Album Review: Kings of Convenience’s ‘Peace or Love’

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After a 12-year hiatus from recording and releasing new music, the widely-acclaimed Norweigen music dynamic duo, has dropped a new album, Love or Peace.

The 12-track recording, long-anticipated, does not disappoint. Love or Peace offers a well-balanced and superbly-produced mix of the familiar and of the new.

If you are a KOC fan, you’re probably going to dig Love or Peace.

With the new album receiving widespread accolades, KOC has reinforced its position as one of the greatest musical exports from Norway in decades. We are sure glad Eirik Glambek Bøe and Erlend Øye decided to pursue music and create the terrific acoustic sound and soothing voices that have become KOC’s signature.

Reviews of Love or Peace from around the webs:

Songwriting this unadorned requires melodic strength and confidence, but the pair never waver from their acoustic guitars and occasional violin. “Fever” is the only song with a drumbeat; “Catholic Country” – featuring Feist, and one of KOC’s best ever songs – and others play up the percussive quality of their stringed instruments to add urgency and even a little funk.

Bøe and Øye’s paired, timbrally similar voices remain a key part of the charm. Delicacy and care are given to both boyish and adult vocal pitches, perfectly expressing innocence and experience at once. There are moments of straightforward breakup glumness, but the complexity of love and desire comes through on songs such as “Rocky Trail” and “Killers.” [truncated] (U.K. Guardian)

Uncut
Jun 17, 2021
90
Peace Or Love is their most cohesive album yet. While it’s not a world away from their previous work, the mood is noticeably more stripped-down and melancholic. … Kings Of Convenience seem to have discovered the purest essence of the music they create. [Aug 2021, p.26]

musicOMH.com
Jun 18, 2021
80
No alarms, no surprises (unless you count a few surprising moves into bossa nova), but it does make for a lovely listen.

Slant Magazine
Jun 17, 2021
70
Informed by years of experience, growth, and collaboration, Kings of Convenience extend a comforting hand through the warm calm of their music.

Exclaim
Jun 18, 2021
70
Though eschewing the (mild, but still present) domestic theatrics of their earlier works for more wizened fare may have muted their immediate impact, their knack for immersive melodies and grooves keep things compelling.

Pitchfork
Jun 17, 2021
67
The follow-up to 2009’s Declaration of Dependence, makes languid, pleasant pop seem deceptively effortless; the album is so smooth that its seams are barely visible. The record’s 11 tracks are a Quaalude dream, a set of gossamer songs so refined that they take on sedative properties.
All this publication’s reviewsRead full review

Rock Legends: Jack White

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Photo Credit: Yui Mok/PA Images via Getty Images

This feature was first published on PureVolume

If you’ve ever picked up a guitar, chances are one of the first things you learned to strum was the chord progression to the White Stripes “Seven Nation Army.” This is largely thanks to Jack White and his innate ability to take something so simple and turn it into a global phenomenon. His jet-black unkempt hair, loud guitar riffs, and unyielding devotion to the old way of producing music separate him from the rest. He may have started out as an altar boy with a knack for his brother’s old instruments, but he has grown into one of the most revered musicians of our generation. This is Jack White.

Believe it or not, his first instrument wasn’t the guitar.

A Not So Ordinary Childhood

Jack White was born John Anthony Gillis on July 9, 1975, in Detroit Michigan. He was the youngest of ten children born into a working-class family. Raised in a devout Catholic household, he found himself gravitating towards religion and developed a deep spiritual connection.

 As a child, he served as an altar boy and even considered going to seminary school to pursue what he thought was a spiritual calling to become a priest. White recalls this feeling and notes that “Blues singers and people who are singing on stage have the same feelings and emotions that someone who is called to be a priest might have.”

An Attraction To Music

During this time, White began showing an in interest in music. His older brothers had tried their hands at playing music, and White soon found himself messing around with their abandoned instruments. By the first grade, White was playing the drums after he had found an old kit in the attic. It wasn’t long until he began learning to play a variety of instruments in a short period.

He was also a fan of classical music but eventually started listening to classic rock bands such as Led Zeppelin and the Doors. However, it wasn’t until high school that he discovered his deep love for the blues, a genre of music that would shape his future music career

A Fork In The Road

 As a teenager, Jack White was accepted to a seminary school in Wisconsin and his intention was to go. At the last second, he decided to go to Cass Technical High School, one of the reasons being that he didn’t think seminary school would allow him to bring his new guitar amplifier.

When he was 15, he began working as an apprentice in an upholstery shop under a family friend, Brian Muldoon. At the upholstery shop, White was exposed to punk music, and the two even formed a small band The Upholsters. With White on the guitar and Muldoon on the drums, the two released their first album, Makers of High Grade Suites.

A Girl and a Job  

During his senior year in high school, Jack White met a girl named Meg at the Memphis Smoke Show where she worked. The two became fast friends and developed a relationship together going to coffee shops, record stores, and concerts. It was around the same time that White finished his apprenticeship and opened up his own store called Third Man Upholstery.

However, the business eventually failed as White never strived to make money and was known for writing out bills in crayon or writing poetry on the interior of customer’s furniture. Little did Jack and Meg know that their relationship would spawn a band that is credited with reviving a lost genre.

His Music Career Begins

When Jack White was 19 years old, he began playing music professionally as the drummer for the band Goober & the Peas. After the band broke up, White worked as an upholsterer during the day and played in various Detroit bands by night. In 1997, he married Meg when the two were both 21 years old. Although uncommon, he took Meg’s last name as his own and became known as Jack White.

The two lived in White’s parent’s house where they began to play music together with Jack on the guitar and Meg on the drums. Although Meg had no musical background, they decided to start a couples band which they named the White Stripes. Their first performance was in a Detroit nightclub in 1997.

The Jack and Meg Mystery

After gaining popularity in the Detroit music scene, Jack and Meg White divorced in 2000. However, this didn’t affect the White Stripes, but instead, made their music stronger. Their situation was unknown to the public and they started telling people that they were brother and sister, a rumor that still circulates today.

After the truth came out, White explained that they lied so that people would focus on their music rather than their relationship. The two continued to play as the White Stripes and months after their divorce released De Stijl which was acclaimed by critics and later grew into a cult classic.

The White Stripes Soar In Popularity

soarinsuccess.jpg In the following years, the White Stripes began to soar in popularity. They released White Blood Cells (2001and Elephant (2003) with the track “Seven Nation Army” as the single. That year, the duo would win a Grammy for Best Alternative Album for Elephant and Best Rock Song for “Seven Nation Army.” The band began to transition from their simplistic and loud sound to more complex and refined records.

Their albums Get Behind Me Satan (2005) won a Grammy for Best Alternative Album, and they won a third and consecutive time for Icky Thump (2007). Although fans didn’t know it at the time, Icky Thump would be their last album, and the band officially called in quits in 2011. Their reasoning behind their dissolution was in order “to preserve what is beautiful and special about the band and have it stay that way.”

Jack White wasn’t going to slow down after the success of the White Stripes.

Jack White Starts The Raconteurs

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Photo Credit: Flanigan/FilmMagic

While the White Stripes were one of the most popular bands of the early 2000s and are credited with reviving the garage rock music scene, Jack White wasn’t ready to call it quits. White and his friend Brendan Benson were having a friendly jam session and the two wrote the hit song “Steady As She Goes” in one night. They decided to team up and start the group The Raconteurs.

They later added Jack Lawrence and Patrick Keeler to the ensemble and released the album Broken Boy Soldier in 2006. The album reached the top 10 on the charts in both the United States and the UK. The band released Consolers of the Lonely in 2008 and began touring extensively.

The Dead Weather Was A Power-Group

 While still playing The Raconteurs, Jack White and fellow Raconteurs member Jack Lawrence were already working on another project called The Dead Weather. The powerhouse lineup included Allison Mosshart of The Kills and Dean Ferita of Queens of the Stone Age. For this band, White put aside the guitar and picked up the drumsticks once again.

Although the band was conceived during a mess-around jam session, they ended up releasing Horehound (2009) and Sea of Coward (2010), both of which debuted at top ten in the U.S. Billboard album chart. In 2011, the members went back to their original bands but promised they weren’t done. In 2015, the band came back together to release Dodge and Burn.

