One of the great things about music nowadays is the access to all kinds of artists and bands, from all around the world, and every type of genre. This fourth installment of the popular Best New DIY Music of 2015 series features bands from Los Angeles and Long Island, London and Paris, Norway and Sweden, Reno and San Diego, and from rural Ohio to upstate New York, as well as genres including ambient rock and indie pop to psych and roots, folk, electro and shoegaze. This is some of the best underground music of 2015 you haven’t heard (yet).
In this Installment:
The Wild Young Hearts – Los Angeles, California Starar – London, England Ness – Long Island, New York Ordinary Van – Fort Wayne, Indianapolis Pelicat – Norway Elder Flower – Arvika, Sweden The Mondanes – Gothenburg, Sweden Maven – Paris, France Aether Street – Reno, Nevada More Than Skies – Huntington, New York Bad & The Ugly – San Diego, California Jeremy & Lynee – Minster, Ohio
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The Wild Young Hearts – Feel Good
The Los Angeles indie rock band The Wild Young Hearts has a great sound that will remind some right away of Weezer, which the band listed as one of their biggest musical influences. But they are not simply a copy-cat band of the Weezer sound (we’ve heard plenty of those over the years); instead they make it their own with elements of Sonic Youth and Pavement intertwined on songs like “U R,” (a recent IRC Song of The Day) with its part whimsical, part swagger, aided by melodic, hook-happy guitars, and an angling lead guitar riff that loops throughout the otherwise slow, ambling track.
TWYH’s second single, “Broken,” from the just released album, Feel Good, is more serious and somber. It tells the story of a cancer diagnosis of the story teller’s lover, who eventually dies within six months; thus the title, “Broken.” The song picks up into a rising, almost celebratory chorus (as the story teller realizes he must move on) at the end, with the following verses:
We cannot change what’s already broken and I cant just wait around for a dream that wont’ come true
We cannot change what’s already spoken if I could babe you know I would trade it all for another night with you
The band, just formed last year, includes Robb Laffoon (vocals, guitar); Justin Norman (guitar); Garrett Warren (bass), and Kevin Pintado (drums). In addition to Weezer, the band members listed their other musical influences to include The Beach Boys, Bruce Springsteen, Blink 182, Against Me!, and The Menzingers.
This post highlights two sibling duos. The first is the impressive London indie rock/shoegaze band Starar. Formed in 2009, the duo consists of Jenna Starar (guitars, keyboards, vocals) and Steven Starar (drums, bass, vocals). Growing up together in the same house, the sister-brother duo were fans of singer/songwriters like Jackson Brown, Paul Simon, Bruce Hornsby and Marc Cohn. They are also fans of modern day artists like Haim, Bon Iver, Sigur Ros and The Bear’s Den.
Styling themselves after classic rock and pop acts of the 70s and 80s, and a newer generation of indie/alternative artists, each write their own songs which they record together. The results on incredibly catchy, hook-filled tracks like “Time Under We” and the softer, more sentimental, “Holding Our For The One,” demonstrate that Starar are just too good to be another under-the-radar indie band.
In fact, in London, they are pretty well known and have amassed over 37,000 ‘followers’ (Likes) on Facebook. The numerous genres that inform the music of the Starar siblings, like jazz, shoegaze and rock, are apparent in their growing discography. They’ve also performed at various venues around the U.K., including the swanky Park Plaza Westminster and the downbeat pubs and clubs of Nottinghamshire and Lincolnshire. Now it’s time for Starar to grow a U.S. following.
During the hazy Long Island summer of 2013, 21-year-old Jesse Weisberg (vocals, keys, drums) and Ethan Peck(guitar, key, bass, drums) formed the DIY alternative folk/indie pop band ness, modeling their sound after musical influences like Coldplay, Frightened Rabbit, Vampire Weekend, alt-J, The National, and Passion Pit.
A few months prior, Peck, who was already writing songs, heard Weisberg singing while playing RockBand on the PlayStation and convinced him to start playing the guitar and singing more seriously. That was the catalyst for the two to begin recording together.
A year later, the duo had picked up a following, and by the fall of 2014, they were playing gigs at renowned New York City venues like The Studio at Webster Hall, Bowery Electric, Rockwood Music Hall, and Pianos. In January, Ness dropped their debut EP, A Second to Think.
“Our EP was recorded at home on a laptop,” Peck said. “It might not be perfect, but it sounds like what it is: a couple of kids experimenting on a laptop – to a certain extent, we’re proud of it that way,” he added. “What ness lacks in talent and audio knowledge, we hope to make up for in songwriting chemistry and creativity. The goal has always been simply to elicit emotion.” We don’t agree that the duo lacks talent, as anyone can hear for themselves on songs like the uptempo mandolin strumming, reverb-heavy vocalsof the first single, “Behind The Couch” and the emotive track, “Walls,” that builds up, flourishes and then bubbles down.
Ness’ music is original, compelling, and reverb-heavy acoustic pop with uptempo mandolins, twinkling xylophone notes, and light beats. Keep an eye on these guys! You can listen to the entire EP via the duo’s official website.
<a href="https://indierockcafe.comwp-content/uploads/Behind%20the%20Couch.mp3">“Behind the Couch“</a> - <strong>ness</strong> from <em>A Second to Think</em> - Jan. 21st
Over the past decade, more and more music lovers, not just in Europe, but increasingly in the U.S., have come to appreciate, and seek out, more ambient rock than in years previous. So it’s no surprise that ambient rock bands are in demand. Filling some of that demand is Ordinary Van, a DIY ambient post-rock band from Fort Wayne, Indiana, which actually started out as a recording project of singer/songwriter Paul Bates and multi-instrumentalist Ryan Holquist in 2011.
OV’s songs are best described as lo-fi, dreamy, melodic rock dominated by Bates’ understated, soft vocals, and ringing electric guitars from Holquist and guitarist Charlie Davis, backed by the mean beats and crashing cymbals of drummer Chris Leonard right through the crescendo on songs like “Tidal” and “Armadillo.” The band has opened for artists like Water Liars and Heaven’s Gateway Drugs, and count among their major musical influences Radiohead, The El Camino, Sigur Rós, John Vanderslice, and Death Cab for Cutie.
Ordinary Van released the self-titled EP with the help of acclaimed electronic artist Onewayness, who is actually Ryan’s brother Adam Holquist. The songs were adapted and recorded with Davis and Leonard in order to achieve the full band sound they originally envisioned as a duo.
From Norway, the DIY indie pop rock duo, Pelicat, co-helmed by Andreas Kase (vocals, guitars) and Mads Johansen (drums, backing vocals), deliver sensual, dreamy hooks and melodies peppered with brief transitions of psych pop, as evident on the love song, “Who You Are.” With a similar dreamy, melodic hook, the second single, “Head to Rome,” is a metaphor from the perspective of a lover who is tired of fighting and suggests to his ‘other half’ to ‘head to Rome’ and to understand that a relationship takes work, as in “Rome wasn’t built in a day.” They sound somewhat like their Scottish role models, Belle and Sebastian, whether intentionally or not.
Based on how tight they sound, who would know that they’ve only officially been a unit since the first of the year. “We gathered for the first time in a cabin on January 1st with a lot of instruments, a tape recorder, and a few bottles of wine,” said bassist and keyboardist Jonas Rhode-Moe.
Three days later, he added, a newly formed trio emerged with three new demos. “Now, only three months later, we have already released two songs on Soundcloud, and both of them have been played quite a bit on Norwegian national radio. We focus on the fun in making music, and we hope that reaches out to the listener as well.”
The forth-coming debut EP, Pelicans and Rainbows will drop in June. Kase and Johansen, accomplished musicians at a young age, have opened for artists like Crystal Fighters, The Kooks, Xzibit, and ++ in their previous bands. Pelicat identifies top music influences as Unknown Mortal Orchestra, POND, Mac Demarco, and Tame Impala.
“Who You Are“ – Pelicat from Pelicans and Rainbows
“Head to Rome“ – Pelicat from Pelicans and Rainbows
Elder Flower – Caribou
Just like Pelicat, the Swedish band Elder Flower, talk about their formation in almost matter-of-fact, simplistic terms. “Based in rural Sweden, we met, and we started to play.” That’s pretty much all they gave us.
The band members – Josephine Bodén (vocals); Kalle Widén (guitar); Annie Persson (synth); Rasmus Andersson (bass), and Daniel Hägg (drums) – fashion themselves after bands like Mew, Little Dragon, Robyn, and Bosnian Rainbows. As members of bands other than Elder Flower, the musicians have shared the stage with artists like Peter Bjorn and John, Sugarplum Fairy, and The Sounds.
In 2014, five young musicians in Gothenburg, Sweden, with a common interest in musical styles like indie rock, folk, pop and Americana, got together and formed The Mondanes. After performing in venues around the city, they entered the studio to record their debut EP, Freeze Out, which dropped in March. Over a few “intense days” in the studio, the band recorded a ‘live’ set, without too many takes or intricate mixing, we’re told, in order to “capture the living, genuine vibe that only music performed live can offer.”
The result is a fantastic EP brimming with energetic pop and catchy hooks. The EP entered and remained in the Swedish Top 10 Album Charts on iTunes for a number of weeks following its release. Once the young band’s music gets circulated more around the U.S., and especially if they come over to tour, they’re bound to grow a U.S. following.
The band members include Jonas Ben Rahmoun (guitar and vocals), Jonathan Ryberg (bass, vocals), Nicolas Velasquez (guitar), Love Nurmi (drums,vocals), and Karl-Johan Gydell (guitar, vocals). Some of their favorite bands include The Beatles, The Kinks, The Strokes, Arctic Monkeys, The Beach Boys, The Band, and First Aid Kit.
“Silver Spoon“ – The Mondanes from Freeze Out – Feb. 22nd
Maven is a post-rock/ambient instrumental band from France who we think are making strides to become a band to watch in France and beyond. The two dreamy and calming tracks — “The Hymn of Her Innocence” and “Fragility of Life” — interrupted by moments of soaring guitars and synths, from their latest release, Staring At Eastern Lights, are simply fantastic and a must-hear for fans of ambient rock. It’s impossible to miss the clues in these compositions that demonstrate that all four band members are sailing along the same beautiful and thrilling trip.
You may find yourself agreeing with guitarist Alex Dupy‘s description of the band’s music: “Each song is a mixture of dense atmospheres, ambient soundscapes, aerial and captivating melodies followed by explosives and epic rises,” he says. “We hope this EP will transport you through the same range of emotions that we had creating it.”
We can only imagine how amazing this band would sound at an outdoor concert on a warm August night with an amazing light show behind them. Ordinary Van has opened for bands like Lymbyc Systym, Kerretta, and God Is An Astronaut, and their musical inspirations include Mogwai, Caspian, and Explosions in the Sky.
“The Hymn Of Her Innocence“ – Maven from Staring At Eastern Lights
“Fragility Of Life“ – Maven from Staring At Eastern Lights
Aether Street is a new Reno-based indie electronic duo featuring brothers Aaron (guitar, vocals) and Daniel Sion (drums, vocals, production), who are just 21 and 24 years old, respectively. As former members of the regionally popular band, CRVSH (aka ‘Crush’), the Sions already have more than 200 west coast gigs – in cities like Reno, Portland, San Francisco and Los Angeles – under their belts with their previous band.
After dabbling for some time in genres like rock, hip-hop and EDM, the duo has honed a new radio and festival-friendly sound that mixes electronic production with orchestral rock and two-part vocal harmonies. On stage, the brothers use nothing more than a laptop, two microphones, drums and a guitar. Daniel cues samples from the computer, and keeps the beats on a small, three-piece drum kit, while Aaron strums away on a translucent electric guitar — both the drums and guitar light up in a display of colors synchronized to the drum beats, samples and guitar notes.
Their new single, dropped in March, is “Lock Your Guns Up.” They recently opened at the Knitting Factory in Reno for RAC before their big Coachella appearance last month. They have also opened for 3OH!3 and Dev. Their biggest musical influences are The Beatles, Bjork, Queen, Nirvana, and Bob Dylan.
“Lock Your Guns Up“ – Aether Street from Lock Your Guns Up – Single – March 23rd
Started in 2006, More Than Skies, based in Huntington, New York, is an indie folk rock band that songwriter, vocalist and multi-instrumentalist Adam James Tomlinson (bass, guitar, piano) founded after realizing that his other musical projects were not compatible with the sound he was looking for. So he formed a band around the music he has been writing.
His nasally voice reminds us a lot of an Artist of the Week musician we have featured in the past, Joel Strauss. But just like Strauss, the nasal aspect of the vocals is not a bad thing – just the opposite. On the song, “White Pine Way,” angular, ascending guitar notes, brisk drumming and thumping bass blend to create an almost ambient folk sound. The second single from More Than Skies self-titled double LP, “Euphoria,” is a lazy, drifting track that meanders through slide guitars, gentle drumming and understated bass until it builds up into a subtle climax and almost as quickly fades into the ending like a camp fire that flares one last time before it smolders into just a few glowing ambers.
