U.K. INTRODUCING: Anthemic Surf Rock Band Voodoo Bandits

Punchy surf rockers Voodoo Bandits hit us with another new single ‘Nice T-Shirt’.

The past 18 months have been non-stop for the Isle of Man quartet with six singles under their belts. And in that time, the band has become well-known for their twist on the garage pop-rock genre.

Latest effort ‘Nice T-Shirt’ is the perfect jam of high-octane guitar riffs, distinctive vocals and riotous beats come together to create a feeling of optimism and carefree relief.

The noughties styles gelled with feel-good energy is the perfect remedy for the bigger stages. It’s an animated, feel-good tune underpinned by a head-bobbing fuzz riff and a garage-leaning chord progression.

Speaking of the new single, singer Ben says, “’Nice T-Shirt’ is about the feeling of growing apart from someone that you’re no longer on the same page as.

“It’s tough to leave people behind but sometimes you have to put yourself first and that’s what the lyrics in Nice T-Shirt are all about.”

‘Nice T-Shirt’ was produced by Voodoo Bandits, mixed by Darren Lawson and mastered by Two Zero Nine (Graeme Lynch).

This post first appeared on IndieCentralMusic.com

PLAYLIST: Top 10 DIY Songs, March 2022

The DIY (and small label) top 10 songs for March 2022 features kick-ass songs from DIY artists and bands stretching from the tip of Ireland to the urban sprawl of Los Angeles.

These are also ALL artists and bands to watch in our opinion; otherwise they would not have made this top 10 playlist because there are too many promising artists and bands around that many of you have never heard of – and admittedly, plenty that we didn’t know of; which is the great gift of music discovery.

Check out the other top 10s if you dig this; share and like if you can and don’t miss our new Top 50 playlists – dope, dope music only here at Indie Rock Cafe – celebrating 15 years of music blogging.

It may just be us, but Junk Drawer reminds us of a British Kurt Vile while Car Boot Sale is sounding heavily Spoon-influenced (not a bad thing). The crooning of Niall Mutter is captivating and soothing while Operation Man also shows off his vocal skills and pop sensibilities.

True that not all of these artists/bands are DIY in the traditional sense, but we consider small labels as ‘DIY’ much of the time to make things easier.

This top 10 playlist is in no particular order – you pick your favs. It’s too good of a playlist to sort out that way. All that matters is the music and whether you feel it or not.

NOTE: The number in parenthesis indicates the number of monthly listeners on Spotify.

Jaguar Sun TORONTO, Canada
https://www.instagram.com/jaguar__sun/ (318K)

Tomberlin – LOS ANGELES, California
https://twitter.com/tomberlin (270K)

Great Gable – BUNBURY, Australia

https://www.greatgablemusic.com/ (265K)

The World is a Beautiful Place & I Am No Longer Afraid to Die – WILLIMANTIC, Connecticut
https://www.theworldisabeautifulplace.com/ (132K)

Niall Mutter – MONTREAL, Canada
https://www.instagram.com/miallnutter/ (71K)

Operation Ivan – PORTSMOUTH, England
https://www.instagram.com/operationivanuk (26K)

Beach Vacation – SEATTLE, Washington
https://beachvacation.bandcamp.com/ (26K)

Weird Nightmare – TORONTO, Canada
http://weirdnightmare.net (18K)

Junk Drawer – BELFAST, Ireland
https://www.facebook.com/junkdrawerband – (5K)

Car Boot Sale – LONDON, England
https://www.instagram.com/carbootsaletheband/ (3K)

Stream all 10 via Spotify or YouTube:

Don’t stop there.

Check out more of our playlists on IRC’s Spotify profile – many of which have been carefully, and manually, curated over the years, covering themes from VIPs in songs to world music and from best seasons playlists to playlists of great indie/alt rock/folk/pop covering themes like world countries, states, love, moods, and everyday, ordinary things. A must-check-it-out-collection. Promise.

Band to Watch: Two Truths

The band Two Truths is one of Rochester, New York’s newest indie pop/rock outfits. And one of the most exciting.