Have you ever thought you saw Jack White in a movie? You might have.

White Started Third Man Records in 2001 but It Didn’t Take off Until 2009


Back in 2001, Jack White started his own record Label called Third Man Records. However, it wasn’t until 2009 when he moved to Nashville that he actually purchased a space to turn his dream into a reality. When asked why it took so long to get running, he responded by saying:

“For the longest time, I did not want to have my own studio gear, mostly because with the White Stripes I wanted to have the constriction of going into a studio and having a set time of 10 days or two weeks to finish an album, and using whatever gear they happen to have there. After 10 to 15 years of recording like that, I felt that it was finally time for me to have my own place to produce music.”

When He’s Not Producing His Own Music, He Does It for Others

 

 Although Jack White has produced all of his own music, and that of his other music projects, he has also produced for some big-name artists. Usually under Third Man Records, White has worked with various artists to help them in their musical endeavors.

In 2004, White worked with Loretta Lynn on her album Van Lear Rose which went on to become a massive commercial success. He also produced Neil Young’s 33rd studio album A Letter Home, which used Third Man Record’s refurbished 1947 Voice-o-Graph. As if that wasn’t enough, he also helped produce Beyonce’s 2016 album Lemonade.

Jack White’s Music Career Landed Him In Numerous Films

 

Throughout his music career, Jack White was a minor actor in numerous films. As an altar boy, he had an uncredited role in the 1987 movie The Rosary Murders. He also appeared in the 2003 film Cold Moutain as the character Georgia where he performed five of the soundtrack songs. Jack and Meg also had a segment in the film Coffee and Cigarettes, and White played Elvis Presley in the comedy Walk Hard.

He was also featured in the documentary The American Epic Sessions, where he was an executive producer of the film. In 2009, he along with Jimmy Page from Led Zeppelin and The Edge from U2 were the stars of a guitar documentary titled It Might Get Loud.

See the other musicians that Jack White has collaborated with.

His First Solo Record Was Blunderbuss

 

On January 20, 2012, released the song “Love Interruption” as the first single to his first self-produced solo album Blunderbuss. The full album was released on April 24, 2012, which debuted at number one on the Billboard 200 chart.

To promote the album and let everyone know that Jack White was back, he appeared on Saturday Night Live, as well as performed in the festival circuit that summer. That year at the Grammys, Blunderbuss was nominated for Album of the Year, Best Rock Album, and Best Rock Song for “Freedom at 21”.

Three Bands Is Better Than One

While touring for the album, Jack White employed two other live bands that he would alternate between at random. The first was an all-female group called The Peacocks which had a total of seven members with an alternating bassist. The second was The Buzzards, an all-male group with five members.

Together, the three groups put on quite a show and made White one of the most creative and bold performers around. Unsurprisingly, White learned that maintaining the two bands was very expensive and was forced to stop the routine once he had finished touring.

Lazaretto Achieved The Same Success

 

On April 1, 2014, Jack White announced that he was going to release another solo album titled Lazaretto. The album was based on other songs and poetry that White had written during his teenage years. The song’s single “High Ball Stepper” was released along with the full album on June 10, 2014. The record was well-received by the public and critics and was also nominated for Best Alternative Music Album, Best Rock Song, and Best Rock Performance at the Grammys.

On his tour for the album, he played the longest show of his career at the Detroit Masonic Temple, headlined both weekends of Coachella, and played a few acoustic shows before taking a break from performing.

Because of Jack White’s extraordinary musical talent and colorful past, he is a prime candidate for others to collaborate with. One of his most impressive and best-known collaborations was with Alicia Keys with the James Bond: Quantum of Solace theme song “Another Way to Die.” The Rolling Stones even chose White to join them to perform “Lovin Cup” for the Martin Scorcese documentary Shine A Light.

Although uncredited, rumors were going around for years that White was involved with Electric Six’s “Danger! High Voltage,” which turned out to be true. Wanda Jackson, who used to date Elvis Presley, also asked to team up with White for a cover of Bob Dylan’s track “Thunder on the Mountain.” These are just a few of artists that have reached out to share a song with him.

On June 4, 2015, a ceremony was held in which Jack White was inducted into the Nashville Hall of Fame. He was joined by his friend and collaborator Loretta Lynn, and the two were the first musicians to be inducted after the renovations of the monument.

Although White is originally from Detroit, after he moved to Nashville to establish Third Man Records, he has become the face of the Nashville music scene. Much like the Hollywood Walk of Fame, inductees are given sidewalk medallions and join the ranks of other inductees such as Jimi Hendrix, Emmylou Harris, and more.

 

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Photo Credit: Rich Polk/WireImage

On December 12, 2017, Jack White released a 4-minute video to the public. It was titled “Servings and Portions From My Boarding House” and featured small sound bites that were masked simultaneously with white noise. Then, in January 2018, he released the tracks “Connected By Love” and “Respect Command.”

These were the new singles to his newest solo album Boarding House Reach which was released on March 23, 2018. Like his other two albums, it reached number one on the Billboard 200 chart. For promotion, he went on The Tonight Show With Jimmy Fallon and Saturday Night Live.

Jack White was given the key to Cincinnati by Mayor John Cranley in June of 2018. The key was presented to him outside of the King Record building, which was where artists such as James Brown, Bootsy Collins, Otis Williams, and more recorded before the label died in the 1970s.

Jack White played a crucial role in saving the building which the city of Cincinnati later acquired in order to prevent demolition. The city felt it was only necessary to present White with a key to the city for his devotion to the project of keeping the building standing.

 

Aside from promoting his latest album Boarding House Reach, Jack White lives a quiet, private life in Nashville where he co-parents his two children with ex-wife Karen Elson. White and Elson met while filming the music for Blue Orchid. The two were married in 2005, and in 2006 had their first child, a daughter named ScarleTheresasa. Then, not long after, in 2007, they had a son named Henry Lee. The family lived in Brentwood, a suburb of Nashville until the two announced their divorce in 2011.

However, Karen’s lawyer villanized White making him seem aggressive when that wasn’t the case. In 2013, the two were divorced, and Karen recanted the adverse claims about White. The two are currently on good terms with one another.

New York City’s underground music scene makes a triumphant return to the subway

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by Kevin James for StreamlineMusicBlog

Its baaaaack!!! New York City’s bustling “underground” music scene has returned to subway stations across the city.

The Metropolitan Transportation Authority’s (MTA) Music Under New York (MUNY) program schedules music performances across the vast transit network and provides exposure to over 350 artists and groups who participate.

Official live musical performances resumed Friday in the Big Apple’s subway system.

The return of the live underground performances come after more than a year long hiatus compelled by the coronavirus crisis in April 2020.

A multitude of musicians and artists took to the subway to play an eclectic, multi-genre blend of music in a variety of styles.

As a New Yorker, I am personally excited about this news I have seen an enormous amount of talent performing under the MUNY program over the years.

From MTA’s May press release:

The Metropolitan Transportation Authority (MTA) today announced that its popular Music Under New York program will return to the subway system on June 4, more than 14 months since it suspended public performances due to the COVID-19 pandemic, and immediately on the heels of the return of 24/7 subway service and the broader reopening of New York City.

Authority officials, including MTA Arts & Design Director Sandra Bloodworth, joined longtime Music Under New York groups to formally celebrate the news with a brief concert at the 72 St station featuring The Opera Collective and Diverse Concert Artists.

“This is such a profoundly exciting and special moment for MTA Arts & Design and Music Under New York, one of Arts & Design’s flagship programs,” said MTA Arts & Design Director Sandra Bloodworth. “The last year has been difficult for these artists just as they have been difficult for the entire city. To see Music Under New York return is the product of hard work from so many and I am thrilled that our customers will once again get to experience the power and joy that this program has long been known for. No one has to tell a New Yorker why the arts are so important, but the absence of live performance over the last year has only served to reinforce their cultural significance. After 14 months of missing them, today is a special day.”

