GRiZ has announced a new NFT collection called SEROTONIN BOOST, a collaboration with visual artist Kitasavi.
Four out of the six of these pieces are paired with brand new, never-before-heard music from GRiZ. These clips show off a few of the different musical dimensions of GRiZ, with snippets featuring chiill house, sunset sax vibes, and groovy dubstep. Some of these music-paired NFTs are more rare than others, with a fixed amount of editions being minted. The cheapest one, however, is $1, so almost anyone can participate in this drop.
This is GRiZ’s introduction to the NFT space, and we’re stoked to see him do something with original music involved!
To view the SEROTONIN BOOST collection, you can follow this link here to Foundation. Below you can check out a couple of the stills (without music) that are also part of the drop.
Vic Mensa and Chance The Rapper have shared an acoustic version of their recent single ‘SHELTER’ – listen to it below.
The original track, which also features Wyclef Jean, is taken from Mensa’s recently released ‘I TAPE’ EP. Other tracks on the project include collaborations with Jeremih and Tish Hyman.
Examining mass incarceration as well as the impact the coronavirus has had on the Black community, ‘SHELTER’ is inspired by Mensa’s relationship with Oklahoma inmate Julius Jones, who in 2002 was convicted of first-degree murder and sentenced to death at the age of 22. Mensa is working to save the now 40-year-old, who has always maintained his innocence, from death row. You can learn more about the campaign to free Jones here.
The stripped back rendition of ‘SHELTER’ is accompanied by a new video directed by Chance, marking the ‘No Problem’ rapper’s directorial debut.
Mensa said of the track’s new version: “By stripping the song to its most bare form we were really able to bring out a new depth of beauty and meaning, in a time when we as a people are searching for it.”
He added: “Chance’s directorial focus on simplicity shows strength in showing the world just as it is.”
You can watch the video for the acoustic version of ‘SHELTER’ below:
In a three-star review of ‘I TAPE’, NME‘s Will Lavin called it “a statement record that fuels action and turns the volume back up on the Black Lives Matter chants that dominated social commentary last year.
“For some, the fight for equality might have been a hashtag – but not for Mensa; he’s still swinging.”
Last month, Chance The Rapper shared the official music video for his new song, ‘The Heart & The Tongue’.
The post Listen to Vic Mensa and Chance The Rapper’s new acoustic version of ‘SHELTER’ appeared first on NME.
Flight Of The Conchords comedian Bret McKenzie has revealed that he worked on the upcoming Simpsons episode that sends up The Smiths. The episode, titled Panic On The Streets of Springfield, will reportedly see Lisa get a new imaginary friend – a depressed indie singer from 1980s Britain.
While the show has stopped short of getting Morrissey onboard to voice the character, they will instead be voiced by another prolific British star – Benedict Cumberbatch.
Taking to social media earlier this evening (April 18), McKenzie revealed that he “wrote some 80’s pop songs” for the episode alongside comedy writer Tim Long.
“During the madness of 2020 I worked very remotely on an episode of The Simpsons,” McKenzie wrote on the official Facebook page of Flight Of The Conchords.
“I wrote some 80’s pop songs with my friend Tim Long, woke up at 3am in New Zealand to record the sultry crooning of Benedict Cumberbatch in London and zoomed a few sweet harmonies in LA with Yeardley Smith.”
He added: “It airs in the States on Sunday night (4/18). And hopefully everywhere else soon. Check it out!”
During the madness of 2020 I worked very remotely on an episode of The Simpsons. I wrote some 80’s pop songs with my…
Posted by Flight of the Conchords on Sunday, April 18, 2021
While it marks the first time that The Smiths have been sent up in the show, Morrissey is said to have previously turned down an appearance in Season 15 episode ‘The Regina Monologues’.
The episode saw The Simpsons clan heading to Britain, and featured guest appearances from then-British Prime Minister Tony Blair and Harry Potter author J.K. Rowling.
Last week, members of the cast and crew of The Simpsons explained how cult segment ‘Steamed Hams’ nearly launched a spinoff series.
