of place, not just in their lyrics, but through their rich, dynamic and world music influenced compositions. Anyone familiar with the band’s music over the past decade can’t miss this central theme in the music and one of the reasons

The other reason we like The Rip Tide is that fact that it presents more terrific songs for our State of Music playlist series – a mixtape series with the names of states or cities in the song titles. It’s one of our favorite mixtapes to put together, so, if you’ve never heard them before, you gotta check them out.

In fact, it’s about time to make a new State of Music mix. Surely, one of the songs from The Rip Tide will be included. In the meantime, listen to State of Music mixtapes, and find out how this mixtape series was partially influenced by Sufjan Stevens. We have hundreds of great, manually selected and organized playlists for this series, and it’s been a while since we’ve put together a new one – so watch out for that, coming soon.

You may remember Beirut’s third album from 2009, which was basically two EPs – March of the Zapotec/ Realpeople Holland. The former was the band’s collaboration with excellent mican artits. recording with a marching band in Mexico, and the other from Condon‘s solo, bedroom project under the moniker, RealPeople (nope, not the 1980s TV show) . On the latter EP, was yet another place name song, the enchanting, “Venice,” via UmStrum.com. And the place name songs list goes on and on.

“Venice”RealPeople fom Holland EP (2009)

The Rip Tide Track Listing:

1. A Candle’s Fire
2. Santa Fe
3. East Harlem
4. Goshen
5. Payne’s Bay
6. The Rip Tide
7. Vagabond
8. The Peacock
9. Port of Call

Have You Heard Beirut’s New Brazilian Cover Song?

Beirut also has a new cover song out from the compilation Red Hot + RIO 2, that officially dropped this week. For their part, the members of Beirut recorded an unsurprising excellent cover of Caetano Veloso‘s “O Leãozinho.”  While we have yet to hear all of volume two of Red Hot + Rio, if it’s anything like the first volume, then we’re looking forward to hearing it – the LP is on our Summer Listening list (that gets longer every day).

“O Leãozinho” (Caetano Veloso) – Beirut from Red Hot + Rio 2 via DayDreamStationMusic blog

‘Just OK’ Album Releases of 2009: Beirut and U2

As a Beirut fan, the double EP release of March of the Zapotec & Realpeople: Holland marks a charter into new areas of musicianship, including more experimentation with instruments, styles and concepts. Put your musical journey jacket on before delving in.

March of the Zapotec EP consists of songs written by Beirut and recorded with Oaxacan march masters The Jimenez Band in southern Mexico. March sounds a lot like Beirut meets the Mexican Godfather, especially on songs like “La Llorona”. But it still has that unique Beirut sound – brassy, stuttered romps and old Euro carnival instrumentation.

Holland, featuring songs from band leader Zach Condon and recorded under the moniker Realpeople, includes the previously released tracks “Venice” and “My Night With the Prostitute From Marseille”. Other tunes like the 1970s electronica-sounding “The Dice” and the sci-fi Burt Bacharach styled “The Concubine” make for an interesting listen.

All in all though, this double EP release from Beirut features some good music, just a bit of a departure. I guess I was looking for something bigger to build off the success of their last amazing release The Flying Club Cup.

“La Llorona”Beirut from March of the Zapotec
“Venice”RealPeople from Holland
“A Sunday Smile”Beirut from The Flying Club Cup



U2 perform their classic hit “Sunday Bloody Sunday”

U2 of Old is Better Than U2 of Now

The ironically titled new release by Ireland’s “most famous” rockers, U2, No Line on the Horizon, may be telling of the band’s waning relevancy. In recent years, U2 has become overly-commercialized, trendy, glitzy rock celebs. I bet Bono and the boys would never dare to offer an album for free on the Internet like Radiohead did; and that’s just part of my point.

Over the past decade, U2 has enthusiastically accepted the sugary media saturation bestowed on them without much a nod to those who made them multi-millionaires (yeah they do some charity work – cool, all for that).