In a press release issued by the MTA, New York City Transit Executive VP for Subways, Demetrius Crichlow, stated “Almost every subway rider can speak to a time when the beauty, power, and joy of a particular MUNY act has stopped them in their tracks,”

“[Music] serves as an immense source of joy and inspiration to the millions of people who ride our system each day. I’m thrilled it’s back.”

Arctic Monkey’s ‘Do I Wanna Know?’ surpasses one trillion plays on Spotify and YouTube

arctic-monkeys-do-i-wanna-knowThe super menacing Arctic Monkey’s single, “Do I Wanna Know?,” originally released in 2013, has surpassed a mind-boggling one TRILLION streams worldwide on Spotify, and earlier this year, on YouTube via the band’s official channel.

Dropped with the release of AM, which was only the band’s third album since 2007’s epic Favourite Worst Nightmare (the follow-up to the equally-epic breakthrough 2006 album, Whatever People Say I Am, That’s What I’m Not), “Do I Wanna Know?” is a fantastic track.

That said, it begs the question of why isn’t one of the band’s earlier gigantic singles, like “When The Sun Goes Down,” “505” or “Fluorescent Adolescent,” and which have been around for a lot longer, the track that surpasses the one TRILLION mark?

(Do we wanna know? )

The official video on YouTube surpassed the one TRILLION mark a couple of months ago and it keeps on adding more views every day.

Rock Legends: Freddie Mercury

Queen, and its frontman Freddie Mercury, changes the face of rock music. The group produced hit after hit while Mercury pushed the boundaries of music. The legendary rockstar proved that having a unique style, putting on flamboyant performances, and even including opera in a radio song could work.

Mercury is one of the most engaging and admired performers of all time who sadly left us too soon. Learn all about his rise to fame and how he handled the pressures of stardom, even when he was diagnosed with HIV. The life of Freddie Mercury is even more incredible, shocking, and tragic than you would expect for such an incredible musician.

He Was Born In A Small Town In Zanzibar

Freddie Mercury was born on September 5, 1946, in Stone Town, Zanzibar (which is now part of Tanzania). At the time, it was a British protectorate. Mercury’s parents were Parsis from British India. He was born with another name too: Farrokh Bulsara.

Photo Credits: Richard E. Aaron/Redferns

Mercury always had an ear for music and began playing piano at age 7. When Mercury was 8 years old, he attended St. Peter’s School, a British-style boarding school for boys in Panchgani, India. It was there that he continued his piano lessons and developed a passion for music.

Mercury Started His First Band When He Was 12

Photo Credits: Richard E. Aaron/Redferns

Mercury was only 12 years old when he took his musical talent to the world and started a band. He started the band called The Hectics with some fellow schoolmates. They mainly covered rock and roll artists like Cliff Richard and Little Richard.

Former bandmate Farang Irani said that they were very influenced by Western music. Another friend of Mercury’s said that the musician had “an uncanny ability to listen to the radio and replay what he heard on the piano.” It was during this period that he shed his birth name and began to go by “Freddie.”

From Zanzibar To England

Photo Credits: Ian Dickson/Redferns

At the young age of 17, Mercury and his family left their home in Zanzibar for Middlesex, England. The Zanzibar Revolution was in full swing which made the region dangerous for Arabs and Indians. In England, Mercury attended Isleworth Polytechnic then went on to earn and a diploma in Art and Graphic Design at Ealing Art College.

After graduation, Mercury spent most of his time doing odd jobs. He sold second-hand clothes in Kensignton Market and worked at Heathrow Airport.

The Making Of Queen

Photo Credits: Richard E. Aaron/Redferns

After years of working of jobs in 1970, Mercury teamed up with guitarist Brian May and drummer Roger Taylor. May and Taylor were already in a band called Smile and needed a new lead singer. Two years later, they added bassist John Deacon and Queen was formed. They didn’t have a band name though but Mercury dealt with that. Against the band’s wishes, Mercury announced the name “Queen” to the Trident Studios management.

Mercury claimed that “It’s very regal obviously, and it sounds splendid. It’s a strong name, very universal and immediate. I was certainly aware of the gay connotations, but that was just one facet of it.”

Building A Successful Career

Photo Credits: Anwar Hussein/Getty Images

Mercury used his design background to create the band’s logo then, in 1973, they released their debut album. Unfortunately, it didn’t get much attention. It wasn’t until their third album Sheer Heart Attack in 1974, with the hit song “Killer Queen” that they gained a following.

“Killer Queen” reached No. 2 on the U.K. charts and No. 12 in the United States. Queen capitalized on the success and their next album, A Night At The Opera, was released in 1975. The album featured “Bohemian Rhapsody”, which was at No. 1 for nine weeks and has gone down in music history.

Blowing Up In Popularity

Photo Credits: Ian Dickson/Redferns

After the success of “Bohemian Rhapsody” Queen continued to produce hit after hit. Their song “We Are The Champions” off News of the World in 1978 became an immediate Top 10 hit and the crowd-pleased “We Will Rock You” is still a sporting anthem.

During this time Queen also began experimenting with their sound. The track “Another One Bites The Dust” was disco-inspired while “Crazy Little Thing Called Love” was 100% rockabilly.

Mercury Had A Signature Style

Photo Credits: Steve Jennings/WireImage

Mercury was unique because while his speaking voice was well into the low baritone range. he sang primarily in the tenor range. Still, his vocal range could go from bass to high soprano. Singer Montserrat Caballe said that “the difference between Freddie and almost all the other rock stars was that he was selling the voice.”

Other artists praised Mercury’s talent and The Who singer Roger Daltry claimed the Queen frontman was “the best virtuoso rock ‘n’ roll singer of all time. He could sing anything in any style. He could change his style from line to line and, God, that’s an art. And he was brilliant at it.”

Mercury Wasn’t Just A Singer, He Was Also An Expert Songwriter

Photo Credits: Waring Abbott/Getty Images

Freddie Mercury wrote a whopping 10 of the 17 songs that appeared on Queen’s Greatest Hits album. Some of his most memorable are, “Bohemian Rhapsody,” Killer Queen,” “Seven Seas of Rhye,” “Bicycle Race,” and “Don’t Stop Me Now.” He didn’t just write his own songs though. He also wrote with other artists like David Bowie and their song “Under Pressure.”

In 2003, years after his death, Mercury was inducted into the Songwriters Hall of Fame. Then, in 2005, he was posthumously awarded the Ivor Novello Award for Outstanding Song Collection.

Mercury Could Work In Any Genre

Photo Credits: Phil Dent/Redferns

Mercury had an uncanny ability to move between genres with ease. You could classify him in rockabilly, disco, progressive rock, heavy metal, gospel, and more. With so many genres he always wrote incredibly complex songs.

Mercury’s songs often feature complicated time changes with dozens of chords perfectly joining together at the same time. Even though Mercury was a mastermind he could barely read music and did most of his work by ear.

He Was An Expert With The Crowd

Photo Credits: FG/Bauer-Griffin/Getty Images

He was a singer, songwriter, and above all a showman. Fellow performer David Bowie once described Mercury as, “Of all the more theatrical rock performers, Freddie took it further than the rest… he took it over the edge. And of course, I always admired a man who wears tights. I only saw him in concert once, and as they say, he was definitely a man who could hold an audience in the palm of his hand.”

While every concert Mercury did was phenomenal, he pushed it over the top in 1985 with Queen’s unforgettable Live Aid charity concert set. Their performance at the show is consistently ranked in the top live performances in rock and roll history.

Rock Around The World

Photo Credits: FG/Bauer-Griffin/Getty Images

Over the course of their career with Freddie as their frontman, Queen is estimated to have played over 700 concerts. Of course, in true Queen fashion, those were rarely typical concerts. Queen concerts were often huge, theatrical stadium shows.

They also pushed the limits of where they played. Queen was the first band to ever play in South American stadiums, and in 1986, they played for a crowd of 80,000 behind the Iron Curtain. Mercury’s final performance was in Knebworth Park, England for a crowd of 160,000.

The Truth Behind “Bohemian Rhapsody”

Waring Abbott / Contributor

“Bohemian Rhapsody” is nearly-six-minutes long but is still, to this day, one of the most popular songs. You can visit any karaoke joint and an entire crowd will be singing along to the tune.

