# Best New Indie Albums, Jan 2022, Vol. II – Yard Act, BSS, Eels, Beirut, Yards & Yards - Link: https://indierockcafe.com/2022/01/best-new-indie-albums-jan-2022-2/ - Published: 2022-01-30T05:13:30-05:00 - Author: IRC Staff January 2022 has been a fairly strong month for notable new album releases. The [first half](https://indierockcafe.com2022/01/best-new-indie-albums-jan-2022-vol-i/) of the month included new LPs from big indie bands like The Lumineers, The Wombats, Cat Power, Bonobo, Elvis Costello, Blood Red Shoes, Spector, Burial and others. That’s just the first half of the month – read/listen to the [Best Indie Albums, January 2022, Vol. I](https://indierockcafe.com2022/01/best-new-singles-2022-vol-i/). The second half of the first month of 2022 continued the flow of releases from favorites like [Broken Social Scene](https://indierockcafe.com?s=broken+social+scene), Beirut, EELS, Yard Act, Silverbacks, Palace and Years & Years. #### In This Volume: | **Artist/Band** | **Homebase** | _**Album Title**_ | _**Record Label**_ | ** Genre ** | | **BROKEN SOCIAL SCENE** | Toronto, Ontario | _Old Dead Young (B-Sides & Rarities)_ | _Arts and Crafts_ | (alt./indie rock) | | **Beirut** | Sante Fe, New Mexico | _Artifcats_ | _Pompeii _ | (indie rock/pop) | | **EELS** | Los Angeles, California | _Extreme Witchcraft_ | _E Works_ | (indie rock/pop) | | **Yard Act** | Leeds, England | _The Overload_ | _Zen FC/Island_ | (indie rock/avante garde) | | **Palace** | London, England | _Shoals_ | _Fiction_ | (indie rock/pop) | | **Years & Years** | London, England | _Night Call_ | _Polydor_ | (indie rock/pop) |   After a blockbuster year for [2021 album releases](https://indierockcafe.com/est-albums-of-2021), it looks like 2022 is shaping up to be a year where a bunch of **veteran indie/alt rock giants** are set to drop new and highly anticipated albums. These include new releases from what one could mistaken as a line-up for veteran indie/alt bands like Built to Spill; Spoon; Pavement; Sloan; Urge Overkill; Slowdive; Guided By Voices; Spiritualized with rumors/hopes of new albums from My Bloody Valentine and The Cure. All said, the second half of January 2022 releases (drop dates: Jan. 21 and Jan. 28) has plenty of great indie music to keep all of us busy. --- First things first: we’re a little bummed that BMG moved **Band of Horses**‘ new album – _Things Are Great_ – from its initial January 21st drop date to March 4th. That said, **Ben Bridwell** and friends have shared three tracks from the LP, including BOH-style pleasers like “Crutch” and [“In Need of Repair”](https://indierockcafe.com2021/12/band-of-horses-drop-second-new-single-2021/) as only they can do. --- ![broken-social-scene](https://indierockcafe.com/wp-content/uploads/2022/01/broken- social-scene-via-Flare-650x350.jpeg) Another veteran, influential and amazing indie rock band (more like a collective), [Broken Social Scene](https://indierockcafe.com?s=broken+social+scene) returns in’ 22 with an double-album titled _Old Dead Young (B-Sides & Rarities)_. (Beirut also just dropped a 26-track double album of previously recordings; outtakes; previously- unreleased songs, B-sides, etc.) Even though **Broken Social Scene**‘s new album is not technically a ‘studio’ release of new material, BSS die-hard fans are sure to enjoy the B-sides and ‘rarities’ treat. Of course fans of BSS would welcome with wide-open arms an album of new material, especially following the success of 2017’s _Hug of Thunder_. In the two decades of existence, BSS has released just five albums. And while the collection just dropped for streaming, a handful of album tracks have already racked up hundreds of thousands of streams, and not surprisingly mostly for the beautiful folksy chill of “This House is On Fire” or the surreal alt. art rock on “Canada vs. America.” Related Post:  The Subways are back with new single ‘Fight’ **_Record Collector_** (80): `"Between the weather-worn blues reflections of Hard Times and the euphoric lift of closer Coalinga, the sense emerges of a band rediscovering their footing, a little saddle-sore but riding tall once more.` **_Classic Rock Magazine_** (80): `"The result is a minor wonder of wit, weight and emotion the Horses back to full gallop.