U2 was one of the first bands that launched my obsession with rock music years ago. But they’ve now become mediocre musically in contrast to the god-like status the mainstream media gives them. I was really hoping for something special from the new U2 album, but again, it’s just OK.

But don’t get me wrong; I’ll always love the U2 music from their debut right up to Joshua Tree; by now, it’s classic rock through and through.

‘Just OK’ Album Releases of 2009: The Decemberists


This week you’ll see some reviews of much talked about recent releases by groups like The Decemberists, Beirut and U2. I’m probably going to get some spitfire emails, but just trying to keep it real (one person’s opinion). Let’s start off with a band that was a favorite of mine for years.

Then, not so long ago, The Decemberists ‘crossed over’ and signed with a major label – Capitol Records. That was a bit hard to take for a band that helped boost the popularity of true indie labels. Anyways, my fear that their music would change has come true, and not in the best way.

And so what is the freaking hype for? First off, I have been a huge Decemberists’ fan since first hearing The Crane Wife. After hearing that record, I immediately bought everything they ever released – and I was hooked man. The upcoming release of The Hazards of Love marks a new direction for the band that personally I am not a fan of.

There are really only a handful of songs on Hazards that are keepers for me, among them “The Rake Song” and “The Wanting Comes in Waves”. I am more inclined to go back and listen to their merchant sailing songs and bucolic ballads from bygone days.

The NPR music dudes from All Songs Considered recently “bet” after The Decemberists’ SXSW show last week in Austin that Hazards will be the best album of 2009.

What?! First of all guys, it’s only freaking March. Secondly, I’ve heard dozens of better albums so far this year from bands few have heard of. Sometimes NPR irks me. For the last few years, NPR’s musical staff druels over a handful of bands and commonly declare, prematurely notwithstanding, the contenders for ‘best albums of the year’, and eagerly enough, the sure-fire, got-to-be, hands down winner – with an entire freaking nine months in the year left.

Please guys. Time for a reality check at NPR music. If you don’t believe me, dig through the IRC archives for this year and check out some of the other albums on the list to the right of this page; I promise there are better albums in that list than The Hazards of Love.

Next up in “Just OK” New Releases: Beirut and U2

Coachella 2009 Line Up: McCartney, The Killers, The Cure and More

click the image to enlarge poster

The official line-up for Coachella 2009, April 17 – April 19, has been released on the official Coachella website and it looks like another great year for the fest. While southern California is in the midst of a three-year drought, there is no drought in talented artists lined up for this year’s Coachella fest.

Headliners include Paul McCartney, Morrissey, Franz Ferdinand, Beirut, Conor Oberst, Crystal Castles, The Killers, TV on the Radio, Thievery Corporation, Band of Horses, Fleet Foxes, Black Keys, Dr. Dog, Calexico, M. Ward, Hold Steady, Girl Talk, The Cure, My Bloody Valentine, Yeah Yeah Yeahs, Paul Weller, Peter Bjorn and John, Okkervil River, No Age and a rare appearance of that pesky, infamous band from San Francisco The Brian Jonestown Massacre. The list goes on and on.

Tickets for Coachella 2009 are now on sale. Don’t forget, camping passes go quickly. The popular three-day passes are priced at $269.00 and single day passes, which usually sell out the fastest, are $99 per day.

Many people complain about the cost, but if you look at the line-up and think of the enormity of the event – a lifetime memory – I think it’s still worth it. In a disastrous economic situation across the nation, chances are the festival will still sell out or come close to it.

“Eraser” No Age from Nouns
“Strange Times”The Black Keys from Attack & Release
“White Winter Hymnal”Fleet Foxes from self-titled debut Fleet Foxes
“Lost Coastlines” Okkervil River from The Stand Ins
“Cape Canaveral”Conor Oberst from self titled debut Conor Oberst