The song became so popular largely because of how unique it is. The strange sounds and lyrics left people wondering what the true meaning behind it was. According to Freddie Mercury, not much! When he was asked what the song means, he replied, “It bears no real meaning, it’s all rhyming nonsense.”

A Musician As Well

Photo Credits: Phil Dent/Redferns

Today, we best remember Mercury for his vocals but it’s important to know how committed he was to playing instruments. While he began his musical career playing piano, he also played guitar and wrote a lot of the guitar music for Queen’s songs.

Despite his talents, Mercury was always self-conscious about playing instruments, particularly in front of a live audience. He didn’t want to be restricted from singing or engaging with the audience. If Mercury did play guitar on stage, he would simply play rythym guitar.

Mercury’s Solo Career Wasn’t A Failure

Photo Credits: Suzie Gibbons/Redferns

Many people look back at Freddie’s solo career as a bump in his legacy with Queen, but it wasn’t as bad as many think. While it wasn’t as successful as his work with Queen, Mercury still landed numerous singles on the UK Top 10 charts. His first album, Mr. Bad Guy was released in 1985 and praised for being a completely different sound.

His second album Barcelona had elements of popular music and opera. Even though some people called it “the most bizarre CD of the year,” it still did well. During his solo period, Mercury also worked with artists such as Michael Jackson, Billy Squire, and Mick Jagger.

Kenny Everett And Freddie Had A Special Bond

Photo Credits: Dave Hogan/Getty Images

A friendship began between Mercury and Radio DJ Kenny Everett after he invited the Queen frontman onto his breakfast show in 1974. They shared a lot in common and became fast friends, bonding over their love for entertaining. Everett is also one of the reasons for “Bohemian Rhapsody’s” success, playing it anyway after the station said that it was too long to play on air.

Throughout the 1970s, two became closer and became each other’s mentors, with Mercury helping Everette accept his homosexuality. Although they were never lovers, they experimented with homosexuality and drugs, going out in London together frequently.

His Sexual Orientation Was Frequently Questioned

Photo Credits: Peter Still/Redferns

Ever since he stepped into the limelight, people questioned his sexuality. Some claim that Mercury hid his sexual orientation from the public, while others argue that he was “openly gay.” Mercury was questioned about it during an interview with New Musical Press, where he responded by saying “You’re a crafty cow. Let’s put it this way: there were times when I was young and green. It’s a thing schoolboys go through. I’ve had my share of schoolboy pranks. I’m not going to elaborate further.”

John Marshall of Gay Times stated that “[Mercury] was a ‘scene-queen,’ not afraid to publicly express his gayness, but unwilling to analyze or justify his ‘lifestyle’…” Towards the end of his life, he had a long-term partner named Jim Hutton, although they kept their relationship private.

Freddie Had A Different Personality Off Stage

Photo Credits: Jorgen Angel/Redferns

Freddie Mercury was known for taking command of the stage but when he wasn’t performing, he was said to be quite a shy individual. Mercury was said to be reserved around people he wasn’t comfortable with and rarely gave interviews because they made him feel out of place.

Reflecting on that, Freddie once said that “When I’m performing I’m an extrovert, yet inside I’m a completely different man.” Even Kurt Cobain’s suicide note discussed Cobain’s resentment of Mercury’s ability to make the audience love him and for him to love them back.

The Love Of Freddie’s Life Was A Woman

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Dave Hogan / Contributor

While Mercury played up to the rumors about his sexuality, supporters often squashed claims because he was in a long-term relationship with a woman. In the early 1970s, Mercury began dating a woman named Mary Austin. The two had met in their early 20s and were close friends.

The pair didn’t last as a couple though, and Austin admits she always felt Freddie was looking elsewhere. They remained close though and Freddie even wrote the song “Love of my Life” about Mary. When the Queen frontman died, he left most of his money, as well as his house and recording royalties, to Mary.

Freddie Mercury And The Bottomless Mic

Peter Still / Contributor

One of Freddie Mercury’s many trademarks was the “bottomless mic” that he often performed with. While his mic preference became something he was known for, it wasn’t exactly an intended quirk. During a show early on in Mercury’s career, his mic stand snapped in half midway through a show.

Rather than going through the trouble of having it replaced, he kept the mic with the broken stand and used it as is. The rock star liked it, and apparently, the fans did too, as it essentially became part of his image.

He Wrote A Song For His Cats

Ian Dickson / Contributor

Freddie Mercury was known for his iconic tunes and prowess on stage, but in his regular life, Mercury was a normal person, just like us…sort of. One surprising fact about Mercury is that he was borderline obsessed with cats. In fact, he had as many as 10 feline friends at one point. He loved his cats so much that he even wrote a song about them. Listen closely to the lyrics in “Mr. Bad Guy” and you’ll get the feline vibes. Here’s a snippet:

Delilah, Delilah, oh my, oh my, oh my – you’re irresistible. You make me smile when I’m just about to cry. You bring me hope, you make me laugh – you like it. You get away with murder, so innocent. But when you throw a moody you’re all claws and you bite –That’s alright!

He Had An Incredible Singing Range

Gus Stewart / Contributor

You do not need us to tell you that Freddie Mercury had an incredible singing range. Mercury had a recorded range of three octaves and at times he reached four octaves. To put this in perspective, Mariah Carey has been recorded at five, but considering she’s a female soprano, this isn’t surprising.

It’s even more interesting when you remember that he spoke as a baritone. If you didn’t know his skills, you would hardly believe he had the pipes to sing high hits like “Under Pressure.”

There Were Rumors Of An Illness

Photo Credits: John Rodgers/Redferns

Rumor of Mercury October 1986, the British Press reported that Mercury had been tested for HIV/AIDS at a Harley Street Clinic. When Mercury was asked about the rumor, he denied that he had the disease. As rumors continued to spread, he then claimed to have tested negative for HIV. However, according to his partner Jim Hutton, Mercury had been diagnosed with AIDS in 1987. The rumors continued to spread as Mercury began to look weak and gaunt and took a break from touring.

Finally, it seemed clear that he was ill after his appearance on stage with Queen at the 1990 Brit Awards when the band received the award for Outstanding Contribution to Music. Yet, Mercury and those close to him continued to deny the rumors that he was sick as he was stalked by paparazzi who were in search for the answer.

Freddie Didn’t Let His Illness Stop Him

Photo Credits: Koh Hasebe/Shinko Music/Getty Images

Several months after discovering that he had contracted HIV. Mercury decided to throw himself a party at the Pikes Hotel in Ibiza. He had spent a lot of time at the hotel after learning about his illness and grew close to the owner, Anthony Pike.

Mercury’s birthday party was described as “the most incredible example of excess the Meditteranean had ever seen.” There were over 700 people in attendance and over 32 glasses were broken. The entire check was also handed off to Queen’s manager. Freddie wasn’t going to let his diagnoses stop him from enjoying life.

Freddie Mercury Was Influenced By The Greats

Michael Ochs Archives / Stringer

Your favorite musicians inspire you, but have you ever wondered who inspires your favorite musicians? For Freddie Mercury, when he needed some inspiration, he turned on some of the greats — mainly the likes of Aretha Franklin and Jimi Hendrix.

Aretha Franklin was one of the Queen frontman’s biggest role models. He was moved by her success as a soul singer and was influenced by the female powerhouse to write songs of a religious nature. One of Mercury’s biggest hits, “Somebody to Love” was directly inspired by Franklin.

Mercury’s Untimely Death

Steve Jennings/WireImage

After finishing his work with Queen in 1991, he retired at his home in Kensington, West London. Here, his health began to deteriorate rapidly as he began to lose his sight and could no longer get out of bed. He then released a statement to the public stating “Following the enormous conjecture in the press over the last two weeks, I wish to confirm that I have been tested HIV positive and have AIDS.”

The statement continued, “I felt it correct to keep this information private to date to protect the privacy of those around me.” On November 24, 1991, just 24 hours after releasing his statement, Freddie Mercury died at the age of 45. He was at home and had succumbed to bronchial pneumonia, resulting from AIDS.