` **_Pitchfork_** (68): `"The Canadian indie rock band sorts through a largely subdued grab bag of material on this career-spanning set, highlighted by offbeat experiments and homespun, intimate moments.` **_Bandcamper swills1_**: `"BSS was basically a Super Group before the fact. Their lineup all went on to be all stars. I really like hearing the B-sides and how they differed from other tracks that made the A-side cut.` --- #### BEIRUT – _Artifacts_ Not only does BSS have a collection of rarities, B-sides, and various recordings to offer this month, so doesn’t another huge indie band, and IRC favorite since 2007 (they were one of our first posts): **Beirut**. The collection is a worthy edition to Beirut fans’ playlists, especially for die- hard fans. However, for the average indie fan who may dig a few of Beirut’s tracks (if they’ve heard of them), the collection is not as essential as Beirut’s previous years’ releases, including the epic _The Flying Club Cub_ (2007) which followed Beirut breakthrough debut album, _Gulag Orkestar_ (2006). _Artifacts_ features popular new tracks like “Fisher Island Sound,” and the more modern, dance-oriented “Fyodor Dormant”). “This song was written while staying in band member Ben Lanz’s old family cottage on the coast of Connecticut, on the Fisher Island Sound,” Condon explains. “I played with the lines for years before trying to record versions of it in Brooklyn with the band. Perrin Cloutier had taught himself how to play a new button accordion beautifully, and the band was really sounding their best. “I however, struggled in those years to put vocals on the songs and ended up scrapping a lot of the music from that era in this part of the collection due to fear, stress and self-doubt. I’ve come to rediscover some of these old songs in a different light since then, but they do remain a heavy reminder of unsteady times. _Artifacts_ chronicles the evolution of Beirut during the past 15 years. It also includes some of Condon’s earliest recordings from the tender age of 14 years old. “When the decision came to re-release this collection, I found myself digging through hard drives looking for something extra to add to the compilation,” Condon said in the liner notes for _Artifacts_. “What started as a few extra unreleased tracks from my formative recording years quickly grew into an entire extra records-worth of music from my past, and a larger project of remixing and remastering everything I found for good measure.” Related Post:  Frank Carter & The Rattlesnakes drop ‘My Town’, featuring IDLES’ Joe Talbot From _XSNoise_ writer **Michael Barron**: “The strongest songs on this double album are the EP’s and the B-sides when Zachary had finally met bandmates Paul Collins and Nick Petree, who had taken Middle Eastern percussion classes and knew his way around a Darbuka drum. “Condon, at this stage, knew how to channel and develop his experimentation. The influences of the minimal German electronica, hip hop and various mixtapes play a less prominent role, and the organic world music sounds come to the forefront. For example, the Portuguese Fado-style guitar over the main melody and trumpets across instrumental “Die Treue zum Ursprung” form the sound template that would eventually provide Beirut with international acclaim.” --- ![EELS](https://indierockcafe.com/wp-content/uploads/2022/01/EELS-HD-PIC-650x371. jpeg) #### EELS – _Extreme Witchcraft_ This past week sees the release of album #14 for indie vet Eels. _Extreme Witchcraft_ is a twelve-song album co-produced with **PJ Harvey** producer and guitarist **John Parish**. It marks the first collaboration between Eels frontman (only man) **Mark “E” Oliver Everett** and Parish since 2001’s Souljacker. “John Parish is one of the most even-tempered and polite people I’ve ever met. A true gentleman. In fact, he’s probably the most polite person I’ve ever met. But when he gets into the studio, he becomes a mad scientist. When you make music with John Parish you get things that no one else has. He has a really unique tool kit and a unique musical attitude. Maybe his politeness is a coping mechanism to keep Mr. Hyde