Conceived during the pandemic by musicians and roommates Blake Pattengale and Garrett Mader, the band dropped their first single, “Brushstrokes,” earlier this fall – the first track from the four-track debut EP, Electric Campfire.

Joined by Max Greenberg on keys and Byron Cage on drums, the band offers a unique brand of sound; one that draws from Americana, folk, and rock, but also modern electronic production.

Guitar-driven songwriting and lush vocal harmonies break bread with synths and electric drums. This sonic architecture provides a perfect backdrop for Pattengale’s thoughtful lyrics, making for a truly memorable batch of songs.

“The story of “Brushstrokes” centers around a man longing to reconnect with his lost love,” writes Mader.

“The video opens with the man (portrayed by Kerry Regan) arriving at his art studio and revisiting an old painting.” Haunting lyrics “I thought I saw your face in a painting” accompany this lonesome beginning. The music feels ambient, with synth textures and fluttery guitar-picking casting a melancholic hue.

The chorus opens up with acoustic textures supporting the lyric ‘When I was a younger man/I’d chase you through the fields/ that we painted with soft brushstrokes.’ The song and video continually support this juxtaposition between a morbid present reality and an unattainable past joy.”

As the song progresses, we see the man step into his past life through the painting. In these memories, his younger self (portrayed by Pattengale) and his partner (Olivia Rose) are seen running through sunny green fields, enjoying an idyllic summer picnic, and basking in young love’s warmth and bliss.

The three other tracks on the EP are solid, especially the second track, “Chasing.”

Bands to Watch: Genre-blending indie band The Hot Takes

Drawing on the sounds of anthemic 70s punk and neon-drenched 80s new wave, Oakland-based indie band The Hot Takes are unleashing an electrifying brand of indie rock.

Inspired by such acts as The Clash, The Killers, and Arcade Fire, The Hot Takes unite the familiar and future with iconic guitar hooks, rhythmic dance grooves, and evocative vocals on their self-titled debut EP.

How did you come up with the name of the band?
Through a lot of trial and error! We were relieved that The Hot Takes was available as a band name, as others we thought of were already being used.

How would you describe your sound?
A passionate, edgy blend of modern indie, 70s punk, and 80s new wave.

When did you first become interested in playing music?

In high school, it sort of began as a joke but it’s exciting to still be doing it years later.

What’s the strangest or funniest thing that’s ever happened to you at a show?
Being pulled onstage by Peelander-Z to play guitar during their last song; their whole set was like an acid trip.

What are you listening to these days?
Penguin Prison, Bleachers, VHS Collection, RAC, The Interrupters.

What does music mean to you?
There’s such spirituality in good music. A great song can humble you and bring you to tears, or make the impossible feel possible for a moment.

How’d you guys first get together to play music?
Wish there was a sexier story, but it was in response to Facebook & Craigslist posts. But we had an immediate connection playing together.

What inspires you to write?
The chance to capture an idea – whether it be musical or lyrical – that might inspire someone else to create their own art or do some good in this world.

What’s the biggest challenge in becoming a musician today?

Finding an audience in a very crowded field of other musicians, especially online. Distinguishing yourself from other very talented bands and artists who are all creating amazing music is definitely a significant challenge.

What are some of your favorite Bay Area music venues?
Rickshaw Stop, New Parish, The Independent, The Legionnaire, 924 Gilman, Elbo Room, Fireside Lounge.

What are some of your favorites places to hang out in the Bay Area?
Lake Merritt, 1-2-3-4 Go! Records, Broken Guitars, Bar 355, Zocalo in San Leandro, Cat Club, and Madrone Art Bar in SF. There are specific answers for each, but they all feel like part of a community.

What’s one thing that people would be surprised to find out about you?
The places we all work…you’ll have to ask us some time to find out more.

Is there anything you’d like to plug?

Our debut EP will be out May 7th and we’d love for you to check it out. You can keep track of us via our LinkTree page.