More Than Skies previous releases include an EP, The Liar, The Puppet, The Fox, and a full length album entitled I Am Only Above The Ground. The following artists participated in the recording of the new album: Phil Corso (drums); Jiliane Russo (cello); Dylan Ebrahimian (violin); Derek Smith (guitar); Darrell Cheng (lap steel guitar); Chris Polzella (percussion); and Emily Lazio and Stephanie Tolino (backup vocals).
The band has opened for artists like John Nolan and Laura Stevenson. Their musical influences include Elliott Smith, The Beatles, Margot and the Nuclear So and So’s, Sharon Van Etten, David Bazan, and Joel T Hamilton.
“White Pine Way“ – More Than Skies from More Than Skies – Feb. 28th
The name of the San Diego folk band Bad & The Ugly might give you some kind of mental image, but don’t let it mislead you. The band has a sound similar to groups like City and Colour or Thrice with a unique twist of dark acoustic overtones, hook-heavy melodies and introspective lyrics. Bad & The Ugly has been on the radar in San Diego since the release of their debut EP Skin and Bones in October of 2013.
Although Bad & The Ugly are a relatively new band, vocalist Nate Hess and bass player Tyler Ferguson are no newbies to the scene, having both played in the hardcore band A Shattered Hope. ASH toured the US numerous times and were even booked for a while on The Vans Warped Tour.
The duo joined Tarvis Keane on guitar, Derek Michael Hudson on drums and Eric Hesse on the slide guitar to record their sophomore EP, Slept In The Pages. The change in musical direction for Hess and Ferguson is apparent – from loud, chaotic rock to an almost cinematic folk pop sound, Bad & The Ugly have opened for bands like Howlin’ Rain, Buffalo Killers, Soft White Sixties, and include among their top music influences Grizzly Bear, City and Colour, Polyenso, and Mortal Orchestra.
“Dead Body“ – Bad & The Ugly from Slept In The Pages March 31st
Folk, roots duo Jeremy & Lynne, from Minster, Ohio, weave soft, melancholy acoustic guitar with whimsical lyrics and gentle vocals on songs like “Inside My Head” and “4am” . The duo’s songs have been described by listeners as “a folk/Americana/punk hybrid in the DIY tradition; the lyrical content is the focal point of all the original songs. Delving into the familiar territory of a life lived, relationships and past success and regrets, the music through the filter of both artists attempts to take on a life of its own.”
Longtime friends, Jeremy Siegrist (guitar, vocals) and Lynne Baker (guitar, mandolin, vocals), decided to start writing, demoing and recording songs in 2012, official formed as a duo last year and dropped their debut, Drawing Blood, in March. Jeremy & Lynne’s favorite artists include Bon Iver, Jason Isbell, DBT, Frank Tuner, Neil Young and Lucero.
DIY and indie music, Siegrist writes, is “music that falls outside of the radio, media juggernaut; music as art and expression from people around the world who might never be noticed otherwise.”
“Inside My Head“ – Jeremy & Lynne from Drawing Blood
If you love rock and roll, don’t worry: it’s not dead despite what the cynics may say. For those of you who have followed IRC for all these years, you know we love hard-hitting, riff-heavy, and head-banging rock. It’s amazing how many DIY and under-the-radar bad ass rock bands there are that don’t get the coverage they deserve.
We’re not talking about The Black Keys or Cage The Elephant – they get the love they deserve. We’re talking about seriously talented bands that are better than average and committed to keeping rock and roll alive and well. When you give these talented and serious rockers a shot, they will amp up your appreciation for all the great rock that is out there for the listening.
IRC is one of the few music blogs that doesn’t follow the latest buzz bands, but instead focuses on many of the incredibly talented DIY and under-the-radar rock bands that don’t get the love they deserve. It has been a while since we’ve done a 5 Bands That Rock installment, and we plan to do more in the ensuing months. This installment is specifically geared towards highlighting amazing overseas bands that rock, including Birth of Joy (Amsterdam, Netherlands); Transvaal Diamond Syndicate (Brisbane, Australia); A Victim Of Society (Athens, Greece); Mary Goes Wild (Munich, Germany).
Play This Loud!
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Click the built-in player to stream all the songs in this post uninterrupted
Birth of Joy – Amsterdam, Netherlands
Founded back in 2005, the Amsterdam rock band, Birth of Joy, have been one of the most popular rock bands in Europe over the past decade, getting huge radio play and selling out shows from Poland to France, Germany to Italy. While they’ve toured in the U.S., the band still has yet to grow a large U.S. following to rival that in Europe. Now it’s time for more U.S. rock fans to hear Birth of Joy’s raunchy, electric force blasting through their speakers.
The band released its fourth album, Prisoner, via Surburban Records last March, and are recording their latest album now as well as continuing to tour. Prisoner features a sleuth of great rock songs, including the haunting “Three Day Road,” , “Keep Your Eyes Shut” and “The Sound,” followed by a popular music video for the killer song, “Rock and Roll Show.”
Prisoner was produced by Joris Wolff (e.g. De Staat, Within Temptation and Mister and Mississippi) and mastered by Brian Lucey (e.g. The Black Keys, Artic Monkeys, David Lynch and Dr. John).
Birth of Joy band members – Kevin Stunnenberg, Bob Hogenelst and Gertjan Gutmanare – are fans of, and emulate, classic rock bands like MC5, The Doors and Pink Floyd. At the same time they introduce a modern twist influenced by stoner, grunge and punk and hence create their own.
With a drummer that could be Keith Moon’s son, a keyboard player that pushes his instrument to the limit and a singer/guitarist that seems to be an amped up descendant of Jim Morrison, Birth of Joy is one of the best still relatively unknown (at least in the States) rock bands today. Check out this “Make Things Happen” music video from the band. Do you hear those Jim Morrison moments? The video achieved over 150,000 views; no small feat.
Listen to all tracks by the band and follow Birth of Joy on Spotify. Previous to the release of Prisoner, Birth of Joy released Make Things Happen. The album’s title track has received over 350,000 streams on Spotify, YouTube and other sources. See the “Make Things Happen” official video or watch the band play it live. These guys rock!
Since 2009, Australia’s Brisbane-based blues rock band, Transvaal Diamond Syndicate, have been touring the country and building a huge fan base. The ‘Sunshine Coast’ band members – Christian Tryhorn on guitar and vocals, Jus Alfrey on bass, and Chris Nunn on drums – are today renowned Down Under for their raw, lively and electric stage performances, and have played most of Australia’s blues and rock festivals, as well as picked up a number of acclaimed awards for their contributions to Australian blues rock history.
Over the past five years, TDS has been one of the biggest touring bands in the country, racking up over 200,000 kilometers across the continent. They’ve dropped four releases, had four songs on Triple J Radio and have been among the most requested bands on Australian Community Radio. TDS’s most recent album is Estranged Blues, released via Beats Cartel. A new EP is currently in the works for release later this year.
TDS has opened for bands like The Beards, The Fumes, Dallas Frasca, and count among their biggest influences The Fumes, The Royal Artillery, Queens of The Stone Age, Rage Against The Machine, and Howlin’ Wolf.
“Long Lines“ – Transvaal Diamond Syndicate from Estranged Blues
“So Sweet“ – Transvaal Diamond Syndicate from Estranged Blues [watch the video]
From the same increasingly fertile DIY scene of Athens, Greece that spawned rock bands like Acid Baby Jesus, Baby Guru, and The Callas, A Victim of Society create a soundtrack for a nightmarish post-urban landscape. Formed by Vagelis Makris (vocals, guitars) and Fotis Ntouskas (bass, guitar) – AVOS combines uncanny and dark melodies cut with menacing guitar notes, raspy vocalizations and sardonic sneers surrounded by blistering noise and distortion. The band’s music is a plaintive, lo-fi mixture of hard rock nostalgia wrapped in deeply ingrained noir undertones.
AVOS’s first demo track, “You’re Gonna Hate Me“ was included in the compilation Reverb Conspiracy, Vol. 1, released from Fuzz Club Records in collaboration with the Austin Psych Festival.
AVOS has opened for bands like The Black Angels, Moon Duo, Dirty Beaches and Disappears. Their debut album, Distractions, was recorded at Sonic Playground Studios by Nikos Triantafyllou and mastered by Jamal Ruhe at West West Side Music Studio in New York. The band name was inspired by the painting, A Victim of Society, by George Grosz.
“Enough Said“ – A Victim of Society from Distractions
“Sweet Girl“ – A Victim of Society from Distractions
Mary Goes Wild is a Munich based DIY garage rock, surf and blues duo formed in 2013 by Danny Wild (guitar, vocals) and Freddy Jones (drums). MGW is one of the more promising overseas DIY rock bands we’ve heard recently. The duo’s meticulous performance and edgy swagger in the delivery of their predominantly blues roots rock signature style and sound of riffs and beats squarely places them in the Bands That Rock series.
For die-hard fans of rock, Mary Goes Wild is a roots rock band that draws from garage rock, surf and definitely blues elements. Their sound consists of back-to-the-roots blues with garage rock and surf elements. Mary Goes Wild’s live performances are known to be excessive and extremely noisy, an effect the band strives to achieve with each show by stacking multiple amplifiers to create a modern “wall-of-sound” effect. For a band of only two members, these guys sound amazingly loud.
From the first couple of notes on the track, “Redheaded Chain,” Mary Goes Wild belts out a wicked rock sound that communicates to the listener right away that they’re not messing around with any synths, drum machines or cookie cutter riffs; their music is organic, raw and untamed. On the track, “Do Anything,” the duo kick out blistering guitar riffs and pounding drums. The band’s top musical influences include The White Stripes, Ty Segall, The Blackbox Revelation, Bass Drum Of Death, Wavves, and The Black Keys.
“Redheaded Chain“ – Mary Goes Wild from Next Time, Analog
“Do Anything” – Mary Goes Wild from Next Time, Analog
Hailing from the beautiful Gold Coast of Australia, indie dance pop band, Fairchild has been growing in popularity over the past couple of years beyond the shores of Australia to the shores of England and North America. It all started with the release of their debut EP, Burning Feet , which was making the rounds among indie buzz band bloggers and fans after the title track was circulated.
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And while the buzz from Burning Feet was still fresh, Fairchild dropped the sophomore EP, Sadako, last November. It has propelled Fairchild’s popularity to new heights.
Both EPs were recorded under the brilliant guidance of celebrated producer Catherine Marks, who has famously produced albums for artists like The Killers, Wolf Alice and Foals. What young, relatively new, and talented indie band wouldn’t love collaborating with a producer of such caliber?
Two years ago, as their popularity was growing, the six members of Fairchild decided to leave Australia and establish new roots in Manchester, England for the recording of Burning Feet and for the kind of access to opportunities a place like Manchester offers a talented band with a growing fan base and increasing blogger and press love.
Shortly after settling in England and dropping Burning Feet, Fairchild hit the road for successful tours through Singapore, Hong Kong, China and North America, sharing the stage with bands like Neon Indian, Parachute Youth, Flume, Last Dinosaurs and The Griswolds, and performing at musical events like Canadian Music Week and Music Matters Live.
Fairchild’s funky, pop-glazed melodies and beats, harmony-laden choruses, catchy, energetic guitar riffs, sparkling keys and groovy bass lines are so wonderfully delivered that they sound like they’ve been making music together for a decade or more.
“Stay Young“ (Midnight Mix) – Fairchild from Fairchild
The magic between band members – Adam Lyons (vocals), Nathan Lyons (keyboards), Tim Voeten (guitar), Patrick Huerto (guitar), Tommy Davies (bass), and James Alexander (drums) – is evident in song after song of the band’s relatively small, but impressive, discography.
Last November, Fairchild dropped their newest self-produced EP, Sadako, via Canvas Sounds overseas and OK! Good Records in the United States. Sadako, which spawned the standout single, “Aracadia,” was also mixed by Marks in London’s Assault & Battery Studios. Other standout tracks include “Dancer” and “Figure It Out.”
The news this week that digital downloads surpassed CD sales last year for the first time ever serves as a reminder to all that digital is the way of the future. Yet, old skool, vinyl releases pose a challenge to digital. In fact, Nielsen SoundScan reported that more than 9.2 million vinyl albums were sold in 2014 (up 52% from 2013), the highest number since NSS started tracking music sales in 1991.
Since its inception in 2007, Record Store Day, now a globally successful ‘Christmas’ for music enthusiasts and vinyl collectors, has set out to change the trajectory of downward trends in the sales of vinyl by encouraging artists and bands to drop special vinyl releases during the annual April event. And of course labels and bands are all for the promotion of any sales where fans pay real money for music. The main objective of RSD, or so they lead us to believe, is to help promote sales for participating indie record stores across the U.S. and around the world. Music lovers also win, especially IF they’re lucky enough to score limited edition vinyls from their favorite artists and bands.
With that said, vinyl lovers in the U.S. alone have 1,400 participating indie record shops to choose from which can be searched for on RecordStoreDay.com. Let’s get right to it: Here are many of our top picks, out of 550+ releases, for Record Store Day 2015, including exclusive limited edition drops from Metallica, Deep Purple, The Kinks, The White Stripes, The Black Keys, Built To Spill, Foo Fighters, Bob Dylan, Wu-Tang Clan, Death Cab For Cutie, REM, The Violent Femmes, David Bowie, The Stooges, Father John Misty, Run The Jewels.