Only 35 People Were Invite To His Funeral

Ken Lennox/Mirrorpix/Getty Images

Freddie Mercury’s funeral service was at West London Crematorium and was conducted by a Zoroastrian priest, as he was born Zoroastrian. Only his family and 35 of his closest friends were invited, including some huge stars like Elton John.

His coffin was carried in a procession while the song “Take My Hand, Precious Lord”/”You’ve Got A Friend” by Aretha Franklin. Mercury’s “love of his life” Mary Austin followed his wishes and placed his ashes in an unknown location. To this day, she hasn’t revealed where she buried them.

Mercury’s Popularity Still Soared After His Death

Hulton-Deutsch Collection/CORBIS/Corbis via Getty Images

After his death, Queen’s album sales saw a great increase, as they had been struggling by the end of the 1980s. In 1992, an American critic wrote that “What cynics call the ‘dead star’ factor had come into play—Queen is in the middle of a major resurgence.”

Then, the 1992 movie Wayne’s World featured the song “Bohemian Rhapsody” which exposed younger viewers to Queen’s music that may not have heard it before. By 2004, Queen had sold 34.5 million records in the United States, with nearly half of them being post-Freddie.

He Has Left An Incredible Legacy

Michael Ochs Archives/Getty Images

Freddie Mercury was the first internationally famous rock star to pass away from AIDS. It helped to raise awareness about the disease and Queen came together to establish The Mercury Phoenix Trust which has raised millions for AIDS research. Furthermore, they organized The Freddie Mercury Tribute Concert For AIDS in 1992 to celebrate his life and raise money for the disease.

Since his death, he is ranked as one of the 100 Greatest Britons of All Time, one of Japan’s 100 Most Influential Heros, and is included in the 100 Most Influential Gay Men and Lesbians. In 2011, he was voted second in Rolling Stone’s Best Lead Singers of All Time. He’s still remembered and adored by fans and admirers to this day.

A Tribute Concert To Him Brought In 72,000 People

Richard E. Aaron/Redferns

Years after his death, numbers stars gathered to put on The Freddy Mercury Tribute Concert was held at London’s Wembley Stadium for an audience of 72,000. Guests ranged from Robert Plant, Roger Daltry, Extreme, Elton John, Metallica, David Bowie, Annie Lennox, Tommy Lommi, Guns N’ Roses, and Elizabeth Taylor performed.

Elizabeth Taylor gave a speech saying that Mercury was an extraordinary rock star who rushed across our cultural landscape like a comet shooting across the sky.” 76,000 people attended the concert but it was broadcasted to more than 1 billion people.

Elton John Started A Charity In Mercury’s Name

JON LEVY / Staff

Freddie Mercury and John Elton were close friends and confidants, so when the Queen frontman passed away, John wanted to pay tribute to his friend in a meaningful way. John created the Elton John AIDS Foundation.

The foundation works to provide those suffering from HIV or AIDS with the means to protect themselves. The group also provides access to medicine and other aid. They are following Freddie’s belief that everyone is entitled to dignity, respect, and compassion.

Queen Is A Top Record Holder

Photo Credits: John Rodgers/Redferns

Today, the estimation for the amount of Queen records sold worldwide is around 300 million. In the United Kingdom, Queen has spent more weeks on the UK Album Charts than any other band including the Beatles. In addition, Queen’s Greatest Hits album is the United Kingdom’s top-selling album of all time.

In polls by Sony Ericsson and Guinness Book of World Records, “We Are The Champions” and “Bohemian Rhapsody” have been voted as two of the greatest songs of all time. Both songs are also in the Hall of Fame. Don’t stop these guys now.

Freddie Mercury Designed The Queen Logo

John Rodgers/Redferns

Although not known to everyone, Freddie Mercury used the skills he learned in art school to create the iconic queen logo. The logo combines all four zodiac signs of the band members, two lions for Leo, a crab for Cancer, and two fairies for Virgo. The lions embrace the stylized “Q” for Queen with flames, and the fairies taking shelter beneath the lions.

There is a crown inside of the “Q” and the entire logo sits below a phoenix. The entire symbol shares a great resemblance to the Royal coat of arms of the United Kingdom, especially with the lions.

Switzerland Honored Freddie In A Special Way

FABRICE COFFRINI/AFP/Getty Images

In 1996, a statue of Freddie Mercury was unveiled in Montreux, Switzerland. This statue was made by sculptor Irena Sedlecka and stands 10 feet high while overlooking Lake Geneva. Mercury’s father as well as Queen bandmates Brian May and Roger Taylor were on hand to reveal the statue.

Since 2003, fans have come to visit the statue from around the world to pay tribute to Mercury a part of the “Freddy Mercury MontreuxMemoriall Day” on the first weekend of September. It is an annual event where fans and musical artists can pay homage to Freddie.

Scientists Have Even Named Animals After Him

Michael Putland/Getty Images

To further show tribute to Freddie Mercury’s impact on the world, species have even been named after him. The frog genus Mercurana was discovered in 2013 in Kerala, India and was named in his name because his “vibrant music inspires the authors”. In addition, where the frog was found was near where Mercury had grown up during his childhood. Furthermore, a new species of the genus Heteragrion from Brazil was named “Heteragrion freddiemercuryi” in his honor.

The person that named it that stated: “I name this species after Freddie Mercury, artistic name of Farrokh Bulsara (1946–1991), superb and gifted musician and songwriter whose wonderful voice and talent still entertain millions of people around the world.”

A Posthumous Album

Dave Hogan/Getty Images

Four years after Freddie Mercury passed away from AIDS-related complications, the final remaining members of Queen compiled Mercury’s final recordings into an album. The album was called “Made In Heaven” and was released in order to honor Mercury and show that he was still making music in the final days of his life.

Unfortunately, the results of the album weren’t that successful as Freddie’s illness had taken quite a toll on him during that time. The album seemed a little thrown together because it was, but nobody complained about hearing Mercury’s voice once again.

The Final Song Ever Recorded

Koh Hasebe/Shinko Music/Getty Images

On the album Made In Heaven, songs such as “Too Much Love Will Kill You,” and “Heaven For Everyone.” The song “Mother Love” was also included. “Mother Love” was the last recording that Freddie Mercury would ever produce before his death. Although he used a drum machine, his band members later added the instrumental. After completing the song.

Mercury told the band that he “wasn’t feeling that great” and stated, “I will finish it when I come back next time”. Sadly, he never made it back into the studio, so May took it upon himself and recorded the final verse of the song

Even Google Knows To Show Respect

Mark and Colleen Hayward/Getty Images

In 2011, for what would have been Mercury’s 65th birthday, Google dedicated their Google Doodle to him. The doodle included an animation of him to his iconic song “Don’t Stop Me Now”.

Guns N’ Roses even paid tribute to him in the 2012 Rock and Roll Hall of Fame acceptance speech reciting the lyrics “I’ve taken my bows, my curtain calls, you’ve brought me fame and fortune and everything that goes with it, and I thank you all” from his hit track “We Are The Champions.”

Asteroids, Plaques, And Other Tributes

Rob Verhorst/Redferns

On September 1, 2016, an English Heritage blue plaque was unveiled at mercury’s home at 22 Gladstone Ave in Feltham, West London. It was unveiled by his sister Kashmira Cooke as well as Brian May. The UK Secretary of Culture was in attendance who stated that he was “one of Britain’s most influential musicians”, and added he “is a global icon whose music touched the lives of millions of people around the world”.

In addition, on what would have been his 70th birthday, the “17437 Freddiemercury” asteroid was named after him to honor him and his lyrics “I’m a shooting star leaping through the sky.”

Making Freddie Mercury To Broadway

Richard Creamer/Michael Ochs Archives/Getty Images)

On November 24, 1997, a melodrama play took the stage that followed Freddie Mercury’s life. The performance was titled Mercury: The Afterlife and Times of a Rock God and opened in New York City. The play portrayed Mercury in the afterlife, examining his own life seeking redemption and searching for his true self.

The play was written by Charles Messina and Mercury was played by actor Khalid Goncalves. For one of the shows, Billy Squire opened with an acoustic performance of a song that he had written about Mercury.