The post Q&A: The Hot Takes by Louis Raphael appeared first on Music in SF®

SLC Punk Band Worlds Worst’s ‘EP2’

 

Worlds Worst is a Salt Lake City-based punk band with a very misleading name. They’re not actually the world’s worst.

They’re not even bad. In fact, the only thing they seem genuinely awful at is sucking. Which is generally a good problem for a band to have.

Worlds Worst have been busy during the pandemic, releasing a solid EP in April of 2020 and now following it up with a sequel, frilllessly adorn as EP2.

On this new release, Worlds Worst continues to meld spinny pop-punk and maturely introspective emo- scuffed and scratched for a character with a rash of pedal effects and balmed with a warm reverb that envelopes these tracks in a layer of emotional security, similar to the way a thunder vest can help your dog feel more chill when you have company over. These songs, especially “Balloons,” can feel like one long hug, is what I’m trying to say.

Patient caresses and intimate brushes don’t, necessarily, make for a well-rounded punk record, though. There are also a number of assertive and self-assuredly defiant tracks as well. “Twins” rides a net of highwire guitars above a river of tumbling grooves to find catharsis on the opposite end of a pounding polemic about the theft that occurs at the core of wage labor, and the dreary sonic slosh of “Postal” which feels like space-gaze of Hum collapsing into a current of granite-chipping, hard-tipped Braid riffs.

Worlds Worst is almost certain to improve your day if you give them a chance. And it being a Friday and all, why wouldn’t you? If you’re at work now, go home. If you’re working from home, log off. There will always be more work, but let that be someone else’s problem for a little while. You only have one life, so you might as well enjoy it. Which, as I hope I’ve convinced you here, Worlds Worst can help you luxuriate in if you let them.

 

The post EP Review: Worlds Worst – EP2 appeared first on New Noise Magazine.

Mick R.

The Holy Family’s Self-Titled Folksy-Ambient Debut

The Holy Family recently released their debut album via Rocket Recordings. Simon Tucker takes the sugar cube and joins the journey.

The Holy Family is a band led chiefly by David J Smith and whose membership includes the likes of Kavus Torabi, Emmett Elvin, Sam Warren, and Michael J York. Borne out of improvisations which took place in an old country house, the album was then molded into shape by Smith and engineer/mixer Antti Uuismaki, for approval and final overdubs from the rest of the collective. Inspired by everything from magical realism, children’s folk tales, and the surrealist art of Dorothea Tanning, The Holy Family finds itself perfectly placed to soundtrack imagined journeys both outer and inner and seeing as most of us have not been able to travel far these last eighteen months then its timing could not have been better.

Geographically, The Holy Family is impossible to pin down. It is a nomadic work that seems to travel through borders from the stark white of industrial Europe to the rolling sands of the Sahara. It is an album that is in perpetual motion – even when at its calmest, as the cyclical nature of the music allows for vivid imagery to permeate the mind’s eye.

Sometimes you are traveling deeper into your own self and sometimes you are staring at the world through the window of a bus never feeling anything else other than complete contentment and whilst there are no genre-specific labels you could give it, The Holy Family is a definite relative of ambient music with its whole aura surrounded in a trance-like serenity, scattered in the dust and ash of many who have worked in this realm before.

Musically you can find glimpses of explorers that have gone before whether that be on the Another Green World-era Eno (Skulls The…) Pompeii rattling Pink Floyd (Stones To Water) and even the impressionistic soundscapes of Sigur Rós (I Have Seen The Lion Walking) only The Holy Family cover their sound in fire instead of ice.

The Holy Family also has a strong gift for drama and sequencing which helps the album flow in a cohesive narrative arc allowing for ups and downs, twists and turns. This means you are allowed the deeper and unsettling moments like Inner Edge of Outer Mind and See, Hear, Smell, Taste, and the glorious hypno-groove of A New Euphoria which is a piece of music that loops beautifully like a prime Jah Wobble bass mantra. There’s even room for a dark twist on the Laurel Canyon Sixties and Seventies sound with St. Anthony’s Fire.