Metallica – No Life Til Leather
Metallica – Easily one of the most anticipated vinyl releases on RSD will be Metallica’s never before officially released 1982 demo bootleg cassette, No Life Till Leather. Many of the songs later ended up on the triple-platinum-selling album, Kill ‘Em All. The original bootleg cassette, that has made the rounds for over 30 years, was recorded when Dave Mustaine was still the lead guitarist, and before he was unceremoniously kicked out. Mustaine didn’t suffer; he went on to form Megadeth.
David Bowie – Changes
“Changes”: The first ever 7″ vinyl picture disc of David Bowie‘s classic track features a previously unreleased AA side recorded in 1971 for a small run of Bowie promo LPs dropped by GEM Records. Die-hard Bowie fans worldwide are going to be fiercely gunning for this one – just want until the post-RSD eBay listings.
Built To Spill – Untethered Moon
The Boise jangle pop/jam-rock legends of alternative rock deliver their first full length since 2009’s There Is No Enemy. A must-have for serious BTS and vinyl fans. “Never Be The Same” is a single from Untethered Moon. Every one else can pre-order the CD or digital copy via Amazon.
Foo Fighters – Songs From The Laundry Room
The Foo Fighters, led by RSD 2015 ‘ambassador’ Dave Grohl, will drop Songs From The Laundry Room, a recording studio in Seattle. During the sessions the band knocked out a cover of Kim Wilde‘s 1981 hit “Kids In America,” as well as early versions of songs like “Alone + Easy Target” and “Big Me” and a previously unreleased track, “Empty Handed” on a limited edition 10-inch vinyl.
The White Stripes – Get Behind Me Satan
It’s almost hard to believe that this Record Store Day marks the first time ever that The White Stripes‘ double-album, Get Behind Me Satan, will be available on vinyl. The set features one disc in white vinyl and the other in red. (In case you didn’t hear, White will be performing a number of $3 spontaneous acoustic solo shows in five states in the coming weeks before he goes on a break from touring for a ‘long hiatus.’) Check out the freaky teaser video for the wax release.
The Kinks – Three EPs
The legendary band, The Kinks, now 50 years strong, continue to gather more fans every year, even though the band hasn’t released a new album in 20 years. In some ways, The Kinks are more popular now than ever before. That belief is given further validity by the very fact that, just in the past decade, artists and bands like Mumford & Sons, Bruce Springsteen, The Black Keys, Aerosmith, Jackson Browne, Of Montreal, OK Go, Yo La Tengo, Lampchop, Pearl Jam, Colin Meloy, Elvis Costello, Elliott Smith, and many, many others, have released Kinks’ cover songs.
There are three previously out-of-print compilation collector 7-inch vinyls celebrating The Kinks’ 50th anniversary that are dropping on RSD: Kinksize Hits, a long out of circulation second EP dropped in 1965, containing the massive hits like “You Really Got Me” (complete with the screaming teenage girls) and “All Day and All of the Night”.
Those two hit songs are considered by some music critics as the first real hard rock songs ever, and went on to influence trends like heavy metal and punk in the ensuing years. In 1964 and 1965, no one else had busted out riffs that aggressive and chunky before The Kinks did. At that same time, The Beatles were singing “I Wanna Hold Your Hand,” while The Kinks were singing about doing it all day and all night.
The other two EPs being reissued include the 1964 original release of the band’s first EP, Kinksize Sessions, featuring songs like “I Gotta Go Now” and “I’ve Got That Feeling.” The final 7-inch reissue on vinyl is the band’s single version of “You Really Got Me” with the B-side “Milk Cow Blues.” For good measure, check out The Kinks’ live performance of “Apeman” in 1970. Geniuses!!!
Deep Purple – “Black Night”/”Speed King” and Montreux
The British hard rock band, Deep Purple, will drop two releases – a blue 7″ vinyl of their classic song, “Black Night,” featuring a previously unavailable single edit of Roger Glover‘s 2005 remix, along with the B-side piano version of “Speed King,” which was released in 1970 in Holland as an A-side, as well as a 3-LP colored vinyl box set of Montreux (2011).
Brian Eno – My Squelchy Life
The legendary ‘lost’ Brian Eno album, My Squelchy Life, will drop on vinyl for the first time this Saturday. This is a big deal. While the album was slated for release on Warner Bros in September 1991, it was pulled at the last minute, not to see daylight until now. Last year, the album was dropped as a bonus disc of the expanded All Saints edition of the follow up album, Nerve Net. Now the RSD edition is presented in a deluxe gatefold vinyl edition, including an additional track, “Rapid Eye”, that has never been heard before.
The Black Keys- Meet Me In The City 7″
Long before they became the reigning kings of commercial arena rock, The Black Keys were students of bluesman Junior Kimbrough and his hypnotic Hill Country compositions. The Keys RSD 7-inch vinyl release features Kimbrough’s original, “Meet Me In The City,” and The Keys’ cover from their 2006 EP, Chulahoma.
Bob Dylan – The Basement Tapes
Dylan’s legendary bootleg, The Basement Tapes, has become a classic over the years. For fans around the world, there are two limited edition vinyl versions set to drop on RSD, a regular vinyl version and a 180 gram black vinyl mono master, each numbered and autographed by Garth Hudson.
Wu-Tang Clan – “Protect Ya Neck”
For the first time ever, a 12-Inch split yellow and black vinyl of “Protect Ya Neck”, the 1993 hit song that changed everything for the eight-member band and for hip hop. The limited edition of 3,000 vinyl includes the original cover art and a plastic Get On Down-branded outer sleeve.
The Stooges – Have Some Fun Live at Ungano’s
While the sound quality lacks some luster, Iggy Pop and The Stooges‘ limited edition live vinyl album, Have Some Fun Live at Ungano’s, complete with a sax coda on “Fun House.” This is definitely a must-have for die-hard Stooges and Iggy fans.
The Violent Femmes – Happy New Year
The Violent Femmes drop a 12″ vinyl EP featuring four totally new songs that the 80’s alternative rockers recorded in Hobart, Tasmania in 2014. The EP marks the first new material from the band in 17 years. The songs on the EP include “Happy New Year Next Year,” “Love Love Love Love Love,” “Good At/For Nothing,” and “Fast Horses.”
Run The Jewels – RTJ2
Fresh from dropping one of the most thunderous albums of 2014, Killer Mike and El-P of Run The Jewels are back with a limited edition 12″ RTJ2 with “Bust No Moves,” along with “Love Again” and two other tracks.
Father John Misty – “I Love You, Honeybee”
Father John Misty’s “I Love You, Honeybear,” alternative version, titled (although many sites are not reporting this change) “I Love You, Honeybee,” will be available on a limited edition (5,000 copies) red heart-shaped 7-inch, with an exclusive B-side, “I’ve Never Been A Woman.”
Various Artists – Rhino Records Side-by-Side
The Rhino Records 7-inch colored vinyl series for RSD continues this year with a compilation that includes REM‘s cover of Syd Barrett (Pink Floyd, 1965-1968)’s song, “Dark Globe.” Michael Stipe and REM’s masterful and touching cover of Barrett’s “Dark Globe” will be available on a 7″ colored vinyl.
Various Artists – The Darjeeling Limited
Director Wes Anderson‘s terrific soundtrack to 2007’s The Darjeeling Limited film will receive the limited vinyl release featuring classics from The Kinks (“Powerman,” and “This Time Tomorrow”) and The Rolling Stones (“Play With Fire”), with the film score by Bengali filmmaker Satyajit Ray. RSD exclusive version is a 12-inch 180 gram transparent green vinyl in a gatefold jacket featuring stills from the film.
Bowie, Death Cab For Cutie, Lemonheads, Stiff Little Fingers, The Stranglers
Other 7 inch drops include David Bowie and Tom Verlaine versions of Verlaine’s song, “Kingdom Come,” plus Death Cab For Cutie and Freedy Johnston recording of “Bad Reputation,”; Gram Parson and the Lemonheads versions of Parson’s track, “Brass Buttons,” plus Stiff Little Fingers cover (and the original) of Grandmaster Flash‘s “The Message,” and the unlikely pairing of Dionne Warwick and The Stranglers“Walk On By” versions.
Grizzly Bear, The Decemberists, Blitzen Trapper, Ex-Cult
Grizzly Bear is offering up their spectacular debut, Horn Of Plenty on vinyl. The Decemberists will drop Picaresque and Blitzen TrapperHarvest, on 12-inch red vinyl . One of the best riff-rockers of the past decade, Ty Segall, teamed up with Ex-Cult to record the 7-inch vinyl drop of the songs, “Ties You Up” (with Zumi Rosow of the K-Holes on saxophone) and “New Virtues” from the upcoming re-release of the album Midnight Passenger.
Vinyls From The Doors, Slowdive, Adam & The Ants
The Doors‘ Strange Days (Spotify stream) LP, mono version on 180 gram vinyl, Slowdive‘s 1992 first album – Blue Day – on the Creation Records label. Far from the best album cover, the tunes are legendary (rumors a new album is forthcoming abound). Adam & The Ants – “Kings of the Wild Frontier” on 7-inch gold vinyl.
Wax Drops from Mumford & Sons, Buzzcocks, Dandy Warhols, and Suede
Mumford and Sons put away their banjos to go electric on two previously unreleased tracks “Believe” and “The Wolf,” tracks from the much-anticipated new album, Wilder Mind. Buzzcocks drop a colored 7-inch vinyl of “The Way”/”Generation Suicide”; Dandy Warhols release a double colored vinyl LP set of Dandys Rule OK. Suede‘s best-ever album, Dog Man Star (Live At The Royal Albert Hall), recorded live in London to a hometown crowd, is a limited double vinyl treat.
Sly and The Family Stone, Johnny Mar, D’Angelo
Purveyors of funk, Sly and The Family Stone, drop Live at The Fillmore East, recorded in October 1968 at New York rock temple Fillmore East. The Roots guitarist Kirk Douglas put the release together of previously unreleased live tracks. Comes in one red and one blue vinyl set. The Strokes guitarist Johnny Mar will officially drop “I Feel You,” a cover of Depeche Mode. D’Angelo‘s “The Cherade” and “1000 Deaths” from the new album, Black Messiah, drops on a 12 inch black vinyl.
Releases from The Flaming Lips, Warpaint on Daughter and Neko Case
The Flaming Lips celebrate the 20 anniversary of the ground-breaking, Clouds Taste Metallic, with the Bad Days EP limited edition on solid white and transparent green wax and transparent yellow mixed vinyl. The Oklahoma band also drops the This Here Giraffe EP, another spin-off of Clouds, featuring songs like the title track and “Life on Mars” (Live Peel Session version). Warpaint remixes Daughter member Elena Tonra‘s haunting vocals on a 12″ inch vinyl release of “Feelin Alright.” Neko Case drops a red vinyl reissue of the 2006 album Fox Confessor Brings The Flood, which had gone out of print for years.
Interpol’s RSD VInyl and Grouplove’s Covers
Interpol drops a 7-inch vinyl limited edition of the ‘Everything Is Wrong’ release featuring the previously unreleased track, “What is What?”Grouplove drops Under The Covers with two unreleased covers, one of The Who‘s “Baba O’Riley” (with Portugal The Man) and The Beach Boys‘ “Don’t Worry Baby.” Yet Grouplove’s cover of Cage The Elephant‘s “Spiderhead” has racked up more than 370,000 streams on YouTube.
In celebration of Led Zeppelin‘s 40th anniversary since the drop of their ground-breaking album, Physical Graffiti, England’s MOJO Magazine curated a dozen contemporary and indie/alt. rock musicians to record cover songs from the rock gods’ 1975 masterpiece.
The Zep covers CD, Physical Graffiti Redrawn, was available exclusively in the UK editions of MOJO for the month of February. However, some of the tracks from the covers CD leaked onto the web.
The following UK site, GreatMagazines, apparently has a limited number of the covers album available in vinyl; a vintage replica of the 1975 Led Zeppelin Express poster; an original copy of MOJO‘s Zep edition, featuring a recent interview with Jimmy Page, and an exclusive singed magazine cover by Page.
The exclusive tribute release features the iconic packaging of the original album release, including the die-cut album sleeve housing the double vinyls.
In addition to the covers listed below, the tribute includes covers from artists like Blackberry Smoke (“The Rover”), Sun Kil Moon (“Sick Again”), and Songhoy Blues (Kashmir), among others.
“Custard Pie” (Led Zeppelin) – White Denim from Physical Graffiti Redrawn
“Bron-Yr-Aur” (Led Zeppelin) – Laura Marling from Physical Graffiti Redrawn
“Ten Years Gone” (Led Zeppelin) – Laura Marling from Physical Graffiti Redrawn
French indie pop band Lascaux are an overseas DIY band to watch It’s already the first week of April and the DIY releases are piling up. So far, we’ve released two installments of the Best New DIY Music of 2015, and they’ve been a huge hit with our listeners, subscribers and other music lovers around the globe, accumulating tens of thousands of page views and hundreds of Likes and Tweets. After filtering through tons of submissions, we’re happy to deliver to you Volume III of this popular DIY music discovery series.