Freddie On The Big Screen

Hulton Archive/Getty Images

Bohemian Rhapsody is a 2019 biographical film about Freddie Mercury that starts with his childhood and leads up to Queen’s Live Aid performance in 1985. The film is going to be a collaboration between Britain and the United States. It is produced by 20th Century Fox, New Regency, GK Films, and Queen Films. Written by Anthony McCarten and directed by Bryan Singer, Freddie Mercury is portrayed by actor Rami Malek along with other notable actors.

Queen founding members Brian May and Roger Taylor are also serving as producers.

Coachella Releases Dates for 2022 after ’21 Cancellation News

coachella-music-festivalby Jem Aswad//Variety

The Coachella festival has officially moved to April 15-17 and April 22-24, 2022, according to an announcement from promoter Goldenvoice. The country-themed Stagecoach festival will follow the two Coachella weekends, on April 29-May 1.

“Our desert homecoming is officially set for April 2022: weekend one will take place on April 15-17, 2022 and weekend two on April 22-24, 2022,” the announcement reads.. “Our advance sale begins this Friday, June 4th at 10am PT. More time to plan and more time to pay for your passes over time with our flexible payment plan options. Information about flexible payment plans and more at coachella.com.”

Moving onto the Stagecoach festival, “Stagecoach is back in the saddle! Save the date for April 29-May 1st, 2022 for our next get-together. Be the first to find out about the advance sale right around the corner at stagecoachfestival.com.”

As usual, headliners were not announced; they are customarily revealed early in the new year.

YouTube has also returned as Coachella’s livestream partner.

“We’re back and thrilled to be partnering with Goldenvoice for the 10th year to live stream the iconic Coachella Valley Music and Arts Festival on YouTube,” YouTube said in a statement. “As the world’s biggest virtual stage, we are more excited than ever to celebrate live music and to bring two weekends of extraordinary performances to music fans around the world.”

2020’s scheduled headliners were Rage Against the Machine, Travis Scott and Frank Ocean, along with Lana Del Rey, Calvin Harris, Run the Jewels, Lil Uzi Vert, Rex Orange County, Megan Thee Stallion, BIGBANG, Flume, Thom Yorke, Disclosure, 21 Savage, Danny Elfman, DaBaby, Summer Walker, Daniel Caesar, FKA Twigs, Marina, Louis the Child, Ari Lennox and many more. The lineup for that edition of the festival, while never took place, was roundly criticized for its low number of female artists.

The new dates mark the fourth time the Coachella, which takes place over two weekends at the Empire Polo Ground in Indio, Calif., have been rescheduled due to the pandemic: first from April to October 2020, then to April 2021, and then October, although the October dates were not officially confirmed by promoters. Coachella regularly sells out its 125,000 per day tickets immediately.

 

Nashville ambient/experimental musician Rich Ruth drops ‘Goldenrods’

If you have not come across the special music of Nashville musician Rich Ruth yet, here’s your chance.

Following his 2019 debut release, Calming Signals, Ruth caught the attention of Jack White‘s Third Man Records label. They liked his “spiritual jazz, new age, and experimental ideas on a constant quest for the cosmos” so much that they featured him as a guest artist on their public access live streaming show.

Ruth has a new, and spectacular, single to share: “Goldenrods.”

Based on “Goldenrods”, the first single from Ruth’s E.P., we can imagine the entire six songs of the new E.P. reflecting some of the previous energy and engaging nature of his 2019 release as well as however Ruth dealt with the pandemic.

Interestingly, he did drop the following note on his Bandcamp page: “Where There’s Life is a collection of meditative pieces written in the early months of the pandemic. These songs helped me cope with the collective sense of uncertainty and solitude of the time.” Word.

Take a few minutes to listen to “Goldenrods” and see where it takes you, especially if you enjoy talented and different coupled with incredibly sophisticated ambient compositions brimming with experimental elements like tweaked vocal expressions, unorthodox rhythms and beats, and other-worldly sound effects.

Credits:

Michael Rich Ruth – Synthesizers, Guitar, Production, Mixing
Caleb Hickman – Saxophone on tracks 2 & 6
Michael Hix – Additional synthesizers on track 4

Mastered by Drew Carrol

 

A Tale of Two Artists: Alfie Templeman and Holly Humberstone at The Great Escape Festival 2021

 

outsidelands
Through the enveloping fog that swallowed up Golden Gate Park Aug. 17, 2012, a festival goer emerges with a flag as the crowd settles in for Stevie Wonder’s set during the three-day Outside Lands Festival in San Francisco Get daily music festival news, updates, line-ups, tickets, and more at IRC’s new Music Festivals 2021 page.

Roar writer Maisie Allen on Alfie Templeman and Holly Humberstone’s performances at The Great Escape 2021 festival.

It was very easy to be skeptical when Brighton-based festival The Great Escape, announced they would be going ahead in 2021, but rather than postponing like many other festivals, they would still be sticking to their May deadline and showing it virtually, with different streams on varying Youtube platforms.

Two of the artists making their Great Escape debut as spotlights, Alfie Templeman and Holly Humberstone, however, showed that virtual performances can still bring as much passion as an in-person gig.

18-year-old Bedfordshire-based Templeman’s evening slot on the festival’s “Stage 6” opened with his playful summer tune “Happiness in Liquid Form”, the titular single from his 2020 EP, dancing around in a burgundy suit which stood in stark contrast to his bright lyrics. Templeman never missed a beat to be a phenomenal showman, with his energy serving as a reminder of just how young he actually is, even though his musical skill would match, and if not, exceed, the most seasoned musician.

Following on from “Happiness”, Templeman performed his slightly chilled out “Everyone’s Gonna Love Someone”, with its opening line of “sweet nostalgia” setting its sugary-sweet nostalgic tone, although the late electric guitar riffs and saxophone ground it in a hybrid of 1980s pop and twenty-first-century electronic influence.

The eclectic sounds of Templeman highlight the vast amounts of music that Gen Z artists like himself and Humberstone have at their fingertips, with his third song “Wait, I Lied”, a sultry careless anthem with a bass line that wouldn’t have been out of place in the 2013 Arctic Monkeys album “AM” and he had the attitude to match, which shows throughout all of the songs on his new album, “Forever Isn’t Long Enough”. Templeman’s ability to engage viewers is a testament to how he is not only a great musician perfectly packaged as a Gen Z wunderkind, but a performer whose career will continue to thrive on stage.

An hour later, 21-year-old Humberstone was shown to be in a darkly lit house – later revealed to be her own – with its crumbling ruins; the perfect setting to her melancholy tracks, reminiscent of the haunting voices of Maggie Rogers and Phoebe Bridgers. Humberstone even revealed during her set that the house itself is haunted, after a friend’s clairvoyant mum could ‘sense it’ and that it served as further inspiration for her music; her track “Haunted House” explicitly so.

Initially sitting at a piano for heartbreak lament songs like “Falling Asleep at the Wheel”, also from her 2020 EP of the same name, Humberstone swapped to a pastel blue guitar for the second half of her set, using it to perform her first-ever release “Deep End”.

Speaking into the camera, rather than her longed-for audience, Humberstone reveals that she wrote it for her younger sister when she was struggling a few years prior as a way of showing her that she’d always support her. The revelation of this makes the lyrics all the more touching, without the saccharine connotations that the genre of melancholy pop can be given.

Both Humberstone and Templeman’s performances at Great Escape’s 2021 virtual festival show that new music can still thrive in this changing landscape, and whilst in-person gigs can never be replaced, the online performances by both artists highlight how music is a unifying force. In fact, online spaces and virtual performances open up new discussions around music accessibility and exposure. The Great Escape has always been a festival for new music, and whilst Templeman and Humberstone have been creating for a few years, their careers will only continue, and if their recent performances are anything to go by, succeed as well.

The post A Tale of Two Artists: Alfie Templeman and Holly Humberstone at The Great Escape Festival appeared first on Roar News.

Roar writer Maisie Allen on Alfie Templeman and Holly Humberstone’s performances at the The Great Escape 2021 festival. It was very easy to be sceptical when Brighton-based festival The Great Escape, announced they would be going ahead in 2021, but rather than postponing like many other festivals, they would still be sticking to their May […]

This post appeared first on Roar News.