Reflecting on 25 years since the episode during which the segment aired, ’22 Short Films About Springfield’ first premiered, actor Hank Azaria and co-showrunners Al Jean, Bill Oakley and Josh Weinstein recalled initial plans in a recent interview.
Meanwhile, The Simpsons voice actor Hank Azaria has apologised for his longtime portrayal of Apu Nahasapeemapetilon on the series, while also acknowledging the show’s participation in “structural racism”.
The post Flight Of The Conchords’ Bret McKenzie worked on The Smiths episode of ‘The Simpsons’ appeared first on NME.
Chvrches have announced they will be premiering their new single ‘He Said She Said’ tomorrow evening (April 19).
READ MORE: The Big Read – Chvrches: “The coven is pissed, the reckoning is coming”
The synth-pop trio – comprised of Lauren Mayberry, Martin Doherty and Iain Cook – are due to release their fourth studio album sometime this year, having written and recorded it over the course of the coronavirus pandemic.
Today (April 18), the band took to social media to announce their first new music since 2019’s ‘Here With Me’, their collaboration with Marshmello, and ‘Death Stranding’, taken from the soundtrack for video game Death Stranding: Timefall.
Titled ‘He Said She Said’, the new track will be premiered on Annie Mac’s BBC Radio 1 show tomorrow night at 6:10pm.
“The end is near,” the band wrote on Instagram. “Tune in to @anniemacmanus on @bbcradio1 tomorrow from 10:10am PT / 1:10pm ET / 6:10pm BST for the premiere of ‘He Said She Said’.”
Last week, the band teased new music with a series of cryptic posts. They began posting screenshots on Instagram displaying iPhone-style notifications, which included the message “It’s all in your head” above the options “Trust” and “Don’t Trust”.
Chvrches then shared a grainy video of frontwoman Mayberry applying makeup in a mirror. The singer, now sporting blonde hair, screams in split-second shots before smudging lipstick across her face.
The clip is soundtracked by distressed, filtered audio that sounds like it’s being played backwards. “Video Diary 001: I feel like I’m losing my mind,” the post’s caption read.
In December, Mayberry offered fans some hints at what to expect from Chvrches’ next record, which will follow 2018’s ‘Love Is Dead’.
She said the new album had “definitely got the Chvrches DNA” but that the songs featured on it couldn’t “slot into any of the first three records”.
Last September, the singer explained that the band would be following a “theme” on their next full-length. “For me, it’s been interesting to look at the records and see the progression of the storytelling, for lack of a less wanky word,” she said.
“I feel like it’s about the marriage between the stuff that’s purely personal, and the stuff that’s more imagery, and narrative [based]. We have a pretty specific theme in mind for the whole thing, so yeah, I feel like it’ll be a marriage of those things.”
The post Chvrches announce premiere of new single ‘He Said She Said’ appeared first on NME.
DUBLIN, Ireland – Solo artist Conan Brophy produces rock and alternative music with a heavy 50’s and 60’s influence. The result is catchy hook-driven pop songs with harmonies and soul, driven along by a razor-sharp guitar sound on the track, “Know My Name.”
For his songwriting influences, Brophy is heavily indebted to the music of the early 1960s, and in particular the beat music of the early British Invasion bands like Manfred Mann; The Kinks; The Zombies, and The Beatles.
As a guitar player, his style takes the delta blues of Muddy Waters and Howling Wolf and fuses it with more modern alternative sounds of The Shins and the Arctic Monkeys.
He also released another impressive single earlier called “The Conversation.”
“The Conversation is about how being human often means having to hold contradictory states at the same time,” Brophy says. “It’s like being sad while being in love; being a saint in one person’s eyes while being a sinner to another. There is no objective truth about who a person is just a collection of different people all inside the one person, depending on the moment you encounter them, the circumstances you encounter them in, and even the person you are when you meet them.”
The Conversation is the first of three Bandcamp exclusive releases to be followed by a full album.
The video that accompanies The Conversation is a short spy movie based on Conan’s favorite spy movies like The Ipcress File and The Spy Who Came In From The Cold. It’s a compelling story with an explosive ending.
Last spring, the exciting London indie rock band MOSES released their debut album, Almost Everything is Bullshit. Unfortunately, the pandemic lockdown hit at just the wrong time in as far as doing shows to support the drop. But the band members didn’t let that stop them from getting it out and spreading it around.