Pet Politics – Gothenburg, Sweden Bud Collins Trio – Mansfield Center, Connecticut Lascaux – Rouen, France Babbling April – Dayton, Ohio Hard Soul – Albany, New York Forensics – London, England Stella Got – Israel Drew Gibson – Washington, D.C. Virgin Mary Pistol Grips – Omaha, Nebraska HAPPY good – Lancaster, Pennsylvania Elad Eyni – Rishon Lezion, Israel Atrium of The Fall – Topanga, California Fringes – Ormond Beach, Florida Russell Joslin – London, England Dan Zdilla – Lanchester, Pennsylvania Doug Balmain – Laramie, Wyoming No Body – Olympia, Washington
Pet Politics is the former one man band of Gothenburg, Sweden musician Magnus Larsson, active from 2005 through 2008. Drawing from his top musical influences like Sonic Youth, Pavement, Flaming Lips and Silver Jews, Larsson captured our ears with his incredibly melodic and jangly guitar riffs, measured drum beats and bass lines , and his slightly out-of-tune vocals and double-dubbed choruses on standout tracks like “The Ghost Mary and Her Friends” and “Taken Away By Aliens,” off of Pet Politics compilation album, simply titled 2005-2008, released in February.
Located in Mansfield Center, Connecticut, the Bud Collins Trio first came together in 1987, and not long after were featured in the popular MTV show Basement Tapes. That of course opened up doors for the DIY band as they toured extensively throughout the 1990s, opening for artists like Bob Mould, Maceo Parker, and Blues Traveler. In 2009, the band reformed after a decade hiatus. The band’s sounds showcase a mixture of various styles and genres swirling and crashing and blending, including melodic pop, tropical, jazz and psych rock. Song themes range from pop culture to love. In February, BCT released a new album, JimTom, the terrifically entertaining, mesmerizing and unforgettable musical journey, and the follow-up to the November release of Jimmy Tom. Stream more songs on the BCT Soundcloud page. It’s no surprise that the band members are fans of artists like XTC, Flaming Lips, Brian Wilson, Pink Floyd, Steely Dan and Elvis Costello.
Lascaux is an unsigned indie power pop/rock quartet from Rouen, France that booted up in 2011 when a group of musician friends decided to take their shot at writing and recording their own songs. As big fans of 1980’s pop and rock, Lascaux forges a large sound with deep percussions from Grégoire Mainot , jangling guitars from Victor Moignard, twinkling keys from Martin Lefebvre and splendid vocals by front man Clément Durand. The band members recorded their debut album, Losing Sleep, at the U.K.’s prestigious Chapel Studio. The result is eight tracks of catchy, hook-filled pop. Lascaux won a musical contest in France that placed them as the opening band for alternative rock giants Dinosaur Jr. and Texas. Their debut album, Losing Sleep was released on February 16th. The band’s most influential artists include The Sound, Depeche Mode, Kasabian, and The Strokes.
Starting out as a one-man band project of Dayton, Ohio bassist Dave New last year, Babbling April was joined by drummer Stephen Yokley, and for live shows, Lee Wise and Vivi Machi on vocals, guitar, bass and keyboards. Machi’s warm and sweet vocals, layered shoegaze-like guitars and keys, along with New’s bass thumping and Yokley’s forceful drumming on the single, “Sunny Day Records,” are phenomenal for a lo-fi track. A great producer could take that single, and the riff-heavy, punk/new wave track, “Girl I’ma Babe,” and really make them even better. The band dropped their self-titled debut EP DIY-style on February 13th.
Babbling April was featured on Noisetrade‘s ‘New and Notable Artists’ page. They’ve opened for artists like Bailiff, The Receiver, Narrow/Arrow, New Vega, and Blond, and their musical influences include Yo La Tengo, Built To Spill, White Denim, and Broken Social Scene. “Indie rock,” New said, “is the new folk music – people making music they love by the means they have available and sharing it with their friends and communities.”
“Sunny Day Records“ – Babbling April from Babbling April EP
“Girl Ima Babe“ – Babbling April from Babbling April EP
Hard Soul is a DIY rock and power pop band from Albany, New York band who’ve dropped a new release every year since their formation in 2011. The band has performed in venues throughout the northeast and built a small, but loyal, following. Hard Soul’s new Kickstarter-funded EP, Fairer Shores, dropped on February 24th, features standout tracks like “The Sweetest Heart” and the title track. The band has opened for Brick and Mortar and The Zombies, and draw from musical influences like Oasis, Thin Lizzy and The Beatles. The band members are Johnny Salka on vocals and lead guitar; Nick Kossor and Steve ‘The Dome’ Thompson on guitar; Ryan Klaeysen on bass; Mark Podbielski on drums.
“The Sweetest Heart“ – Hard Soul from Fairer Shores
“Fairer Shores“ – Hard Soul from Fairer Shores
Forensics – Charlotte’s Web
Forensics is a DIY London quartet that favors reverb-heavy and angling guitars as is evident on the band’s latest single, Charlotte’s Web. The band is releasing a series of singles throughout the year.
“Charlottes Web“ – Forensics from Charlotte’s Web
Stella Got – Wounded Ladies
Israeli artist Stella Got released her solo debut LP, Wounded Ladies, featuring the urgent, meddling and grey song, “Like A Rope.” Got has opened for artists like Gary Numan and Rockfour, and is also a member of the band Bill & Murray.
“Like A Rope“ – Stella Got from Wounded Ladies
Drew Gibson – 1532
From his base in Washington, D.C., musician Drew Gibson has spent the last 20 years recording and releasing indie rock and acoustic folk music DIY-style. Gibson’s latest album, 1532, features heartfelt indie folk rock tracks like “Bettie-Jane” and the driving beats and steel guitar licks of “Hallow Flood of Wounds.”
“Bettie-Jane“– Drew Gibson from 1532
“Hallow Flood of Wounds“ – Drew Gibson from 1532
Releases from DIY Artists Virgin Mary Pistol Grip, Elad Eyni, and HAPPY good
Virgin Mary Pistol Grip is a rock band from Omaha whose recent self-released, self-titled album spawned their first single, “Whiskey Flats,” which has been spun on radio stations throughout the Midwest. HAPPY good is David Speakman, a Lancaster, Pennsylvania based artist who loves tomatoes, black-capped Chickadees and many things unconventional. His musical influences include Junip, Telekinesis, Lupen Crook, and Tom Waits. The electro-sludge, as he calls it, is apparent on the single, “Electric Cigarette.” Other releases include Elad Eyni, a one-man alt. rock band from Israel with a track, “Catch The Sun,” from his Feb. 15th debut EP, Memories From The Kingdom Garden.
“Whiskey Flats“ – Virgin Mary Pistol Grip from Virgin Mary Pistol Grip – Feb. 3rd
“Catch The Sun“ – Elad Eyni from Memories From The Kingdom Garden – Feb. 15th
“Electric Cigarette“ – HAPPY good from single – Feb. 12th
Atrium of The Fall – Machines and Matriarchs
Topanga, California’s Tool-inspired DIY alt. rock band, Atrium of The Fall (all ex-music business professionals) chime in with the singles, “The Chancellor” and “El Dorado” from the debut LP, Machines and Matriarchs.
“The Chancellor“ – Atrium of The Fall from Machines and Matriarchs
“El Dorado“ – Atrium of The Fall from Machines and Matriarchs
Dan Zdilla – Behold and Lo
The mellow waviness of pop mixed with country embellishments like watching tumbleweeds dance in the sunlight is how we think of the advanced singles, “It’s Alright” and “As It Begins” from the debut solo album from Lancaster, Pennsylvania musician, songwriter and vocalist Dan Zdilla. He makes no bones about the fact that he’s a “sucker for a good melody.” Over the past few years, Zdilla has performed in and around his home city. On April 21, he will release his debut solo album, Behold and Lo. He is performing the songs from the album with help from drummer Paul Murr; keyboardist Matt Thomas; bassist Mike Bitts, and guitarist Chad Kinsey, the same folks that Zdilla recorded the album with.
“Behold and Lo nods to pop-rock of years past; while still sounding relevant to our generation of music-heads,” he says, “it’s inspired by melodic greats like The Beatles and The Kinks as well as more soulful artists like Paul Simon and Van Morrison.” Other influential artists and bands that inform his musical palate include Jimmy Cliff, RX Bandits, Cheers Elephant and Elvis Costello.
In 2012, four high school buddies from Ormond Beach, Florida got together and formed the alternative rock band Fringes. In February, the band dropped their energetic and edgy alt rock debut EP, Antoonos. In 2014, Fringes performed at nearly a dozen festivals and venues throughout central Florida, winning first place at the Granada Grand Festival‘s battle of the bands event. Two singles from their debut EP, “My Friends From New York” and “Here” demonstrate the band’s out-of-the-gate talents and prospects. Band members include guitarist and vocalist Max Haberman; drummer Gio Barreto; bassist Travis Hanson and lead guitarist Greyson Rayos. “Indie rock,” Hanson writes, “is about experimentation of instrument techniques, song structures, digital mastering, and musical freedom.” Fringes’ musical influences include Nirvana, The Black Keys, The Orwells, Alice in Chains, Led Zeppelin, and The Strokes.
“My Friends From New York“ – Fringes from Antoonos – Feb. 15th
Based in London, singer/songwriter Russell Joslin is, according to the BBC, “living proof of how fresh, vigorous and abrasive an acoustic songwriter can and should be in the 21st century.” Born and raised in the countryside of Wiltshire, he moved to London as a young adult to pursue his music career and was quickly noticed in the competitive music scene and booked to tour with artists like The Early Years, Scouting for Girls and Dot Allison.
In 2009, he released his solo album, Dream Token, that received wide praise from the press and bloggers – “an album of eloquent beauty” wrote ThisisfakeDIY and “a much needed gust of fresh air into the British folk scene” added Subba-Cultcha. That was followed up with his sophomore album in 2011. In February, after a two-year hiatus performing with the band High Windows, Russell dropped his third solo album, Harlequins, featuring songs like “What A Waste” and the Nick Drake-like, “Pittsburgh It Is.” His musical influences include Nick Cave, Death Grips, Two Gallants, and Bob Dylan.
From Laramie, Wyoming, solo rock musician Doug Balmain self-released his latest album, Burnin’ Both Ends, on March 3rd. As a fan of bands like The Stone Foxes, Oasis and Ryan Adams, the diversification of his tastes are evident on funky songs like “Bad Habits” and the title track.
“Bad Habits“ – Doug Balmain from Burnin’ Both Ends
“Burnin Both Ends“ – Doug Balmain from Burnin’ Both Ends
No Body – Deep Ocean Empty Wave
Formed in 2013, Olympia, Washington, the DIY band No Body knocks out grungy experimental rock on their new album, Deep Ocean Empty Wave. The band members are Issac Scott, Kevin Loughlin, and Josh Wolf. Their musical influences include Colleen Green, Women, METZ, Deerhunter, and Ava Luna.
“Always Moving Never Reaches“ – No Body from Deep Ocean Empty Wave – March 7th
“Deep Ocean Empty Wavve“ – No Body from Deep Ocean Empty Wave
San Francisco musician Paul Desjarlais, aka, Pseudonym, sort of lives in an imaginary world, and has done so for at least two decades, according to his own autobiographical details. Desjarlais, and the “other imaginary band members that pretty much live in my head,” has made some of the best indie pop most people have never heard.
Even though his newest album, Revolving Door, is his first release of new material in 17 years, Pseudonym has already created a small, but substantial, discography of whimsical, experimental and thoroughly enjoyable indie songs. We’ve spun Revolving Door more than a dozen times, and will again and again for a long time to come.
A good sign of a truly great album is one that you like a lot on the first spin, and that you come to love with each subsequent spin. And what makes Revolving Door even more magical and thrilling is the fact that it came out of nowhere – it was, at first, just another submission in our email box from a total stranger. Tracks like “Art School Lady” and “Better” are just a couple of examples that Desjarlais’ talent and creativity have not faded with time.
As a multi-instrumentalist, songwriter and vocalist, he decided two decades ago to go solo and write, record, mix, master and distribute his own music under the Pseudonym moniker after years of playing bass in Boston bands like The Uncalled Four and Haberland while attending Boston University. Within a three-year period in the mid to late 1990’s, Desjarlais wrote and recorded some of the best under-the-radar indie pop songs we’ve heard in a long time.
In 1995, he dropped his debut LP, Pabz, an exciting and multi-faceted album that was a harbinger of things to come. Not long after releasing his debut, Desjarlais began writing and recording new demos. By 1998, he decided to leave the faster-paced northeast behind to make the trek out to the sunnier, warmer side of the continent, following Horace Greeley’s famous advice penned back in 1871: “Go west, young man.”
Shortly after arriving in San Francisco at the dawn of a new century, Desjarlais began to mix and master a new collection of magnificent indie pop, rock, lo-fi, psych, shoegaze and experimental tracks that would become his masterpiece sophomore album, Pig Tail World, an album that remains obscure even though it received enthusiastic reviews from the underground press at the time (before there were bloggers).