 

VF Live: The Twilite Tone #2

by Gabriela Helfet

A “transgenre” set at Stones Throw’s Gold Line Bar, playing records from its 10,000+ collection.

In VF Live, DJs take you inside their homes, record stores, and studios, for intimate sets and mixes.

Artist, producer, and composer The Twilite Tone returns for his latest VF Live set, recorded at Stones Throw’s Gold Line Bar in LA.

“The inspiration behind each one of my selections was the deliberate intention to allow beautiful mistakes to occur whilst in practice of bravely moving forward on this journey of sight and sound.

“I selected these songs from a collection of records at Goldline Bar that I was introduced to for the first time about an hour before presenting this set of records for The Vinyl Factory and you.

This presentation is tied to myself, and my project and platform “The Clearing House”, as it is a impromptu freestyle presentation as a precursor to the “Expected The Unexpectedness” nature of myself and “The Clearing House”. TCH debuted on Worldwide FM, and episodes are a window into the building process of the project by showcasing rough sketches, demos, freestyles, outtakes, edits, remixes conversations with yours truly and my creative, beautiful, and likeminded collaborators. Stay tuned…”

Watch and listen to the set above, check out the tracklist below.

Tracklist:

1. Public Enemy – Night of the Living Baseheads
1. National Health – Black Hat
2. Gang Starr – Take it Personal
3. NTU & Gary Bartz – Dozens
4. The S.O.S. Band – Weekend Girl
5. Space Art – Nous savonstout
6. Grand Puba – Soul Controller
7. Large Professor & Pete Rock – The Rap World
8. James Vincent – Alone (Space Traveler)
9. Fela Kuti Feat. Afrika 70 – Confusion
10. 3 Ring Circuits – Moving World
11. Pleasure – Sending My Love
12. Ashford & Simpson – Love Don’t Make It Right (12” Disco Mix)
13. Esyxx – Be My Side
14. US – GO*ILL or chica[GO, ILL]inois for the lamen
15. Virgo – Rhythm Trax Go Wild Track 3
16. Panache[Just Brothers] – Sweet Jazz Music
17. Prince – Make Up

The Twilite Tone’s The Clearing is out now on Stones Throw.

https://thevinylfactory.com/live/vf-live-the-twilite-tone-2/May 28, 2021

Album Review: ‘A Cup of Good Smelling Coffee’ by Flamingo Jones

Initial Impressions

Flamingo Jones’ A Cup of Good Smelling Coffee takes a unique approach to synth-based music that incorporates a broad range of influences and musical ideas. The sonic story told by this album is both aching and wistful. Flamingo Jones keeps my ears ready to hear the story unfold through the richness of his music.

One of the main features that draws me to this album is the varied sonic palette that Flamingo Jones uses. There are a whole range of synths that sometimes glow and sometimes feel sharper and harder, but even more interesting are the different acoustic, organic elements that he brings to the music. There’s piano that can be jazzy or gentle and guitar with unique tones from warmer and rounder to funkier that also add their own voices to the tracks.

Speaking of voices, Flamingo Jones adds vocals that are introspective and soft-spoken but the lyrics they express have their own individual qualities that express some part of the artist’s personality, showing a fresh view of the world. They aren’t long songs but they do express a emotive quality that I find engaging.

I enjoy the genre-hopping of this album as well. There are times when it channels New Wave music, others that have a jazz influence and sometimes there’s even a little touch of something on the folksier end of the spectrum. The end result is indeed a tasty auditory brew to nourish the ears.

Track-by-Track Breakdown

“A Cup Of Good Smelling Coffee” starts off with a swirling mist of synths and the steady tick of percussion before a hard hitting drumbeat shapes the music along with a ‘50s style ad voice over for good smelling coffee. A steady, distorted synth pulse and a repeating darkly trumpeting, sharp edged musical line also moves through along with bright, slightly edgy sounds. A melodic synth line wriggles through before a synth that is like a shiny xylophone carries a thready line of sound.

A stuttering beat and dark, hard sounds roil below the more elevated elements. I enjoy the use of shattered vocals threading in and out of the music, adding an oddly unsettling feeling to the track. There’s a dense thickness to the growling pulses of synth before a drifting segment and again the vocal sample, the breaking beat and the high flash of synth.

The soft drift of water and a full, caressing piano opens “Flamingos Love Waterpools.” The piano carries warmly rising notes and delicate chords as the vocals float through the background and there’s a full, fuzzy noise accompanying unique metallic sounds. Round, circling synths flare in a steadily moving pattern and the beat guides the track forward along with a pulse of medium low synth and the gentle vocals.

I enjoy the hazy, relaxing sensations that permeate the music along with the intriguing percussion as a deep, shifting bass line moves in. A synthesizer with a flaring glow burst into the music and there’s a serene flow to the rising, drifting line of synth that echoes through before the waves flow into silence.

The lyrics are a wistful expression of life changing and time passing as they say,”You can blame it on me. You know in time we’ll leave it all behind, it wasn’t meant to be. You’ll never feel the sunlight or hear the song.”

“Campfire Feels” kicks off with wandering jazzy piano and adds adds some funky strings to the mix along with a high, distant sound. A solid beat hits the track and a smooth, roaming line of medium high synth flows over the gliding drumbeat that shapes the track.

A floating, glimmering synth line slips over open background as the ultra-cool guitar sound flickers in and through the track. I like how laid back and jazz inflected this particular campfire is. It gives me an impression of extreme calm and I think we all need a bit of that these days!

A drippy, steady pulse and echoing vocals drifts into open space as the caressing, easily gliding lead synth glows as “Stephanie Leaves the Marketplace” comes into being. The melody that is full, all encompassing and full of smooth touches as the vocals also lightly move through the music.

I’m drawn to the ringing, round guitar tone as it carries the soothing melody that adds to the caring, dreaming feeling that permeates the track. Light and air imbue every aspect of the music. The emotional content of the lyrics is complemented by the feelings in the music. There’s a reverberating, echoing sound gliding through the open spaces of the track before it breaks to gentle sounds.

There’s a wistful beauty to the words as the narrator asks, “Don’t you know I’m still with you?” as he remembers the sight of “sunlight shining off the moon.” I get the feeling that the person he’s talking about when he says, “As Stephanie leaves the marketplace, I see that look on your face” is himself in another life.

“A Gentle Agitation” comes to life with an easy going, sliding sensation as chimes swirl through the music and bird song is joined by the simple brightness of the laid back, relaxing melody as a shimmer of chimes again moves along with round, metallic sounds.

Gentle, shifting piano chords and splashing sound glide into the track before a tech-y round and distorted synth and cascading, singing full sounds like tuned metal shift with the steady throb of the drums. There’s one more shift to a computerized, hard sound and then silence ensues.

A smooth and easily throbbing beat shifts underneath a slightly twangy and jazzy guitar to start off “An Evening Stroll” as a flow of wind blows through the track. Flamingo Jones’ voice, soft and whispering, moves through the open background. I enjoy the impressions of a forlorn and lonely wanderer, tempting to just give in.

Full, slightly shadowed synths drift over the smooth drums and the beat grows stronger under descending piano chords. The tempo picks up, propelling the track with more energy as a fuzzy guitar tone carries notes that extend into the track.

A profound, deep sadness fills the lyrics of this song. A sense of emptiness and desolation fills the lines that start “join me for an evening stroll” and end successively “join me out here in the cold…join me out here among the ghosts.”

There’s a sense of peace and resignation in the verse, “You can rest upon the ground and sleep forever when you’ve found me” and even a feeling of something inviting in the words, “We can talk oh so profoundly, sleep forever now you’ve found me.”

“The Lure Of The Ice Flats” comes to life with icy winds over the steady ticking of the drums while clouds of warmer sound flow around the airy rush. The percussion shapes the track slowly as medium-high synth and a hollow reverberating sound shifts in the background.

I am enamoured of the soothing, all encompassing guitar chords that slide into the music. An elevated synth calls out, full and roaming, over the beat that moves in and through the music. A glitchy, static sounding line wriggles through the track over the onrushing air and the drums slip along with a gentle touch.