in check when he’s not in his lab,” E said. Eels advanced the first single “Good Night On Earth” last September. The album is available on CD, LP and as a limited edition double box set on transparent yellow vinyl (45 RPM, 180 g). The CD includes a digipak with a booklet, a lenticular print of the album artwork, an _Extreme Witchcraft_ Ouija board with Eels’ planchette and a A5 sticker sheet. It’s amazing to release that singer-songwriter and multi-instrumentalist Mark Oliver Everett first founded Eels back in 1991 – over 30 years ago. Since band members have changed frequently over the years, Everett is the only official Eels’ member with 13 studio albums, seven of which charted in the US Billboard 200. _Extreme Witchcraft_ marks LP #14. --- ![yard-act-band](https://indierockcafe.com/wp-content/uploads/2022/01/Yard-Act-from- Universal-Music-650x431.jpeg) #### Yard Act – _The Overload _ While we’re late to the **Yard Act** love fest, that doesn’t lessen the attraction and intrigue for this interesting and unique no-wave/punk band from **Leeds**, England. Related Post:  Cape Weather – 'Alice' In recent months, the band has crossed many music bloggers’ radars, including ours, and has become a buzz-band for 2022. Yard Act’s full-length debut, _The Overload_, is a rousing, ‘talkie’ punk rock trip that is garnering praise from critics and music lovers alike. Comparisons with bands like **The Fall** (an obvious heavy influence) and the **Parquet Courts** are appropriate. **_Under The Radar_ **(90): `"At its heart, _The Overload_ is a hugely impressive debut bubbling with sardonic wit, wisdom, anger, and compassion. **_The (UK) Telegraph_**( 80): "_The Overload_ is a very fine debut from a group that sound like they think they are smarter, funnier and fiercer than all of their peers, and just might prove to be. **_PopMatters_** (70): `"Interestingly, the near-constant use of spoken word doesn’t ever become grating. The band have a knack for making their instrumentals minimalistic enough for the vocals to always feel natural while also unique.` --- ![Palace-–-Shoals](https://indierockcafe.com/wp-content/uploads/2022/01/Palace-–- Shoals-1.jpeg) #### Palace – _Shoals_ The third full-length release for British trio **Palace** was written during the first COVID lockdowns. _The Line of Best Fit_ (80): `"With this album, Palace have offered a spiritual voyage through the fluctuations of life, and the uncertainty that holds its hand. If Shoals is anything to go by, Palace will be filling stadiums before too long.` **_Mojo_** (80) `"It feels like Palace's first significant work.` **_DIY Magazine _**(70) `"A more pure and intense sound, less manufactured and acutely heartfelt.` --- ![olly-alexander](https://indierockcafe.com/wp-content/uploads/2022/01/olly-alexander- solo-ART-pic-650x638.jpeg) #### Yards & Yards – _Night Call_ The astronomical success of **Years & Years** in past years has a new chapter: Olly Alexander’s new ‘solo’ album _Night Call_ has already garnered tens of millions of streams with the most going to “Starstruck” and “Sweet Talker”. If you like to boogy, you may dig the mainstream-oriented dance record of Alexander’s new solo project – framed as such after two members of the once-blockbuster trio left for other projects. **_AllMusic_** (80) `"While Night Call builds nicely upon Years & Years' indie electronic roots, it primarily feels like a new beginning for Alexander as he boldly embraces his pop future."` **_Uncut_** (60) `"Too often, though, good-not-great tunes can't quite make up for generic song structures and performances that seem to have lost a certain charismatic shine during the downsizing operation." ` --- ##### Other Notable Releases _(Jan. 15-Jan.28)_ **Boris** –_[ W ](https://open.spotify.com/album/08tR5zyttBhLyrnO4dXklu?si=HxSmsfmuRvKHO-4dWcatIA)_( 80) The latest full-length release from the Japanese post-rock band **Boris** is its first on the Sacred Bones label. **_The Wire_** (80): `"Where NO was extreme in its attack,_ W _opts to let the group dream, as a more acoustic angle is explored – with Wata’s ephemeral vocal being an ever present guiding spirit force that trails like incense smoke through the songs."`