The Underground Music Monthly wrote that Pseudonym’s “unique and upbeat songs burst forth happily from your speakers with the same elation a young child leaps forth from bed on Christmas morning to open brightly wrapped gifts.” The zine Mommy and I Are One hailed Pig Tail World, writing that “the vocals are absolutely astounding and, you would never guess that this record was made in an attic and a basement. This is a big album with big sounds and songs that really give weight to the word ‘catchy.'”
Not surprisingly, Desjarlais lists his biggest musical influences as The Beatles, Big Star, Elvis Costello, Matthew Sweet, The Beach Boys, XTC, Magnetic Fields and The Pixies. There’s a little bit of each of these artists in his work. He maintains, however, that “the actual music is whatever comes out on the way there.” There, we surmise, is the journey that he travels from his imagination, musical influences, and his own whimsical admiration of, and exceptional talent for, catchy pop tunes.
“I shoot for a unique sound, but I’m still a sucker for a good pop hook,” he said. And yet Desjarlais still manages to masterfully weave other genres, like psychedelic, lo-fi, rock and shoe gaze, throughout his discography with stunning results and originality.
That is pretty much the mantra of the majority of his songs, whether on Pabz – which was recently re-mastered as a MP3 album – Pig Tail World or Revolving Door .
Two years ago, he released a six-song EP, Stupid Star, featuring songs that did not make it onto Pig Tail World for one reason or another. The EP boosts the significance of Pig Tail World recording sessions even more so as an important moment in the best of ‘underground music’ history.
The Pig Tail World–Stupid Star recordings are bursting at the seams with Beach Boys-like harmonies, Guided By Voices guitars, Pixies quirkiness, Beatles-influenced hooks, lush melodies, hazy summer reverb, typewriters, sound effects, percussions and rhythms created by banging on cardboard boxes, bottles, pots and pans (“Throw Some Love My Way”), and an occasional melancholy song (“Kill Me in The Rain”) as well.
“I tried to keep things pretty organic; there’s no midi, SMTE, or any computer stuff really at all, except…traces of drum machine on a few songs. For rhythm, I mostly hit objects with drum sticks.”
Pig Tail World leaps right out from the beginning with the opening track, “Crashing,” on which you can hear the battered bottles, pots and pans in the background. (Considering he originally recorded these songs in 1998, it is not a stretch to proclaim that Desjarlais was an original DIY one-man band – the real ‘real deal’)
On track after track, it’s all there for everyone to hear: lo-fi indie (“Pig Tail World” and “Blow Up”), dreamy Brian Wilson-channeling tracks (“Live Angel Wire” and “Broccoli Blues”), pure power pop indulgence (“Ice & Snow“), psych pop (“Disappearing” and “Over My Head”), and tracks ( like “Ray Gun”) that Apples in Stereo fans will surely dig, with varying influences from musical periods like “mid-60’s Top 40, late-60’s psychedelia, early 70’s pop, and late-70’s punk rock,” he added.
It’s curious, of course, that Revolving Door, released on February 12th, is only Pseudonym’s fourth release in nearly two decades; he strikes us as much more of a prolific artist even though he wrote on his Bandcamp page that he “record new songs once in a while if I get a chance.”
Perhaps he is much more intent on making each release a deliberate and worthy endeavor rather than dropping albums for the sake of satisfying a small, but loyal, army of music critics and indie fans that Desjarlais has acquired, and even reacquired, over all of that time. That said, because he writes and records such amazing music, it would be a treat to all lo-fi, indie, power pop, shoegaze and rock music lovers if Desjarlais recorded more frequently.
The important thing is that he is no longer under the radar with the publication of this Artist of the Week feature, an honor well deserved, a number of times over. Let’s just hope it’s not another 17 years before he releases another album of new songs.
March releases from popular, signed, and on-the-radar artists and bands have been combed through carefully to present only the best. In case you have missed any of the top singles from new releases dropped this month, we’ve assembled the first half of the month (the second half coming soon) in detail for you below, featuring streaming (with built-in player) and download MP3s for singles from Purity Ring, Gateway Drugs, Jon Hopkins, Beech Creeps, Fences, Lady Lamb, Moon Duo, Tigercats, Echo Lake, The Stones, Destruction Unit, Lotic, Coastal, Darren Hanlon, Swervedriver, and many others.
If you haven’t listened to past playlists of the Best New Album Releases of 2015, you might want to check them out because there are a bunch of great new albums and singles from them, including ones from Guster, Panda Bear, The Districts, The Do, and many others. Also, the Best New DIY Music of 2015 series is a great spot to find great singles and new bands to watch. And the six part series for the Best DIY Songs and Albums of 2014, receiving over 1,500 Likes in all, are also accessible, featuring over 150 songs.
You can stream the songs individually by clicking on the titles, stream all of the songs on this page continuously without interruption using the small Flash player below.
[zbplayer]
Purity Ring Continues To Amaze Fans with Release of Another Eternity
In the world of electronic psych pop, few bands have made as big of a splash in the past few years as Edmonton, Canada’s Purity Ring, helmed by the talented girl/guy duo Megan James and Corin Roddick. Their new album, Another Eternity, and latest single, “Begin Again,” speak for themselves. The album cover art, from illustrator Tallulah Fontaine, is captivating.
“Begin Again”– Purity Ring from Another Eternity on 4AD
Moon Duo and Beech Creeps Strike Hard with Riveting Noise Rock
Buzzing guitar riffs rifle along with manic keyboard jams, a steady, one-two punch drum beat, spooky vocals and distant howls comprise the latest single, “Animal,” from Wooden Shjips‘ guitarist Ripley Johnson and keyboardist Sanae Yamada, aka,Moon Duo, on their third album, Shadow of the Sun.
“Animal” – Moon Duo from Shadow of the Sun on Sacred Bones
Next, the noise rock continutes with the rattly, punk rock-infused single, “Times Be Short,” from the self-titled debut album by Brooklyn‘s garage rockers, Beech Creeps. These boys can rip it up.
“Times Be Short” – Beech Creeps from Beech Creeps on Monofonus Press
Lady Lamb Drops Debut Album, After, on Mom and Pop Records
Brunswick, Maine pop girl Lady Lamb (who recently dropped “The Beekeeper” from her moniker) gets the blood running with the incredibly infectious, uptempo single, “Billions of Eyes,” featuring endearing, high pitched vocals and choruses, tropical, melodic guitar riffs, and hip-shaking pop rhythms. The single is from the debut album, After, released appropriately by Mom + Pop Records.
Chill Session with Jon Hopkins and Retro Prog with Steven Wilson
Appropriately titled, Late Night Tales, is the new album from Jon Hopkins featuring mellow ambient instrumentals like the lead single, “I Remember.” If you’re stressed out like most people, kicking back and melting into this sweet track is medicine. Stunningly calm and rejuvenating.
“I Remember” – Jon Hopkins from Late Night Tales on LateNightTales
So while we’re already into the whole Zen-“Be Calm”-chill mode, it’s not a bad place to insert the very different, but almost as calming track, “First Regret/3 Years Older,” from Steven Wilson. But the calm is shattered between minute seven and minute 10 of the 12-plus minute modern prog rock opera. Wait, is this a flashback? It’s like 1973 again when the original prog rock fad was burning up vinyl sales and filling arenas from New Jersey to San Francisco. Eat your heart out Rick Wakeman.
Of Montreal Drops 13th Album; Coastal Gets Melancholy on New Single
Athens, Georgia native band, Of Montreal, continue to establish themselves as one of the most quirky, non-cookie cutter experimental indie bands of the past decade-plus. The band reaffirms their deserved status in the world of underground music with their latest single – the punky-funky, disco-influenced genre-bender blender, “Bassem Sabry,” from their latest LP, Aureate Gloom.
“Bassem Sabry” – Of Montreal from Aureate Gloom on Polyvinyl
LA Band to Watch Gateway Drugs Drop Debut; Swervedriver Release New LP
The breakout Los Angeles band, Gateway Drugs, who just killed it at SXSW last week, consist of siblings Gab, Noa and Liv Niles, the offspring of bassist Prescott Niles of The Knack – the 80’s band responsible for mega hits like “My Sharona.” Blues Williams rounds out the quartet on bass.
Papa bear Niles not only executive produced their debut album, Magick Spells, dropped on March 3rd, but he also reserved the studio time in Dave Grohl’s tripped-out Studio 606. Gateway Drugs follow-up single, “Fridays Are For Suckers,” is streaming below. They are on tour right now with shoe gaze veterans Swervediver, who also released a new LP, I Wasn’t Born To Lose, on the same day, featuring the single, “Setting Sun.”
“Setting Sun” – Swervedriver from I Wasn’t Born to Lose You on Cobraside
Roots of Lo-Fi Psych Rock Trace Back To Re-Drop From NZ’s Flying Nun
It probably was never a good idea, especially 35 years ago, to call your new band The Stones. Afterall, it’s an unspoken truth today, and perhaps even more so in the late 70’s and early 80’s, that a reference to ‘The Stones’ was simply how a fan referred to rock legends The Rolling Stones. But New Zealand rockers, The Stones, made no bones about the fact that they named themselves after their inspiration – The Rolling Stones – out of respect, not because the short-lived trio weren’t original.
Quite contrary, it should be noted; these Stones made some music history of their own by contributing a few awesome songs to the famous Flying Nun Records‘ 1982 lo-fi compilation, Dunedin Double EP, a seminal release in New Zealand’s alternative rock history. Other bands on the two-disc, 13-track EP included The Chills, Sneaky Feelings, and The Verlaines. The Stones’ reissue of Three Blind Mice includes the standout track, “See Red,” and reaffirms the band’s contribution to the so-called Dunedin Sound, which contributed to the resurgence of psych rock and lo-fi in recent years.
“See Red” – The Stones from Three Blind Mice reissue on Flying Nun
What can anyone say these days about the aging Noel Gallagher that hasn’t already been said over the past two decades? – filthy rich, loud mouth, boozer, ex-cokehead, brilliant, overrated, ballsy, rebel rouser, talented, opinionated, immature, goof-ball, prankster, and on and on.
Well, bollocks, the blabbermouth is back again with his High Flying Birds and a new LP. Yawn. Does he keep turning it out? But isn’t there something inescapably annoying, and repugnant, about a bratty millionaire-one-hundred-plus-times-over who has had way, way more than his 15 minutes of fame? That said, Noel fans check out the High Flying Birds new video single, “Ballad of The Mighty,” from the album, Chasing Yesterday.
New Singles from Artists Coastal and Darren Hanlon
If you’re a sucker for melancholy songs, Coastal’s single, “We Drink To Remember,” provides the necessary elements – slow, quiet notes; sad, whispery vocals, and lots of dead space where somber thoughts are able to linger. The band’s new album, Beneath the Snow and Streetlights, dropped on March 3rd.
“We Drink To Remember” – Coastal from Beneath the Snow and Streetlights on Words On Music
Picking things up a bit, the woody, stringy rhythm, occasional flare of the snare and Darren Hanlon’s nasally, emotive vocals give this song an uptempo, yet organic, feel.
“When You Go” – Darren Hanlon from Where Did You Come From? on Flippin Yeah Industries
Echo Lake’s New Single Celebrates Spring while Destruction Unit Crashes the Picnic
Just Imagine: It’s the first of April and you’re chilling on a park bench in the afternoon – leaf buds are popping out of tree branches, flowers and grass blades are erecting upwards from the ground, the warm sun is shining on your face, and then it happens – an explosion of hazy surf rock pumps into your ears. It’s the new single, “Waves,” from the band Echo Lake . The song gradually builds up into a cacophony of reverb-soaked guitars, keys and percussion – it’s all confirming that spring has finally arrived.
Thrashing, blazing guitars, reverb, feedback, barely audible vocals, crashing cymbals and stomping drums mix with the musical anarchy of punk meets psych garage rock on the nearly seven-minute ear blistering track, “Bumpy Road,” from Destruction Unit‘s Live in San Francisco release. Nothing remains but the destructed remnants of a happy little picnic.
“Bumpy Road” – Destruction Unit from Live in San Francisco on Castle Face
Jeff Rosenstock Drops New LP and Beer Single; Lotic Go Totally ‘Heterocetra’
Hard acoustic guitar strumming, tambourine rattling, electric guitar notes flying, and big, flourishing choruses are the components of the single, “Beers Again Alone,” from Jeff Rosenstock‘s new album, We Cool?. This track is quickly one of the top new beer drinking songs of 2015. Gulp.
Imagine being encircled by a swarm of mechanical, metallic insects from the future world, trying to swat down as many as you can with a copper coil while thousands of glo worms of many florescent colors crawl on the floors and walls. That’s what Lotic‘s single, “Heterocetera,” sounds like to us (even without shrooms).
Third Man Records Drops Live Album from Parquet Courts
Make no bones about it: any rock band that gets signed to Jack White‘s record label, Third Man Records, has to have something really special. That’s just the case with New York City rockers Parquet Courts. The label just dropped the band’s first live album, Live at Third Man Records. Is it a mindless grab for easy green or giving PC fans what they want? Who the fuck said rock is dead?