Conclusion

A Cup Of Good Smelling Coffee is a rather unique, intriguing collection of synth-based music. It has a distinctive quality and a wistful, varied and emotive musical landscape that is laid out in a fresh and ear grabbing way.

In Dee Mail Band Series 2021, Vol. I – Bliss Williams, Monrad, Hazey, Venray, Fletcher Milloy

Bliss-William

This is the first In Dee Mail feature we’ve run in a while. (We’ve been busy building new pages that will be unveiled as time ensues; one just published is IRC’s Music Festivals 2021 all-in-one resource. Fests are back! And don’t miss our new songs aggregated page.)

In this installment:

  • Bliss Williams – London, England
  • Monrad – Medesano, Italy
  • Hazey – Bristol, England
  • Venray – Washington, D.C.
  • Fletcher Milloy – Los Angeles, California

We’ve received many hundreds of submissions in the past few weeks – catching up from a slow start to a year that is going blazingly fast. But we cannot go without our DIY indie music discovery activities, nor can we hold back from sharing some of the most talented, interesting, different, original and promising DIY artists and bands that we’ve come across.

These completely DIY, mostly unknown artists and bands stood out among hundreds of submissions. We picked them because of the level of musical talent; the catchiness of their track and overall production value. These should be BIGGER recording artists with tens of thousands of plays, sold-out shows and blog posts/press articles touting their achievements – even if judging from the one track we are presenting.

Of course, it is no surprise we are pushing these artists/bands to higher visibility via our popular top 10 indie songs playlists. These are DIY artists and bands that need to be heard and to be loved. It’s always been heart-breaking (in little ways) to us when amazing, different and talented DIY artists and bands get lost to the non-stop waterfall of noise around 30-40 artists and bands in the indie/alternative/rock realm.


Falling For You https://soundcloud.com/blisswilliams/falling-for-you

Bliss Williams – “Falling For You”

Bio: London-based Bliss Williams remains well-acquainted with unrequited love. So he thought it was about time he wrote another song about it. The second in a series of singles for the 2020/21 season, following his well-received debut offering ‘Thought I Was Young’, Williams is looking.
Location: London, England
Genre: Indie pop; dream pop
Members: Bliss Williams – vocals, all instruments and production
Musical Influences: The Style Council, Amy Winehouse, Earth, Wind & Fire, The Bee Gees
Instagram: blisswilliamsmusic

Song Bio (from the artist): “Produced at his flat in London, Williams’ debut offering pitches shuffling drums and pocket bass against sweeping electric guitars and swirling, yearning vocals.”

Release Date: 02/15/2021


Monrad – “One Stop Shop”

Monrad is the solo moniker of Matthew Ramon. Kortrijk born and raised but in need of new challenges and discovery, he left Belgium, wandering around for several years before settling down in the small Italian village of Medesano.

Although part of a reverb-drenched, instrumental surf punk band for most of his twenties (Rencontrez L’amour), he got together with Filip Tanghe (recording and/or live engineering Balthazar, Warhaus), and recorded some of his first songs, trying to step away from more conventional song structures.

After two years of digging deeper, nurturing and maturing his music, and finding his voice, Monrad went back to Tanghe and recorded, together with Bert Desmet and Gijs Coucke, his first full-length album Wired.

Location: Medesano, Italy
Genre: Indie rock
Members: Matthew Ramon – all instruments and vocals
Facebook: monradsound

Song Bio (from the artist): “With a dark voice, floating somewhere between singing and parlando, propelling drums, seductive bass, and atmospheric guitars, Monrad takes you to layered territories where harmony and tension start to intertwine…I took my Fender Telecaster, plugged into a Fender Bass breaker head, reverb fully open (a remnant of my surf music days). I started recording the first and second riff in Cubase. Once I lay down the basic structure of the song, I focus on the drum and bass parts, followed by synths and pianos. Like that, layer by layer, I start building the song…The bounciness of the song reflects the ups and down in our mood, energy, and needs. However, somehow we eventually manage to cast aside the more negative feelings and find a way to stand up, crawl back from our inside that maze that sucks you in.”

Release Date: 03/14/2021


Hazey – “Bliss”

Hazey is a Bristol-based indie-pop duo that provides energy and mystery to the rock scene. The pair certainly aren’t afraid to express their weird side and want to share their fun outlook on life through Hazey.

Their debut single “Kimberly” gained strong support from UK radio stations such as BBC Radio Bristol & BCFM.

Location: Bristol, England
Genre: rock,pop,synt,pkpp,altr
Musical Influences: FOALS, The Killers, Deaf Havana, The 1975, Don Broco, Turnover & The Cure.
Members: Tim Brown – guitar/bass/vocals; Justin Wilkinson – drums/vocals
Facebook: hazeybanduk

Song Bio: “Written during a time of uncertainty, confusion and reflection. ‘Bliss’ is a collection of emotions that are repeatedly flowing through the mind when feeling lost. In a situation where we need to reach out and unite, it is apparent that a select few have taken the opportunity to profit from the suffering of the helpless many.

Dreamy intervals midway and towards the end of the track represent the calm and peacefulness that we receive from detaching ourselves from society. This is our most laid-back song and we love how it’s enabled us to connect on a more intimate level with our music.

Release Date: 03/2/2021


Venray – “No Place”

Bio: Venray is an independent rock power-duo, alternatively labeled as ‘surf-grunge ‘or ‘garage-punk’. Venray’s sound has been called “catchy AF”, and duo is characterized by their sing-along melodies, giant hooks, and high energy, dynamic live performances. Spanning several genres, venray songs range from breezy ballads to crunchy rippers that will appeal to fans of Pile, Car Seat Headrest, Wavves, and Top Nachos.

Location: Washington, D.C.
Genre: hard rock, indie rock, garage rock
Musical Influences: Stove, Pixies, Ovlov, Ty Segall, Pink Mexico, and Foo Fighters
Members: Tyler Bergin – Vocals, Guitars, Bass; Christopher Peli – drums, percussion, vocals
Soundcloud: /venrayband/

Song Bio (from the artist): Not provided

Release Date: 4/21/21


Fletcher Milloy – “Raskolnikov”

Blending hyper-pop production and psychedelic prowess with captivating lyrics, Fletcher Milloy is proving themself to be a pioneer of a sound that is completely their own. Fletcher Milloy, has performed in lineups alongside the Killers, the Roots and many others, as well as being featured in the international top 10 of NPR Music’s Tiny Desk contest
(2020). Quickly rising on TikTok, with over 250,000 views, Raskolnikov may be the finalé to the Astronaut Trilogy, but is only the beginning of a new sound and promising artistic career.

Location: Los Angeles, California
Genre(s): psyc,altr,expe
Has Opened For: The Killers, The Roots, HAIM, Death Cab for Cutie
Musical Influences: LCD Soundsystem, Bowie, Prince, Talking Heads
Members: Fletcher Milloy. Guitar, Bass, Drums, Vox, Keys
Instagram: /fletchermilloy/

Song Bio (from the artist): “‘Raskolnikov’ is the final installment of my Astronaut Trilogy EP. It’s inspired by psychedelic pop & 19th century Russian literature (Crime and Punishment by Dostoevsky). I wrote the song about spending my early life heavily involved in the evangelical church. I found myself in a constant state of panic trying to navigate and appease a socio-political circle that by default ostracized me for my participation in night life and parties.

The track is message to myself and others that to become a new person the preceding role and character i created in that environment must be put to rest .”

Release Date: 02/22/2021

Top 10 Indie Songs Playlist, April 2021

islands-indie-rock-bandThe Top 10 Indie Songs Playlist for April 2021 features some of the best indie songs of 2021. By the way, we are launching our first Top 10 Alternative Rock Songs playlist series in a few years, so watch for that because the tracks we are gathering are keepers.

This Top 10 Indie Songs playlist includes a mix of mostly small, largely unknown artists and bands who broke through with their own track that was compelling enough to save it as among the top ten of the month. We tried to avoid mainstream ‘indie’ artists and bands for this playlist – we include the best among that group in other playlists and posts.

And on Soundcloud via Sonic Gold Media