This is an exciting debut from a very promising band. It is an album that you will want to keep revisiting as its unsettled nature allows for many interpretations. The Holy Family allows you to see the potential in a cohesive and progressive unified front and its explorations are worth every penny of the ticket price. Get onboard…you would not want to be left behind.

~

The post The Holy Family: The Holy Family – album review appeared first on Louder Than War. (Only a few punctuation and spelling corrections made)

Simon Tucker

Nothing But Thieves drop anthemic new single ‘Futureproof’

Following the release of their #3 album Moral Panic last October, Southend four piece Nothing But Thieves have just dropped their brand new single Futureproof. Their first new music since last year’s third full length, Futureproof was premiered by on BBC Radio 1 as Annie Mac’s Hottest Record in the World. Watch and listen below.

Speaking about the track the band said:

’Futureproof’ is about self-preservation; what that means to different people and the lengths that those people would go to achieve it. It’s designed to be a guitar rock and hip hop hybrid. That can be a bit of an eye roller and it’s easy to get wrong, but there’s a parallel between some of our heavier songs and the more aggressive side of hip hop, which we wanted to try and get at. It’s dark and chromatic and then it’s mixed like a hip hop track with loud drums and vocals. The idea was to try and explore that territory in the most authentic and fresh way.

The new track arrives ahead of the band’s massive UK, Ireland and European tour kicking off in September. The tour includes their biggest show to date at the O2 Arena in London. Tickets are available here*.

Nothing But Thieves 2021 Tour Dates

  • September 2021
  • Thurs 30th Dublin Olympia
  • October 2021
  • Sat 2nd Belfast Ulster Hall
  • Wed 6th Plymouth Pavillions
  • Thurs 7th Cardiff Motorpoint Arena
  • Fri 8th London O2 Arena
  • Sun 10th Birmingham O2 Academy
  • Mon 11th Glasgow Barrowland
  • Thurs 14th Manchester O2 Victoria Warehouse
  • Sat 16th Nottingham Motorpoint Arena
  • Mon 18th Barcelona Razzamataz 2
  • Wed 20th Paris Casino de Paris
  • Sun 24th Wiesbaden Schlachtohof
  • Tues 26th Leizig Täubchenthal
  • Thurs 28th Berlin Columbiahalle
  • November 2021
  • Tues 2nd Munich Tonhalle
  • Wed 3rd Milan Fabrique
  • Fri 5th Zurich Halle 622
  • Sat 6th Luxembourg Atelier
  • Mon 8th Copenhagen Amager Bio
  • Tues 9th Stockholm Fryhuset
  • Thurs 11th Köln Palladium
  • Fri 12th Amsterdam Ziggo Dome

Following on from the hugely successful singles; em>Real Love Song , Is Everybody Going Crazy?, and Impossible, Futureproof is another stadium ready banger and continues where Moral Panic left off.

Brooklyn band Native Sun drops ‘anti-conformist anthem’ track ‘Off The Dial’

native-sun-bandNative Sun has released “Off The Dial,” a track that blends vintage punk with modern sounds and it’s all captured on video, which can be seen here.

The Brooklyn band deems the new track an “anti-authoritarian, anti-conformist anthem” and that’s apparent from the opening moment.

Lead singer Danny Gomez manages to get out the vocals over the band’s breakneck and furious playing.

“A track to summon and glorify our ability to rebel against conventionality for progress,” the band said. “Destroy the ennui that sucks the passion out of the quotidian, it is this hunger for abandoned ideas and sentiments that emboldens the individual — don’t let others write your future.”

Native Sun is comprised of Gomez on vocals and guitar; Jake Pflum on guitar; Mauricio Martínez on bass and Nico Espinosa on drums. The band was touring the west coast with White Reaper, on their way to SXSW, and had just celebrated their first release with label Grand Jury Music, called “Juarez,”  when the pandemic hit.



Native Sun released a covers EP to benefit The Okra Project, Border Angels, RAINN, Bushwick Ayuda Mutua, and the National Queer and Trans Therapists of Color Network.