“Sunbathing Animal” – Parquet Courts from Live at Third Man Records on Third Man Records
Lead Singles from Best New Albums Dropped Week of March 10th
Arranging a sweet, irresistible pop melody with a steady, but soft, back beat, jangling, shimmering guitars that interplay with synth keys, and sexy, charming vocals and harmonic choruses, the indie pop band Tigercats crafted one of the most memorable tracks of the month with the single, “Sleeping In The Backseat,” from the album Mysteries.
Fucked Up guitarist Been Cook blends big hooks and Prince funkadelics with electro pop and jangle pop on his new album. Recently, Cook shortened his Young Governor moniker to simply Young Guv.
“Wrong Crowd” (Featuring Jef Barbara) – Young Gov from Ripe 4 Luv on Sumberland
Fences Drops Lesser Oceans and Lieutenant Release Long-Titled Album
With a foot-tapping, uptempo beat, power pop guitars bouncing along, melodic keys twinkling and soaring, harmonic choruses, the inde performer Fences fire us up for the warmth and sunlight of the coming summer season on the single, “Sunburns,” from the new album, Lesser Oceans.
Sticking to the same upbeat mood set by “Sunburns,” the shimmering power pop, Big Star-like track, “Belle Epoque,” from Lieutenant, marks the drop of the long, and unusually, titled LP, If I Kill This Thing We’re All Going To Eat For A Week. ‘Belle Epoque,’ or ‘Beautiful Era,’ was a period of optimism, peace and high cultural and scientific development in Europe between 1871 and the beginning of World War I in 1914. In America, it was referred to as “The Gilded Age.”
“Belle Epoque” – Lieutenant from If I Kill This Thing We’re All Going To Eat For A Week on Dine Alone Records
Another Butler Enters the Music Fray and BLSH Do Retro Disco Mixed with Glam and Synth Infusions
Will Butler, the younger brother of Arcade Fire frontman Win Butler, is cutting his teeth with his debut release, Policy. The lead track, “Anna,” sounds like a kick-back to the 80s, complete with a new wave back beat, emotive, smoky vocals, jazzy/bluesy horn infusions and hard-hitting piano key notes. Next, with a disco-like beat, ringing and angular guitars, warped and swooshing synth keys, and soaring choruses, Bright Light Social Hour add a little glam to their pop on the single, “Infinite Cities,” from the new album Space Is Still the Place.
“Infinite Cities” – Bright Light Social Hour from Space Is Still the Place on Frenchkiss Records
Singles from LPs by Fawn Spots, Black Yaya and Sarah Bethe Nelson
Amped up noise rock on the verge of metal mixed with some hard core punk influences and moments of de-escalation, are some of the main elements that comprise the new single, “New Sense,” from the fresh album release by York, England trio Fawn Spots. With a groovy rock and roll beat and screeching guitars, fuzzy synths, echoey vocals and rocket blast off sound effects, Black Yaya‘s single, “Flying A Rocket,” is the lead track off of their self-titled debut LP.
“New Sense” – Fawn Spots from From Safer Place on Critical Heights
This second installment of the Best New DIY of 2015 features a wide diversity of unsigned artists and bands with brand new singles, EPs and albums out now that you’re not likely to hear anywhere else but on IRC. From Brooklyn and Austin to Brisbane and Manchester, the artists and bands in this new playlist post of the best new DIY run the gamut from riff-tearing rock and glittery synth pop to spiraling psychedelic and acoustic folk.
In This Issue
Empire Machines – Austin, Texas Silas Fermoy – Brooklyn, New York Voir Voir – Bethelem, Pennsylvania ONFIILM – Ottawa, Ontario, Canada Modern Chair – Auckland, New Zealand Them Bruins – Melbourne, Australia DROLL – Boise, Idaho Disco Fiasco – Oulu, Finland Selina George – Rockville, Maryland Concetta Abbate – New York City Greg Chiapello – Brisbane, Australia
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Empire Machines – Animal Skin EP
Empire Machines is a four piece indie rock outfit from the band-saturated, musical breeding ground of Austin. Founded in 2009, the band first gained recognition in the competitive environment of the Texan state capital in 2011 with the release of their self-titled debut EP. We were among the first blogs to feature the band back then. Fast-forward to 2015. Without realizing that we had nearly forgotten about them (it’s easy, alas, to forget about bands we love because we hear so many in the course of a year), Empire Machines dropped their follow-up EP, Animal Skin, on February 3rd.
While the three-track Animal Skin has flown largely under the radar just about everywhere else, it clearly reminds us of why we dig the band’s blend of heavily distorted, yet blazing, guitar riffs, catchy alternative rock rhythms, dark psychedelic tones, and big-sounding drums paired with minimalistic melodies on singles like “The Plan” and the EP’s title track.
“I think indie rock spans a bunch of different styles of rock, usually with a tendency to take more creative routes and sounds,” lead vocalist and guitarist Matt Blackwell said. Other band members include Trey McKinley on bass; Matt Reynolds on drums, and Bruce Smith Jr. on lead guitar.
“The Plan“ – Empire Machines from Animal Skin EP
“Animal Skin“ – Empire Machines from Animal Skin EP
Opened For: None provided Musical Influences: Radiohead, The Beatles, Cage the Elephant, Spoon, and Arctic Monkeys Twitter handle: @Empire_Machines Empire Machines on Facebook
Silas Fermoy – Clouds That Dropped You
After moving from London to California when he was only 16, DIY songwriter, vocalist and multi-instrumentalist Joshua Mash immediately got involved with producing hip hop music in the west. Four years later, he made the cross-continental move to Brooklyn where he began writing songs and playing the guitar. Soon after, he created Silas Fermoy and recruited band members for live shows. With the release of his first EP, Chapters, in 2012, he toured the United States, making a stop in Austin to perform at South By Southwest.
Fast forward to last summer – Mash found himself with a number of new songs that he was eager to get into the studio and record. He recruited former Elefant drummer Kevin Mcadams and producer Jason Cummings (who also played guitar and bass on the EP) of The Cutting Room Studios. That was the starting point for his new EP, Clouds That Dropped You, which features uptempo, melodic pop hooks with dance beats floating on top of warm synths on songs like “Passed Time” and “Feet Wont’ Keep You,” that you’ll find are difficult to get out of your head. His sophomore EP was dropped on February 27th.
“Passed Time“ – Silas Fermoy from Clouds That Dropped You
“Feet Won’t Keep You“ – Silas Fermoy from Clouds That Dropped You
Opened For: Hunter Hunted, Various Cruelties Musical Influences: The Mary Onettes, Stars, Beach House, Blonde Redhead, The Stills, Delta Spirit Twitter handle: @Silasfermoy Silas Fermoy on Facebook
“Indie rock is music that doesn’t follow the basic rules or guidelines of what typical rock should be; it’s produced with an edge and not pulling on the typical strings of “baby left me”/”baby came back”. – Joshua Mash
Voir Voir – There Are No Good Goodbyes
Voir Voir started after it began. In the creativity-fertile Lehigh Valley town of Bethlehem, Pennsylvania, April and Matt Molchany discovered a fitting respite from their previous bands and the summer heat in 2012, writing and practicing songs together, and incorporating tones and textures that were part of their natural and artificial surroundings. The couple’s work remained under wraps even though they drew inspiration from the local DIY music scene.
By 2013, they had recruited a couple of other band members and began recording and performing their demos live after being billed to open for touring bands like Drowners, Slingshot Dakota, and Lewis & Clarke. It was during these performances that the band realized they were moving in the right direction. Thus, they self-released their debut album, There Are No Good Goodbyes, in February. The raw energy and musicianship, the passion and the talent of the DIY band is evident on ‘slacker rock’ songs like the title track and their first single, “I Wanna.”
“I Wanna“ – Voir Voir from There Are No Good Goodbyes – Feb .27th
“There Are No Good Goodbyes“ – Voir Voir from There Are No Good Goodbyes
Opened For: Drowners, Slingshot Dakota, Lewis & Clarke Musical Influences: Built to Spill, The Pixies, Elliot Smith, Modest Mouse, Pavement Voir Voir on Facebook
ONFIILM – Shade Single
ONFIILM is a new DIY post punk duo from Ottawa, Canada, founded by musicians Jordan Craig (vocals, guitar, violin) and Aaron Sager-Yung (guitar) in 2014. At first spin of their new, seven-minute blazing track, “Shade,” it’s not out of the realm of probability that some listeners could think they might be listening to a previously unreleased demo from Jane’s Addiction. But it’s not. It’s ONFIILM.
The pair make no bones about their long-time admiration of Jane’s Addiction’s big, electrifying trademark sound. Nor should they. ONFIILM’s sound is a mix of post punk, shoe gaze, psych rock, and what they call ‘abrasive blues.’ The result is a highly charged sound that the guys contend takes “the listener down a dirty, but sparkling, intergalatic black hole, and into a magical plane of shoe gaze psychedelia. The lyrics are terrestrial, but the vibe is extra. ”
The band released the “Shade” single on February 12th and are preparing to drop their debut EP something in the next few months. In the meantime, the band also sent us a raw, live and unreleased track, “The Good Ones.”
“Shade“ – ONFIILM from Shade 7″
“The Good Ones“ – ONFIILM
Opened For: Country, Alpha Strategy Musical Influences: Jane’s Addiction, Spacemen 3, Brian Jonestown Massacre, and Black Angels Twitter handle: @onfiilm ONFIILM on Facebook
Modern Chair – Tokyo Compression EP
From the mysterious world of New Zealand, rock veterans Wayne Bell and Andrew Thorne recently released a three-track EP, Tokyo Compression, as the newly-formed band Modern Chair, which has demonstrated that these aging-gracefully gents can certainly rock and roll, as evident on the EP’s raucous title track, and the follow-up single, “Vampire Squid.”
After many years of performing on albums and on tour with New Zealand rock royalty such as Tim Finn, Dave Dobbyn, Bic Runga and Gin Wigmore – opening for artists and bands like Radiohead, Jeff Buckley, The Cure, and Paul McCartney – Bell and Thorne are also studio owners with a long list of TV, commercial and session work to their credit.
“But that’s not necessarily real music,” Thorne said. “Music to me is doing things purely because you like the noise. A Les Paul through some fuzz pedal into an old AC30 [amp] melting your face just feels good.”
Bell chimes in, adding: “We wanted to do something big and driving [with Modern Chair]…if called upon, both of us can play some fairly fiddly stuff on our respective instruments. But, at this stage, that’s pretty much redundant. What’s ultimately satisfying is a groove or a melody that gets stuck in your ear and a band that makes you feel like you’ve arrived home. The modern age seems to be about celebrating individuals in ‘art’. I’d like to think Modern Chair is about celebrating the art in individuals.”
That’s certainly what Auckland‘s newest hard rock duo have achieved with Tokyo Compression. The fuzzy guitar riffs, gritty vocals, scuzzy bass playing, and big-sounding drums are exactly what the duo were aiming for. The EP was recorded and released within two months (during New Zealand’s summer).
“Tokyo Compression (Lets Go Tokyo!)“ – Modern Chair from Tokyo Compression – Feb. 18th
“Vampire Squid“ – Modern Chair from Tokyo Compression
Opened For: None yet; but in previous bands – Radiohead, Jeff Buckley, The Cure, Paul McCartney Musical Influences: Tom Petty, Miles Davis, Stevie Wonder, NIN Twitter handle: @Modern_Chair Modern Chair official website Music Video for ‘Tokyo Compression’
Disco Fiasco – Golden Hats
Stepping out of the shadows of obscurity, Oulu, Finland electro rock dance band Disco Fiasco have been making waves in their home country for the past year now. Formed in 2013, they dropped two EPs in less than two years. Fast-forward to now: these young lads have just released their new hip-shaking track, “Chance to Dance,” the second single from their debut album, Golden Hats, released last month. Increasingly a band to watch in Finland, the DIY quintet performed at Finnish music festivals like Qstock (Oulu, FIN) and Buktafestivalen.
It’s almost impossible not to imagine that the album’s title track – with it’s poppy hooks, lush grooves and flourishing keys – sounds somewhat like an 80’s keyboard rock tune from a band that emulates Devo and Duran Duran. Disco Fiasco features Karri Hurskainen on drums; Topi Kilpinen and Joonas Juntunen on guitar; Santeri Koppelo on vocals, and Jami Myllykoski on bass.
“Chance To Dance“ – Disco Fiasco from Golden Hats
“Golden Hats“ – Disco Fiasco from Golden Hats
Opened For: None yet Musical Influences: Arctic Monkeys, Two Door Cinema Club, Wombats, Satellite Stories, Metallica Twitter handle: @disco_fiasco Disco Fiasco on Facebook
Them Bruins – Them Bruins EP
Born nearly three years ago in Melbourne, Australia, the youthful, hard-hitting, and fast-driving garage rock band, Them Bruins, blaze out of the headphones at 100 miles per hour with a relentless inferno of crunchy, raucous guitar riffs from Ben Woodmason; fuzzy, brooding bass lines from Jimmy Campbell; ferocious drumming from Tim Woodmason and wicked, snarling vocals from Joel Griffith, on noisy, chunky tracks like “Walk The Line” and “Black Widow” from the band’s self-titled debut EP. Paying homage, completely in their own distinct way, to idols like Nirvana, Queens of the Stone Age and The Strokes, Them Bruins are one of the best new overseas DIY rock bands to hit the shores of the United States so far this year, and we can only suspect that they’ll grow in popularity throughout 2015 if all the right pieces fall into place.