In fact, the album was preceded by a series of singles that made the rounds on the blogs and that the band did get to perform live. So they were fortunate in that respect. Fast forward to 2021, the band is hoping to hit the road this August and September.
Now they’ve returned with a new booming new single, “Move On” (At the moment, the track is only available via Spotify ). The song overflows with powerful chords and percussions backed by soaring vocals.
MOSES says about the new single: “When you are being dumped, just move on. When someone is quitting on you, move on. When someone is telling you that it’s over and they say sorry just tell them “why are you sorry? I got no worries. I still believe, I still believe in me-and move on.”
The track, and the approach to the recording, make us think a bit of Phil Spector’s ‘wall of sound’ approach to producing – just put all the instruments and effects in that you possibly can so that the listener is saturated with sound reaching a point of auditory orgasm. The band knows how to evoke feelings through songs; that is a gift as much as it is a talent.
MOSES’ Break-Through Single, “Cause You Got Me”
We thought we should include the music video that really got things rolling for MOSES – the impossibly good “Cause You Got Me.” Some of you may recognize the track from the Tomb Raider soundtrack. Also, check out the track “Findings” below.
We are late to get the first couple of 2021 Top 10 Indie Songs playlists together – mostly to pick the best indie songs from a flood of solid singles and albums dropped in the first couple of months of the new year.
The IRC team is glad that we took extra time to really whittle down hundreds of indie rock songs to come out with only the best of the best.
There is also a fair amount of tracks that we classify as more alternative rock than indie rock. You can probably figure out which are which – but to us, they are closely-aligned genres in many ways.
This Top 10 playlist is filled with powerful, intriguing, different, and must-hear indie songs and bands – some of which will be familiar and others new to many of you. We are really excited to share these top indie songs of 2021 in the playlist below.
*February and March 2021 Top 10 Indie Songs playlists are coming out this week! Please share and like.
January 2021 Top 10 Indie Songs
By the way, we have a ton of interesting playlists on Spotify, but we prefer not to point you there. Spotify is not fair to artists and bands so we don’t encourage using it.
Plus, it’s a pain in the ass as a free user, and not too much better as a paid user. We are Soundcloud, YouTube, and Bandcamp fans here – the platforms that are good for and to independent musicians and bands.
Just click once and let it roll through all ten tracks uninterrupted and commercial-free. Below you’ll hear fresh tracks from bands (including indie bands that are now, for all intent nad purposes, mainstream indie) like Grouplove, Tearjerker, PEEL, and Wilderado as well as tunes from lesser-known and DIY artists and bands like Alex Walton, O Cerne, Sonar Red, Jimso Slim, NXTIME, and Up! Way Up! Enjoy and please like and share. We appreciate you.
Stream commercial-free from 12 Top 10 2020 Indie Songs playlists – gooood stuff.
The musical city of Portland, Oregon has long been home to the talented, genre-fusing artist Redray Frazier where he is respected in the region’s musical community.
Frazier hits it just right on his new single; a track that is a 2021 favorite among our team.
On “If You Let Me,” Frazier lays down sweet, passionate vocals of saucy smart lyrics backed by perfect imagined DJ cuts and a 70’s-influenced groove that goes deep, pulls you in and makes you feel like the world is alright for a few minutes. Oh yeah…
Our team members can not stop playing this track. It just makes you feel oh so good.
It’s no wonder that Frazier is a veteran musician, songwriter, DJ, and vocalist because it’s all clearly on display within just a few minutes for anyone who hasn’t yet been introduced to Frazier’s music.
“If You Let Me” is from the new album, Blood In The Water, which you can stream on Bandcamp. The album is worth your time and money especially if you dig artists who fuse styles as Frazier does – from soul to rock to R&B.
“The artistic process can be a difficult struggle, Frazier tells us over the thick slow-boil, but the results are worth the battle.”
Please support your local independent/DIY musicians! Don’t let corporates take it all!
It’s critical folks, especially during the covid, and post-covid, era to support the DIY artists and bands who add something good to our lives.