Grand Jury is an independent record label founded in New York City in 2014. The roster includes Chicago rock n roll staples Twin Peaks, Twin City indie pop rebels Hippo Campus, ascendant NYC songwriter Samia, and a host of others.

by John Daly
eastcoastrocker.com

Thom Yorke and Jonny Greenwood form new music project, The Smile

thomyorkeRadiohead fans, take note! Thom Yorke and Jonny Greenwood have teamed up with drummer Tom Skinner for a new side project called The Smile. And in a surprise announcement from the Glastonbury Festival, the band will be making their debut today as part of the Live At Worthy Farm global livestream which premieres tonight at 7pm BST.

“Taking its name from the Ted Hughes poem, The Smile is a new collaboration between Thom Yorke, Jonny Greenwood, Tom Skinner and Nigel Godrich. For further information on The Smile as it is revealed, keep an eye on @thesmiletheband.”

Here’s their Instagram page and their homepage.

In Dee Mail Band Series 2021, Vol. I – Bliss Williams, Monrad, Hazey, Venray, Fletcher Milloy

Bliss-William

This is the first In Dee Mail feature we’ve run in a while. (We’ve been busy building new pages that will be unveiled as time ensues; one just published is IRC’s Music Festivals 2021 all-in-one resource. Fests are back! And don’t miss our new songs aggregated page.)

In this installment:

  • Bliss Williams – London, England
  • Monrad – Medesano, Italy
  • Hazey – Bristol, England
  • Venray – Washington, D.C.
  • Fletcher Milloy – Los Angeles, California

We’ve received many hundreds of submissions in the past few weeks – catching up from a slow start to a year that is going blazingly fast. But we cannot go without our DIY indie music discovery activities, nor can we hold back from sharing some of the most talented, interesting, different, original and promising DIY artists and bands that we’ve come across.

These completely DIY, mostly unknown artists and bands stood out among hundreds of submissions. We picked them because of the level of musical talent; the catchiness of their track and overall production value. These should be BIGGER recording artists with tens of thousands of plays, sold-out shows and blog posts/press articles touting their achievements – even if judging from the one track we are presenting.

Of course, it is no surprise we are pushing these artists/bands to higher visibility via our popular top 10 indie songs playlists. These are DIY artists and bands that need to be heard and to be loved. It’s always been heart-breaking (in little ways) to us when amazing, different and talented DIY artists and bands get lost to the non-stop waterfall of noise around 30-40 artists and bands in the indie/alternative/rock realm.


Falling For You https://soundcloud.com/blisswilliams/falling-for-you

Bliss Williams – “Falling For You”

Bio: London-based Bliss Williams remains well-acquainted with unrequited love. So he thought it was about time he wrote another song about it. The second in a series of singles for the 2020/21 season, following his well-received debut offering ‘Thought I Was Young’, Williams is looking.
Location: London, England
Genre: Indie pop; dream pop
Members: Bliss Williams – vocals, all instruments and production
Musical Influences: The Style Council, Amy Winehouse, Earth, Wind & Fire, The Bee Gees
Instagram: blisswilliamsmusic

Song Bio (from the artist): “Produced at his flat in London, Williams’ debut offering pitches shuffling drums and pocket bass against sweeping electric guitars and swirling, yearning vocals.”

Release Date: 02/15/2021


Monrad – “One Stop Shop”

Monrad is the solo moniker of Matthew Ramon. Kortrijk born and raised but in need of new challenges and discovery, he left Belgium, wandering around for several years before settling down in the small Italian village of Medesano.

Although part of a reverb-drenched, instrumental surf punk band for most of his twenties (Rencontrez L’amour), he got together with Filip Tanghe (recording and/or live engineering Balthazar, Warhaus), and recorded some of his first songs, trying to step away from more conventional song structures.

After two years of digging deeper, nurturing and maturing his music, and finding his voice, Monrad went back to Tanghe and recorded, together with Bert Desmet and Gijs Coucke, his first full-length album Wired.