“Walk a Line“ – Them Bruins from Them Bruins – Feb. 1st
Opened For: DZ Deathrays, British India, Children Collide, Kingswood, and The Bellrays Musical Influences: The Strokes, At The Drive In, Bloc Party, Queens of the Stoneage, and Nirvana. Twitter handle: @ThemBruins Them Bruins on Facebook
DROLL – A Durty World (The Bedroom Recordings)
Situated in Boise, Idaho, DROLL, is a new ‘anti-folk’ musical project of Storie Grubb (guitar, uke, percussion, vocals and harmonica), featuring Matt Vorhies on accordion. On February 1st, DROLL released the magnificently melancholy debut EP, A Durty World (The Bedroom Recordings).
We have been really moved by Grubb’s intensely emotive vocals, intriguing story-telling and lyrics, and his sublime, folksy acoustic instrumentation that exudes what sounds like a lifetime of sadness and reflection. There’s something undeniably innocent and beautiful in his song craft; in fact, these songs have really stuck with us, and we’ve played them again and again, which has resulted in us liking them more and more with each spin. He is uniquely his own artist, and while he listed musical influences to include Magnetic Fields, Neil Young and Bob Dylan, Grubbs’ stands alone in his own world of musical expression and songwriting.
For example, take into consideration the following verses from the poignant song, “The Land of 2,000 Hands,” which is apparently about a mother who died of a heroin-induced suicide:
Heerrrr-o-in, She couldn’t come back even if she wanted to… Momma’s on the window sill, Cybil’s counting out her pills, Momma’s thinking, she’s no good for anyone…
“The Land of 2000 Hands“ – DROLL from A Durty World (The Bedroom Recordings)
Prior to dropping A Durty World (The Bedroom Recordings), DROLL unassumingly released a five-track, self-titled EP on January 9th via Facebook, featuring tracks like a ukelele and accordion instrumental, “Ode to Zach,” a Nick Drake-like instrumental, “Sing With Me,” and other deep, heart-breaking ‘anti-folk’ compositions like “Names,” “Paycheck to Paycheck” and “Anything,” the latter with lyrics like “Such a sad, stupid thing to fight/you’re beating on my floor/And there’s the chords you took for Bride(?)/he’s beating down my door/No, I won’t be just another fly for you to eat.”
“Names“ – DROLL from A Durty World (The Bedroom Recordings)
We don’t know if Grubb is channeling Nick Drake and Elliott Smith – legendary, yet tragic, figures of the ‘sombre folk’ genre – but he sure strikes a chord on song after song that has us reminiscing. The preface to the DROLLS EP on Facebook notes: “…if you’ve ever had a broken heart or lost something you love…”
“I’ve been playing in a rock and roll band for the passed four years and wanted to get back to my roots,” Grubb told IRC, adding that DROLL aims to create “simple, lyrical and melodic music that reflects the many ways I feel about life, war, religion and art…and sometimes love.”
“The Gods of Man“ – DROLL from A Durty World (The Bedroom Recordings)
At the age of 20, Rockville, Maryland, singer/songwriter Selina George displays the deep insight and perspective on life that one would expect from someone twice her age. Her gorgeous, yet mysteriously pained, vocals maintain an innocent quality that ironically work well with her lyrics and musicianship. On splendidly beautiful songs like “South of the Border,” George’s lyrics, vocals and musical skills on guitar immediately signal a DIY sensation in the making that is just under the radar, but that we suspect won’t be for long once more people hear her creations. “Who is that?!” we thought, as have other unsuspecting listeners in the cafe. There’s something fitting about the otherwise misplaced samples of exploding fireworks in the background, that intertwine with haunting melodies and lyrics of long distant love denied, that the give the song an arresting allure, while simultaneously conveying the tribulations of an aching heart.
“I speak strictly from the heart, and my songs are very real to me, and everyone who hears them,” George told IRC. “The way I see it, music is my therapy, my release, and my call to action. These songs are my legacy.” George began writing songs and playing guitar when she was 16 years old.
Her musical influences are varied and include artists like Jhene Aiko, The Beatles, Bob Marley, Amy Winehouse, and Pink Floyd. She labels her music in more than one genre – folk, soul, and ‘acoustic mellow.’ On February 21st, George self-released her self-titled debut EP with help from her boyfriend producer, Robin Smith.
“South of the Border“ – Selina George from South of the Border
Opened For: None Yet Musical Influences: Jhene Aiko, The Beatles, Aluna George, Bob Marley, Amy Winehouse, and Pink Floyd Twitter handle: @TheSelinaGeorge Selina George on Facebook
Concetta Abbate – Falling In Time
Calling New York City home, songwriter and singer Concetta Abbate released her debut album, Falling In Time, on February 15th, from which the orchestral pop track, “Thought Thieving Hen,” is taken. It’s a short, but sweet, song track, which is fitting considering the title of the album. The song is also like a tune we could imagine hearing in the Wizard of Oz if the movie were filmed in 2014. There are even more songs – that mix elements of jazz, classical, experimental, pop and electronic – on the album that should be satisfactory to any listeners who are smitten by the single we included in this short review of Abbate’s debut album.
Opened For: Archipelago String Quartet, Inti and the Moon, Ember Schrag, Susan Alcorn, Janel and Anthony, Lola and the Wolves Musical Influences: Bjork, Emiliana Torrini, Karla Khilstedt, Hildegard Von Bingen, Arvo Part Twitter handle: @concetta.abbate Concetta Abbate on Facebook
Greg Chiapello – Hot Coffee single
Brisbane musician and Hey Geronimo and Montpelier collaborator, Greg Chiapello, released his debut single “Hot Coffee” on February 4th and announced a national tour of Australia supporting artist Megan Washington.
The joyful track has an addictive charm and hook-heavy chorus, which was one reason it was an IRC Song of the Day. “Hot Coffee” was produced by Brisbane-based producer/session musician Graham Ritchie (Airling, Emma Louise), and engineered by Matt Redlich (Ball Park Music, Hungry Kids Of Hungry, Emma Louise). It’s the perfect tease track for a forthcoming album that we’re looking forward to hearing as soon as it’s dropped.
“Hot Coffee“ – Greg Chiapello from Hot Coffee single
Opened For: Megan Washington Musical Influences: Babaganoü and Montaigne Twitter handle: @gregchiapello
Soup – Soup EP
The DIY band, Soup, is a Manchester, England indie psychedelic band that rips a page from Syd Barrett‘s tenure with Pink Floyd before Barrett allegedly “lost his mind” by taking too much LSD and was replaced by Roger Waters. The Barrett channelling, if you will, is most apparent on Soup’s track, “Colour Coded,” from the Soup EP, a five-track “introduction to the full 13-track album” that can be streamed here.
“Had I not been asked to be a guest vocalist on what would have been the first Paris Angels‘ album since the early 90s,” Andy Whitaker, lead vocalist and guitarist said, “this project in it’s current incarnation would have never come about.” After Paris Angels disbanded last year, bassist Oz Cooper and Whitaker continued experimenting in the recording studio, bringing “the mighty Dug McLeod in on drums,” for the recording session. The current Soup line-up includes Oz’s brother, Dan Cooper, on drums, Elliot Wheeler on guitar and Chad Whitaker on keys.
“Colour Coded“ – Soup from Album
Opened For: None yet Musical Influences: Melody’s Echo Chamber, Miracle Fortress, The Chameleons UK, New Order, Beck, Simeon, Syd Barrett Twitter handle: @Soupband Soup on Facebook
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Over the years, we are always impressed with DIY one-man bands who are able to craft, record and mix amazing songs that sound better than a lot of bands with four or five members. From Derby, England, Grawlix (pronounced ‘Graw-lix’), the one-man band helmed by musician James Machin (formerly of My Psychoanalyst), does just that.
Not even a year since founding Grawlix, Machin fittingly dropped his debut album, Good Grief, on Valentine’s Day. We say ‘fittingly’ because there is love and heartbreak, raw emotion and despair – the inevitable contradictions of the foolish heart – present and lurking about within the ten tracks of this accomplished LP.
Good Grief‘s remarkable sonic journey is full of fuzzy, warm guitars, hauntingly beautiful piano melodies, and Machin’s wonderfully pained vocals that morph from moments of whispery, hushed melancholy into uplifting and flourishing choruses that quickly wash away any remnants of despair or discord, providing hope to a world that is too often plagued by darkness. Grawlix lovingly blends all of the aforementioned elements with ambient folk, shoegaze and dream pop on standout tracks like “Run Forever” and “Atlas Bear” – just a couple of the songs (available below for streaming or download) that we’ve listened to at least a half dozen times in the past couple of weeks.
Machin’s self-professed musical mentors – Bon Iver, Perfume Genius and Panda Bear, among others – are clearly beckoned, and well represented, but never imitated; Machin is too innately gifted as a songwriter, and a talented musician, to settle for cheap knock-offs. Instead, he belongs within their ranks.
Good Grief is one of the finest albums we’ve heard so far in 2015. From this point forward, Machin’s work can only be served justice by popping up on the radar screens of dazzled indie bloggers and music reviewers everywhere. We can’t wait to hear what he delivers next. But, for now, we’re content with Grawlix’s enormously satisfying debut.
Run Forever – Grawlix from Good Grief
Atlas Bear – Grawlix from Good Grief
Bonus: “Clump Soul” video by Machin’s former band, My Psychoanalyst
Purchase Good Grief on limited edition vinyl or digital download via Bandcamp
Coming Up: : Best DIY Music of 2015, Vol. II; Bands You’ve Gotta Hear @SXSW; 5 Bands That Rock. Don’t miss the latest Top 10 Indie Rock Songs charts playlists
The last two weeks of February album drops features former Libertines’ frontman, Carl Barat, and his band, The Jackals, and their debut album, Let It Reign, that borrows lovingly from The Clash and throws in a couple of sweet ballads to boot. Emile Haynie teams up with a number of other artists on the album,We Fall which includes the single “A Kiss Goodbye,” with Charlotee Gainsbourg, Devonte Hynes and Sampha.
Swedish musician Jose Gonzalez, with his third solo album of folk pop tracks dipped in West African blues and layered vocals. On the latest from Brooklyn’s A Place To Bury Strangers, the band cranks out more oozing shoegaze mixed with psych rock, post punk and goth.
Also, don’t miss new singles from fresh albums by The Amazing, Dan Deacon, Keath Mead, The Black Ryder, Gang of Four with Alison Mosshart, Cheatahs, Sonny and The Sunsets, Steve Gunn and the Black Twig Pickers, and many others. Disclaimer: All songs are made available for review and property of the artists and labels. Purchase any of the albums via Amazon simply by clicking on the album title. Don’t miss the Top 10 Songs charts for February and January. The other Top 10 charts for February – based on this playlist – will be posted in the coming week.
[zbplayer]
“Glory Days” – Carl Barât and The Jackals from Let It Reign on Grand Jury/Cooking Vinyl
“A Kiss Goodbye” – Emile Haynie featuring Charlotte Gainsbourg, Devonté Hynes and Sampha from We Fall on Interscope
“Every Age” – Jose Gonzalez from Vestiges & Claws on Mute
“EarthEE” – THEESatisfaction from EarthEE on Sub Pop
“Straight” – A Place to Bury Strangers from Transfixation on Dead Oceans
“Polite Refusal” – Keath Mead from Sunday Dinner on Company Records
“Wax Chance” – Six Organs of Admittance from Hexadic on Drag City
“Santaria” – The Black Ryder from The Door Behind the Door on The Anti-Machine Machine
Miscellaneous Releases from Axis: Sova, Leviathan, Little Tornados and Rev. Peyton
A bad-ass combined assault of guitar jams, ferocious bass runs and frenzied drumming on Axis: Sova‘s seven-minute, instrumental track, “Fractal Ancestry,” qualifies it as a notable single from the album Early Surf.
We rarely featured what we call ‘monster rock’ aka ‘death metal,’ but there was such a strong response from music lovers to Leviathan’s new single, “All Tongues Toward,” that we decided to include it. The album art from the band’s Scar Sighted album is sick. We’ll see when the Top 10 comes out if they made it in. If you haven’t seen the Top 10 playlists for the first half of February check them out.
Twin brothers, Daniel and David Barbedillo, are the Mexico City duo Jack and The Ripper
Based on the traffic, Likes, and Tweets of the previous installments of Top DIY Songs & Albums of 2014, you guys want – for at least a little longer – to hear more great DIY music released in 2014. You can stream all of the songs on this page by clicking on the play button of the embedded player below. If you cannot see the player, you can still simply click on the individual songs themselves to stream them on your cell, or download them to your favorite MP3 player.