Location: Medesano, Italy
Genre: Indie rock
Members: Matthew Ramon – all instruments and vocals
Facebook: monradsound

Song Bio (from the artist): “With a dark voice, floating somewhere between singing and parlando, propelling drums, seductive bass, and atmospheric guitars, Monrad takes you to layered territories where harmony and tension start to intertwine…I took my Fender Telecaster, plugged into a Fender Bass breaker head, reverb fully open (a remnant of my surf music days). I started recording the first and second riff in Cubase. Once I lay down the basic structure of the song, I focus on the drum and bass parts, followed by synths and pianos. Like that, layer by layer, I start building the song…The bounciness of the song reflects the ups and down in our mood, energy, and needs. However, somehow we eventually manage to cast aside the more negative feelings and find a way to stand up, crawl back from our inside that maze that sucks you in.”

Release Date: 03/14/2021


Hazey – “Bliss”

Hazey is a Bristol-based indie-pop duo that provides energy and mystery to the rock scene. The pair certainly aren’t afraid to express their weird side and want to share their fun outlook on life through Hazey.

Their debut single “Kimberly” gained strong support from UK radio stations such as BBC Radio Bristol & BCFM.

Location: Bristol, England
Genre: rock,pop,synt,pkpp,altr
Musical Influences: FOALS, The Killers, Deaf Havana, The 1975, Don Broco, Turnover & The Cure.
Members: Tim Brown – guitar/bass/vocals; Justin Wilkinson – drums/vocals
Facebook: hazeybanduk

Song Bio: “Written during a time of uncertainty, confusion and reflection. ‘Bliss’ is a collection of emotions that are repeatedly flowing through the mind when feeling lost. In a situation where we need to reach out and unite, it is apparent that a select few have taken the opportunity to profit from the suffering of the helpless many.

Dreamy intervals midway and towards the end of the track represent the calm and peacefulness that we receive from detaching ourselves from society. This is our most laid-back song and we love how it’s enabled us to connect on a more intimate level with our music.

Release Date: 03/2/2021


Venray – “No Place”

Bio: Venray is an independent rock power-duo, alternatively labeled as ‘surf-grunge ‘or ‘garage-punk’. Venray’s sound has been called “catchy AF”, and duo is characterized by their sing-along melodies, giant hooks, and high energy, dynamic live performances. Spanning several genres, venray songs range from breezy ballads to crunchy rippers that will appeal to fans of Pile, Car Seat Headrest, Wavves, and Top Nachos.

Location: Washington, D.C.
Genre: hard rock, indie rock, garage rock
Musical Influences: Stove, Pixies, Ovlov, Ty Segall, Pink Mexico, and Foo Fighters
Members: Tyler Bergin – Vocals, Guitars, Bass; Christopher Peli – drums, percussion, vocals
Soundcloud: /venrayband/

Song Bio (from the artist): Not provided

Release Date: 4/21/21


Fletcher Milloy – “Raskolnikov”

Blending hyper-pop production and psychedelic prowess with captivating lyrics, Fletcher Milloy is proving themself to be a pioneer of a sound that is completely their own. Fletcher Milloy, has performed in lineups alongside the Killers, the Roots and many others, as well as being featured in the international top 10 of NPR Music’s Tiny Desk contest
(2020). Quickly rising on TikTok, with over 250,000 views, Raskolnikov may be the finalé to the Astronaut Trilogy, but is only the beginning of a new sound and promising artistic career.

Location: Los Angeles, California
Genre(s): psyc,altr,expe
Has Opened For: The Killers, The Roots, HAIM, Death Cab for Cutie
Musical Influences: LCD Soundsystem, Bowie, Prince, Talking Heads
Members: Fletcher Milloy. Guitar, Bass, Drums, Vox, Keys
Instagram: /fletchermilloy/

Song Bio (from the artist): “‘Raskolnikov’ is the final installment of my Astronaut Trilogy EP. It’s inspired by psychedelic pop & 19th century Russian literature (Crime and Punishment by Dostoevsky). I wrote the song about spending my early life heavily involved in the evangelical church. I found myself in a constant state of panic trying to navigate and appease a socio-political circle that by default ostracized me for my participation in night life and parties.

The track is message to myself and others that to become a new person the preceding role and character i created in that environment must be put to rest .”

Release Date: 02/22/2021

Band to Watch: Blue Vervain

From IRC’s submission box: The enchanting, sultry – perhaps even seductive – new indie rock single “North Carolina” from New Jersey band Blue Vervain.

As this new track eludes to, The Saddle Brook indie-‘mood’/bedroom pop band has been gaining some love from indie music fans in recent years and even opened for Young The Giant.

The single is the title track from their sophomore album dropped earlier this year. Blue Vervain is named after a flower that is often used as an alternative remedy for anxiety and depression.

Blue Vervain was founded by lead vocalist and songwriter Jon Khan in the summer of 2018 as a solo project that eventually grew into the current five-piece band that includes Nikki Marroccoli – Keyboards/Synths; Chris Selman – Guitar; Ori Yekutiel – Drums.

Influences: Snail Mail, Phoebe Bridgers, Soccer Mommy, Lucy Dacus, Tigers Jaw, The Menzinger

https://www.facebook.com/bluevervainnj

Band to Watch: Hear In Color

Local Band Spotlight: Hear In ColorApril 29, 2021

How did you come up with the name of the band?
We actually tried multiple different names before landing on Hear In Color. We used to go on long drives and listen to music we liked in the car. We often would ask each other what colors we would see or associate with the songs or albums playing. Our singer Faith came up with the name “Hear In Color” because of those memories & because of how people all over experience and interpret music differently.

How would you describe your sound?
Indie, Alternative, Shoe-gaze, Dream-pop, with hints of emo & post-rock.

When did you first become interested in playing music?
Music has been an important part of our lives for as long as we can remember. We’re all in our early 20’s as of now.

What are you listening to these days?
Omar Apollo, Chicano Batman, The Strokes, New Sense, Iraya, Khruangbin, MF Doom, Death Grips, No Vacation, Video Age, Dijon, Crumb, The Backseat Lovers.

What does music mean to you?
Music sort of acts as a source of therapy in each of our lives. One way or another we have all been heavily impacted by music & creativity in general. It helps keep us stable in many ways.

How’d you guys first get together to play music?
We all pretty much met at Diablo Valley College through classes/mutual friends. Initially, the group was a trio that included Isaiah, Gerardo, & Faith. Shortly after once, we had our first gig coming up, we then added Valente & Eli to the lineup. This addition added a whole new energy and brought a new dynamic to the group to help give it a much fuller & more expressive sound. We would jam in the jazz practice room when we could fit time in (since we had some shows lined up before COVID hit) & it just became a good fit.

What inspires you to write?
For most of us writing has always been one of the few ways we could get thoughts or feelings or whatever out of our head and actually in the physical. It feels really good to have an idea in your head and see it form into an actual project and how those around you interpret it as well.

What’s the biggest challenge in becoming a musician today?

One of the biggest challenges for us at least was trying to adapt to the quarantine. We did a majority of this EP remotely & it definitely came with many speed bumps and technical difficulties that halted production time. Although the pandemic has given us more time to write, we do miss gigging so much & the impact that it offers to the community & scene.

What are some of your favorite Bay Area music venues?
The UC Theatre Taube Family Music Hall, 924 Gilman, Great American Music Hall, Rickshaw Stop, Up The Creek Records, Starline Social Club, Cornerstone.

What are some of your favorites places to hang out in the Bay Area and why?
Port Costa, Berkeley, Bear Creek Road, Reliez Valley Road, Romo’s Caffe (Oakland), Wildcat Canyon Road, Diablo Valley College.

What’s one thing that people would be surprised to find out about you?
Valente knows how to breakdance, Eli/Gerardo make tea together & there are currently 10 empty cups of coffee in Faith’s car. Also, Isaiah has two birds that live on top of his fridge.

Is there anything you’d like to plug?

The post Local Band Spotlight: Hear In Color appeared first on Music in SF®.

Louis Raphael