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The bands and artists in this volume include (in no particular order):
Jack and The Ripper – Mexico City/San Diego Mechanical Joints – Chicago/Houston Monuments – Brooklyn Hippy Tantrum – Brooklyn No Sleep For Lucy – Stockholm, Sweden Time Spills – Salinas, California Desert Killers – Sao Paulo, Brazil Joel Strauss – Ontario, Canada The Crash Bandits – Minneapolis Kwolek – Boulder, Colorado Tony Michael Ellis – Los Angeles Paul McLinden – Glasgow, Scotland
Jack and The Ripper – Jack and The Ripper, Vol. 2
Originally from San Diego and now based in Mexico City, the alternative rock duo Jack and The Ripper consists of two multi-instrumentalist, identical twin brothers – Daniel C. Barbedillo (lead vocals, guitar, keyboards, synth, programming) and David C. Barbedillo (backup vocals, guitar, samples, programming). Formed in 2012, the brothers released their self-titled DIY debut album in June of 2013. As evident on blazing, thumping tracks like “Will You Be Mine” and “Drive Thru Spiritual Awakening,” from their sophomore album, Vol. Two, the Barbedillo brothers are heavily influenced by bands like Brian Jonestown Massacre, Nirvana, Radiohead, HEALTH, Warpaint, and Os Mutantes. Make no mistake out it – these twins grind out vicious, and frenetic buzzsaw riffs and chords, snarling, horsed vocals, psychedelic electronic atmospherics and triumphant percussions that slice and dice for a cathartic sound.
“Will You Be Mine“ – Jack and The Ripper from Jack and The Ripper Vol. 2
“Drive Thru Spiritual Awakening“ – Jack and The Ripper from Jack and The Ripper Vol. 2
After nine years of writing music together long distance by sending sound files back and forth to one another online, two 20-something DIY musician friends decided in 2013 that it was time to record and release their experimental electronic pop debut. The duo’s eponymous LP is something pretty spectacular that more people should hear. The self-titled 2014 release of the debut album from Shawn Wilson (drums, synth, guitar, samples, bass, vocals) of Detroit and Sam Sage (vocals, bass, guitar, synths, drums, samples) of Houston is completely a DIY work – from writing to recording and production.
The results are an amazingly intricate electronic rock album full of machine-like beats and sounds, fuzzy distortion, and mysterious vocals. The duo, influenced by bands like Nine Inch Nails, Sleigh Bells, Portishead, and Aphex Twin, currently live in Chicago where they are hoping to break out on the local, and national, scene. We think they have a damn good shot at doing both.
“Our self-titled debut album was written, recorded, mixed and mastered independently in less than a year,” Wilson said. “Our music could be described as electronic, noisy and occasionally poppy. We totally dig distortion.”
“Insigdifferent“ – Mechanical Joints from Mechanical Joints
“Long Goodbye“Mechanical Joints from Mechanical Joints
“Indie rock is music created without the influence of middlemen, corporations or monetary promise; free art.” – Shawn Wilson
Monuments – Brigadune
The Brooklyn-based DIY indie rock/psychedelic sci-fi band, Monuments, formed in 2006, released its sophomore LP, Brigadune, last spring, consisting of a collection of songs about “paranoia of things falling apart – from slippery/elusive consciousness, to the impermanence of personal relationships, to the creepiness of cults, and the fall of modern civilization.” Oddly enough, and the band claims completely unintentional, the title Brigadune, and the music on it, are surprisingly similar to an old musical called Brigadoon. “The word was just a placeholder title for an instrumental track, but when we Googled it a couple weeks later, there were many similar themes between our album and the musical…[which is] about two New Yorkers who travel to the highlands of Scotland to find a utopic [sic] town that only exists for a day every 100 years.” Monuments features Gabriel Berezin on vocals and guitar; Robby Sinclair on drums, and Grant Zubritsky on bass and synthesizer.
The band has opened for artists and bands like Nina Persson, Field Music, Shooter Jennings, Earl Greyhound, and consider Peter Gabriel, Queens of the Stone Age, Neil Young, Elbow, St. Vincent, and Jeff Buckley among their top influences. Speaking about what indie rock means to the band, Berezin told IRC: “Indie rock is freedom. It’s the label for music that defies category. It allows an artist to incorporate all styles. For us that means jazz, Motown, classic rock, prog rock, Indian music, and classical music. It’s what all music should be: open to all influences, trapped by none.”
Anthony DeMartini is the one man band behind Brooklyn DIY outfit Hippy Tantrum. In addition to writing all of the songs on his 2014 debut EP, Spadoinkle, DeMartini records and mixes the vocals, synths, guitar and percussion to create music he calls “electronic non-pop” rock. “Growing up in Jersey, I’ve had this itch to be a musician for a while, and now I’m looking to scratch out a living in Brooklyn,” DeMartini said. “I created my solo project as an outlet while I was persistently trying to start or join a band. Hippy Tantrum will strive to be unique and experiment with new concepts – like back-up dancers and awkward conversations with parents.” Although we really enjoy the tracks below, it should be noted that Hippy Tantrum doesn’t sound much like DeMartini’s self-professed favorite bands, which include Muse, Radiohead and The Dave Matthews Group.
We certainly can’t claim to always ‘get it right.’ Many times when we feature a new, under-the-radar or DIY artist or band, we’re basing it off of raw talent and a sense that there is great potential that has so far not been realized for whatever reason. That’s the case for the DIY Swedish band, No Sleep For Lucy. NSFL possess a tight, even well polished sound, that obviously emulates, quite well, the mainstream-leaning, southern California alternative rock sound that 15 years on is still inspiring ambitious, young musicians around the world to embrace it and somehow also make it their own. It certainly isn’t the type of rock of the hipster, stoner or serious musician crowds. But that’s OK – we’re all about inclusivity. It’s possible that a lot more people than we imagine will dig this two well performed songs by the unsigned band from Sweden that apparently has some back story about a girl named Lucy who has sleep issues.
Def props to the band for going with a name that is not exactly commercial oriented but is definitely search engine friendly, unique and memorable. Christian Rabbs, the co-founder and guitarist, told IRC that the band named it after the anthropological find of the oldest human remains ever found of a female that became known around the world as Lucy, who has been touring around the world for some time – thus, the name, No Sleep For Lucy.
The band came together after vocalist Lukas Meijer and bassist Kristoffer Sjökvist met and realized their tastes in making music were similar. After many practice sessions, the band released two terrifically energetic and memorable tracks, “Feel Alive” and “Going Down” earlier in 2014. The boys were helped out by the well-known Swedish producer Mats Valentine. Rabbs and Sjokvist had previously written platinum and gold records for artists around the globe along with their partners Tommy Henriksen (Simple Plan, Daughtry, Alice Cooper) and Mark Holman (Grammy Award nominee ‘RED’, American Idols). “When we write music we always start with just playing around with some riffs/chords and when we have something that feels inspiring we start and find some interesting melodies,” Rabbs said. “We love playing live better than sitting in a dark studio dungeon.”
From the heart of “America’s Breadbasket,” better known as the Central Valley of California, the progressive rock band Time Spills takes a different approach to their music than most bands – it’s all instrumental. The band’s drummer, Shane Luevano, says the trio was formerly a quintet, but they soon found out shortly after forming in 2012 that they had more fun writing and recording songs without a vocalist. As a newly minted three-piece band, they draw inspiration from bands like The Mars Volta, The Fall of Troy, Tides of Man, Tera Melos, Dance Gavin Dance, and Pink Floyd.
Morphing into an instrumental trio seems to be working out for the Salinas band, which is evidenced on tracks like “Kimmer Crispin” and “Trapazoid,” from Time Spills’ debut EP, Cool. Over a two year period, Luevano said, the trio came to realize they made the right decision. “It allowed us to experiment freely and push some musical boundaries. We try not to stick to one genre but to merge as many as we can.” To that point, the band mix math rock, jazz, surf rock and alternative rock into their signature sound. And even more so, they don’t care if it doesn’t stand up against criticism – a true DIY spirit if there is one. “We make music for ourselves, nothing else and if someone actually takes the time to listen, well that’s awesome!” The trio, which also includes guitarists Ricardo Chavez and Christian Talamante.
Desert Killers is a DIY multi-genre duo from Sao Paulo, Brazil, featuring local musicians Antonio Ribeiro (vocals, drums, percussions) and Matheus Zingano (vocals, guitars, keys), that mixes blues, rock, psychedelia to create a unique sound. The duo got together in 2013 after having performed in other bands that were not taking the direction they wanted to go with producing music. Right away they began writing songs inspired by their personal “scars and insights” and “the complexities of the world.” Their debut EP, Ardio, features the two tracks below – “So Bad” and “Take My Way.” The duo’s musical influences include Eric Clapton, Gary Clark Jr, The Rolling Stones, The Beatles, Queens of the Stone Age, and Muddy Waters.
“So Bad“ – Desert Killers from Ardío
“Take My Way“ – Desert Killers from Ardío
Desert Killers official website
Joel Strauss – Don’t Lose That Feeling
The fist thing that we noticed about Canadian DIY multi-instrumentalist, singer and songwriter, Joel Strauss, is his voice – nasally, but a good kind of nasally (like Dylan and others). Perhaps even more so, he sounds a bit like Colin Meloy of The Decemberists, and conveys a remarkably sonic palette. In subsequent spins of Strauss’ songs over the ensuing months, we got to like his music all more and more, most especially the two singles included below from his 2014 DIY debut album, Don’t Lose That Feeling. Strauss skillfully weaves together various styles, like pop, rock and folk into his songs, together with intelligent and inspiring lyrics. And that voice – one which some will turn away from, and others will embrace. Strauss’ music is ‘grower’ style, although there are sure to be listeners who like his music right away.
“Don’t Lose That Feeling” – Joel Strauss from Don’t Lose That Feeling
“The New City” – Joel Strauss from Don’t Lose That Feeling
Joel Strauss Official Website
The Crash Bandits – Closer
The Crash Bandits are a three-piece indie rock band from Minneapolis who have made a name for themselves in the local scene thanks to their highly charged rock balanced with pop moments as displayed on their 2014 third LP, Closer. The band has spread its wings beyond Minneapolis to cities throughout the Midwest. In March of 2014, they were a showcase band at South By Southwest. Their musical influences span many decades, from The Ramones to the Pixies, Saves The Day to The Replacements, and Blink 182 to Motion City Soundtrack. The band members include Matt Brownon vocals and guitar; Kevin Goff on drums and Nick Westgor on bass. While at their core they are hard rockers, tracks like “Silly Things,” with it’s catchy pop/rock style and singalong choruses, is the type of song you’d want to hear on a sunny day after the skies have been cloudy and grey for too long.
Kwolek is Boulder musician, songwriter and vocalist Michael Kwolek. Unlike his music, he wanted to create a simple moniker. As he told us, “All of the cool names were taken, so it seemed like my last name was a no brainer.” Plus, it’s reflective of the concept of his one-man band project. In addition to writing and singing all of the tracks on his 2014 debut EP, Affections, Kwolek played guitar, keyboards and programmed the songs as well. The songs were written and recorded over the past five years in different locales around the world – New Jersey, Beijing, Tokyo and finally Boulder. Standout tracks include the dense, yet spacious, guitar riff single, “Creeper,” and the divergently melodic, yet cacophonous “Such Hot Shit.” Kwolek’s top musical influences include artists like M83, Radiohead, New Order and St. Vincent.
“Creeper“ – Kwolek from Affectations
“Such Hot Shit“ – Kwolek from Affectations
Tony Michael Ellis – Undertow
Anyone with a strong familiarity with The Beach Boys sound will find the songs on Los Angeles singer and songwriter Tony Michael Ellis‘ debut LP heavily influenced by the 60s pop rock icons. The single, “It Soothes My Soul,” combines upbeat melodies, acoustic guitar and piano, along with soaring harmonies, that couldn’t sound more like a rendition of The Beach Boys’ unique California pop sound (that still sounds fresh 50 years later). Ellis does a commendable job of replicating their sound, along with his admittedly Beatles-influence as well, in other singles on the album such as smooth love song, “Without Her.” However, the overall sound is still his own.
From Glasgow, Scotland, DIY songwriter and musician Paul Mclinden is a classically-trained, indie pop rock one-man band whose November release, Head Happy, and it turns out to be one of the best DIY LPs of the year, and perhaps our favorite debut LP of any other overseas artist in recent memory. Head Happy is a feast for the DIY hungry, featuring a banquet of appetizing songs like “Whether The Weather” and “Cheer Up,” to name just a couple. Ironically, “Cheer Up,” has – unlike his more upbeat songs – a more forbidding tinge with its sinister electric guitar notes rifling through the steadiness of the acoustic bass line, reminding us of something we’d hear on an early Velvet Underground demo tape. The fact that McLinden writes and sings all of his songs, but also plays all of the instruments AND mixes them altogether into tracks we want to play again and again, is more than just proof in the pudding of his talents as an artist.
“Cheer Up“ – Paul McLinden from Head Happy
“Whether The Weather“– Paul McLinden from Head Happy